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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEF443 it is the complementary color #410BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEF443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEF443 shade: #C3F43E, #D4FF51, #E5FF64, #F6FF77 and #FFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEF443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEF443 shade: #BEF443, #ADE230, #9CD01D, #8BBE0A and #7AAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEF443 shade: #BEF443, #EDF443, #F4CA43, #F49A43 and #F46B43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEF443 shade: #BEF443, #8EF443, #5EF443, #43F457 and #43F486

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEF443 shade matches the following richer shades: #BEF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEF443 shade: #BEF443, #B7E353, #B1D363, #ABC373 and #A4B383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEF443 shade: #F4CA43, #EEF443, #BEF443, #8FF443 and #60F443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEF443 shade: #99D80C, #B0F11C, #BEF443, #CBF66A and #D8F891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEF443 shade: #BEF443, #43F49B and #E243F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEF443 shade: #BEF443, #43BEF4 and #F443BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEF443 shade: #BEF443, #43F49B, #7843F4 and #F4439B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEF443 shade: #BEF443, #43F4D0, #7843F4 and #F44366

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

Complementary color

CMYK 65 / 94 / 0 / 26

HEX #410BBC

RGB 65 11 188

HSL 258.31, 0.89%, 0.39%

LAB 26.72, 62.28, -78.5

 

CMYK 20 / 0 / 75 / 4

HEX #C3F43E

RGB 195 244 62

HSL 76.15, 0.89%, 0.6%

LAB 90.16, -39.11, 76.59

 

CMYK 17 / 0 / 68 / 0

HEX #D4FF51

RGB 212 255 81

HSL 74.83, 1%, 0.66%

LAB 94.36, -36.54, 74.7

 

CMYK 10 / 0 / 61 / 0

HEX #E5FF64

RGB 229 255 100

HSL 70.06, 1%, 0.7%

LAB 95.62, -28.79, 69.1

 

CMYK 4 / 0 / 53 / 0

HEX #F6FF77

RGB 246 255 119

HSL 63.97, 1%, 0.73%

LAB 97, -20.77, 62.93

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 23 / 0 / 79 / 11

HEX #ADE230

RGB 173 226 48

HSL 77.87, 0.75%, 0.54%

LAB 83.7, -40.15, 74.23

 

CMYK 25 / 0 / 86 / 18

HEX #9CD01D

RGB 156 208 29

HSL 77.43, 0.76%, 0.46%

LAB 77.44, -39.37, 72.94

 

CMYK 27 / 0 / 95 / 25

HEX #8BBE0A

RGB 139 190 10

HSL 77, 0.9%, 0.39%

LAB 71.1, -38.39, 70.35

 

CMYK 29 / 0 / 100 / 33

HEX #7AAC00

RGB 122 172 0

HSL 77.44, 1%, 0.34%

LAB 64.68, -37.17, 66.11

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 3 / 0 / 73 / 4

HEX #EDF443

RGB 237 244 67

HSL 62.37, 0.89%, 0.61%

LAB 93.06, -22.28, 78.78

 

CMYK 0 / 17 / 73 / 4

HEX #F4CA43

RGB 244 202 67

HSL 45.76, 0.89%, 0.61%

LAB 82.85, 1.51, 69.19

 

CMYK 0 / 37 / 73 / 4

HEX #F49A43

RGB 244 154 67

HSL 29.49, 0.89%, 0.61%

LAB 71.38, 26.64, 57.7

 

CMYK 0 / 56 / 73 / 4

HEX #F46B43

RGB 244 107 67

HSL 13.56, 0.89%, 0.61%

LAB 61.79, 50.26, 47.53

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 42 / 0 / 73 / 4

HEX #8EF443

RGB 142 244 67

HSL 94.58, 0.89%, 0.61%

LAB 87.42, -57.45, 71.37

 

CMYK 61 / 0 / 73 / 4

HEX #5EF443

RGB 94 244 67

HSL 110.85, 0.89%, 0.61%

LAB 85.75, -70.3, 69.16

 

CMYK 73 / 0 / 64 / 4

HEX #43F457

RGB 67 244 87

HSL 126.78, 0.89%, 0.61%

LAB 85.29, -73.56, 61.05

 

CMYK 73 / 0 / 45 / 4

HEX #43F486

RGB 67 244 134

HSL 142.71, 0.89%, 0.61%

LAB 85.81, -67.41, 40.45

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 19 / 0 / 63 / 11

HEX #B7E353

RGB 183 227 83

HSL 78.33, 0.72%, 0.61%

LAB 84.81, -34.8, 63.45

 

CMYK 16 / 0 / 53 / 17

HEX #B1D363

RGB 177 211 99

HSL 78.21, 0.56%, 0.61%

LAB 80.09, -28.33, 51.09

 

CMYK 12 / 0 / 41 / 24

HEX #ABC373

RGB 171 195 115

HSL 78, 0.4%, 0.61%

LAB 75.41, -21.16, 37.48

 

CMYK 8 / 0 / 27 / 30

HEX #A4B383

RGB 164 179 131

HSL 78.75, 0.24%, 0.61%

LAB 70.71, -13.59, 22.83

 

CMYK 0 / 17 / 73 / 4

HEX #F4CA43

RGB 244 202 67

HSL 45.76, 0.89%, 0.61%

LAB 82.85, 1.51, 69.19

 

CMYK 2 / 0 / 73 / 4

HEX #EEF443

RGB 238 244 67

HSL 62.03, 0.89%, 0.61%

LAB 93.14, -21.87, 78.88

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 41 / 0 / 73 / 4

HEX #8FF443

RGB 143 244 67

HSL 94.24, 0.89%, 0.61%

LAB 87.46, -57.14, 71.43

 

CMYK 61 / 0 / 73 / 4

HEX #60F443

RGB 96 244 67

HSL 110.17, 0.89%, 0.61%

LAB 85.8, -69.86, 69.23

 

CMYK 29 / 0 / 94 / 15

HEX #99D80C

RGB 153 216 12

HSL 78.53, 0.89%, 0.45%

LAB 79.56, -44.35, 77.16

 

CMYK 27 / 0 / 88 / 5

HEX #B0F11C

RGB 176 241 28

HSL 78.31, 0.88%, 0.53%

LAB 88.08, -46.14, 82.43

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 17 / 0 / 57 / 4

HEX #CBF66A

RGB 203 246 106

HSL 78.43, 0.89%, 0.69%

LAB 91.53, -34.12, 61.57

 

CMYK 13 / 0 / 42 / 3

HEX #D8F891

RGB 216 248 145

HSL 78.64, 0.88%, 0.77%

LAB 93.35, -26.37, 45.99

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 73 / 0 / 36 / 4

HEX #43F49B

RGB 67 244 155

HSL 149.83, 0.89%, 0.61%

LAB 86.14, -63.74, 30.46

 

CMYK 7 / 73 / 0 / 4

HEX #E243F4

RGB 226 67 244

HSL 293.9, 0.89%, 0.61%

LAB 58.71, 80.8, -57.58

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 73 / 22 / 0 / 4

HEX #43BEF4

RGB 67 190 244

HSL 198.31, 0.89%, 0.61%

LAB 72.6, -16.61, -36.49

 

CMYK 0 / 73 / 22 / 4

HEX #F443BE

RGB 244 67 190

HSL 318.31, 0.89%, 0.61%

LAB 58.94, 76.82, -26.47

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 73 / 0 / 36 / 4

HEX #43F49B

RGB 67 244 155

HSL 149.83, 0.89%, 0.61%

LAB 86.14, -63.74, 30.46

 

CMYK 51 / 73 / 0 / 4

HEX #7843F4

RGB 120 67 244

HSL 257.97, 0.89%, 0.61%

LAB 45, 62, -80.44

 

CMYK 0 / 73 / 36 / 4

HEX #F4439B

RGB 244 67 155

HSL 330.17, 0.89%, 0.61%

LAB 57.67, 72.83, -8.1

 

CMYK 22 / 0 / 73 / 4

HEX #BEF443

RGB 190 244 67

HSL 78.31, 0.89%, 0.61%

LAB 89.88, -40.76, 74.63

 

CMYK 73 / 0 / 15 / 4

HEX #43F4D0

RGB 67 244 208

HSL 167.8, 0.89%, 0.61%

LAB 87.22, -52.19, 4.65

 

CMYK 51 / 73 / 0 / 4

HEX #7843F4

RGB 120 67 244

HSL 257.97, 0.89%, 0.61%

LAB 45, 62, -80.44

 

CMYK 0 / 73 / 58 / 4

HEX #F44366

RGB 244 67 102

HSL 348.14, 0.89%, 0.61%

LAB 56.29, 68.36, 21.25

 

Description

Color code: HEX #BEF443 | qconv.com Color code: HEX #BEF443 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 244 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 244 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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