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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEF63B it is the complementary color #4109C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEF63B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEF63B shade: #C3F636, #D4FF49, #E5FF5C, #F6FF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEF63B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEF63B shade: #BEF63B, #ADE428, #9CD215, #8BC002 and #7AAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEF63B shade: #BEF53C, #F0F53C, #F5C93C, #F5973C and #F5653C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEF63B shade: #BEF53C, #8CF53C, #5AF53C, #3CF550 and #3CF582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEF63B shade matches the following richer shades: #BEF53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEF63B shade: #BEF53C, #B7E54C, #B0D45D, #AAC46D and #A3B37E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEF63B shade: #F5C73C, #F2F53C, #C1F53C, #8FF53C and #5EF53C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEF63B shade: #98D50A, #B1F314, #BEF53C, #CBF763 and #D8F98A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEF63B shade: #BEF63B, #3CF595 and #E03CF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEF63B shade: #BEF63B, #3CC1F5 and #F53CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEF63B shade: #BEF63B, #3CF595, #703CF5 and #F53C9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEF63B shade: #BEF63B, #3CF5CD, #703CF5 and #F53C64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

Complementary color

CMYK 67 / 95 / 0 / 23

HEX #4109C4

RGB 65 9 196

HSL 257.97, 0.91%, 0.4%

LAB 27.59, 64.63, -81.78

 

CMYK 21 / 0 / 78 / 4

HEX #C3F636

RGB 195 246 54

HSL 75.94, 0.91%, 0.59%

LAB 90.68, -40.34, 79.4

 

CMYK 17 / 0 / 71 / 0

HEX #D4FF49

RGB 212 255 73

HSL 74.18, 1%, 0.64%

LAB 94.31, -36.98, 77.41

 

CMYK 10 / 0 / 64 / 0

HEX #E5FF5C

RGB 229 255 92

HSL 69.57, 1%, 0.68%

LAB 95.56, -29.32, 72.2

 

CMYK 4 / 0 / 56 / 0

HEX #F6FF6F

RGB 246 255 111

HSL 63.75, 1%, 0.72%

LAB 96.93, -21.38, 66.31

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 24 / 0 / 82 / 11

HEX #ADE428

RGB 173 228 40

HSL 77.55, 0.78%, 0.53%

LAB 84.24, -41.33, 76.75

 

CMYK 26 / 0 / 90 / 18

HEX #9CD215

RGB 156 210 21

HSL 77.14, 0.82%, 0.45%

LAB 78, -40.45, 74.83

 

CMYK 28 / 0 / 99 / 25

HEX #8BC002

RGB 139 192 2

HSL 76.74, 0.98%, 0.38%

LAB 71.69, -39.39, 71.68

 

CMYK 30 / 0 / 100 / 32

HEX #7AAE00

RGB 122 174 0

HSL 77.93, 1%, 0.34%

LAB 65.29, -38.06, 66.57

 

CMYK 22 / 0 / 76 / 4

HEX #BEF53C

RGB 190 245 60

HSL 77.84, 0.9%, 0.6%

LAB 90.13, -41.54, 77.06

 

CMYK 2 / 0 / 76 / 4

HEX #F0F53C

RGB 240 245 60

HSL 61.62, 0.9%, 0.6%

LAB 93.52, -21.82, 81.43

 

CMYK 0 / 18 / 76 / 4

HEX #F5C93C

RGB 245 201 60

HSL 45.73, 0.9%, 0.6%

LAB 82.65, 2.15, 71.56

 

CMYK 0 / 38 / 76 / 4

HEX #F5973C

RGB 245 151 60

HSL 29.51, 0.9%, 0.6%

LAB 70.78, 28.32, 60.16

 

CMYK 0 / 59 / 76 / 4

HEX #F5653C

RGB 245 101 60

HSL 13.3, 0.9%, 0.6%

LAB 60.82, 53.08, 50.07

 

CMYK 22 / 0 / 76 / 4

HEX #BEF53C

RGB 190 245 60

HSL 77.84, 0.9%, 0.6%

LAB 90.13, -41.54, 77.06

 

CMYK 43 / 0 / 76 / 4

HEX #8CF53C

RGB 140 245 60

HSL 94.05, 0.9%, 0.6%

LAB 87.59, -58.87, 73.75

 

CMYK 63 / 0 / 76 / 4

HEX #5AF53C

RGB 90 245 60

HSL 110.27, 0.9%, 0.6%

LAB 85.91, -71.94, 71.55

 

CMYK 76 / 0 / 67 / 4

HEX #3CF550

RGB 60 245 80

HSL 126.49, 0.9%, 0.6%

LAB 85.43, -75.54, 63.91

 

CMYK 76 / 0 / 47 / 4

HEX #3CF582

RGB 60 245 130

HSL 142.7, 0.9%, 0.6%

LAB 85.94, -69.32, 42.53

 

CMYK 22 / 0 / 76 / 4

HEX #BEF53C

RGB 190 245 60

HSL 77.84, 0.9%, 0.6%

LAB 90.13, -41.54, 77.06

 

CMYK 22 / 0 / 76 / 4

HEX #BEF53C

RGB 190 245 60

HSL 77.84, 0.9%, 0.6%

LAB 90.13, -41.54, 77.06

 

CMYK 20 / 0 / 67 / 10

HEX #B7E54C

RGB 183 229 76

HSL 78.04, 0.75%, 0.6%

LAB 85.32, -36.19, 66.73

 

CMYK 17 / 0 / 56 / 17

HEX #B0D45D

RGB 176 212 93

HSL 78.15, 0.58%, 0.6%

LAB 80.24, -29.73, 53.99

 

CMYK 13 / 0 / 44 / 23

HEX #AAC46D

RGB 170 196 109

HSL 77.93, 0.42%, 0.6%

LAB 75.53, -22.74, 40.65

 

CMYK 9 / 0 / 30 / 30

HEX #A3B37E

RGB 163 179 126

HSL 78.11, 0.26%, 0.6%

LAB 70.55, -14.7, 25.28

 

CMYK 0 / 19 / 76 / 4

HEX #F5C73C

RGB 245 199 60

HSL 45.08, 0.9%, 0.6%

LAB 82.16, 3.19, 71.09

 

CMYK 1 / 0 / 76 / 4

HEX #F2F53C

RGB 242 245 60

HSL 60.97, 0.9%, 0.6%

LAB 93.67, -21, 81.62

 

CMYK 21 / 0 / 76 / 4

HEX #C1F53C

RGB 193 245 60

HSL 76.86, 0.9%, 0.6%

LAB 90.31, -40.4, 77.29

 

CMYK 42 / 0 / 76 / 4

HEX #8FF53C

RGB 143 245 60

HSL 93.08, 0.9%, 0.6%

LAB 87.71, -57.93, 73.92

 

CMYK 62 / 0 / 76 / 4

HEX #5EF53C

RGB 94 245 60

HSL 108.97, 0.9%, 0.6%

LAB 86.01, -71.09, 71.69

 

CMYK 29 / 0 / 95 / 16

HEX #98D50A

RGB 152 213 10

HSL 78.03, 0.91%, 0.44%

LAB 78.63, -43.46, 76.6

 

CMYK 27 / 0 / 92 / 5

HEX #B1F314

RGB 177 243 20

HSL 77.76, 0.9%, 0.52%

LAB 88.69, -46.77, 84.08

 

CMYK 22 / 0 / 76 / 4

HEX #BEF53C

RGB 190 245 60

HSL 77.84, 0.9%, 0.6%

LAB 90.13, -41.54, 77.06

 

CMYK 18 / 0 / 60 / 3

HEX #CBF763

RGB 203 247 99

HSL 77.84, 0.9%, 0.68%

LAB 91.74, -35.13, 64.78

 

CMYK 13 / 0 / 45 / 2

HEX #D8F98A

RGB 216 249 138

HSL 77.84, 0.9%, 0.76%

LAB 93.53, -27.61, 49.57

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 76 / 0 / 39 / 4

HEX #3CF595

RGB 60 245 149

HSL 148.86, 0.9%, 0.6%

LAB 86.22, -66.11, 33.56

 

CMYK 9 / 76 / 0 / 4

HEX #E03CF5

RGB 224 60 245

HSL 293.19, 0.9%, 0.6%

LAB 57.72, 82.7, -59.73

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 76 / 21 / 0 / 4

HEX #3CC1F5

RGB 60 193 245

HSL 196.86, 0.9%, 0.6%

LAB 73.35, -18.67, -35.87

 

CMYK 0 / 76 / 21 / 4

HEX #F53CC1

RGB 245 60 193

HSL 316.86, 0.9%, 0.6%

LAB 58.5, 79.5, -28.86

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 76 / 0 / 39 / 4

HEX #3CF595

RGB 60 245 149

HSL 148.86, 0.9%, 0.6%

LAB 86.22, -66.11, 33.56

 

CMYK 54 / 76 / 0 / 4

HEX #703CF5

RGB 112 60 245

HSL 256.86, 0.9%, 0.6%

LAB 43.17, 64.39, -84.03

 

CMYK 0 / 76 / 36 / 4

HEX #F53C9C

RGB 245 60 156

HSL 328.86, 0.9%, 0.6%

LAB 57.12, 75.32, -9.49

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 76 / 0 / 16 / 4

HEX #3CF5CD

RGB 60 245 205

HSL 167.03, 0.9%, 0.6%

LAB 87.33, -54.13, 6.36

 

CMYK 54 / 76 / 0 / 4

HEX #703CF5

RGB 112 60 245

HSL 256.86, 0.9%, 0.6%

LAB 43.17, 64.39, -84.03

 

CMYK 0 / 76 / 59 / 4

HEX #F53C64

RGB 245 60 100

HSL 347.03, 0.9%, 0.6%

LAB 55.65, 70.71, 21.6

 

Description

Color code: HEX #BEF63B | qconv.com Color code: HEX #BEF63B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 246 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 246 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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