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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEF16D it is the complementary color #410E92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEF16D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEF16D shade: #C3F168, #D4FF7B, #E5FF8E, #F6FFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEF16D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEF16D shade: #BEF16D, #ADDF5A, #9CCD47, #8BBB34 and #7AA921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEF16D shade: #BEF16E, #E2F16E, #F1DD6E, #F1BA6E and #F1966E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEF16D shade: #BEF16E, #9BF16E, #78F16E, #6EF187 and #6EF1AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEF16D shade matches the following richer shades: #BEF16E and #C1FE61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEF16D shade: #BEF16E, #BBE47B, #B9D787, #B6CB94 and #B3BEA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEF16D shade: #F1DD6E, #E2F16E, #BFF16E, #9CF16E and #79F16E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEF16D shade: #9DEA22, #AEEE48, #BEF16E, #CFF594 and #E0F8B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEF16D shade: #BEF16D, #6EF1BA and #EF6EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEF16D shade: #BEF16D, #6EBFF1 and #F16EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEF16D shade: #BEF16D, #6EF1BA, #A06EF1 and #F16EA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEF16D shade: #BEF16D, #6EF1E2, #A06EF1 and #F16E7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 55 / 5

HEX #BEF16D

RGB 190 241 109

HSL 83.18, 0.83%, 0.69%

LAB 89.38, -36.41, 57.58

 

Complementary color

CMYK 55 / 90 / 0 / 43

HEX #410E92

RGB 65 14 146

HSL 263.18, 0.83%, 0.31%

LAB 21.99, 50.94, -60.88

 

CMYK 19 / 0 / 57 / 5

HEX #C3F168

RGB 195 241 104

HSL 80.15, 0.83%, 0.68%

LAB 89.63, -35, 60.15

 

CMYK 17 / 0 / 52 / 0

HEX #D4FF7B

RGB 212 255 123

HSL 79.55, 1%, 0.74%

LAB 94.72, -33.37, 57.89

 

CMYK 10 / 0 / 44 / 0

HEX #E5FF8E

RGB 229 255 142

HSL 73.81, 1%, 0.78%

LAB 96.05, -25.18, 50.98

 

CMYK 4 / 0 / 37 / 0

HEX #F6FFA1

RGB 246 255 161

HSL 65.74, 1%, 0.82%

LAB 97.51, -16.77, 43.94

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 21 / 0 / 55 / 5

HEX #BEF16D

RGB 190 241 109

HSL 83.18, 0.83%, 0.69%

LAB 89.38, -36.41, 57.58

 

CMYK 22 / 0 / 60 / 13

HEX #ADDF5A

RGB 173 223 90

HSL 82.56, 0.68%, 0.61%

LAB 83.12, -36.22, 58.52

 

CMYK 24 / 0 / 65 / 20

HEX #9CCD47

RGB 156 205 71

HSL 81.94, 0.57%, 0.54%

LAB 76.79, -35.94, 59.26

 

CMYK 26 / 0 / 72 / 27

HEX #8BBB34

RGB 139 187 52

HSL 81.33, 0.56%, 0.47%

LAB 70.37, -35.53, 59.63

 

CMYK 28 / 0 / 80 / 34

HEX #7AA921

RGB 122 169 33

HSL 80.74, 0.67%, 0.4%

LAB 63.85, -34.95, 59.31

 

CMYK 21 / 0 / 54 / 5

HEX #BEF16E

RGB 190 241 110

HSL 83.36, 0.82%, 0.69%

LAB 89.39, -36.32, 57.14

 

CMYK 6 / 0 / 54 / 5

HEX #E2F16E

RGB 226 241 110

HSL 66.87, 0.82%, 0.69%

LAB 91.78, -22.61, 60.52

 

CMYK 0 / 8 / 54 / 5

HEX #F1DD6E

RGB 241 221 110

HSL 50.84, 0.82%, 0.69%

LAB 87.75, -6.79, 56.18

 

CMYK 0 / 23 / 54 / 5

HEX #F1BA6E

RGB 241 186 110

HSL 34.81, 0.82%, 0.69%

LAB 79.01, 11.26, 45.79

 

CMYK 0 / 38 / 54 / 5

HEX #F1966E

RGB 241 150 110

HSL 18.32, 0.82%, 0.69%

LAB 70.62, 30.25, 35.37

 

CMYK 21 / 0 / 54 / 5

HEX #BEF16E

RGB 190 241 110

HSL 83.36, 0.82%, 0.69%

LAB 89.39, -36.32, 57.14

 

CMYK 36 / 0 / 54 / 5

HEX #9BF16E

RGB 155 241 110

HSL 99.39, 0.82%, 0.69%

LAB 87.49, -48.48, 54.44

 

CMYK 50 / 0 / 54 / 5

HEX #78F16E

RGB 120 241 110

HSL 115.42, 0.82%, 0.69%

LAB 86.02, -58.86, 52.35

 

CMYK 54 / 0 / 44 / 5

HEX #6EF187

RGB 110 241 135

HSL 131.45, 0.82%, 0.69%

LAB 85.99, -58.01, 40.41

 

CMYK 54 / 0 / 29 / 5

HEX #6EF1AB

RGB 110 241 171

HSL 147.94, 0.82%, 0.69%

LAB 86.59, -51.8, 23.09

 

CMYK 21 / 0 / 54 / 5

HEX #BEF16E

RGB 190 241 110

HSL 83.36, 0.82%, 0.69%

LAB 89.39, -36.32, 57.14

 

CMYK 24 / 0 / 62 / 0

HEX #C1FE61

RGB 193 254 97

HSL 83.31, 0.99%, 0.69%

LAB 93.05, -42.11, 66.86

 

CMYK 21 / 0 / 54 / 5

HEX #BEF16E

RGB 190 241 110

HSL 83.36, 0.82%, 0.69%

LAB 89.39, -36.32, 57.14

 

CMYK 18 / 0 / 46 / 11

HEX #BBE47B

RGB 187 228 123

HSL 83.43, 0.66%, 0.69%

LAB 85.75, -30.12, 46.7

 

CMYK 14 / 0 / 37 / 16

HEX #B9D787

RGB 185 215 135

HSL 82.5, 0.5%, 0.69%

LAB 82.2, -23.22, 36.24

 

CMYK 10 / 0 / 27 / 20

HEX #B6CB94

RGB 182 203 148

HSL 82.91, 0.35%, 0.69%

LAB 78.92, -16.61, 25.15

 

CMYK 6 / 0 / 15 / 25

HEX #B3BEA1

RGB 179 190 161

HSL 82.76, 0.18%, 0.69%

LAB 75.44, -9.01, 13.37

 

CMYK 0 / 8 / 54 / 5

HEX #F1DD6E

RGB 241 221 110

HSL 50.84, 0.82%, 0.69%

LAB 87.75, -6.79, 56.18

 

CMYK 6 / 0 / 54 / 5

HEX #E2F16E

RGB 226 241 110

HSL 66.87, 0.82%, 0.69%

LAB 91.78, -22.61, 60.52

 

CMYK 21 / 0 / 54 / 5

HEX #BFF16E

RGB 191 241 110

HSL 82.9, 0.82%, 0.69%

LAB 89.45, -35.95, 57.23

 

CMYK 35 / 0 / 54 / 5

HEX #9CF16E

RGB 156 241 110

HSL 98.93, 0.82%, 0.69%

LAB 87.54, -48.16, 54.51

 

CMYK 50 / 0 / 54 / 5

HEX #79F16E

RGB 121 241 110

HSL 114.96, 0.82%, 0.69%

LAB 86.06, -58.6, 52.4

 

CMYK 33 / 0 / 85 / 8

HEX #9DEA22

RGB 157 234 34

HSL 83.1, 0.83%, 0.53%

LAB 85.06, -49.95, 78.41

 

CMYK 27 / 0 / 70 / 7

HEX #AEEE48

RGB 174 238 72

HSL 83.13, 0.83%, 0.61%

LAB 87.3, -43.79, 70.05

 

CMYK 21 / 0 / 54 / 5

HEX #BEF16E

RGB 190 241 110

HSL 83.36, 0.82%, 0.69%

LAB 89.39, -36.32, 57.14

 

CMYK 16 / 0 / 40 / 4

HEX #CFF594

RGB 207 245 148

HSL 83.51, 0.83%, 0.77%

LAB 92, -27.9, 42.69

 

CMYK 10 / 0 / 25 / 3

HEX #E0F8B9

RGB 224 248 185

HSL 82.86, 0.82%, 0.85%

LAB 94.52, -18.35, 27.74

 

CMYK 21 / 0 / 55 / 5

HEX #BEF16D

RGB 190 241 109

HSL 83.18, 0.83%, 0.69%

LAB 89.38, -36.41, 57.58

 

CMYK 54 / 0 / 23 / 5

HEX #6EF1BA

RGB 110 241 186

HSL 154.81, 0.82%, 0.69%

LAB 86.88, -48.79, 15.77

 

CMYK 1 / 54 / 0 / 5

HEX #EF6EF1

RGB 239 110 241

HSL 299.08, 0.82%, 0.69%

LAB 66.41, 66.56, -43.6

 

CMYK 21 / 0 / 55 / 5

HEX #BEF16D

RGB 190 241 109

HSL 83.18, 0.83%, 0.69%

LAB 89.38, -36.41, 57.58

 

CMYK 54 / 21 / 0 / 5

HEX #6EBFF1

RGB 110 191 241

HSL 202.9, 0.82%, 0.69%

LAB 74.14, -10.95, -32.36

 

CMYK 0 / 54 / 21 / 5

HEX #F16EBF

RGB 241 110 191

HSL 322.9, 0.82%, 0.69%

LAB 64.66, 59.33, -18.34

 

CMYK 21 / 0 / 55 / 5

HEX #BEF16D

RGB 190 241 109

HSL 83.18, 0.83%, 0.69%

LAB 89.38, -36.41, 57.58

 

CMYK 54 / 0 / 23 / 5

HEX #6EF1BA

RGB 110 241 186

HSL 154.81, 0.82%, 0.69%

LAB 86.88, -48.79, 15.77

 

CMYK 34 / 54 / 0 / 5

HEX #A06EF1

RGB 160 110 241

HSL 262.9, 0.82%, 0.69%

LAB 57.05, 46.72, -59.03

 

CMYK 0 / 54 / 32 / 5

HEX #F16EA5

RGB 241 110 165

HSL 334.81, 0.82%, 0.69%

LAB 63.81, 55.93, -4.82

 

CMYK 21 / 0 / 55 / 5

HEX #BEF16D

RGB 190 241 109

HSL 83.18, 0.83%, 0.69%

LAB 89.38, -36.41, 57.58

 

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

CMYK 34 / 54 / 0 / 5

HEX #A06EF1

RGB 160 110 241

HSL 262.9, 0.82%, 0.69%

LAB 57.05, 46.72, -59.03

 

CMYK 0 / 54 / 48 / 5

HEX #F16E7D

RGB 241 110 125

HSL 353.13, 0.82%, 0.69%

LAB 62.79, 51.68, 16.65

 

Description

Color code: HEX #BEF16D | qconv.com Color code: HEX #BEF16D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 241 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 241 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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