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Color name
HEX #BEF1BE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEF1BE it is the complementary color #410E41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEF1BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEF1BE shade: #C3F1B9, #D4FFCC, #E5FFDF and #F6FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEF1BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEF1BE shade: #BEF1BE, #ADDFAB, #9CCD98, #8BBB85 and #7AA972

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEF1BE shade: #BFF1BF, #CDF1BF, #DAF1BF, #E8F1BF and #F1EDBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEF1BE shade: #BFF1BF, #BFF1CD, #BFF1DA, #BFF1E8 and #BFEDF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEF1BE shade matches the following richer shades: #BFF1BF, #B9F7B9 and #B3FDB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEF1BE shade: #BFF1BF, #C6EBC6, #CCE5CC, #D2DFD2 and #D8D8D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEF1BE shade: #DAF1BF, #CDF1BF, #BFF1BF, #BFF1CD and #BFF1DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEF1BE shade: #7BE37B, #9DEA9D, #BFF1BF and #E1F8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEF1BE shade: #BEF1BE, #BFE7F1 and #F1BFD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEF1BE shade: #BEF1BE, #BFBFF1 and #F1BFBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEF1BE shade: #BEF1BE, #BFE7F1, #F1BFF1 and #F1C9BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEF1BE shade: #BEF1BE, #BFD8F1, #F1BFF1 and #F1D8BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 21 / 5

HEX #BEF1BE

RGB 190 241 190

HSL 120, 0.65%, 0.85%

LAB 90.59, -25.83, 19.42

 

Complementary color

CMYK 0 / 78 / 0 / 75

HEX #410E41

RGB 65 14 65

HSL 300, 0.65%, 0.15%

LAB 14.51, 31.46, -19.86

 

CMYK 19 / 0 / 23 / 5

HEX #C3F1B9

RGB 195 241 185

HSL 109.29, 0.67%, 0.84%

LAB 90.79, -24.99, 22.31

 

CMYK 17 / 0 / 20 / 0

HEX #D4FFCC

RGB 212 255 204

HSL 110.59, 1%, 0.9%

LAB 95.95, -22.94, 19.92

 

CMYK 10 / 0 / 13 / 0

HEX #E5FFDF

RGB 229 255 223

HSL 108.75, 1%, 0.94%

LAB 97.43, -14.12, 12.46

 

CMYK 4 / 0 / 5 / 0

HEX #F6FFF2

RGB 246 255 242

HSL 101.54, 1%, 0.97%

LAB 99.03, -5.23, 5.17

 

CMYK 21 / 0 / 21 / 5

HEX #BEF1BE

RGB 190 241 190

HSL 120, 0.65%, 0.85%

LAB 90.59, -25.83, 19.42

 

CMYK 22 / 0 / 23 / 13

HEX #ADDFAB

RGB 173 223 171

HSL 117.69, 0.45%, 0.77%

LAB 84.28, -26, 20.35

 

CMYK 24 / 0 / 26 / 20

HEX #9CCD98

RGB 156 205 152

HSL 115.47, 0.35%, 0.7%

LAB 77.87, -26.2, 21.33

 

CMYK 26 / 0 / 29 / 27

HEX #8BBB85

RGB 139 187 133

HSL 113.33, 0.28%, 0.63%

LAB 71.37, -26.4, 22.37

 

CMYK 28 / 0 / 33 / 34

HEX #7AA972

RGB 122 169 114

HSL 111.27, 0.24%, 0.55%

LAB 64.75, -26.62, 23.48

 

CMYK 21 / 0 / 21 / 5

HEX #BFF1BF

RGB 191 241 191

HSL 120, 0.64%, 0.85%

LAB 90.67, -25.33, 19.02

 

CMYK 15 / 0 / 21 / 5

HEX #CDF1BF

RGB 205 241 191

HSL 103.2, 0.64%, 0.85%

LAB 91.53, -20.64, 20.35

 

CMYK 10 / 0 / 21 / 5

HEX #DAF1BF

RGB 218 241 191

HSL 87.6, 0.64%, 0.85%

LAB 92.39, -16.15, 21.68

 

CMYK 4 / 0 / 21 / 5

HEX #E8F1BF

RGB 232 241 191

HSL 70.8, 0.64%, 0.85%

LAB 93.38, -11.19, 23.2

 

CMYK 0 / 2 / 21 / 5

HEX #F1EDBF

RGB 241 237 191

HSL 55.2, 0.64%, 0.85%

LAB 93.03, -5.94, 22.82

 

CMYK 21 / 0 / 21 / 5

HEX #BFF1BF

RGB 191 241 191

HSL 120, 0.64%, 0.85%

LAB 90.67, -25.33, 19.02

 

CMYK 21 / 0 / 15 / 5

HEX #BFF1CD

RGB 191 241 205

HSL 136.8, 0.64%, 0.85%

LAB 90.96, -22.88, 12.2

 

CMYK 21 / 0 / 10 / 5

HEX #BFF1DA

RGB 191 241 218

HSL 152.4, 0.64%, 0.85%

LAB 91.26, -20.45, 5.87

 

CMYK 21 / 0 / 4 / 5

HEX #BFF1E8

RGB 191 241 232

HSL 169.2, 0.64%, 0.85%

LAB 91.6, -17.69, -0.91

HEX #BFF1E8

CMYK 21 / 2 / 0 / 5

HEX #BFEDF1

RGB 191 237 241

HSL 184.8, 0.64%, 0.85%

LAB 90.78, -13.83, -6.81

HEX #BFEDF1

CMYK 21 / 0 / 21 / 5

HEX #BFF1BF

RGB 191 241 191

HSL 120, 0.64%, 0.85%

LAB 90.67, -25.33, 19.02

 

CMYK 25 / 0 / 25 / 3

HEX #B9F7B9

RGB 185 247 185

HSL 120, 0.79%, 0.85%

LAB 91.84, -31.12, 23.67

 

CMYK 29 / 0 / 29 / 1

HEX #B3FDB3

RGB 179 253 179

HSL 120, 0.95%, 0.85%

LAB 93.05, -36.77, 28.33

 

CMYK 21 / 0 / 21 / 5

HEX #BFF1BF

RGB 191 241 191

HSL 120, 0.64%, 0.85%

LAB 90.67, -25.33, 19.02

 

CMYK 16 / 0 / 16 / 8

HEX #C6EBC6

RGB 198 235 198

HSL 120, 0.48%, 0.85%

LAB 89.63, -18.9, 14

 

CMYK 11 / 0 / 11 / 10

HEX #CCE5CC

RGB 204 229 204

HSL 120, 0.32%, 0.85%

LAB 88.56, -12.86, 9.41

 

CMYK 6 / 0 / 6 / 13

HEX #D2DFD2

RGB 210 223 210

HSL 120, 0.17%, 0.85%

LAB 87.55, -6.72, 4.86

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D8

RGB 216 216 216

HSL 0, 0%, 0.85%

LAB 86.34, 0, -0.01

 

CMYK 10 / 0 / 21 / 5

HEX #DAF1BF

RGB 218 241 191

HSL 87.6, 0.64%, 0.85%

LAB 92.39, -16.15, 21.68

 

CMYK 15 / 0 / 21 / 5

HEX #CDF1BF

RGB 205 241 191

HSL 103.2, 0.64%, 0.85%

LAB 91.53, -20.64, 20.35

 

CMYK 21 / 0 / 21 / 5

HEX #BFF1BF

RGB 191 241 191

HSL 120, 0.64%, 0.85%

LAB 90.67, -25.33, 19.02

 

CMYK 21 / 0 / 15 / 5

HEX #BFF1CD

RGB 191 241 205

HSL 136.8, 0.64%, 0.85%

LAB 90.96, -22.88, 12.2

 

CMYK 21 / 0 / 10 / 5

HEX #BFF1DA

RGB 191 241 218

HSL 152.4, 0.64%, 0.85%

LAB 91.26, -20.45, 5.87

 

CMYK 46 / 0 / 46 / 11

HEX #7BE37B

RGB 123 227 123

HSL 120, 0.65%, 0.69%

LAB 82.15, -50.85, 41.49

 

CMYK 33 / 0 / 33 / 8

HEX #9DEA9D

RGB 157 234 157

HSL 120, 0.65%, 0.77%

LAB 86.23, -38.6, 30.09

 

CMYK 21 / 0 / 21 / 5

HEX #BFF1BF

RGB 191 241 191

HSL 120, 0.64%, 0.85%

LAB 90.67, -25.33, 19.02

 

CMYK 9 / 0 / 9 / 3

HEX #E1F8E1

RGB 225 248 225

HSL 120, 0.62%, 0.93%

LAB 95.4, -11.65, 8.49

 

CMYK 21 / 0 / 21 / 5

HEX #BEF1BE

RGB 190 241 190

HSL 120, 0.65%, 0.85%

LAB 90.59, -25.83, 19.42

 

CMYK 21 / 4 / 0 / 5

HEX #BFE7F1

RGB 191 231 241

HSL 192, 0.64%, 0.85%

LAB 89.2, -10.8, -9.16

 

CMYK 0 / 21 / 12 / 5

HEX #F1BFD3

RGB 241 191 211

HSL 336, 0.64%, 0.85%

LAB 82.2, 20.97, -3.16

 

CMYK 21 / 0 / 21 / 5

HEX #BEF1BE

RGB 190 241 190

HSL 120, 0.65%, 0.85%

LAB 90.59, -25.83, 19.42

 

CMYK 21 / 21 / 0 / 5

HEX #BFBFF1

RGB 191 191 241

HSL 240, 0.64%, 0.85%

LAB 78.86, 10.26, -24.71

 

CMYK 0 / 21 / 21 / 5

HEX #F1BFBF

RGB 241 191 191

HSL 0, 0.64%, 0.85%

LAB 81.69, 17.88, 6.84

 

CMYK 21 / 0 / 21 / 5

HEX #BEF1BE

RGB 190 241 190

HSL 120, 0.65%, 0.85%

LAB 90.59, -25.83, 19.42

 

CMYK 21 / 4 / 0 / 5

HEX #BFE7F1

RGB 191 231 241

HSL 192, 0.64%, 0.85%

LAB 89.2, -10.8, -9.16

 

CMYK 0 / 21 / 0 / 5

HEX #F1BFF1

RGB 241 191 241

HSL 300, 0.64%, 0.85%

LAB 83.08, 26.14, -17.92

 

CMYK 0 / 17 / 21 / 5

HEX #F1C9BF

RGB 241 201 191

HSL 12, 0.64%, 0.85%

LAB 84.09, 12.61, 10.27

 

CMYK 21 / 0 / 21 / 5

HEX #BEF1BE

RGB 190 241 190

HSL 120, 0.65%, 0.85%

LAB 90.59, -25.83, 19.42

 

CMYK 21 / 10 / 0 / 5

HEX #BFD8F1

RGB 191 216 241

HSL 210, 0.64%, 0.85%

LAB 85.27, -3.07, -15.02

 

CMYK 0 / 21 / 0 / 5

HEX #F1BFF1

RGB 241 191 241

HSL 300, 0.64%, 0.85%

LAB 83.08, 26.14, -17.92

 

CMYK 0 / 10 / 21 / 5

HEX #F1D8BF

RGB 241 216 191

HSL 30, 0.64%, 0.85%

LAB 87.76, 4.78, 15.48

 

Description

Color code: HEX #BEF1BE | qconv.com Color code: HEX #BEF1BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 241 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 241 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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