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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF09CD it is the complementary color #40F632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF09CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF09CD shade: #C409C8, #D51BDB, #E62DEE, #F73FFF and #FF51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF09CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF09CD shade: #BF09CD, #AE00BA, #9D00A7, #8C0094 and #7B0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF09CD shade: #BF08CD, #CD08A6, #CD0871, #CD083C and #CD0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF09CD shade: #BF08CD, #8A08CD, #5508CD, #2008CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF09CD shade matches the following richer shades: #BF08CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF09CD shade: #BF08CD, #B019BC, #A12BAA, #923C99 and #844D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF09CD shade: #5408CD, #8808CD, #BD08CD, #CD08A9 and #CD0874

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF09CD shade: #75057E, #9A06A6, #BF08CD, #E40AF4 and #E832F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF09CD shade: #BF09CD, #CD1F08 and #08CD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF09CD shade: #BF09CD, #CDBD08 and #08CDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF09CD shade: #BF09CD, #CD1F08, #18CD08 and #08B6CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF09CD shade: #BF09CD, #CD5A08, #18CD08 and #087BCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 96 / 0 / 20

HEX #BF09CD

RGB 191 9 205

HSL 295.71, 0.92%, 0.42%

LAB 46.55, 80.39, -55.27

 

Complementary color

CMYK 74 / 0 / 80 / 4

HEX #40F632

RGB 64 246 50

HSL 115.71, 0.92%, 0.58%

LAB 85.62, -77.45, 73.99

 

CMYK 2 / 96 / 0 / 22

HEX #C409C8

RGB 196 9 200

HSL 298.74, 0.91%, 0.41%

LAB 47.11, 80.43, -51.43

 

CMYK 3 / 88 / 0 / 14

HEX #D51BDB

RGB 213 27 219

HSL 298.13, 0.78%, 0.48%

LAB 51.89, 84, -54.53

 

CMYK 3 / 81 / 0 / 7

HEX #E62DEE

RGB 230 45 238

HSL 297.51, 0.85%, 0.55%

LAB 56.95, 86.48, -57

 

CMYK 3 / 75 / 0 / 0

HEX #F73FFF

RGB 247 63 255

HSL 297.5, 1%, 0.62%

LAB 62.13, 87.8, -58.03

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 7 / 96 / 0 / 20

HEX #BF09CD

RGB 191 9 205

HSL 295.71, 0.92%, 0.42%

LAB 46.55, 80.39, -55.27

 

CMYK 6 / 100 / 0 / 27

HEX #AE00BA

RGB 174 0 186

HSL 296.13, 1%, 0.36%

LAB 42.07, 75.6, -51.56

 

CMYK 6 / 100 / 0 / 35

HEX #9D00A7

RGB 157 0 167

HSL 296.41, 1%, 0.33%

LAB 37.77, 69.94, -47.34

 

CMYK 5 / 100 / 0 / 42

HEX #8C0094

RGB 140 0 148

HSL 296.76, 1%, 0.29%

LAB 33.38, 64.16, -43.03

 

CMYK 5 / 100 / 0 / 49

HEX #7B0081

RGB 123 0 129

HSL 297.21, 1%, 0.25%

LAB 28.89, 58.24, -38.61

 

CMYK 7 / 96 / 0 / 20

HEX #BF08CD

RGB 191 8 205

HSL 295.74, 0.92%, 0.42%

LAB 46.52, 80.48, -55.31

 

CMYK 0 / 96 / 19 / 20

HEX #CD08A6

RGB 205 8 166

HSL 311.88, 0.92%, 0.42%

LAB 46.85, 77.46, -31.77

 

CMYK 0 / 96 / 45 / 20

HEX #CD0871

RGB 205 8 113

HSL 328.02, 0.92%, 0.42%

LAB 44.72, 71.92, -2.79

 

CMYK 0 / 96 / 71 / 20

HEX #CD083C

RGB 205 8 60

HSL 344.16, 0.92%, 0.42%

LAB 43.48, 68.54, 28.6

 

CMYK 0 / 96 / 96 / 20

HEX #CD0808

RGB 205 8 8

HSL 0, 0.92%, 0.42%

LAB 43.02, 67.28, 54.48

 

CMYK 7 / 96 / 0 / 20

HEX #BF08CD

RGB 191 8 205

HSL 295.74, 0.92%, 0.42%

LAB 46.52, 80.48, -55.31

 

CMYK 33 / 96 / 0 / 20

HEX #8A08CD

RGB 138 8 205

HSL 279.59, 0.92%, 0.42%

LAB 37.81, 73.1, -69.85

 

CMYK 59 / 96 / 0 / 20

HEX #5508CD

RGB 85 8 205

HSL 263.45, 0.92%, 0.42%

LAB 30.67, 68.15, -81.87

 

CMYK 84 / 96 / 0 / 20

HEX #2008CD

RGB 32 8 205

HSL 247.31, 0.92%, 0.42%

LAB 26.41, 65.92, -89.08

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 7 / 96 / 0 / 20

HEX #BF08CD

RGB 191 8 205

HSL 295.74, 0.92%, 0.42%

LAB 46.52, 80.48, -55.31

 

CMYK 7 / 96 / 0 / 20

HEX #BF08CD

RGB 191 8 205

HSL 295.74, 0.92%, 0.42%

LAB 46.52, 80.48, -55.31

 

CMYK 6 / 87 / 0 / 26

HEX #B019BC

RGB 176 25 188

HSL 295.58, 0.77%, 0.42%

LAB 43.59, 73.16, -50.27

 

CMYK 5 / 75 / 0 / 33

HEX #A12BAA

RGB 161 43 170

HSL 295.75, 0.6%, 0.42%

LAB 41.54, 62.72, -43.05

 

CMYK 5 / 61 / 0 / 40

HEX #923C99

RGB 146 60 153

HSL 295.48, 0.44%, 0.42%

LAB 40.64, 49.33, -34.44

 

CMYK 3 / 43 / 0 / 47

HEX #844D88

RGB 132 77 136

HSL 295.93, 0.28%, 0.42%

LAB 41.2, 33, -23.4

 

CMYK 59 / 96 / 0 / 20

HEX #5408CD

RGB 84 8 205

HSL 263.15, 0.92%, 0.42%

LAB 30.56, 68.08, -82.06

 

CMYK 34 / 96 / 0 / 20

HEX #8808CD

RGB 136 8 205

HSL 278.98, 0.92%, 0.42%

LAB 37.51, 72.87, -70.36

 

CMYK 8 / 96 / 0 / 20

HEX #BD08CD

RGB 189 8 205

HSL 295.13, 0.92%, 0.42%

LAB 46.18, 80.16, -55.89

 

CMYK 0 / 96 / 18 / 20

HEX #CD08A9

RGB 205 8 169

HSL 310.96, 0.92%, 0.42%

LAB 47, 77.83, -33.32

 

CMYK 0 / 96 / 43 / 20

HEX #CD0874

RGB 205 8 116

HSL 327.11, 0.92%, 0.42%

LAB 44.82, 72.17, -4.51

 

CMYK 7 / 96 / 0 / 51

HEX #75057E

RGB 117 5 126

HSL 295.54, 0.92%, 0.26%

LAB 27.84, 55.86, -38.47

 

CMYK 7 / 96 / 0 / 35

HEX #9A06A6

RGB 154 6 166

HSL 295.5, 0.93%, 0.34%

LAB 37.4, 68.59, -47.36

 

CMYK 7 / 96 / 0 / 20

HEX #BF08CD

RGB 191 8 205

HSL 295.74, 0.92%, 0.42%

LAB 46.52, 80.48, -55.31

 

CMYK 7 / 96 / 0 / 4

HEX #E40AF4

RGB 228 10 244

HSL 295.9, 0.92%, 0.5%

LAB 55.32, 91.94, -62.99

 

CMYK 6 / 80 / 0 / 4

HEX #E832F6

RGB 232 50 246

HSL 295.71, 0.92%, 0.58%

LAB 58.12, 86.95, -59.57

 

CMYK 7 / 96 / 0 / 20

HEX #BF09CD

RGB 191 9 205

HSL 295.71, 0.92%, 0.42%

LAB 46.55, 80.39, -55.27

 

CMYK 0 / 85 / 96 / 20

HEX #CD1F08

RGB 205 31 8

HSL 7.01, 0.92%, 0.42%

LAB 44.2, 63.89, 55.09

 

CMYK 96 / 0 / 46 / 20

HEX #08CD6E

RGB 8 205 110

HSL 151.07, 0.92%, 0.42%

LAB 72.79, -63.43, 35.54

 

CMYK 7 / 96 / 0 / 20

HEX #BF09CD

RGB 191 9 205

HSL 295.71, 0.92%, 0.42%

LAB 46.55, 80.39, -55.27

 

CMYK 0 / 8 / 96 / 20

HEX #CDBD08

RGB 205 189 8

HSL 55.13, 0.92%, 0.42%

LAB 75.69, -10.16, 76.2

 

CMYK 96 / 0 / 8 / 20

HEX #08CDBD

RGB 8 205 189

HSL 175.13, 0.92%, 0.42%

LAB 74.44, -45.21, -3.98

 

CMYK 7 / 96 / 0 / 20

HEX #BF09CD

RGB 191 9 205

HSL 295.71, 0.92%, 0.42%

LAB 46.55, 80.39, -55.27

 

CMYK 0 / 85 / 96 / 20

HEX #CD1F08

RGB 205 31 8

HSL 7.01, 0.92%, 0.42%

LAB 44.2, 63.89, 55.09

 

CMYK 88 / 0 / 96 / 20

HEX #18CD08

RGB 24 205 8

HSL 115.13, 0.92%, 0.42%

LAB 72.14, -71.77, 69.9

 

CMYK 96 / 11 / 0 / 20

HEX #08B6CD

RGB 8 182 205

HSL 187.01, 0.92%, 0.42%

LAB 67.96, -29.8, -22.44

 

CMYK 7 / 96 / 0 / 20

HEX #BF09CD

RGB 191 9 205

HSL 295.71, 0.92%, 0.42%

LAB 46.55, 80.39, -55.27

 

CMYK 0 / 56 / 96 / 20

HEX #CD5A08

RGB 205 90 8

HSL 24.97, 0.92%, 0.42%

LAB 52.18, 42.23, 59.76

 

CMYK 88 / 0 / 96 / 20

HEX #18CD08

RGB 24 205 8

HSL 115.13, 0.92%, 0.42%

LAB 72.14, -71.77, 69.9

 

CMYK 96 / 40 / 0 / 20

HEX #087BCD

RGB 8 123 205

HSL 204.97, 0.92%, 0.42%

LAB 50.25, 2.66, -50.11

 

Description

Color code: HEX #BF09CD | qconv.com Color code: HEX #BF09CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 9 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 9 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 96 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 96% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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