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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF00FF it is the complementary color #40FF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF00FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF00FF shade: #C400FA, #D512FF, #E624FF, #F736FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF00FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF00FF shade: #BF00FF, #AE00EC, #9D00D9, #8C00C6 and #7B00B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF00FF shade: #BE00FF, #FF00FA, #FF00B5, #FF0070 and #FF002B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF00FF shade: #BE00FF, #7A00FF, #3500FF and #0000FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF00FF shade matches the following richer shades: #BE00FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF00FF shade: #BE00FF, #B414EA, #AA29D5, #A03DC1 and #9552AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF00FF shade: #3300FF, #7700FF, #BB00FF, #FF00FF and #FF00BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF00FF shade: #8100AC, #A000D5, #BE00FF, #C929FF and #D352FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF00FF shade: #BF00FF, #FF0010 and #00FF55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF00FF shade: #BF00FF, #FFBB00 and #00FFBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF00FF shade: #BF00FF, #FF0010, #43FF00 and #00FFED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF00FF shade: #BF00FF, #FF3B00, #43FF00 and #00C3FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

Complementary color

CMYK 75 / 0 / 100 / 0

HEX #40FF00

RGB 64 255 0

HSL 104.94, 1%, 0.5%

LAB 88.26, -81.47, 83.82

 

CMYK 22 / 100 / 0 / 2

HEX #C400FA

RGB 196 0 250

HSL 287.04, 1%, 0.49%

LAB 50.26, 89.15, -74.79

 

CMYK 16 / 93 / 0 / 0

HEX #D512FF

RGB 213 18 255

HSL 289.37, 1%, 0.54%

LAB 53.81, 90.81, -71.68

 

CMYK 10 / 86 / 0 / 0

HEX #E624FF

RGB 230 36 255

HSL 293.15, 1%, 0.57%

LAB 57.37, 90.88, -65.8

 

CMYK 3 / 79 / 0 / 0

HEX #F736FF

RGB 247 54 255

HSL 297.61, 1%, 0.61%

LAB 61.34, 90.09, -59.29

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

CMYK 26 / 100 / 0 / 7

HEX #AE00EC

RGB 174 0 236

HSL 284.24, 1%, 0.46%

LAB 45.71, 83.99, -74.48

 

CMYK 28 / 100 / 0 / 15

HEX #9D00D9

RGB 157 0 217

HSL 283.41, 1%, 0.43%

LAB 41.5, 78.52, -70.64

 

CMYK 29 / 100 / 0 / 22

HEX #8C00C6

RGB 140 0 198

HSL 282.42, 1%, 0.39%

LAB 37.21, 72.95, -66.74

 

CMYK 31 / 100 / 0 / 30

HEX #7B00B3

RGB 123 0 179

HSL 281.23, 1%, 0.35%

LAB 32.84, 67.29, -62.78

 

CMYK 25 / 100 / 0 / 0

HEX #BE00FF

RGB 190 0 255

HSL 284.71, 1%, 0.5%

LAB 49.7, 89.27, -78.54

 

CMYK 0 / 100 / 2 / 0

HEX #FF00FA

RGB 255 0 250

HSL 301.18, 1%, 0.5%

LAB 60.03, 97.57, -58.53

 

CMYK 0 / 100 / 29 / 0

HEX #FF00B5

RGB 255 0 181

HSL 317.41, 1%, 0.5%

LAB 56.68, 89.22, -24.6

 

CMYK 0 / 100 / 56 / 0

HEX #FF0070

RGB 255 0 112

HSL 333.65, 1%, 0.5%

LAB 54.48, 83.48, 13.13

 

CMYK 0 / 100 / 83 / 0

HEX #FF002B

RGB 255 0 43

HSL 349.88, 1%, 0.5%

LAB 53.42, 80.62, 51.98

 

CMYK 25 / 100 / 0 / 0

HEX #BE00FF

RGB 190 0 255

HSL 284.71, 1%, 0.5%

LAB 49.7, 89.27, -78.54

 

CMYK 52 / 100 / 0 / 0

HEX #7A00FF

RGB 122 0 255

HSL 268.71, 1%, 0.5%

LAB 40.18, 82.75, -94.54

 

CMYK 79 / 100 / 0 / 0

HEX #3500FF

RGB 53 0 255

HSL 252.47, 1%, 0.5%

LAB 33.93, 79.75, -105.1

 

CMYK 100 / 100 / 0 / 0

HEX #0000FF

RGB 0 0 255

HSL 240, 1%, 0.5%

LAB 32.3, 79.2, -107.86

 

CMYK 25 / 100 / 0 / 0

HEX #BE00FF

RGB 190 0 255

HSL 284.71, 1%, 0.5%

LAB 49.7, 89.27, -78.54

 

CMYK 25 / 100 / 0 / 0

HEX #BE00FF

RGB 190 0 255

HSL 284.71, 1%, 0.5%

LAB 49.7, 89.27, -78.54

 

CMYK 23 / 91 / 0 / 8

HEX #B414EA

RGB 180 20 234

HSL 284.86, 0.84%, 0.5%

LAB 47.16, 82.42, -70.94

 

CMYK 20 / 81 / 0 / 16

HEX #AA29D5

RGB 170 41 213

HSL 285, 0.68%, 0.5%

LAB 45.55, 72.79, -61.67

 

CMYK 17 / 68 / 0 / 24

HEX #A03DC1

RGB 160 61 193

HSL 285, 0.52%, 0.5%

LAB 45.17, 60.06, -50.79

 

CMYK 13 / 52 / 0 / 33

HEX #9552AC

RGB 149 82 172

HSL 284.67, 0.35%, 0.5%

LAB 46.18, 42.91, -36.98

 

CMYK 80 / 100 / 0 / 0

HEX #3300FF

RGB 51 0 255

HSL 252, 1%, 0.5%

LAB 33.82, 79.71, -105.28

 

CMYK 53 / 100 / 0 / 0

HEX #7700FF

RGB 119 0 255

HSL 268, 1%, 0.5%

LAB 39.82, 82.55, -95.14

 

CMYK 27 / 100 / 0 / 0

HEX #BB00FF

RGB 187 0 255

HSL 284, 1%, 0.5%

LAB 49.23, 88.91, -79.31

 

CMYK 0 / 100 / 0 / 0

HEX #FF00FF

RGB 255 0 255

HSL 300, 1%, 0.5%

LAB 60.32, 98.25, -60.84

 

CMYK 0 / 100 / 27 / 0

HEX #FF00BB

RGB 255 0 187

HSL 316, 1%, 0.5%

LAB 56.93, 89.85, -27.7

 

CMYK 25 / 100 / 0 / 33

HEX #8100AC

RGB 129 0 172

HSL 285, 1%, 0.34%

LAB 33.23, 66.71, -57.92

 

CMYK 25 / 100 / 0 / 16

HEX #A000D5

RGB 160 0 213

HSL 285.07, 1%, 0.42%

LAB 41.65, 78.16, -68.06

 

CMYK 25 / 100 / 0 / 0

HEX #BE00FF

RGB 190 0 255

HSL 284.71, 1%, 0.5%

LAB 49.7, 89.27, -78.54

 

CMYK 21 / 84 / 0 / 0

HEX #C929FF

RGB 201 41 255

HSL 284.86, 1%, 0.58%

LAB 53.19, 85.38, -72.77

 

CMYK 17 / 68 / 0 / 0

HEX #D352FF

RGB 211 82 255

HSL 284.74, 1%, 0.66%

LAB 59.07, 74.4, -63.22

 

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

CMYK 0 / 100 / 94 / 0

HEX #FF0010

RGB 255 0 16

HSL 356.24, 1%, 0.5%

LAB 53.27, 80.22, 63.19

 

CMYK 100 / 0 / 67 / 0

HEX #00FF55

RGB 0 255 85

HSL 140, 1%, 0.5%

LAB 88.05, -82.11, 64.67

 

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

CMYK 0 / 27 / 100 / 0

HEX #FFBB00

RGB 255 187 0

HSL 44, 1%, 0.5%

LAB 80.07, 12.46, 82.38

 

CMYK 100 / 0 / 27 / 0

HEX #00FFBB

RGB 0 255 187

HSL 164, 1%, 0.5%

LAB 89.44, -65.58, 18.61

 

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

CMYK 0 / 100 / 94 / 0

HEX #FF0010

RGB 255 0 16

HSL 356.24, 1%, 0.5%

LAB 53.27, 80.22, 63.19

 

CMYK 74 / 0 / 100 / 0

HEX #43FF00

RGB 67 255 0

HSL 104.24, 1%, 0.5%

LAB 88.31, -81.03, 83.88

 

CMYK 100 / 0 / 7 / 0

HEX #00FFED

RGB 0 255 237

HSL 175.76, 1%, 0.5%

LAB 90.61, -53.12, -5.55

 

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

CMYK 0 / 77 / 100 / 0

HEX #FF3B00

RGB 255 59 0

HSL 13.88, 1%, 0.5%

LAB 56.47, 70.86, 68.48

 

CMYK 74 / 0 / 100 / 0

HEX #43FF00

RGB 67 255 0

HSL 104.24, 1%, 0.5%

LAB 88.31, -81.03, 83.88

 

CMYK 100 / 24 / 0 / 0

HEX #00C3FF

RGB 0 195 255

HSL 194.12, 1%, 0.5%

LAB 73.71, -19.74, -40.74

 

Description

Color code: HEX #BF00FF | qconv.com Color code: HEX #BF00FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, none green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 0 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 100 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 100% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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