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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1786 it is the complementary color #40E879. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1786. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1786 shade: #C41781, #D52994, #E63BA7, #F74DBA and #FF5FCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1786. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1786 shade: #BF1786, #AE0573, #9D0060, #8C004D and #7B003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1786 shade: #BF1686, #BF1658, #BF162B and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1786 shade: #BF1686, #BF16B3, #9D16BF, #7016BF and #4216BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1786 shade matches the following richer shades: #BF1686 and #D1058B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1786 shade: #BF1686, #AE2780, #9D397B, #8B4A75 and #7A5B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1786 shade: #9D16BF, #BF16B4, #BF1687, #BF165A and #BF162D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1786 shade: #750D52, #9A126C, #BF1686, #E41BA0 and #E840AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1786 shade: #BF1786, #BF7016 and #16BFB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1786 shade: #BF1786, #87BF16 and #1687BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1786 shade: #BF1786, #BF7016, #16BF4E and #1665BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1786 shade: #BF1786, #BFA316, #16BF4E and #1632BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 30 / 25

HEX #BF1786

RGB 191 23 134

HSL 320.36, 0.79%, 0.42%

LAB 43.38, 69.04, -18.05

 

Complementary color

CMYK 72 / 0 / 48 / 9

HEX #40E879

RGB 64 232 121

HSL 140.36, 0.79%, 0.58%

LAB 81.94, -65.75, 41.84

 

CMYK 0 / 88 / 34 / 23

HEX #C41781

RGB 196 23 129

HSL 323.24, 0.79%, 0.43%

LAB 44.14, 69.61, -13.73

 

CMYK 0 / 81 / 31 / 16

HEX #D52994

RGB 213 41 148

HSL 322.67, 0.68%, 0.5%

LAB 49.34, 71.83, -17.05

 

CMYK 0 / 74 / 27 / 10

HEX #E63BA7

RGB 230 59 167

HSL 322.11, 0.77%, 0.57%

LAB 54.8, 73.13, -19.69

 

CMYK 0 / 69 / 25 / 3

HEX #F74DBA

RGB 247 77 186

HSL 321.53, 0.91%, 0.64%

LAB 60.45, 73.76, -21.82

 

CMYK 0 / 63 / 20 / 0

HEX #FF5FCD

RGB 255 95 205

HSL 318.75, 1%, 0.69%

LAB 64.85, 71.57, -25.78

 

CMYK 0 / 88 / 30 / 25

HEX #BF1786

RGB 191 23 134

HSL 320.36, 0.79%, 0.42%

LAB 43.38, 69.04, -18.05

 

CMYK 0 / 97 / 34 / 32

HEX #AE0573

RGB 174 5 115

HSL 320.95, 0.94%, 0.35%

LAB 38.45, 65.64, -14.08

 

CMYK 0 / 100 / 39 / 38

HEX #9D0060

RGB 157 0 96

HSL 323.31, 1%, 0.31%

LAB 34.01, 60.61, -9.05

 

CMYK 0 / 100 / 45 / 45

HEX #8C004D

RGB 140 0 77

HSL 327, 1%, 0.27%

LAB 29.69, 54.96, -3.42

 

CMYK 0 / 100 / 53 / 52

HEX #7B003A

RGB 123 0 58

HSL 331.71, 1%, 0.24%

LAB 25.31, 49.26, 2.57

 

CMYK 0 / 88 / 30 / 25

HEX #BF1686

RGB 191 22 134

HSL 320.24, 0.79%, 0.42%

LAB 43.32, 69.21, -18.14

 

CMYK 0 / 88 / 54 / 25

HEX #BF1658

RGB 191 22 88

HSL 336.57, 0.79%, 0.42%

LAB 41.77, 64.94, 8.26

 

CMYK 0 / 88 / 77 / 25

HEX #BF162B

RGB 191 22 43

HSL 352.54, 0.79%, 0.42%

LAB 40.94, 62.55, 35.2

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 88 / 30 / 25

HEX #BF1686

RGB 191 22 134

HSL 320.24, 0.79%, 0.42%

LAB 43.32, 69.21, -18.14

 

CMYK 0 / 88 / 6 / 25

HEX #BF16B3

RGB 191 22 179

HSL 304.26, 0.79%, 0.42%

LAB 45.5, 74.99, -41.76

 

CMYK 18 / 88 / 0 / 25

HEX #9D16BF

RGB 157 22 191

HSL 287.93, 0.79%, 0.42%

LAB 40.42, 71.07, -57.31

 

CMYK 41 / 88 / 0 / 25

HEX #7016BF

RGB 112 22 191

HSL 271.95, 0.79%, 0.42%

LAB 33.52, 64.75, -68.85

 

CMYK 65 / 88 / 0 / 25

HEX #4216BF

RGB 66 22 191

HSL 255.62, 0.79%, 0.42%

LAB 28.1, 60.32, -77.98

 

CMYK 0 / 88 / 30 / 25

HEX #BF1686

RGB 191 22 134

HSL 320.24, 0.79%, 0.42%

LAB 43.32, 69.21, -18.14

 

CMYK 0 / 98 / 33 / 18

HEX #D1058B

RGB 209 5 139

HSL 320.59, 0.95%, 0.42%

LAB 46.35, 75.46, -16.24

 

CMYK 0 / 88 / 30 / 25

HEX #BF1686

RGB 191 22 134

HSL 320.24, 0.79%, 0.42%

LAB 43.32, 69.21, -18.14

 

CMYK 0 / 78 / 26 / 32

HEX #AE2780

RGB 174 39 128

HSL 320.44, 0.63%, 0.42%

LAB 41.23, 60.68, -17.93

 

CMYK 0 / 64 / 22 / 38

HEX #9D397B

RGB 157 57 123

HSL 320.4, 0.47%, 0.42%

LAB 40.45, 48.74, -16.3

 

CMYK 0 / 47 / 16 / 45

HEX #8B4A75

RGB 139 74 117

HSL 320.31, 0.31%, 0.42%

LAB 40.69, 33.49, -12.48

 

CMYK 0 / 25 / 8 / 52

HEX #7A5B70

RGB 122 91 112

HSL 319.35, 0.15%, 0.42%

LAB 42.44, 16.42, -6.98

 

CMYK 18 / 88 / 0 / 25

HEX #9D16BF

RGB 157 22 191

HSL 287.93, 0.79%, 0.42%

LAB 40.42, 71.07, -57.31

 

CMYK 0 / 88 / 6 / 25

HEX #BF16B4

RGB 191 22 180

HSL 303.91, 0.79%, 0.42%

LAB 45.56, 75.13, -42.27

 

CMYK 0 / 88 / 29 / 25

HEX #BF1687

RGB 191 22 135

HSL 319.88, 0.79%, 0.42%

LAB 43.36, 69.32, -18.69

 

CMYK 0 / 88 / 53 / 25

HEX #BF165A

RGB 191 22 90

HSL 335.86, 0.79%, 0.42%

LAB 41.83, 65.09, 7.07

 

CMYK 0 / 88 / 76 / 25

HEX #BF162D

RGB 191 22 45

HSL 351.83, 0.79%, 0.42%

LAB 40.96, 62.62, 34.04

 

CMYK 0 / 89 / 30 / 54

HEX #750D52

RGB 117 13 82

HSL 320.19, 0.8%, 0.25%

LAB 25.8, 47.75, -13.11

 

CMYK 0 / 88 / 30 / 40

HEX #9A126C

RGB 154 18 108

HSL 320.29, 0.79%, 0.34%

LAB 34.77, 58.66, -15.64

 

CMYK 0 / 88 / 30 / 25

HEX #BF1686

RGB 191 22 134

HSL 320.24, 0.79%, 0.42%

LAB 43.32, 69.21, -18.14

 

CMYK 0 / 88 / 30 / 11

HEX #E41BA0

RGB 228 27 160

HSL 320.3, 0.79%, 0.5%

LAB 51.63, 79.19, -20.46

 

CMYK 0 / 72 / 25 / 9

HEX #E840AF

RGB 232 64 175

HSL 320.36, 0.79%, 0.58%

LAB 56.01, 73.02, -22.49

 

CMYK 0 / 88 / 30 / 25

HEX #BF1786

RGB 191 23 134

HSL 320.36, 0.79%, 0.42%

LAB 43.38, 69.04, -18.05

 

CMYK 0 / 41 / 88 / 25

HEX #BF7016

RGB 191 112 22

HSL 31.95, 0.79%, 0.42%

LAB 54.79, 25.29, 57.27

 

CMYK 88 / 0 / 6 / 25

HEX #16BFB4

RGB 22 191 180

HSL 176.09, 0.79%, 0.42%

LAB 69.98, -41.13, -5.65

 

CMYK 0 / 88 / 30 / 25

HEX #BF1786

RGB 191 23 134

HSL 320.36, 0.79%, 0.42%

LAB 43.38, 69.04, -18.05

 

CMYK 29 / 0 / 88 / 25

HEX #87BF16

RGB 135 191 22

HSL 79.88, 0.79%, 0.42%

LAB 71.19, -40.13, 68.57

 

CMYK 88 / 29 / 0 / 25

HEX #1687BF

RGB 22 135 191

HSL 199.88, 0.79%, 0.42%

LAB 53.23, -9.18, -37.39

 

CMYK 0 / 88 / 30 / 25

HEX #BF1786

RGB 191 23 134

HSL 320.36, 0.79%, 0.42%

LAB 43.38, 69.04, -18.05

 

CMYK 0 / 41 / 88 / 25

HEX #BF7016

RGB 191 112 22

HSL 31.95, 0.79%, 0.42%

LAB 54.79, 25.29, 57.27

 

CMYK 88 / 0 / 59 / 25

HEX #16BF4E

RGB 22 191 78

HSL 139.88, 0.79%, 0.42%

LAB 68.01, -63.05, 45.19

 

CMYK 88 / 47 / 0 / 25

HEX #1665BF

RGB 22 101 191

HSL 211.95, 0.79%, 0.42%

LAB 43.12, 11.64, -53.48

 

CMYK 0 / 88 / 30 / 25

HEX #BF1786

RGB 191 23 134

HSL 320.36, 0.79%, 0.42%

LAB 43.38, 69.04, -18.05

 

CMYK 0 / 15 / 88 / 25

HEX #BFA316

RGB 191 163 22

HSL 50.06, 0.79%, 0.42%

LAB 67.52, -2.56, 67.34

 

CMYK 88 / 0 / 59 / 25

HEX #16BF4E

RGB 22 191 78

HSL 139.88, 0.79%, 0.42%

LAB 68.01, -63.05, 45.19

 

CMYK 88 / 74 / 0 / 25

HEX #1632BF

RGB 22 50 191

HSL 230.06, 0.79%, 0.42%

LAB 29.94, 44.7, -75

 

Description

Color code: HEX #BF1786 | qconv.com Color code: HEX #BF1786 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 23 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 23 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 30 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 30% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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