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Color name
HEX #BF1916

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1916 it is the complementary color #40E6E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1916 shade: #C41911, #D52B24, #E63D37, #F74F4A and #FF615D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1916 shade: #BF1916, #AE0703, #9D0000, #8C0000 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1916 shade: #BF1916 and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1916 shade: #BF1916, #BF4716, #BF7416, #BFA216 and #AFBF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1916 shade matches the following richer shades: #BF1916 and #D10805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1916 shade: #BF1916, #AE2A27, #9D3A39, #8B4B4A and #7A5C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1916 shade: #BF166D, #BF1640, #BF1916, #BF4616 and #BF7316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1916 shade: #750F0D, #9A1412, #BF1916, #E41E1B and #E84340

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1916 shade: #BF1916, #9BBF16 and #1657BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1916 shade: #BF1916, #16BF19 and #1916BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1916 shade: #BF1916, #9BBF16, #16BCBF and #3B16BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1916 shade: #BF1916, #68BF16, #16BCBF and #6D16BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

Complementary color

CMYK 73 / 1 / 0 / 9

HEX #40E6E9

RGB 64 230 233

HSL 181.07, 0.79%, 0.58%

LAB 83.74, -39.87, -13.61

 

CMYK 0 / 87 / 91 / 23

HEX #C41911

RGB 196 25 17

HSL 2.68, 0.84%, 0.42%

LAB 41.96, 62.73, 49.8

 

CMYK 0 / 80 / 83 / 16

HEX #D52B24

RGB 213 43 36

HSL 2.37, 0.71%, 0.49%

LAB 46.98, 63.69, 46.55

 

CMYK 0 / 73 / 76 / 10

HEX #E63D37

RGB 230 61 55

HSL 2.06, 0.78%, 0.56%

LAB 52.33, 63.84, 42.92

 

CMYK 0 / 68 / 70 / 3

HEX #F74F4A

RGB 247 79 74

HSL 1.73, 0.92%, 0.63%

LAB 57.9, 63.46, 39.55

 

CMYK 0 / 62 / 64 / 0

HEX #FF615D

RGB 255 97 93

HSL 1.48, 1%, 0.68%

LAB 62.17, 59.83, 34.41

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 96 / 98 / 32

HEX #AE0703

RGB 174 7 3

HSL 1.4, 0.97%, 0.35%

LAB 36.29, 59.34, 49.28

 

CMYK 0 / 100 / 100 / 38

HEX #9D0000

RGB 157 0 0

HSL 0, 1%, 0.31%

LAB 32.19, 55.76, 46.19

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 63 / 88 / 25

HEX #BF4716

RGB 191 71 22

HSL 17.4, 0.79%, 0.42%

LAB 46.5, 46.12, 50.77

 

CMYK 0 / 39 / 88 / 25

HEX #BF7416

RGB 191 116 22

HSL 33.37, 0.79%, 0.42%

LAB 55.71, 23.1, 57.99

 

CMYK 0 / 15 / 88 / 25

HEX #BFA216

RGB 191 162 22

HSL 49.7, 0.79%, 0.42%

LAB 67.26, -2.03, 67.13

 

CMYK 8 / 0 / 88 / 25

HEX #AFBF16

RGB 175 191 22

HSL 65.68, 0.79%, 0.42%

LAB 73.83, -23.9, 71.81

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 96 / 98 / 18

HEX #D10805

RGB 209 8 5

HSL 0.88, 0.95%, 0.42%

LAB 43.86, 68.26, 56.31

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 76 / 78 / 32

HEX #AE2A27

RGB 174 42 39

HSL 1.33, 0.63%, 0.42%

LAB 39.24, 52.43, 34.7

 

CMYK 0 / 63 / 64 / 38

HEX #9D3A39

RGB 157 58 57

HSL 0.6, 0.47%, 0.42%

LAB 38.71, 41.17, 22.49

 

CMYK 0 / 46 / 47 / 45

HEX #8B4B4A

RGB 139 75 74

HSL 0.92, 0.31%, 0.42%

LAB 39.61, 26.86, 12.65

 

CMYK 0 / 25 / 25 / 52

HEX #7A5C5B

RGB 122 92 91

HSL 1.94, 0.15%, 0.42%

LAB 42.07, 12.11, 5.33

 

CMYK 0 / 88 / 43 / 25

HEX #BF166D

RGB 191 22 109

HSL 329.11, 0.79%, 0.42%

LAB 42.39, 66.67, -4.06

 

CMYK 0 / 88 / 66 / 25

HEX #BF1640

RGB 191 22 64

HSL 345.09, 0.79%, 0.42%

LAB 41.25, 63.45, 22.71

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 63 / 88 / 25

HEX #BF4616

RGB 191 70 22

HSL 17.04, 0.79%, 0.42%

LAB 46.33, 46.57, 50.64

 

CMYK 0 / 40 / 88 / 25

HEX #BF7316

RGB 191 115 22

HSL 33.02, 0.79%, 0.42%

LAB 55.48, 23.65, 57.81

 

CMYK 0 / 87 / 89 / 54

HEX #750F0D

RGB 117 15 13

HSL 1.15, 0.8%, 0.25%

LAB 24.17, 42.07, 30.47

 

CMYK 0 / 87 / 88 / 40

HEX #9A1412

RGB 154 20 18

HSL 0.88, 0.79%, 0.34%

LAB 32.73, 52.02, 38.52

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 0 / 87 / 88 / 11

HEX #E41E1B

RGB 228 30 27

HSL 0.9, 0.79%, 0.5%

LAB 48.89, 70.52, 53.59

 

CMYK 0 / 71 / 72 / 9

HEX #E84340

RGB 232 67 64

HSL 1.07, 0.79%, 0.58%

LAB 53.54, 62.75, 39.39

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 19 / 0 / 88 / 25

HEX #9BBF16

RGB 155 191 22

HSL 72.78, 0.79%, 0.42%

LAB 72.42, -32.23, 70.08

 

CMYK 88 / 54 / 0 / 25

HEX #1657BF

RGB 22 87 191

HSL 216.92, 0.79%, 0.42%

LAB 39.15, 20.83, -59.9

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 88 / 0 / 87 / 25

HEX #16BF19

RGB 22 191 25

HSL 121.07, 0.79%, 0.42%

LAB 67.65, -67.51, 63.54

 

CMYK 87 / 88 / 0 / 25

HEX #1916BF

RGB 25 22 191

HSL 241.07, 0.79%, 0.42%

LAB 25.39, 58.37, -82.56

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 19 / 0 / 88 / 25

HEX #9BBF16

RGB 155 191 22

HSL 72.78, 0.79%, 0.42%

LAB 72.42, -32.23, 70.08

 

CMYK 88 / 2 / 0 / 25

HEX #16BCBF

RGB 22 188 191

HSL 181.07, 0.79%, 0.42%

LAB 69.4, -36.52, -12.55

 

CMYK 69 / 88 / 0 / 25

HEX #3B16BF

RGB 59 22 191

HSL 253.14, 0.79%, 0.42%

LAB 27.48, 59.86, -79.03

 

CMYK 0 / 87 / 88 / 25

HEX #BF1916

RGB 191 25 22

HSL 1.07, 0.79%, 0.42%

LAB 40.94, 61.45, 46.45

 

CMYK 46 / 0 / 88 / 25

HEX #68BF16

RGB 104 191 22

HSL 90.89, 0.79%, 0.42%

LAB 69.66, -51.07, 66.66

 

CMYK 88 / 2 / 0 / 25

HEX #16BCBF

RGB 22 188 191

HSL 181.07, 0.79%, 0.42%

LAB 69.4, -36.52, -12.55

 

CMYK 43 / 88 / 0 / 25

HEX #6D16BF

RGB 109 22 191

HSL 270.89, 0.79%, 0.42%

LAB 33.11, 64.4, -69.54

 

Description

Color code: HEX #BF1916 | qconv.com Color code: HEX #BF1916 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 25 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 25 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 88% 25% C M Y K

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Provide designers and agencies with accurate color values.

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