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Color name
HEX #BF1AD5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1AD5 it is the complementary color #40E52A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1AD5 shade: #C41AD0, #D52CE3, #E63EF6, #F750FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1AD5 shade: #BF1AD5, #AE08C2, #9D00AF, #8C009C and #7B0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1AD5 shade: #BF1AD5, #D51AB8, #D51A86, #D51A54 and #D51A21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1AD5 shade: #BF1AD5, #8C1AD5, #5A1AD5, #281AD5 and #1A1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1AD5 shade matches the following richer shades: #BF1AD5 and #CE06E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1AD5 shade: #BF1AD5, #B02DC1, #A141AE, #92549B and #846787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1AD5 shade: #581AD5, #8A1AD5, #BC1AD5, #D51ABC and #D51A8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1AD5 shade: #7D118B, #9E15B0, #BF1AD5, #D033E5 and #D957EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1AD5 shade: #BF1AD5, #D5261A and #1AD571

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1AD5 shade: #BF1AD5, #D5BC1A and #1AD5BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1AD5 shade: #BF1AD5, #D5261A, #33D51A and #1AC8D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1AD5 shade: #BF1AD5, #D55E1A, #33D51A and #1A90D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

Complementary color

CMYK 72 / 0 / 82 / 10

HEX #40E52A

RGB 64 229 42

HSL 112.94, 0.78%, 0.53%

LAB 80.35, -72.78, 71.19

 

CMYK 6 / 88 / 0 / 18

HEX #C41AD0

RGB 196 26 208

HSL 296.04, 0.78%, 0.46%

LAB 48.3, 79.6, -54.15

 

CMYK 6 / 81 / 0 / 11

HEX #D52CE3

RGB 213 44 227

HSL 295.41, 0.77%, 0.53%

LAB 53.49, 81.95, -56.51

 

CMYK 7 / 75 / 0 / 4

HEX #E63EF6

RGB 230 62 246

HSL 294.78, 0.91%, 0.6%

LAB 58.9, 83.42, -58.35

 

CMYK 3 / 69 / 0 / 0

HEX #F750FF

RGB 247 80 255

HSL 297.26, 1%, 0.66%

LAB 63.94, 82.61, -55.14

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 10 / 96 / 0 / 24

HEX #AE08C2

RGB 174 8 194

HSL 293.55, 0.92%, 0.4%

LAB 42.86, 76.09, -54.96

 

CMYK 10 / 100 / 0 / 31

HEX #9D00AF

RGB 157 0 175

HSL 293.83, 1%, 0.34%

LAB 38.31, 71.22, -51.25

 

CMYK 10 / 100 / 0 / 39

HEX #8C009C

RGB 140 0 156

HSL 293.85, 1%, 0.31%

LAB 33.93, 65.47, -47.03

 

CMYK 10 / 100 / 0 / 46

HEX #7B0089

RGB 123 0 137

HSL 293.87, 1%, 0.27%

LAB 29.46, 59.58, -42.71

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 0 / 88 / 14 / 16

HEX #D51AB8

RGB 213 26 184

HSL 309.3, 0.78%, 0.47%

LAB 49.91, 79.2, -37.47

 

CMYK 0 / 88 / 37 / 16

HEX #D51A86

RGB 213 26 134

HSL 325.35, 0.78%, 0.47%

LAB 47.76, 73.42, -10.99

 

CMYK 0 / 88 / 61 / 16

HEX #D51A54

RGB 213 26 84

HSL 341.39, 0.78%, 0.47%

LAB 46.35, 69.46, 17.76

 

CMYK 0 / 88 / 85 / 16

HEX #D51A21

RGB 213 26 33

HSL 357.75, 0.78%, 0.47%

LAB 45.63, 67.39, 46.85

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 34 / 88 / 0 / 16

HEX #8C1AD5

RGB 140 26 213

HSL 276.58, 0.78%, 0.47%

LAB 39.78, 72.03, -71.25

 

CMYK 58 / 88 / 0 / 16

HEX #5A1AD5

RGB 90 26 213

HSL 260.53, 0.78%, 0.47%

LAB 33.39, 66.6, -82.01

 

CMYK 81 / 88 / 0 / 16

HEX #281AD5

RGB 40 26 213

HSL 244.49, 0.78%, 0.47%

LAB 29.4, 63.61, -88.75

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 11 / 97 / 0 / 9

HEX #CE06E8

RGB 206 6 232

HSL 293.1, 0.95%, 0.47%

LAB 50.78, 87.12, -63.75

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 9 / 77 / 0 / 24

HEX #B02DC1

RGB 176 45 193

HSL 293.11, 0.62%, 0.47%

LAB 45.58, 69.13, -50

 

CMYK 7 / 63 / 0 / 32

HEX #A141AE

RGB 161 65 174

HSL 292.84, 0.46%, 0.47%

LAB 44.82, 54.87, -40.2

 

CMYK 6 / 46 / 0 / 39

HEX #92549B

RGB 146 84 155

HSL 292.39, 0.3%, 0.47%

LAB 45.38, 37.4, -28.19

 

CMYK 2 / 24 / 0 / 47

HEX #846787

RGB 132 103 135

HSL 294.38, 0.13%, 0.47%

LAB 47.44, 17.57, -13.24

 

CMYK 59 / 88 / 0 / 16

HEX #581AD5

RGB 88 26 213

HSL 259.89, 0.78%, 0.47%

LAB 33.17, 66.43, -82.36

 

CMYK 35 / 88 / 0 / 16

HEX #8A1AD5

RGB 138 26 213

HSL 275.94, 0.78%, 0.47%

LAB 39.49, 71.77, -71.74

 

CMYK 12 / 88 / 0 / 16

HEX #BC1AD5

RGB 188 26 213

HSL 291.98, 0.78%, 0.47%

LAB 47.28, 79.08, -58.73

 

CMYK 0 / 88 / 12 / 16

HEX #D51ABC

RGB 213 26 188

HSL 308.02, 0.78%, 0.47%

LAB 50.12, 79.73, -39.49

 

CMYK 0 / 88 / 35 / 16

HEX #D51A8A

RGB 213 26 138

HSL 324.06, 0.78%, 0.47%

LAB 47.91, 73.82, -13.2

 

CMYK 10 / 88 / 0 / 45

HEX #7D118B

RGB 125 17 139

HSL 293.11, 0.78%, 0.31%

LAB 30.94, 57.38, -41.55

 

CMYK 10 / 88 / 0 / 31

HEX #9E15B0

RGB 158 21 176

HSL 293.03, 0.79%, 0.39%

LAB 39.48, 68.81, -49.95

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 9 / 78 / 0 / 10

HEX #D033E5

RGB 208 51 229

HSL 292.92, 0.77%, 0.55%

LAB 53.42, 79.6, -57.79

 

CMYK 7 / 63 / 0 / 8

HEX #D957EA

RGB 217 87 234

HSL 293.06, 0.78%, 0.63%

LAB 59.44, 69.85, -50.91

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 0 / 82 / 88 / 16

HEX #D5261A

RGB 213 38 26

HSL 3.85, 0.78%, 0.47%

LAB 46.45, 64.76, 50.86

 

CMYK 88 / 0 / 47 / 16

HEX #1AD571

RGB 26 213 113

HSL 147.91, 0.78%, 0.47%

LAB 75.45, -64.69, 37.46

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 0 / 12 / 88 / 16

HEX #D5BC1A

RGB 213 188 26

HSL 51.98, 0.78%, 0.47%

LAB 76.18, -5.89, 74.27

 

CMYK 88 / 0 / 12 / 16

HEX #1AD5BC

RGB 26 213 188

HSL 171.98, 0.78%, 0.47%

LAB 76.94, -48.15, 0.25

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 0 / 82 / 88 / 16

HEX #D5261A

RGB 213 38 26

HSL 3.85, 0.78%, 0.47%

LAB 46.45, 64.76, 50.86

 

CMYK 76 / 0 / 88 / 16

HEX #33D51A

RGB 51 213 26

HSL 111.98, 0.78%, 0.47%

LAB 75.06, -70.65, 69.95

 

CMYK 88 / 6 / 0 / 16

HEX #1AC8D5

RGB 26 200 213

HSL 184.17, 0.78%, 0.47%

LAB 73.76, -35.16, -17.98

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 0 / 56 / 88 / 16

HEX #D55E1A

RGB 213 94 26

HSL 21.82, 0.78%, 0.47%

LAB 54.27, 43.62, 56.96

 

CMYK 76 / 0 / 88 / 16

HEX #33D51A

RGB 51 213 26

HSL 111.98, 0.78%, 0.47%

LAB 75.06, -70.65, 69.95

 

CMYK 88 / 32 / 0 / 16

HEX #1A90D5

RGB 26 144 213

HSL 202.14, 0.78%, 0.47%

LAB 57.05, -5.97, -43.82

 

Description

Color code: HEX #BF1AD5 | qconv.com Color code: HEX #BF1AD5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 26 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 26 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 88 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 88% 0% 16% C M Y K

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Provide designers and agencies with accurate color values.

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