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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1BE8 it is the complementary color #40E417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1BE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1BE8 shade: #C41BE3, #D52DF6, #E63FFF, #F751FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1BE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1BE8 shade: #BF1BE8, #AE09D5, #9D00C2, #8C00AF and #7B009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1BE8 shade: #BF1BE8, #E81BDA, #E81BA2, #E81B6B and #E81B34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1BE8 shade: #BF1BE8, #881BE8, #511BE8 and #1B1BE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1BE8 shade matches the following richer shades: #BF1BE8 and #CB07FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1BE8 shade: #BF1BE8, #B32FD4, #A744C0, #9B58AB and #8F6C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1BE8 shade: #521BE8, #881BE8, #BF1BE8, #E81BDA and #E81BA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1BE8 shade: #840FA1, #A313C7, #BF1BE8, #CA41EC and #D466EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1BE8 shade: #BF1BE8, #E81B1B and #1BE86D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1BE8 shade: #BF1BE8, #E8BF1B and #1BE8BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1BE8 shade: #BF1BE8, #E81B1B, #44E81B and #1BE8E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1BE8 shade: #BF1BE8, #E8591B, #44E81B and #1BABE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

Complementary color

CMYK 72 / 0 / 90 / 11

HEX #40E417

RGB 64 228 23

HSL 108, 0.82%, 0.49%

LAB 79.98, -73.21, 74.76

 

CMYK 14 / 88 / 0 / 11

HEX #C41BE3

RGB 196 27 227

HSL 290.7, 0.79%, 0.5%

LAB 49.58, 82.5, -62.94

 

CMYK 13 / 82 / 0 / 4

HEX #D52DF6

RGB 213 45 246

HSL 290.15, 0.92%, 0.57%

LAB 54.74, 84.83, -65.17

 

CMYK 10 / 75 / 0 / 0

HEX #E63FFF

RGB 230 63 255

HSL 292.19, 1%, 0.62%

LAB 59.52, 84.61, -62.34

 

CMYK 3 / 68 / 0 / 0

HEX #F751FF

RGB 247 81 255

HSL 297.24, 1%, 0.66%

LAB 64.06, 82.27, -54.95

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 18 / 96 / 0 / 16

HEX #AE09D5

RGB 174 9 213

HSL 288.53, 0.92%, 0.44%

LAB 44.23, 79.16, -63.77

 

CMYK 19 / 100 / 0 / 24

HEX #9D00C2

RGB 157 0 194

HSL 288.56, 1%, 0.38%

LAB 39.69, 74.42, -60.25

 

CMYK 20 / 100 / 0 / 31

HEX #8C00AF

RGB 140 0 175

HSL 288, 1%, 0.34%

LAB 35.34, 68.74, -56.2

 

CMYK 21 / 100 / 0 / 39

HEX #7B009C

RGB 123 0 156

HSL 287.31, 1%, 0.31%

LAB 30.91, 62.94, -52.08

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 0 / 88 / 6 / 9

HEX #E81BDA

RGB 232 27 218

HSL 304.1, 0.82%, 0.51%

LAB 55.07, 87.13, -48.69

 

CMYK 0 / 88 / 30 / 9

HEX #E81BA2

RGB 232 27 162

HSL 320.49, 0.82%, 0.51%

LAB 52.45, 80.24, -20.32

 

CMYK 0 / 88 / 54 / 9

HEX #E81B6B

RGB 232 27 107

HSL 336.59, 0.82%, 0.51%

LAB 50.69, 75.4, 10.19

 

CMYK 0 / 88 / 78 / 9

HEX #E81B34

RGB 232 27 52

HSL 352.68, 0.82%, 0.51%

LAB 49.72, 72.66, 41.93

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 41 / 88 / 0 / 9

HEX #881BE8

RGB 136 27 232

HSL 271.9, 0.82%, 0.51%

LAB 40.97, 75.28, -80.2

 

CMYK 65 / 88 / 0 / 9

HEX #511BE8

RGB 81 27 232

HSL 255.8, 0.82%, 0.51%

LAB 34.72, 70.36, -90.73

 

CMYK 88 / 88 / 0 / 9

HEX #1B1BE8

RGB 27 27 232

HSL 240, 0.82%, 0.51%

LAB 31.45, 68.12, -96.27

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 19 / 97 / 0 / 1

HEX #CB07FC

RGB 203 7 252

HSL 288, 0.98%, 0.51%

LAB 51.7, 89.87, -73.52

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 16 / 78 / 0 / 17

HEX #B32FD4

RGB 179 47 212

HSL 288, 0.66%, 0.51%

LAB 47.46, 72.46, -57.94

 

CMYK 13 / 65 / 0 / 25

HEX #A744C0

RGB 167 68 192

HSL 287.9, 0.5%, 0.51%

LAB 47.18, 58.45, -46.94

 

CMYK 9 / 49 / 0 / 33

HEX #9B58AB

RGB 155 88 171

HSL 288.43, 0.33%, 0.51%

LAB 48.12, 41.22, -33.29

 

CMYK 5 / 28 / 0 / 41

HEX #8F6C97

RGB 143 108 151

HSL 288.84, 0.17%, 0.51%

LAB 50.45, 21.85, -18.03

 

CMYK 65 / 88 / 0 / 9

HEX #521BE8

RGB 82 27 232

HSL 256.1, 0.82%, 0.51%

LAB 34.81, 70.43, -90.58

 

CMYK 41 / 88 / 0 / 9

HEX #881BE8

RGB 136 27 232

HSL 271.9, 0.82%, 0.51%

LAB 40.97, 75.28, -80.2

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 0 / 88 / 6 / 9

HEX #E81BDA

RGB 232 27 218

HSL 304.1, 0.82%, 0.51%

LAB 55.07, 87.13, -48.69

 

CMYK 0 / 88 / 29 / 9

HEX #E81BA4

RGB 232 27 164

HSL 319.9, 0.82%, 0.51%

LAB 52.53, 80.46, -21.38

 

CMYK 18 / 91 / 0 / 37

HEX #840FA1

RGB 132 15 161

HSL 288.08, 0.83%, 0.35%

LAB 33.61, 62.94, -50.66

 

CMYK 18 / 90 / 0 / 22

HEX #A313C7

RGB 163 19 199

HSL 288, 0.83%, 0.43%

LAB 41.81, 73.93, -59.68

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 14 / 72 / 0 / 7

HEX #CA41EC

RGB 202 65 236

HSL 288.07, 0.82%, 0.59%

LAB 54.44, 75.35, -60.14

 

CMYK 11 / 57 / 0 / 6

HEX #D466EF

RGB 212 102 239

HSL 288.18, 0.81%, 0.67%

LAB 61.42, 63.02, -50.59

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 0 / 88 / 88 / 9

HEX #E81B1B

RGB 232 27 27

HSL 0, 0.82%, 0.51%

LAB 49.52, 72.07, 54.43

 

CMYK 88 / 0 / 53 / 9

HEX #1BE86D

RGB 27 232 109

HSL 144, 0.82%, 0.51%

LAB 81.32, -71.39, 46.68

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 0 / 18 / 88 / 9

HEX #E8BF1B

RGB 232 191 27

HSL 48, 0.82%, 0.51%

LAB 78.75, 0.81, 76.86

 

CMYK 88 / 0 / 18 / 9

HEX #1BE8BF

RGB 27 232 191

HSL 168, 0.82%, 0.51%

LAB 82.76, -55.05, 7.07

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 0 / 88 / 88 / 9

HEX #E81B1B

RGB 232 27 27

HSL 0, 0.82%, 0.51%

LAB 49.52, 72.07, 54.43

 

CMYK 71 / 0 / 88 / 9

HEX #44E81B

RGB 68 232 27

HSL 108, 0.82%, 0.51%

LAB 81.3, -73.62, 75.26

 

CMYK 88 / 0 / 0 / 9

HEX #1BE8E8

RGB 27 232 232

HSL 180, 0.82%, 0.51%

LAB 83.85, -43.96, -12.97

 

CMYK 18 / 88 / 0 / 9

HEX #BF1BE8

RGB 191 27 232

HSL 288, 0.82%, 0.51%

LAB 49.11, 82.58, -66.56

 

CMYK 0 / 62 / 88 / 9

HEX #E8591B

RGB 232 89 27

HSL 18.15, 0.82%, 0.51%

LAB 56.47, 52.89, 59.64

 

CMYK 71 / 0 / 88 / 9

HEX #44E81B

RGB 68 232 27

HSL 108, 0.82%, 0.51%

LAB 81.3, -73.62, 75.26

 

CMYK 88 / 26 / 0 / 9

HEX #1BABE8

RGB 27 171 232

HSL 197.85, 0.82%, 0.51%

LAB 65.89, -14.15, -40.45

 

Description

Color code: HEX #BF1BE8 | qconv.com Color code: HEX #BF1BE8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 27 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 27 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 88 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 88% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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