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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF28B3 it is the complementary color #40D74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF28B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF28B3 shade: #C428AE, #D53AC1, #E64CD4, #F75EE7 and #FF70FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF28B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF28B3 shade: #BF28B3, #AE16A0, #9D048D, #8C007A and #7B0067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF28B3 shade: #BD28B1, #BD2889, #BD2861, #BD2838 and #BD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF28B3 shade: #BD28B1, #A028BD, #7828BD, #5028BD and #2828BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF28B3 shade matches the following richer shades: #BD28B1, #CF15C1 and #E203D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF28B3 shade: #BD28B1, #AA3AA1, #984D92, #855F82 and #737273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF28B3 shade: #7728BD, #9F28BD, #BD28B3, #BD288B and #BD2863

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF28B3 shade: #791971, #9B2091, #BD28B1, #D539C8 and #DC5BD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF28B3 shade: #BF28B3, #BD4F28 and #28BD8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF28B3 shade: #BF28B3, #B3BD28 and #28B3BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF28B3 shade: #BF28B3, #BD4F28, #28BD32 and #2895BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF28B3 shade: #BF28B3, #BD7C28, #28BD32 and #2868BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 6 / 25

HEX #BF28B3

RGB 191 40 179

HSL 304.77, 0.65%, 0.45%

LAB 46.78, 71.29, -39.75

 

Complementary color

CMYK 70 / 0 / 65 / 16

HEX #40D74C

RGB 64 215 76

HSL 124.77, 0.65%, 0.55%

LAB 76.2, -65.83, 55.51

 

CMYK 0 / 80 / 11 / 23

HEX #C428AE

RGB 196 40 174

HSL 308.46, 0.66%, 0.46%

LAB 47.38, 71.6, -35.79

 

CMYK 0 / 73 / 9 / 16

HEX #D53AC1

RGB 213 58 193

HSL 307.74, 0.65%, 0.53%

LAB 52.97, 72.9, -37.89

 

CMYK 0 / 67 / 8 / 10

HEX #E64CD4

RGB 230 76 212

HSL 307.01, 0.75%, 0.6%

LAB 58.74, 73.53, -39.52

 

CMYK 0 / 62 / 6 / 3

HEX #F75EE7

RGB 247 94 231

HSL 306.27, 0.91%, 0.67%

LAB 64.6, 73.69, -40.81

 

CMYK 0 / 56 / 2 / 0

HEX #FF70FA

RGB 255 112 250

HSL 302.1, 1%, 0.72%

LAB 69.29, 71.27, -43.87

 

CMYK 0 / 79 / 6 / 25

HEX #BF28B3

RGB 191 40 179

HSL 304.77, 0.65%, 0.45%

LAB 46.78, 71.29, -39.75

 

CMYK 0 / 87 / 8 / 32

HEX #AE16A0

RGB 174 22 160

HSL 305.53, 0.78%, 0.38%

LAB 41.39, 69.04, -37.17

 

CMYK 0 / 97 / 10 / 38

HEX #9D048D

RGB 157 4 141

HSL 306.27, 0.95%, 0.32%

LAB 36.32, 65.56, -33.84

 

CMYK 0 / 100 / 13 / 45

HEX #8C007A

RGB 140 0 122

HSL 307.71, 1%, 0.27%

LAB 31.76, 60.23, -29.42

 

CMYK 0 / 100 / 16 / 52

HEX #7B0067

RGB 123 0 103

HSL 309.76, 1%, 0.24%

LAB 27.27, 54.29, -24.57

 

CMYK 0 / 79 / 6 / 26

HEX #BD28B1

RGB 189 40 177

HSL 304.83, 0.65%, 0.45%

LAB 46.33, 70.57, -39.3

 

CMYK 0 / 79 / 28 / 26

HEX #BD2889

RGB 189 40 137

HSL 320.94, 0.65%, 0.45%

LAB 44.44, 65.15, -18.29

 

CMYK 0 / 79 / 49 / 26

HEX #BD2861

RGB 189 40 97

HSL 337.05, 0.65%, 0.45%

LAB 43.06, 61.02, 4.38

 

CMYK 0 / 79 / 70 / 26

HEX #BD2838

RGB 189 40 56

HSL 353.56, 0.65%, 0.45%

LAB 42.19, 58.3, 28.73

 

CMYK 0 / 79 / 79 / 26

HEX #BD2828

RGB 189 40 40

HSL 0, 0.65%, 0.45%

LAB 41.98, 57.66, 37.92

 

CMYK 0 / 79 / 6 / 26

HEX #BD28B1

RGB 189 40 177

HSL 304.83, 0.65%, 0.45%

LAB 46.33, 70.57, -39.3

 

CMYK 15 / 79 / 0 / 26

HEX #A028BD

RGB 160 40 189

HSL 288.32, 0.65%, 0.45%

LAB 42.25, 66.86, -53.14

 

CMYK 37 / 79 / 0 / 26

HEX #7828BD

RGB 120 40 189

HSL 272.21, 0.65%, 0.45%

LAB 36.34, 59.88, -63.01

 

CMYK 58 / 79 / 0 / 26

HEX #5028BD

RGB 80 40 189

HSL 256.11, 0.65%, 0.45%

LAB 31.57, 54.22, -71.01

 

CMYK 79 / 79 / 0 / 26

HEX #2828BD

RGB 40 40 189

HSL 240, 0.65%, 0.45%

LAB 28.49, 50.54, -76.2

 

CMYK 0 / 79 / 6 / 26

HEX #BD28B1

RGB 189 40 177

HSL 304.83, 0.65%, 0.45%

LAB 46.33, 70.57, -39.3

 

CMYK 0 / 90 / 7 / 19

HEX #CF15C1

RGB 207 21 193

HSL 304.52, 0.82%, 0.45%

LAB 49.07, 80.03, -44.12

 

CMYK 0 / 99 / 8 / 11

HEX #E203D0

RGB 226 3 208

HSL 304.84, 0.97%, 0.45%

LAB 52.72, 86.99, -46.79

 

CMYK 0 / 79 / 6 / 26

HEX #BD28B1

RGB 189 40 177

HSL 304.83, 0.65%, 0.45%

LAB 46.33, 70.57, -39.3

 

CMYK 0 / 66 / 5 / 33

HEX #AA3AA1

RGB 170 58 161

HSL 304.82, 0.49%, 0.45%

LAB 44.44, 57.79, -33

 

CMYK 0 / 49 / 4 / 40

HEX #984D92

RGB 152 77 146

HSL 304.8, 0.33%, 0.45%

LAB 44.32, 41.28, -24.41

 

CMYK 0 / 29 / 2 / 48

HEX #855F82

RGB 133 95 130

HSL 304.74, 0.17%, 0.45%

LAB 45.34, 21.66, -13.42

 

CMYK 0 / 1 / 0 / 55

HEX #737273

RGB 115 114 115

HSL 300, 0%, 0.45%

LAB 48.16, 0.59, -0.42

 

CMYK 37 / 79 / 0 / 26

HEX #7728BD

RGB 119 40 189

HSL 271.81, 0.65%, 0.45%

LAB 36.2, 59.72, -63.24

 

CMYK 16 / 79 / 0 / 26

HEX #9F28BD

RGB 159 40 189

HSL 287.92, 0.65%, 0.45%

LAB 42.1, 66.67, -53.4

 

CMYK 0 / 79 / 5 / 26

HEX #BD28B3

RGB 189 40 179

HSL 304.03, 0.65%, 0.45%

LAB 46.43, 70.88, -40.31

 

CMYK 0 / 79 / 26 / 26

HEX #BD288B

RGB 189 40 139

HSL 320.13, 0.65%, 0.45%

LAB 44.52, 65.39, -19.38

 

CMYK 0 / 79 / 48 / 26

HEX #BD2863

RGB 189 40 99

HSL 336.24, 0.65%, 0.45%

LAB 43.12, 61.2, 3.21

 

CMYK 0 / 79 / 7 / 53

HEX #791971

RGB 121 25 113

HSL 305, 0.66%, 0.29%

LAB 29.29, 50, -27.85

 

CMYK 0 / 79 / 6 / 39

HEX #9B2091

RGB 155 32 145

HSL 304.88, 0.66%, 0.37%

LAB 37.92, 60.66, -33.78

 

CMYK 0 / 79 / 6 / 26

HEX #BD28B1

RGB 189 40 177

HSL 304.83, 0.65%, 0.45%

LAB 46.33, 70.57, -39.3

 

CMYK 0 / 73 / 6 / 16

HEX #D539C8

RGB 213 57 200

HSL 305, 0.65%, 0.53%

LAB 53.21, 74.25, -41.54

 

CMYK 0 / 59 / 5 / 14

HEX #DC5BD2

RGB 220 91 210

HSL 304.65, 0.65%, 0.61%

LAB 59.3, 64.82, -37.61

 

CMYK 0 / 79 / 6 / 25

HEX #BF28B3

RGB 191 40 179

HSL 304.77, 0.65%, 0.45%

LAB 46.78, 71.29, -39.75

 

CMYK 0 / 58 / 79 / 26

HEX #BD4F28

RGB 189 79 40

HSL 15.7, 0.65%, 0.45%

LAB 47.71, 42.16, 43.74

 

CMYK 79 / 0 / 26 / 26

HEX #28BD8B

RGB 40 189 139

HSL 159.87, 0.65%, 0.45%

LAB 68.54, -49.55, 14.69

 

CMYK 0 / 79 / 6 / 25

HEX #BF28B3

RGB 191 40 179

HSL 304.77, 0.65%, 0.45%

LAB 46.78, 71.29, -39.75

 

CMYK 5 / 0 / 79 / 26

HEX #B3BD28

RGB 179 189 40

HSL 64.03, 0.65%, 0.45%

LAB 73.63, -20.7, 67.57

 

CMYK 79 / 5 / 0 / 26

HEX #28B3BD

RGB 40 179 189

HSL 184.03, 0.65%, 0.45%

LAB 66.8, -31.56, -15.34

 

CMYK 0 / 79 / 6 / 25

HEX #BF28B3

RGB 191 40 179

HSL 304.77, 0.65%, 0.45%

LAB 46.78, 71.29, -39.75

 

CMYK 0 / 58 / 79 / 26

HEX #BD4F28

RGB 189 79 40

HSL 15.7, 0.65%, 0.45%

LAB 47.71, 42.16, 43.74

 

CMYK 79 / 0 / 74 / 26

HEX #28BD32

RGB 40 189 50

HSL 124.03, 0.65%, 0.45%

LAB 67.33, -63.56, 56.11

 

CMYK 79 / 21 / 0 / 26

HEX #2895BD

RGB 40 149 189

HSL 196.11, 0.65%, 0.45%

LAB 57.67, -16.22, -29.3

 

CMYK 0 / 79 / 6 / 25

HEX #BF28B3

RGB 191 40 179

HSL 304.77, 0.65%, 0.45%

LAB 46.78, 71.29, -39.75

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 79 / 0 / 74 / 26

HEX #28BD32

RGB 40 189 50

HSL 124.03, 0.65%, 0.45%

LAB 67.33, -63.56, 56.11

 

CMYK 79 / 45 / 0 / 26

HEX #2868BD

RGB 40 104 189

HSL 214.23, 0.65%, 0.45%

LAB 44.27, 10.48, -50.45

 

Description

Color code: HEX #BF28B3 | qconv.com Color code: HEX #BF28B3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 40 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 40 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 6% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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