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Color name
HEX #BF2D17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2D17 it is the complementary color #40D2E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2D17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2D17 shade: #C42D12, #D53F25, #E65138, #F7634B and #FF755E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2D17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2D17 shade: #BF2D17, #AE1B04, #9D0900, #8C0000 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2D17 shade: #BF2C16 and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2D17 shade: #BF2C16, #BF5A16, #BF8716, #BFB516 and #9CBF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2D17 shade matches the following richer shades: #BF2C16 and #D11F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2D17 shade: #BF2C16, #AE3927, #9D4639, #8B534A and #7A5F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2D17 shade: #BF165C, #BF162F, #BF2A16, #BF5716 and #BF8416

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2D17 shade: #751B0D, #9A2412, #BF2C16, #E4351B and #E85640

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2D17 shade: #BF2D17, #8ABF16 and #1646BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2D17 shade: #BF2D17, #16BF2A and #2A16BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2D17 shade: #BF2D17, #8ABF16, #16ABBF and #4C16BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2D17 shade: #BF2D17, #57BF16, #16ABBF and #7E16BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 88 / 25

HEX #BF2D17

RGB 191 45 23

HSL 7.86, 0.79%, 0.42%

LAB 42.79, 56.28, 47.44

 

Complementary color

CMYK 72 / 9 / 0 / 9

HEX #40D2E8

RGB 64 210 232

HSL 187.86, 0.79%, 0.58%

LAB 77.88, -30.82, -21.92

 

CMYK 0 / 77 / 91 / 23

HEX #C42D12

RGB 196 45 18

HSL 9.1, 0.83%, 0.42%

LAB 43.74, 57.72, 50.64

 

CMYK 0 / 70 / 83 / 16

HEX #D53F25

RGB 213 63 37

HSL 8.86, 0.7%, 0.49%

LAB 49.3, 57.29, 48.18

 

CMYK 0 / 65 / 76 / 10

HEX #E65138

RGB 230 81 56

HSL 8.62, 0.78%, 0.56%

LAB 55.07, 56.41, 45.31

 

CMYK 0 / 60 / 70 / 3

HEX #F7634B

RGB 247 99 75

HSL 8.37, 0.91%, 0.63%

LAB 60.96, 55.32, 42.55

 

CMYK 0 / 54 / 63 / 0

HEX #FF755E

RGB 255 117 94

HSL 8.57, 1%, 0.68%

LAB 65.59, 50.95, 38.09

 

CMYK 0 / 76 / 88 / 25

HEX #BF2D17

RGB 191 45 23

HSL 7.86, 0.79%, 0.42%

LAB 42.79, 56.28, 47.44

 

CMYK 0 / 84 / 98 / 32

HEX #AE1B04

RGB 174 27 4

HSL 8.12, 0.96%, 0.35%

LAB 37.47, 55.98, 49.44

 

CMYK 0 / 94 / 100 / 38

HEX #9D0900

RGB 157 9 0

HSL 3.44, 1%, 0.31%

LAB 32.62, 54.5, 46.47

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 77 / 88 / 25

HEX #BF2C16

RGB 191 44 22

HSL 7.81, 0.79%, 0.42%

LAB 42.67, 56.58, 47.78

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 77 / 88 / 25

HEX #BF2C16

RGB 191 44 22

HSL 7.81, 0.79%, 0.42%

LAB 42.67, 56.58, 47.78

 

CMYK 0 / 53 / 88 / 25

HEX #BF5A16

RGB 191 90 22

HSL 24.14, 0.79%, 0.42%

LAB 50.03, 36.95, 53.53

 

CMYK 0 / 29 / 88 / 25

HEX #BF8716

RGB 191 135 22

HSL 40.12, 0.79%, 0.42%

LAB 60.3, 12.65, 61.62

 

CMYK 0 / 5 / 88 / 25

HEX #BFB516

RGB 191 181 22

HSL 56.45, 0.79%, 0.42%

LAB 72.35, -11.98, 71.17

 

CMYK 18 / 0 / 88 / 25

HEX #9CBF16

RGB 156 191 22

HSL 72.43, 0.79%, 0.42%

LAB 72.49, -31.82, 70.16

 

CMYK 0 / 77 / 88 / 25

HEX #BF2C16

RGB 191 44 22

HSL 7.81, 0.79%, 0.42%

LAB 42.67, 56.58, 47.78

 

CMYK 0 / 85 / 98 / 18

HEX #D11F05

RGB 209 31 5

HSL 7.65, 0.95%, 0.42%

LAB 45.01, 64.96, 56.84

 

CMYK 0 / 77 / 88 / 25

HEX #BF2C16

RGB 191 44 22

HSL 7.81, 0.79%, 0.42%

LAB 42.67, 56.58, 47.78

 

CMYK 0 / 67 / 78 / 32

HEX #AE3927

RGB 174 57 39

HSL 8, 0.63%, 0.42%

LAB 41.33, 46.7, 36.91

 

CMYK 0 / 55 / 64 / 38

HEX #9D4639

RGB 157 70 57

HSL 7.8, 0.47%, 0.42%

LAB 40.97, 35.24, 25.33

 

CMYK 0 / 40 / 47 / 45

HEX #8B534A

RGB 139 83 74

HSL 8.31, 0.31%, 0.42%

LAB 41.48, 22.28, 15.21

 

CMYK 0 / 22 / 25 / 52

HEX #7A5F5B

RGB 122 95 91

HSL 7.74, 0.15%, 0.42%

LAB 42.88, 10.31, 6.48

 

CMYK 0 / 88 / 52 / 25

HEX #BF165C

RGB 191 22 92

HSL 335.15, 0.79%, 0.42%

LAB 41.88, 65.24, 5.88

 

CMYK 0 / 88 / 75 / 25

HEX #BF162F

RGB 191 22 47

HSL 351.12, 0.79%, 0.42%

LAB 40.99, 62.69, 32.87

 

CMYK 0 / 78 / 88 / 25

HEX #BF2A16

RGB 191 42 22

HSL 7.1, 0.79%, 0.42%

LAB 42.45, 57.19, 47.61

 

CMYK 0 / 54 / 88 / 25

HEX #BF5716

RGB 191 87 22

HSL 23.08, 0.79%, 0.42%

LAB 49.44, 38.47, 53.06

 

CMYK 0 / 31 / 88 / 25

HEX #BF8416

RGB 191 132 22

HSL 39.05, 0.79%, 0.42%

LAB 59.56, 14.3, 61.03

 

CMYK 0 / 77 / 89 / 54

HEX #751B0D

RGB 117 27 13

HSL 8.08, 0.8%, 0.25%

LAB 25.55, 38.2, 31.8

 

CMYK 0 / 77 / 88 / 40

HEX #9A2412

RGB 154 36 18

HSL 7.94, 0.79%, 0.34%

LAB 34.35, 47.47, 39.85

 

CMYK 0 / 77 / 88 / 25

HEX #BF2C16

RGB 191 44 22

HSL 7.81, 0.79%, 0.42%

LAB 42.67, 56.58, 47.78

 

CMYK 0 / 77 / 88 / 11

HEX #E4351B

RGB 228 53 27

HSL 7.76, 0.79%, 0.5%

LAB 50.83, 65.02, 55.06

 

CMYK 0 / 63 / 72 / 9

HEX #E85640

RGB 232 86 64

HSL 7.86, 0.79%, 0.58%

LAB 56.27, 55.32, 42.47

 

CMYK 0 / 76 / 88 / 25

HEX #BF2D17

RGB 191 45 23

HSL 7.86, 0.79%, 0.42%

LAB 42.79, 56.28, 47.44

 

CMYK 28 / 0 / 88 / 25

HEX #8ABF16

RGB 138 191 22

HSL 78.82, 0.79%, 0.42%

LAB 71.37, -38.98, 68.78

 

CMYK 88 / 63 / 0 / 25

HEX #1646BF

RGB 22 70 191

HSL 222.96, 0.79%, 0.42%

LAB 34.63, 32.1, -67.29

 

CMYK 0 / 76 / 88 / 25

HEX #BF2D17

RGB 191 45 23

HSL 7.86, 0.79%, 0.42%

LAB 42.79, 56.28, 47.44

 

CMYK 88 / 0 / 78 / 25

HEX #16BF2A

RGB 22 191 42

HSL 127.1, 0.79%, 0.42%

LAB 67.72, -66.59, 59.12

 

CMYK 78 / 88 / 0 / 25

HEX #2A16BF

RGB 42 22 191

HSL 247.1, 0.79%, 0.42%

LAB 26.24, 58.96, -81.13

 

CMYK 0 / 76 / 88 / 25

HEX #BF2D17

RGB 191 45 23

HSL 7.86, 0.79%, 0.42%

LAB 42.79, 56.28, 47.44

 

CMYK 28 / 0 / 88 / 25

HEX #8ABF16

RGB 138 191 22

HSL 78.82, 0.79%, 0.42%

LAB 71.37, -38.98, 68.78

 

CMYK 88 / 10 / 0 / 25

HEX #16ABBF

RGB 22 171 191

HSL 187.1, 0.79%, 0.42%

LAB 64.21, -28.39, -20.4

 

CMYK 60 / 88 / 0 / 25

HEX #4C16BF

RGB 76 22 191

HSL 259.17, 0.79%, 0.42%

LAB 29.09, 61.09, -76.31

 

CMYK 0 / 76 / 88 / 25

HEX #BF2D17

RGB 191 45 23

HSL 7.86, 0.79%, 0.42%

LAB 42.79, 56.28, 47.44

 

CMYK 54 / 0 / 88 / 25

HEX #57BF16

RGB 87 191 22

HSL 96.92, 0.79%, 0.42%

LAB 69, -56.14, 65.84

 

CMYK 88 / 10 / 0 / 25

HEX #16ABBF

RGB 22 171 191

HSL 187.1, 0.79%, 0.42%

LAB 64.21, -28.39, -20.4

 

CMYK 34 / 88 / 0 / 25

HEX #7E16BF

RGB 126 22 191

HSL 276.92, 0.79%, 0.42%

LAB 35.54, 66.54, -65.46

 

Description

Color code: HEX #BF2D17 | qconv.com Color code: HEX #BF2D17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 45 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 45 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 88% 25% C M Y K

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Provide designers and agencies with accurate color values.

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