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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF3EF3 it is the complementary color #40C10C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF3EF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF3EF3 shade: #C43EEE, #D550FF, #E662FF, #F774FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF3EF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF3EF3 shade: #BF3EF3, #AE2CE0, #9D1ACD, #8C08BA and #7B00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF3EF3 shade: #BF3FF2, #EF3FF2, #F23FC5, #F23F95 and #F23F64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF3EF3 shade: #BF3FF2, #8E3FF2, #5E3FF2 and #3F3FF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF3EF3 shade matches the following richer shades: #BF3FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF3EF3 shade: #BF3FF2, #B84FE2, #B160D1, #AA70C1 and #A381B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF3EF3 shade: #5D3FF2, #8D3FF2, #BC3FF2, #EC3FF2 and #F23FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF3EF3 shade: #990DD2, #B218F0, #BF3FF2, #CC66F5 and #D88CF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF3EF3 shade: #BF3EF3, #F23F51 and #3FF275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF3EF3 shade: #BF3EF3, #F2BC3F and #3FF2BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF3EF3 shade: #BF3EF3, #F23F51, #75F23F and #3FF2E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF3EF3 shade: #BF3EF3, #F2633F, #75F23F and #3FCEF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

Complementary color

CMYK 67 / 0 / 94 / 24

HEX #40C10C

RGB 64 193 12

HSL 102.76, 0.88%, 0.4%

LAB 68.94, -62.64, 67.07

 

CMYK 18 / 74 / 0 / 7

HEX #C43EEE

RGB 196 62 238

HSL 285.68, 0.84%, 0.59%

LAB 53.33, 75.59, -63.09

 

CMYK 16 / 69 / 0 / 0

HEX #D550FF

RGB 213 80 255

HSL 285.6, 1%, 0.66%

LAB 59.07, 75.59, -63.2

 

CMYK 10 / 62 / 0 / 0

HEX #E662FF

RGB 230 98 255

HSL 290.45, 1%, 0.69%

LAB 63.98, 72.04, -55.22

 

CMYK 3 / 55 / 0 / 0

HEX #F774FF

RGB 247 116 255

HSL 296.55, 1%, 0.73%

LAB 69.1, 68.33, -46.98

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

CMYK 22 / 80 / 0 / 12

HEX #AE2CE0

RGB 174 44 224

HSL 283.33, 0.74%, 0.53%

LAB 47.21, 74.68, -65.23

 

CMYK 23 / 87 / 0 / 20

HEX #9D1ACD

RGB 157 26 205

HSL 283.91, 0.77%, 0.45%

LAB 41.71, 72.85, -63.37

 

CMYK 25 / 96 / 0 / 27

HEX #8C08BA

RGB 140 8 186

HSL 284.49, 0.92%, 0.38%

LAB 36.54, 69.74, -60.78

 

CMYK 26 / 100 / 0 / 35

HEX #7B00A7

RGB 123 0 167

HSL 284.19, 1%, 0.33%

LAB 31.81, 64.99, -57.28

 

CMYK 21 / 74 / 0 / 5

HEX #BF3FF2

RGB 191 63 242

HSL 282.91, 0.87%, 0.6%

LAB 53, 75.07, -65.91

 

CMYK 1 / 74 / 0 / 5

HEX #EF3FF2

RGB 239 63 242

HSL 298.99, 0.87%, 0.6%

LAB 60.17, 84.24, -54.01

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC5

RGB 242 63 197

HSL 315.08, 0.87%, 0.6%

LAB 58.47, 78.47, -31.24

 

CMYK 0 / 74 / 38 / 5

HEX #F23F95

RGB 242 63 149

HSL 331.17, 0.87%, 0.6%

LAB 56.69, 72.96, -6.07

 

CMYK 0 / 74 / 59 / 5

HEX #F23F64

RGB 242 63 100

HSL 347.6, 0.87%, 0.6%

LAB 55.43, 68.95, 21.22

 

CMYK 21 / 74 / 0 / 5

HEX #BF3FF2

RGB 191 63 242

HSL 282.91, 0.87%, 0.6%

LAB 53, 75.07, -65.91

 

CMYK 41 / 74 / 0 / 5

HEX #8E3FF2

RGB 142 63 242

HSL 266.48, 0.87%, 0.6%

LAB 46.6, 66.62, -76.59

 

CMYK 61 / 74 / 0 / 5

HEX #5E3FF2

RGB 94 63 242

HSL 250.39, 0.87%, 0.6%

LAB 41.76, 59.97, -84.72

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF2

RGB 63 63 242

HSL 240, 0.87%, 0.6%

LAB 39.62, 56.94, -88.32

 

CMYK 21 / 74 / 0 / 5

HEX #BF3FF2

RGB 191 63 242

HSL 282.91, 0.87%, 0.6%

LAB 53, 75.07, -65.91

 

CMYK 21 / 74 / 0 / 5

HEX #BF3FF2

RGB 191 63 242

HSL 282.91, 0.87%, 0.6%

LAB 53, 75.07, -65.91

 

CMYK 19 / 65 / 0 / 11

HEX #B84FE2

RGB 184 79 226

HSL 282.86, 0.72%, 0.6%

LAB 53.25, 64.25, -56.56

 

CMYK 15 / 54 / 0 / 18

HEX #B160D1

RGB 177 96 209

HSL 283.01, 0.55%, 0.6%

LAB 54.36, 51.04, -45.21

 

CMYK 12 / 42 / 0 / 24

HEX #AA70C1

RGB 170 112 193

HSL 282.96, 0.4%, 0.6%

LAB 56.07, 37.17, -33.45

 

CMYK 7 / 27 / 0 / 31

HEX #A381B0

RGB 163 129 176

HSL 283.4, 0.23%, 0.6%

LAB 58.62, 21.75, -19.86

 

CMYK 62 / 74 / 0 / 5

HEX #5D3FF2

RGB 93 63 242

HSL 250.06, 0.87%, 0.6%

LAB 41.68, 59.86, -84.85

 

CMYK 42 / 74 / 0 / 5

HEX #8D3FF2

RGB 141 63 242

HSL 266.15, 0.87%, 0.6%

LAB 46.48, 66.46, -76.79

 

CMYK 22 / 74 / 0 / 5

HEX #BC3FF2

RGB 188 63 242

HSL 281.9, 0.87%, 0.6%

LAB 52.57, 74.52, -66.62

 

CMYK 2 / 74 / 0 / 5

HEX #EC3FF2

RGB 236 63 242

HSL 297.99, 0.87%, 0.6%

LAB 59.71, 83.65, -54.78

 

CMYK 0 / 74 / 17 / 5

HEX #F23FC8

RGB 242 63 200

HSL 314.08, 0.87%, 0.6%

LAB 58.6, 78.86, -32.75

 

CMYK 27 / 94 / 0 / 18

HEX #990DD2

RGB 153 13 210

HSL 282.64, 0.88%, 0.44%

LAB 40.76, 75.35, -67.84

 

CMYK 26 / 90 / 0 / 6

HEX #B218F0

RGB 178 24 240

HSL 282.78, 0.88%, 0.52%

LAB 47.51, 82.64, -73.78

 

CMYK 21 / 74 / 0 / 5

HEX #BF3FF2

RGB 191 63 242

HSL 282.91, 0.87%, 0.6%

LAB 53, 75.07, -65.91

 

CMYK 17 / 58 / 0 / 4

HEX #CC66F5

RGB 204 102 245

HSL 282.8, 0.88%, 0.68%

LAB 60.72, 62.25, -55.1

 

CMYK 13 / 43 / 0 / 3

HEX #D88CF7

RGB 216 140 247

HSL 282.62, 0.87%, 0.76%

LAB 69.52, 46.73, -42.22

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

CMYK 0 / 74 / 67 / 5

HEX #F23F51

RGB 242 63 81

HSL 353.97, 0.87%, 0.6%

LAB 55.1, 67.86, 31.97

 

CMYK 74 / 0 / 52 / 5

HEX #3FF275

RGB 63 242 117

HSL 138.1, 0.87%, 0.6%

LAB 84.92, -69.86, 47.44

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

CMYK 0 / 22 / 74 / 5

HEX #F2BC3F

RGB 242 188 63

HSL 41.9, 0.87%, 0.6%

LAB 79.16, 7.75, 67.04

 

CMYK 74 / 0 / 22 / 5

HEX #3FF2BC

RGB 63 242 188

HSL 161.9, 0.87%, 0.6%

LAB 86.1, -56.62, 13.47

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

CMYK 0 / 74 / 67 / 5

HEX #F23F51

RGB 242 63 81

HSL 353.97, 0.87%, 0.6%

LAB 55.1, 67.86, 31.97

 

CMYK 52 / 0 / 74 / 5

HEX #75F23F

RGB 117 242 63

HSL 101.9, 0.87%, 0.6%

LAB 85.83, -64.27, 70.8

 

CMYK 74 / 0 / 7 / 5

HEX #3FF2E0

RGB 63 242 224

HSL 173.97, 0.87%, 0.6%

LAB 86.97, -47.73, -4.08

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

CMYK 0 / 59 / 74 / 5

HEX #F2633F

RGB 242 99 63

HSL 12.07, 0.87%, 0.6%

LAB 60.03, 53.04, 47.58

 

CMYK 52 / 0 / 74 / 5

HEX #75F23F

RGB 117 242 63

HSL 101.9, 0.87%, 0.6%

LAB 85.83, -64.27, 70.8

 

CMYK 74 / 15 / 0 / 5

HEX #3FCEF2

RGB 63 206 242

HSL 192.07, 0.87%, 0.6%

LAB 77.05, -25.91, -28.55

 

Description

Color code: HEX #BF3EF3 | qconv.com Color code: HEX #BF3EF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 62 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 62 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 74 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 74% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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