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Color name
HEX #BF3F7C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF3F7C it is the complementary color #40C083. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF3F7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF3F7C shade: #C43F77, #D5518A, #E6639D, #F775B0 and #FF87C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF3F7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF3F7C shade: #BF3F7C, #AE2D69, #9D1B56, #8C0943 and #7B0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF3F7C shade: #BF3F7C, #BF3F5A and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF3F7C shade: #BF3F7C, #BF3F9E, #BD3FBF, #9A3FBF and #783FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF3F7C shade matches the following richer shades: #BF3F7C, #D32B7B, #E8167A and #FD0179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF3F7C shade: #BF3F7C, #AA547D, #95697E, #817D7F and #6C9280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF3F7C shade: #BD3FBF, #BF3F9F, #BF3F7D, #BF3F5B and #BF463F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF3F7C shade: #812B54, #A03568, #BF3F7C, #C95E91 and #D37DA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF3F7C shade: #BF3F7C, #BF9B3F and #3FB0BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF3F7C shade: #BF3F7C, #7DBF3F and #3F7DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF3F7C shade: #BF3F7C, #BF9B3F, #3FBF81 and #3F63BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF3F7C shade: #BF3F7C, #BDBF3F, #3FBF81 and #413FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

Complementary color

CMYK 67 / 0 / 32 / 25

HEX #40C083

RGB 64 192 131

HSL 151.41, 0.5%, 0.5%

LAB 69.77, -49.09, 20.77

 

CMYK 0 / 68 / 39 / 23

HEX #C43F77

RGB 196 63 119

HSL 334.74, 0.53%, 0.51%

LAB 47.78, 57.27, -2.17

 

CMYK 0 / 62 / 35 / 16

HEX #D5518A

RGB 213 81 138

HSL 334.09, 0.61%, 0.58%

LAB 53.88, 57.06, -4.26

 

CMYK 0 / 57 / 32 / 10

HEX #E6639D

RGB 230 99 157

HSL 333.44, 0.72%, 0.65%

LAB 60.05, 56.56, -5.96

 

CMYK 0 / 53 / 29 / 3

HEX #F775B0

RGB 247 117 176

HSL 332.77, 0.89%, 0.71%

LAB 66.24, 55.92, -7.39

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C3

RGB 255 135 195

HSL 330, 1%, 0.76%

LAB 71.23, 52.33, -10.49

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 74 / 40 / 32

HEX #AE2D69

RGB 174 45 105

HSL 332.09, 0.59%, 0.43%

LAB 41.05, 56.1, -3.91

 

CMYK 0 / 83 / 45 / 38

HEX #9D1B56

RGB 157 27 86

HSL 332.77, 0.71%, 0.36%

LAB 35.25, 55.04, -0.74

 

CMYK 0 / 94 / 52 / 45

HEX #8C0943

RGB 140 9 67

HSL 333.44, 0.88%, 0.29%

LAB 29.85, 52.68, 3.49

 

CMYK 0 / 100 / 61 / 52

HEX #7B0030

RGB 123 0 48

HSL 336.59, 1%, 0.24%

LAB 25.03, 48.51, 9.07

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F5A

RGB 191 63 90

HSL 347.34, 0.5%, 0.5%

LAB 46.14, 52.99, 13.1

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 67 / 17 / 25

HEX #BF3F9E

RGB 191 63 158

HSL 315.47, 0.5%, 0.5%

LAB 48.39, 60.76, -24.81

 

CMYK 1 / 67 / 0 / 25

HEX #BD3FBF

RGB 189 63 191

HSL 299.06, 0.5%, 0.5%

LAB 49.66, 65.43, -42.21

 

CMYK 19 / 67 / 0 / 25

HEX #9A3FBF

RGB 154 63 191

HSL 282.66, 0.5%, 0.5%

LAB 44.5, 57.47, -50.75

 

CMYK 37 / 67 / 0 / 25

HEX #783FBF

RGB 120 63 191

HSL 266.72, 0.5%, 0.5%

LAB 40.1, 50.18, -58.07

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 80 / 42 / 17

HEX #D32B7B

RGB 211 43 123

HSL 331.43, 0.66%, 0.5%

LAB 48.27, 68.27, -3.58

 

CMYK 0 / 91 / 47 / 9

HEX #E8167A

RGB 232 22 122

HSL 331.43, 0.83%, 0.5%

LAB 50.84, 77.22, 1.27

 

CMYK 0 / 100 / 52 / 1

HEX #FD0179

RGB 253 1 121

HSL 331.43, 0.99%, 0.5%

LAB 54.33, 83.56, 7.43

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 51 / 26 / 33

HEX #AA547D

RGB 170 84 125

HSL 331.4, 0.34%, 0.5%

LAB 47.45, 40.09, -6.75

 

CMYK 0 / 30 / 15 / 42

HEX #95697E

RGB 149 105 126

HSL 331.36, 0.17%, 0.5%

LAB 49.49, 20.98, -4.61

 

CMYK 0 / 3 / 2 / 49

HEX #817D7F

RGB 129 125 127

HSL 330, 0.02%, 0.5%

LAB 52.8, 1.9, -0.56

 

CMYK 26 / 0 / 12 / 43

HEX #6C9280

RGB 108 146 128

HSL 151.58, 0.15%, 0.5%

LAB 57.37, -17.09, 5.3

 

CMYK 1 / 67 / 0 / 25

HEX #BD3FBF

RGB 189 63 191

HSL 299.06, 0.5%, 0.5%

LAB 49.66, 65.43, -42.21

 

CMYK 0 / 67 / 17 / 25

HEX #BF3F9F

RGB 191 63 159

HSL 315, 0.5%, 0.5%

LAB 48.43, 60.9, -25.33

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7D

RGB 191 63 125

HSL 330.94, 0.5%, 0.5%

LAB 47.12, 56.47, -6.89

 

CMYK 0 / 67 / 52 / 25

HEX #BF3F5B

RGB 191 63 91

HSL 346.88, 0.5%, 0.5%

LAB 46.16, 53.08, 12.52

 

CMYK 0 / 63 / 67 / 25

HEX #BF463F

RGB 191 70 63

HSL 3.28, 0.5%, 0.5%

LAB 46.73, 48.13, 30.15

 

CMYK 0 / 67 / 35 / 49

HEX #812B54

RGB 129 43 84

HSL 331.4, 0.5%, 0.34%

LAB 31.89, 41.02, -5

 

CMYK 0 / 67 / 35 / 37

HEX #A03568

RGB 160 53 104

HSL 331.4, 0.5%, 0.42%

LAB 39.61, 48.84, -5.68

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 53 / 28 / 21

HEX #C95E91

RGB 201 94 145

HSL 331.4, 0.5%, 0.58%

LAB 54.52, 48.17, -7.65

 

CMYK 0 / 41 / 21 / 17

HEX #D37DA6

RGB 211 125 166

HSL 331.4, 0.49%, 0.66%

LAB 62.73, 38.67, -7.43

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 19 / 67 / 25

HEX #BF9B3F

RGB 191 155 63

HSL 43.13, 0.5%, 0.5%

LAB 65.65, 3.34, 51.65

 

CMYK 67 / 8 / 0 / 25

HEX #3FB0BF

RGB 63 176 191

HSL 187.03, 0.5%, 0.5%

LAB 66.42, -26.66, -16.98

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 35 / 0 / 67 / 25

HEX #7DBF3F

RGB 125 191 63

HSL 90.94, 0.5%, 0.5%

LAB 70.86, -41.75, 55.68

 

CMYK 67 / 35 / 0 / 25

HEX #3F7DBF

RGB 63 125 191

HSL 210.94, 0.5%, 0.5%

LAB 51.25, 1.39, -40.44

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 0 / 19 / 67 / 25

HEX #BF9B3F

RGB 191 155 63

HSL 43.13, 0.5%, 0.5%

LAB 65.65, 3.34, 51.65

 

CMYK 67 / 0 / 32 / 25

HEX #3FBF81

RGB 63 191 129

HSL 150.94, 0.5%, 0.5%

LAB 69.4, -49.28, 21.33

 

CMYK 67 / 48 / 0 / 25

HEX #3F63BF

RGB 63 99 191

HSL 223.13, 0.5%, 0.5%

LAB 43.86, 17.57, -52.22

 

CMYK 0 / 67 / 35 / 25

HEX #BF3F7C

RGB 191 63 124

HSL 331.41, 0.5%, 0.5%

LAB 47.09, 56.35, -6.33

 

CMYK 1 / 0 / 67 / 25

HEX #BDBF3F

RGB 189 191 63

HSL 60.94, 0.5%, 0.5%

LAB 75.1, -16.38, 61.4

 

CMYK 67 / 0 / 32 / 25

HEX #3FBF81

RGB 63 191 129

HSL 150.94, 0.5%, 0.5%

LAB 69.4, -49.28, 21.33

 

CMYK 66 / 67 / 0 / 25

HEX #413FBF

RGB 65 63 191

HSL 240.94, 0.5%, 0.5%

LAB 34.88, 40.65, -66.79

 

Description

Color code: HEX #BF3F7C | qconv.com Color code: HEX #BF3F7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 63 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 63 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 35 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 35% 25% C M Y K

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Provide designers and agencies with accurate color values.

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