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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF447E it is the complementary color #40BB81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF447E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF447E shade: #C44479, #D5568C, #E6689F, #F77AB2 and #FF8CC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF447E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF447E shade: #BF447E, #AE326B, #9D2058, #8C0E45 and #7B0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF447E shade: #BF447E, #BF445D and #BF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF447E shade: #BF447E, #BF449F, #BD44BF, #9C44BF and #7B44BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF447E shade matches the following richer shades: #BF447E, #D3307D, #E71C7C and #FB087B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF447E shade: #BF447E, #AB597F, #966D80, #828182 and #6E9583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF447E shade: #BD44BF, #BF44A0, #BF4480, #BF445F and #BF4A44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF447E shade: #842D56, #A3376A, #BF447E, #C96393 and #D482A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF447E shade: #BF447E, #BF9C44 and #44B0BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF447E shade: #BF447E, #80BF44 and #4480BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF447E shade: #BF447E, #BF9C44, #44BF84 and #4467BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF447E shade: #BF447E, #BDBF44, #44BF84 and #4644BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

Complementary color

CMYK 66 / 0 / 31 / 27

HEX #40BB81

RGB 64 187 129

HSL 151.71, 0.49%, 0.49%

LAB 68.18, -47.48, 19.66

 

CMYK 0 / 65 / 38 / 23

HEX #C44479

RGB 196 68 121

HSL 335.16, 0.52%, 0.52%

LAB 48.57, 55.47, -2.22

 

CMYK 0 / 60 / 34 / 16

HEX #D5568C

RGB 213 86 140

HSL 334.49, 0.6%, 0.59%

LAB 54.76, 55.1, -4.15

 

CMYK 0 / 55 / 31 / 10

HEX #E6689F

RGB 230 104 159

HSL 333.81, 0.72%, 0.65%

LAB 60.98, 54.51, -5.74

 

CMYK 0 / 51 / 28 / 3

HEX #F77AB2

RGB 247 122 178

HSL 333.12, 0.89%, 0.72%

LAB 67.21, 53.8, -7.08

 

CMYK 0 / 45 / 23 / 0

HEX #FF8CC5

RGB 255 140 197

HSL 330.26, 1%, 0.77%

LAB 72.26, 50.14, -10.07

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 71 / 39 / 32

HEX #AE326B

RGB 174 50 107

HSL 332.42, 0.55%, 0.44%

LAB 41.75, 54.53, -4.11

 

CMYK 0 / 80 / 44 / 38

HEX #9D2058

RGB 157 32 88

HSL 333.12, 0.66%, 0.37%

LAB 35.8, 53.84, -1.22

 

CMYK 0 / 90 / 51 / 45

HEX #8C0E45

RGB 140 14 69

HSL 333.81, 0.82%, 0.3%

LAB 30.2, 52, 2.66

 

CMYK 0 / 100 / 59 / 52

HEX #7B0032

RGB 123 0 50

HSL 335.61, 1%, 0.24%

LAB 25.08, 48.65, 7.76

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 64 / 51 / 25

HEX #BF445D

RGB 191 68 93

HSL 347.8, 0.49%, 0.51%

LAB 46.98, 51.16, 12.43

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 64 / 17 / 25

HEX #BF449F

RGB 191 68 159

HSL 315.61, 0.49%, 0.51%

LAB 49.15, 58.91, -24.22

 

CMYK 1 / 64 / 0 / 25

HEX #BD44BF

RGB 189 68 191

HSL 299.02, 0.49%, 0.51%

LAB 50.35, 63.49, -41.12

 

CMYK 18 / 64 / 0 / 25

HEX #9C44BF

RGB 156 68 191

HSL 282.93, 0.49%, 0.51%

LAB 45.58, 55.68, -48.99

 

CMYK 36 / 64 / 0 / 25

HEX #7B44BF

RGB 123 68 191

HSL 266.83, 0.49%, 0.51%

LAB 41.39, 48.25, -55.97

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 77 / 41 / 17

HEX #D3307D

RGB 211 48 125

HSL 331.66, 0.65%, 0.51%

LAB 48.81, 67.09, -3.99

 

CMYK 0 / 88 / 46 / 9

HEX #E71C7C

RGB 231 28 124

HSL 331.63, 0.81%, 0.51%

LAB 51.01, 76.29, 0.27

 

CMYK 0 / 97 / 51 / 2

HEX #FB087B

RGB 251 8 123

HSL 331.6, 0.97%, 0.51%

LAB 54.15, 82.8, 5.91

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 48 / 26 / 33

HEX #AB597F

RGB 171 89 127

HSL 332.2, 0.33%, 0.51%

LAB 48.68, 38.1, -6.11

 

CMYK 0 / 27 / 15 / 41

HEX #966D80

RGB 150 109 128

HSL 332.2, 0.16%, 0.51%

LAB 50.66, 19.38, -4.05

 

CMYK 0 / 1 / 0 / 49

HEX #828182

RGB 130 129 130

HSL 300, 0%, 0.51%

LAB 54.09, 0.57, -0.41

 

CMYK 26 / 0 / 12 / 42

HEX #6E9583

RGB 110 149 131

HSL 152.31, 0.16%, 0.51%

LAB 58.46, -17.37, 5.17

 

CMYK 1 / 64 / 0 / 25

HEX #BD44BF

RGB 189 68 191

HSL 299.02, 0.49%, 0.51%

LAB 50.35, 63.49, -41.12

 

CMYK 0 / 64 / 16 / 25

HEX #BF44A0

RGB 191 68 160

HSL 315.12, 0.49%, 0.51%

LAB 49.19, 59.06, -24.75

 

CMYK 0 / 64 / 33 / 25

HEX #BF4480

RGB 191 68 128

HSL 330.73, 0.49%, 0.51%

LAB 47.97, 54.77, -7.45

 

CMYK 0 / 64 / 50 / 25

HEX #BF445F

RGB 191 68 95

HSL 346.83, 0.49%, 0.51%

LAB 47.02, 51.33, 11.27

 

CMYK 0 / 61 / 64 / 25

HEX #BF4A44

RGB 191 74 68

HSL 2.93, 0.49%, 0.51%

LAB 47.48, 46.63, 28.15

 

CMYK 0 / 66 / 35 / 48

HEX #842D56

RGB 132 45 86

HSL 331.72, 0.49%, 0.35%

LAB 32.82, 41.33, -4.86

 

CMYK 0 / 66 / 35 / 36

HEX #A3376A

RGB 163 55 106

HSL 331.67, 0.5%, 0.43%

LAB 40.51, 49.16, -5.55

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 51 / 27 / 21

HEX #C96393

RGB 201 99 147

HSL 331.76, 0.49%, 0.59%

LAB 55.53, 45.97, -7.31

 

CMYK 0 / 39 / 21 / 17

HEX #D482A8

RGB 212 130 168

HSL 332.2, 0.49%, 0.67%

LAB 63.99, 36.66, -6.69

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 18 / 64 / 25

HEX #BF9C44

RGB 191 156 68

HSL 42.93, 0.49%, 0.51%

LAB 65.96, 3.11, 49.7

 

CMYK 64 / 8 / 0 / 25

HEX #44B0BF

RGB 68 176 191

HSL 187.32, 0.49%, 0.51%

LAB 66.55, -25.88, -16.76

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 33 / 0 / 64 / 25

HEX #80BF44

RGB 128 191 68

HSL 90.73, 0.49%, 0.51%

LAB 71.06, -40.28, 53.88

 

CMYK 64 / 33 / 0 / 25

HEX #4480BF

RGB 68 128 191

HSL 210.73, 0.49%, 0.51%

LAB 52.32, 0.45, -38.75

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 0 / 18 / 64 / 25

HEX #BF9C44

RGB 191 156 68

HSL 42.93, 0.49%, 0.51%

LAB 65.96, 3.11, 49.7

 

CMYK 64 / 0 / 31 / 25

HEX #44BF84

RGB 68 191 132

HSL 151.22, 0.49%, 0.51%

LAB 69.58, -47.76, 19.99

 

CMYK 64 / 46 / 0 / 25

HEX #4467BF

RGB 68 103 191

HSL 222.93, 0.49%, 0.51%

LAB 45.21, 15.87, -50.04

 

CMYK 0 / 64 / 34 / 25

HEX #BF447E

RGB 191 68 126

HSL 331.71, 0.49%, 0.51%

LAB 47.9, 54.54, -6.33

 

CMYK 1 / 0 / 64 / 25

HEX #BDBF44

RGB 189 191 68

HSL 60.98, 0.49%, 0.51%

LAB 75.14, -16.09, 59.45

 

CMYK 64 / 0 / 31 / 25

HEX #44BF84

RGB 68 191 132

HSL 151.22, 0.49%, 0.51%

LAB 69.58, -47.76, 19.99

 

CMYK 63 / 64 / 0 / 25

HEX #4644BF

RGB 70 68 191

HSL 240.98, 0.49%, 0.51%

LAB 36.36, 38.34, -64.36

 

Description

Color code: HEX #BF447E | qconv.com Color code: HEX #BF447E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 68 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 68 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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