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Color name
HEX #BF495B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF495B it is the complementary color #40B6A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF495B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF495B shade: #C44956, #D55B69, #E66D7C, #F77F8F and #FF91A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF495B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF495B shade: #BF495B, #AE3748, #9D2535, #8C1322 and #7B010F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF495B shade: #BF495B and #BF4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF495B shade: #BF495B, #BF497B, #BF499B, #BF49BA and #A449BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF495B shade matches the following richer shades: #BF495B, #D3364E, #E62240 and #FA0E32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF495B shade: #BF495B, #AB5D69, #977177, #838585 and #709992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF495B shade: #BF499C, #BF497C, #BF495D, #BF5549 and #BF7449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF495B shade: #872F3C, #A53A4A, #BF495B, #CA6877 and #D48692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF495B shade: #BF495B, #BBBF49 and #498CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF495B shade: #BF495B, #5DBF49 and #495DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF495B shade: #BF495B, #BBBF49, #49BFAB and #4D49BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF495B shade: #BF495B, #98BF49, #49BFAB and #7149BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

Complementary color

CMYK 65 / 0 / 10 / 29

HEX #40B6A4

RGB 64 182 164

HSL 170.85, 0.48%, 0.48%

LAB 67.45, -37.02, -0.5

 

CMYK 0 / 63 / 56 / 23

HEX #C44956

RGB 196 73 86

HSL 353.66, 0.51%, 0.53%

LAB 48.48, 50.06, 18.86

 

CMYK 0 / 57 / 51 / 16

HEX #D55B69

RGB 213 91 105

HSL 353.11, 0.59%, 0.6%

LAB 54.71, 49.22, 16.46

 

CMYK 0 / 53 / 46 / 10

HEX #E66D7C

RGB 230 109 124

HSL 352.56, 0.71%, 0.66%

LAB 60.97, 48.28, 14.45

 

CMYK 0 / 49 / 42 / 3

HEX #F77F8F

RGB 247 127 143

HSL 352, 0.88%, 0.73%

LAB 67.23, 47.3, 12.73

 

CMYK 0 / 43 / 36 / 0

HEX #FF91A2

RGB 255 145 162

HSL 350.73, 1%, 0.78%

LAB 72.31, 43.18, 9.44

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 0 / 68 / 59 / 32

HEX #AE3748

RGB 174 55 72

HSL 351.43, 0.52%, 0.45%

LAB 41.53, 49.38, 17.46

 

CMYK 0 / 76 / 66 / 38

HEX #9D2535

RGB 157 37 53

HSL 352, 0.62%, 0.38%

LAB 35.5, 49.49, 20.91

 

CMYK 0 / 86 / 76 / 45

HEX #8C1322

RGB 140 19 34

HSL 352.56, 0.76%, 0.31%

LAB 29.8, 48.69, 25.3

 

CMYK 0 / 99 / 88 / 52

HEX #7B010F

RGB 123 1 15

HSL 353.11, 0.98%, 0.24%

LAB 24.54, 46.8, 30.29

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 0 / 62 / 62 / 25

HEX #BF4949

RGB 191 73 73

HSL 0, 0.48%, 0.52%

LAB 47.39, 47.41, 25.07

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 0 / 62 / 36 / 25

HEX #BF497B

RGB 191 73 123

HSL 334.58, 0.48%, 0.52%

LAB 48.6, 52.02, -3.48

 

CMYK 0 / 62 / 19 / 25

HEX #BF499B

RGB 191 73 155

HSL 318.31, 0.48%, 0.52%

LAB 49.75, 56.22, -20.92

 

CMYK 0 / 62 / 3 / 25

HEX #BF49BA

RGB 191 73 186

HSL 302.54, 0.48%, 0.52%

LAB 51.14, 61.08, -36.96

 

CMYK 14 / 62 / 0 / 25

HEX #A449BF

RGB 164 73 191

HSL 286.27, 0.48%, 0.52%

LAB 47.52, 55.28, -45.84

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 0 / 74 / 63 / 17

HEX #D3364E

RGB 211 54 78

HSL 350.83, 0.64%, 0.52%

LAB 48.31, 61.57, 23.95

 

CMYK 0 / 85 / 72 / 10

HEX #E62240

RGB 230 34 64

HSL 350.82, 0.8%, 0.52%

LAB 49.9, 71.33, 35.1

 

CMYK 0 / 94 / 80 / 2

HEX #FA0E32

RGB 250 14 50

HSL 350.85, 0.96%, 0.52%

LAB 52.81, 78.61, 47.35

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 0 / 46 / 39 / 33

HEX #AB5D69

RGB 171 93 105

HSL 350.77, 0.32%, 0.52%

LAB 48.89, 33.03, 7.41

 

CMYK 0 / 25 / 21 / 41

HEX #977177

RGB 151 113 119

HSL 350.53, 0.15%, 0.52%

LAB 51.52, 15.94, 2.54

 

CMYK 2 / 0 / 0 / 48

HEX #838585

RGB 131 133 133

HSL 180, 0.01%, 0.52%

LAB 55.37, -0.74, -0.27

 

CMYK 27 / 0 / 5 / 40

HEX #709992

RGB 112 153 146

HSL 169.76, 0.17%, 0.52%

LAB 60.16, -15.53, -0.87

 

CMYK 0 / 62 / 18 / 25

HEX #BF499C

RGB 191 73 156

HSL 317.8, 0.48%, 0.52%

LAB 49.79, 56.37, -21.45

 

CMYK 0 / 62 / 35 / 25

HEX #BF497C

RGB 191 73 124

HSL 334.07, 0.48%, 0.52%

LAB 48.63, 52.14, -4.04

 

CMYK 0 / 62 / 51 / 25

HEX #BF495D

RGB 191 73 93

HSL 349.83, 0.48%, 0.52%

LAB 47.79, 48.96, 13.56

 

CMYK 0 / 55 / 62 / 25

HEX #BF5549

RGB 191 85 73

HSL 6.1, 0.48%, 0.52%

LAB 49.56, 41.72, 27.83

 

CMYK 0 / 39 / 62 / 25

HEX #BF7449

RGB 191 116 73

HSL 21.86, 0.48%, 0.52%

LAB 56.14, 25.42, 35.92

 

CMYK 0 / 65 / 56 / 47

HEX #872F3C

RGB 135 47 60

HSL 351.14, 0.48%, 0.36%

LAB 32.94, 38.65, 12.28

 

CMYK 0 / 65 / 55 / 35

HEX #A53A4A

RGB 165 58 74

HSL 351.03, 0.48%, 0.44%

LAB 40.44, 45.25, 14.47

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 0 / 49 / 41 / 21

HEX #CA6877

RGB 202 104 119

HSL 350.82, 0.48%, 0.6%

LAB 55.88, 40.32, 9.62

 

CMYK 0 / 37 / 31 / 17

HEX #D48692

RGB 212 134 146

HSL 350.77, 0.48%, 0.68%

LAB 64.26, 31.43, 6.2

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 2 / 0 / 62 / 25

HEX #BBBF49

RGB 187 191 73

HSL 62.03, 0.48%, 0.52%

LAB 75.02, -16.61, 57.19

 

CMYK 62 / 27 / 0 / 25

HEX #498CBF

RGB 73 140 191

HSL 205.93, 0.48%, 0.52%

LAB 56.02, -5.65, -32.93

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 51 / 0 / 62 / 25

HEX #5DBF49

RGB 93 191 73

HSL 109.83, 0.48%, 0.52%

LAB 69.52, -51.07, 49.59

 

CMYK 62 / 51 / 0 / 25

HEX #495DBF

RGB 73 93 191

HSL 229.83, 0.48%, 0.52%

LAB 42.77, 23.12, -53.94

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 2 / 0 / 62 / 25

HEX #BBBF49

RGB 187 191 73

HSL 62.03, 0.48%, 0.52%

LAB 75.02, -16.61, 57.19

 

CMYK 62 / 0 / 10 / 25

HEX #49BFAB

RGB 73 191 171

HSL 169.83, 0.48%, 0.52%

LAB 70.61, -37.75, 0.3

 

CMYK 60 / 62 / 0 / 25

HEX #4D49BF

RGB 77 73 191

HSL 242.03, 0.48%, 0.52%

LAB 38.03, 36.4, -61.62

 

CMYK 0 / 62 / 52 / 25

HEX #BF495B

RGB 191 73 91

HSL 350.85, 0.48%, 0.52%

LAB 47.75, 48.78, 14.71

 

CMYK 20 / 0 / 62 / 25

HEX #98BF49

RGB 152 191 73

HSL 79.83, 0.48%, 0.52%

LAB 72.51, -30.85, 53.74

 

CMYK 62 / 0 / 10 / 25

HEX #49BFAB

RGB 73 191 171

HSL 169.83, 0.48%, 0.52%

LAB 70.61, -37.75, 0.3

 

CMYK 41 / 62 / 0 / 25

HEX #7149BF

RGB 113 73 191

HSL 260.34, 0.48%, 0.52%

LAB 41.28, 43.39, -56.2

 

Description

Color code: HEX #BF495B | qconv.com Color code: HEX #BF495B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 73 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 73 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 52% 25% C M Y K

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Provide designers and agencies with accurate color values.

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