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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF42D6 it is the complementary color #40BD29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF42D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF42D6 shade: #C442D1, #D554E4, #E666F7, #F778FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF42D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF42D6 shade: #BF42D6, #AE30C3, #9D1EB0, #8C0C9D and #7B008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF42D6 shade: #BE42D5, #D542C4, #D5429D, #D54275 and #D5424E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF42D6 shade: #BE42D5, #9742D5, #6F42D5, #4842D5 and #4242D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF42D6 shade matches the following richer shades: #BE42D5, #CB30E8 and #D81DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF42D6 shade: #BE42D5, #B255C3, #A567B0, #987A9D and #8B8D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF42D6 shade: #6E42D5, #9642D5, #BD42D5, #D542C7 and #D5429F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF42D6 shade: #8E23A2, #AC2BC4, #BE42D5, #CA64DD and #D586E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF42D6 shade: #BF42D6, #D54742 and #42D582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF42D6 shade: #BF42D6, #D5BD42 and #42D5BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF42D6 shade: #BF42D6, #D54742, #5BD542 and #42D0D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF42D6 shade: #BF42D6, #D57342, #5BD542 and #42A4D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 69 / 0 / 16

HEX #BF42D6

RGB 191 66 214

HSL 290.68, 0.64%, 0.55%

LAB 51.64, 68.76, -52.27

 

Complementary color

CMYK 66 / 0 / 78 / 26

HEX #40BD29

RGB 64 189 41

HSL 110.68, 0.64%, 0.45%

LAB 67.76, -60.14, 59.7

 

CMYK 6 / 68 / 0 / 18

HEX #C442D1

RGB 196 66 209

HSL 294.55, 0.61%, 0.54%

LAB 52.1, 68.96, -48.64

 

CMYK 7 / 63 / 0 / 11

HEX #D554E4

RGB 213 84 228

HSL 293.75, 0.73%, 0.61%

LAB 58.12, 69.1, -49.68

 

CMYK 7 / 59 / 0 / 3

HEX #E666F7

RGB 230 102 247

HSL 292.97, 0.9%, 0.68%

LAB 64.19, 68.89, -50.48

 

CMYK 3 / 53 / 0 / 0

HEX #F778FF

RGB 247 120 255

HSL 296.44, 1%, 0.74%

LAB 69.77, 66.53, -45.93

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 11 / 69 / 0 / 16

HEX #BF42D6

RGB 191 66 214

HSL 290.68, 0.64%, 0.55%

LAB 51.64, 68.76, -52.27

 

CMYK 11 / 75 / 0 / 24

HEX #AE30C3

RGB 174 48 195

HSL 291.43, 0.6%, 0.48%

LAB 45.71, 68.15, -50.98

 

CMYK 11 / 83 / 0 / 31

HEX #9D1EB0

RGB 157 30 176

HSL 292.19, 0.71%, 0.4%

LAB 39.97, 66.71, -49.18

 

CMYK 11 / 92 / 0 / 38

HEX #8C0C9D

RGB 140 12 157

HSL 292.97, 0.86%, 0.33%

LAB 34.54, 64.03, -46.65

 

CMYK 11 / 100 / 0 / 46

HEX #7B008A

RGB 123 0 138

HSL 293.48, 1%, 0.27%

LAB 29.53, 59.75, -43.21

 

CMYK 11 / 69 / 0 / 16

HEX #BE42D5

RGB 190 66 213

HSL 290.61, 0.64%, 0.55%

LAB 51.44, 68.37, -52.04

 

CMYK 0 / 69 / 8 / 16

HEX #D542C4

RGB 213 66 196

HSL 306.94, 0.64%, 0.55%

LAB 54.06, 70.69, -37.91

 

CMYK 0 / 69 / 26 / 16

HEX #D5429D

RGB 213 66 157

HSL 322.86, 0.64%, 0.55%

LAB 52.37, 65.29, -17.78

 

CMYK 0 / 69 / 45 / 16

HEX #D54275

RGB 213 66 117

HSL 339.18, 0.64%, 0.55%

LAB 51.07, 60.91, 4.18

 

CMYK 0 / 69 / 63 / 16

HEX #D5424E

RGB 213 66 78

HSL 355.1, 0.64%, 0.55%

LAB 50.21, 57.92, 26.47

 

CMYK 11 / 69 / 0 / 16

HEX #BE42D5

RGB 190 66 213

HSL 290.61, 0.64%, 0.55%

LAB 51.44, 68.37, -52.04

 

CMYK 29 / 69 / 0 / 16

HEX #9742D5

RGB 151 66 213

HSL 274.69, 0.64%, 0.55%

LAB 46.02, 60.24, -61.04

 

CMYK 48 / 69 / 0 / 16

HEX #6F42D5

RGB 111 66 213

HSL 258.37, 0.64%, 0.55%

LAB 41.34, 52.75, -68.84

 

CMYK 66 / 69 / 0 / 16

HEX #4842D5

RGB 72 66 213

HSL 242.45, 0.64%, 0.55%

LAB 37.98, 46.98, -74.48

 

CMYK 69 / 69 / 0 / 16

HEX #4242D5

RGB 66 66 213

HSL 240, 0.64%, 0.55%

LAB 37.59, 46.27, -75.14

 

CMYK 11 / 69 / 0 / 16

HEX #BE42D5

RGB 190 66 213

HSL 290.61, 0.64%, 0.55%

LAB 51.44, 68.37, -52.04

 

CMYK 13 / 79 / 0 / 9

HEX #CB30E8

RGB 203 48 232

HSL 290.54, 0.8%, 0.55%

LAB 52.55, 80, -60.92

 

CMYK 14 / 88 / 0 / 2

HEX #D81DFA

RGB 216 29 250

HSL 290.77, 0.96%, 0.55%

LAB 54.43, 89.03, -67.88

 

CMYK 11 / 69 / 0 / 16

HEX #BE42D5

RGB 190 66 213

HSL 290.61, 0.64%, 0.55%

LAB 51.44, 68.37, -52.04

 

CMYK 9 / 56 / 0 / 24

HEX #B255C3

RGB 178 85 195

HSL 290.73, 0.48%, 0.55%

LAB 51.73, 53.94, -41.36

 

CMYK 6 / 41 / 0 / 31

HEX #A567B0

RGB 165 103 176

HSL 290.96, 0.32%, 0.55%

LAB 52.77, 37.08, -28.86

 

CMYK 3 / 22 / 0 / 38

HEX #987A9D

RGB 152 122 157

HSL 291.43, 0.15%, 0.55%

LAB 55.1, 18.08, -14.38

 

CMYK 1 / 0 / 1 / 45

HEX #8B8D8B

RGB 139 141 139

HSL 120, 0.01%, 0.55%

LAB 58.42, -1.12, 0.8

 

CMYK 48 / 69 / 0 / 16

HEX #6E42D5

RGB 110 66 213

HSL 257.96, 0.64%, 0.55%

LAB 41.24, 52.58, -69.01

 

CMYK 30 / 69 / 0 / 16

HEX #9642D5

RGB 150 66 213

HSL 274.29, 0.64%, 0.55%

LAB 45.89, 60.04, -61.25

 

CMYK 11 / 69 / 0 / 16

HEX #BD42D5

RGB 189 66 213

HSL 290.2, 0.64%, 0.55%

LAB 51.29, 68.15, -52.28

 

CMYK 0 / 69 / 7 / 16

HEX #D542C7

RGB 213 66 199

HSL 305.71, 0.64%, 0.55%

LAB 54.2, 71.15, -39.41

 

CMYK 0 / 69 / 25 / 16

HEX #D5429F

RGB 213 66 159

HSL 322.04, 0.64%, 0.55%

LAB 52.45, 65.54, -18.84

 

CMYK 12 / 78 / 0 / 36

HEX #8E23A2

RGB 142 35 162

HSL 290.55, 0.64%, 0.39%

LAB 37.04, 59.97, -45.63

 

CMYK 12 / 78 / 0 / 23

HEX #AC2BC4

RGB 172 43 196

HSL 290.59, 0.64%, 0.47%

LAB 44.92, 69.48, -52.84

 

CMYK 11 / 69 / 0 / 16

HEX #BE42D5

RGB 190 66 213

HSL 290.61, 0.64%, 0.55%

LAB 51.44, 68.37, -52.04

 

CMYK 9 / 55 / 0 / 13

HEX #CA64DD

RGB 202 100 221

HSL 290.58, 0.64%, 0.63%

LAB 58.87, 58, -44.65

 

CMYK 7 / 41 / 0 / 11

HEX #D586E4

RGB 213 134 228

HSL 290.43, 0.64%, 0.71%

LAB 67.13, 45.25, -35.53

 

CMYK 11 / 69 / 0 / 16

HEX #BF42D6

RGB 191 66 214

HSL 290.68, 0.64%, 0.55%

LAB 51.64, 68.76, -52.27

 

CMYK 0 / 67 / 69 / 16

HEX #D54742

RGB 213 71 66

HSL 2.04, 0.64%, 0.55%

LAB 50.74, 55.3, 34.14

 

CMYK 69 / 0 / 39 / 16

HEX #42D582

RGB 66 213 130

HSL 146.12, 0.64%, 0.55%

LAB 76.29, -57.1, 30.06

 

CMYK 11 / 69 / 0 / 16

HEX #BF42D6

RGB 191 66 214

HSL 290.68, 0.64%, 0.55%

LAB 51.64, 68.76, -52.27

 

CMYK 0 / 11 / 69 / 16

HEX #D5BD42

RGB 213 189 66

HSL 50.2, 0.64%, 0.55%

LAB 76.64, -4.98, 62.45

 

CMYK 69 / 0 / 11 / 16

HEX #42D5BD

RGB 66 213 189

HSL 170.2, 0.64%, 0.55%

LAB 77.53, -44, 0.64

 

CMYK 11 / 69 / 0 / 16

HEX #BF42D6

RGB 191 66 214

HSL 290.68, 0.64%, 0.55%

LAB 51.64, 68.76, -52.27

 

CMYK 0 / 67 / 69 / 16

HEX #D54742

RGB 213 71 66

HSL 2.04, 0.64%, 0.55%

LAB 50.74, 55.3, 34.14

 

CMYK 57 / 0 / 69 / 16

HEX #5BD542

RGB 91 213 66

HSL 109.8, 0.64%, 0.55%

LAB 76.2, -60.43, 59.69

 

CMYK 69 / 2 / 0 / 16

HEX #42D0D5

RGB 66 208 213

HSL 182.04, 0.64%, 0.55%

LAB 76.72, -35.21, -13.46

 

CMYK 11 / 69 / 0 / 16

HEX #BF42D6

RGB 191 66 214

HSL 290.68, 0.64%, 0.55%

LAB 51.64, 68.76, -52.27

 

CMYK 0 / 46 / 69 / 16

HEX #D57342

RGB 213 115 66

HSL 20, 0.64%, 0.55%

LAB 58.79, 34.49, 43.45

 

CMYK 57 / 0 / 69 / 16

HEX #5BD542

RGB 91 213 66

HSL 109.8, 0.64%, 0.55%

LAB 76.2, -60.43, 59.69

 

CMYK 69 / 23 / 0 / 16

HEX #42A4D5

RGB 66 164 213

HSL 200, 0.64%, 0.55%

LAB 63.76, -12.98, -33.24

 

Description

Color code: HEX #BF42D6 | qconv.com Color code: HEX #BF42D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 66 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 66 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 69 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 69% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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