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Color name
HEX #BF4E16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF4E16 it is the complementary color #40B1E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF4E16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF4E16 shade: #C44E11, #D56024, #E67237, #F7844A and #FF965D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF4E16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF4E16 shade: #BF4E16, #AE3C03, #9D2A00, #8C1800 and #7B0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF4E16 shade: #BF4E16, #BF2016 and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF4E16 shade: #BF4E16, #BF7C16, #BFA916, #A7BF16 and #7ABF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF4E16 shade matches the following richer shades: #BF4E16 and #D14805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF4E16 shade: #BF4E16, #AE5427, #9D5A39, #8B604A and #7A655B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF4E16 shade: #BF163B, #BF1E16, #BF4C16, #BF7916 and #BFA616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF4E16 shade: #75300D, #9A3F12, #BF4E16, #E45D1B and #E87740

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF4E16 shade: #BF4E16, #68BF16 and #1624BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF4E16 shade: #BF4E16, #16BF4C and #4C16BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF4E16 shade: #BF4E16, #68BF16, #168ABF and #6D16BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF4E16 shade: #BF4E16, #35BF16, #168ABF and #A016BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

Complementary color

CMYK 73 / 24 / 0 / 9

HEX #40B1E9

RGB 64 177 233

HSL 199.88, 0.79%, 0.58%

LAB 68.33, -13.68, -37.15

 

CMYK 0 / 60 / 91 / 23

HEX #C44E11

RGB 196 78 17

HSL 20.45, 0.84%, 0.42%

LAB 48.54, 44.66, 54.39

 

CMYK 0 / 55 / 83 / 16

HEX #D56024

RGB 213 96 36

HSL 20.34, 0.71%, 0.49%

LAB 54.7, 42.89, 53.5

 

CMYK 0 / 50 / 76 / 10

HEX #E67237

RGB 230 114 55

HSL 20.23, 0.78%, 0.56%

LAB 60.9, 41.16, 51.84

 

CMYK 0 / 47 / 70 / 3

HEX #F7844A

RGB 247 132 74

HSL 20.12, 0.92%, 0.63%

LAB 67.1, 39.53, 49.98

 

CMYK 0 / 41 / 64 / 0

HEX #FF965D

RGB 255 150 93

HSL 21.11, 1%, 0.68%

LAB 72.14, 34.53, 46.49

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 0 / 66 / 98 / 32

HEX #AE3C03

RGB 174 60 3

HSL 20, 0.97%, 0.35%

LAB 41.59, 44.57, 51.97

 

CMYK 0 / 73 / 100 / 38

HEX #9D2A00

RGB 157 42 0

HSL 16.05, 1%, 0.31%

LAB 35.64, 45.99, 48.2

 

CMYK 0 / 83 / 100 / 45

HEX #8C1800

RGB 140 24 0

HSL 10.29, 1%, 0.27%

LAB 29.98, 46.51, 42.9

 

CMYK 0 / 95 / 100 / 52

HEX #7B0600

RGB 123 6 0

HSL 2.93, 1%, 0.24%

LAB 24.77, 45.51, 36.93

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 0 / 83 / 88 / 25

HEX #BF2016

RGB 191 32 22

HSL 3.55, 0.79%, 0.42%

LAB 41.48, 59.92, 46.87

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 0 / 35 / 88 / 25

HEX #BF7C16

RGB 191 124 22

HSL 36.21, 0.79%, 0.42%

LAB 57.61, 18.71, 59.49

 

CMYK 0 / 12 / 88 / 25

HEX #BFA916

RGB 191 169 22

HSL 52.19, 0.79%, 0.42%

LAB 69.12, -5.74, 68.6

 

CMYK 13 / 0 / 88 / 25

HEX #A7BF16

RGB 167 191 22

HSL 68.52, 0.79%, 0.42%

LAB 73.24, -27.27, 71.09

 

CMYK 36 / 0 / 88 / 25

HEX #7ABF16

RGB 122 191 22

HSL 84.5, 0.79%, 0.42%

LAB 70.49, -44.95, 67.7

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 0 / 66 / 98 / 18

HEX #D14805

RGB 209 72 5

HSL 19.71, 0.95%, 0.42%

LAB 49.74, 51.85, 59.31

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 0 / 52 / 78 / 32

HEX #AE5427

RGB 174 84 39

HSL 20, 0.63%, 0.42%

LAB 46.29, 33.73, 42.03

 

CMYK 0 / 43 / 64 / 38

HEX #9D5A39

RGB 157 90 57

HSL 19.8, 0.47%, 0.42%

LAB 45.33, 24.38, 30.66

 

CMYK 0 / 31 / 47 / 45

HEX #8B604A

RGB 139 96 74

HSL 20.31, 0.31%, 0.42%

LAB 44.73, 14.69, 19.56

 

CMYK 0 / 17 / 25 / 52

HEX #7A655B

RGB 122 101 91

HSL 19.35, 0.15%, 0.42%

LAB 44.52, 6.73, 8.8

 

CMYK 0 / 88 / 69 / 25

HEX #BF163B

RGB 191 22 59

HSL 346.86, 0.79%, 0.42%

LAB 41.16, 63.2, 25.72

 

CMYK 0 / 84 / 88 / 25

HEX #BF1E16

RGB 191 30 22

HSL 2.84, 0.79%, 0.42%

LAB 41.32, 60.39, 46.74

 

CMYK 0 / 60 / 88 / 25

HEX #BF4C16

RGB 191 76 22

HSL 19.17, 0.79%, 0.42%

LAB 47.37, 43.83, 51.45

 

CMYK 0 / 37 / 88 / 25

HEX #BF7916

RGB 191 121 22

HSL 35.15, 0.79%, 0.42%

LAB 56.89, 20.36, 58.92

 

CMYK 0 / 13 / 88 / 25

HEX #BFA616

RGB 191 166 22

HSL 51.12, 0.79%, 0.42%

LAB 68.32, -4.15, 67.97

 

CMYK 0 / 59 / 89 / 54

HEX #75300D

RGB 117 48 13

HSL 20.19, 0.8%, 0.25%

LAB 29.22, 28.37, 35.02

 

CMYK 0 / 59 / 88 / 40

HEX #9A3F12

RGB 154 63 18

HSL 19.85, 0.79%, 0.34%

LAB 38.67, 35.82, 43.4

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 0 / 59 / 88 / 11

HEX #E45D1B

RGB 228 93 27

HSL 19.7, 0.79%, 0.5%

LAB 56.49, 49.67, 59.37

 

CMYK 0 / 49 / 72 / 9

HEX #E87740

RGB 232 119 64

HSL 19.64, 0.79%, 0.58%

LAB 62.27, 39.81, 49.04

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 46 / 0 / 88 / 25

HEX #68BF16

RGB 104 191 22

HSL 90.89, 0.79%, 0.42%

LAB 69.66, -51.07, 66.66

 

CMYK 88 / 81 / 0 / 25

HEX #1624BF

RGB 22 36 191

HSL 235.03, 0.79%, 0.42%

LAB 27.28, 52.33, -79.42

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 88 / 0 / 60 / 25

HEX #16BF4C

RGB 22 191 76

HSL 139.17, 0.79%, 0.42%

LAB 67.99, -63.3, 46.08

 

CMYK 60 / 88 / 0 / 25

HEX #4C16BF

RGB 76 22 191

HSL 259.17, 0.79%, 0.42%

LAB 29.09, 61.09, -76.31

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 46 / 0 / 88 / 25

HEX #68BF16

RGB 104 191 22

HSL 90.89, 0.79%, 0.42%

LAB 69.66, -51.07, 66.66

 

CMYK 88 / 28 / 0 / 25

HEX #168ABF

RGB 22 138 191

HSL 198.82, 0.79%, 0.42%

LAB 54.14, -10.89, -35.96

 

CMYK 43 / 88 / 0 / 25

HEX #6D16BF

RGB 109 22 191

HSL 270.89, 0.79%, 0.42%

LAB 33.11, 64.4, -69.54

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 72 / 0 / 88 / 25

HEX #35BF16

RGB 53 191 22

HSL 108.99, 0.79%, 0.42%

LAB 68.08, -63.8, 64.68

 

CMYK 88 / 28 / 0 / 25

HEX #168ABF

RGB 22 138 191

HSL 198.82, 0.79%, 0.42%

LAB 54.14, -10.89, -35.96

 

CMYK 16 / 88 / 0 / 25

HEX #A016BF

RGB 160 22 191

HSL 288.99, 0.79%, 0.42%

LAB 40.91, 71.55, -56.48

 

Description

Color code: HEX #BF4E16 | qconv.com Color code: HEX #BF4E16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 78 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 78 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 88% 25% C M Y K

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Provide designers and agencies with accurate color values.

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