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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF530D it is the complementary color #40ACF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF530D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF530D shade: #C45308, #D5651B, #E6772E, #F78941 and #FF9B54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF530D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF530D shade: #BF530D, #AE4100, #9D2F00, #8C1D00 and #7B0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF530D shade: #BE530D, #BE230D and #BE0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF530D shade: #BE530D, #BE820D, #BEB20D, #9ABE0D and #6ABE0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF530D shade matches the following richer shades: #BE530D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF530D shade: #BE530D, #AE561D, #9D5A2E, #8D5D3E and #7C614F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF530D shade: #BE0D27, #BE210D, #BE510D, #BE800D and #BEAF0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF530D shade: #713107, #98420A, #BE530D, #E5630F and #F07A2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF530D shade: #BF530D, #57BE0D and #0D10BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF530D shade: #BF530D, #0DBE51 and #510DBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF530D shade: #BF530D, #57BE0D, #0D7ABE and #740DBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF530D shade: #BF530D, #21BE0D, #0D7ABE and #AA0DBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 93 / 25

HEX #BF530D

RGB 191 83 13

HSL 23.6, 0.87%, 0.4%

LAB 48.63, 40.31, 55.2

 

Complementary color

CMYK 74 / 29 / 0 / 5

HEX #40ACF2

RGB 64 172 242

HSL 203.6, 0.87%, 0.6%

LAB 67.28, -7.93, -43.7

 

CMYK 0 / 58 / 96 / 23

HEX #C45308

RGB 196 83 8

HSL 23.94, 0.92%, 0.4%

LAB 49.42, 42.17, 57.29

 

CMYK 0 / 53 / 87 / 16

HEX #D5651B

RGB 213 101 27

HSL 23.87, 0.78%, 0.47%

LAB 55.62, 40.2, 57.68

 

CMYK 0 / 48 / 80 / 10

HEX #E6772E

RGB 230 119 46

HSL 23.8, 0.79%, 0.54%

LAB 61.84, 38.32, 56.75

 

CMYK 0 / 45 / 74 / 3

HEX #F78941

RGB 247 137 65

HSL 23.74, 0.92%, 0.61%

LAB 68.06, 36.58, 55.29

 

CMYK 0 / 39 / 67 / 0

HEX #FF9B54

RGB 255 155 84

HSL 24.91, 1%, 0.66%

LAB 73.12, 31.42, 52.07

 

CMYK 0 / 57 / 93 / 25

HEX #BF530D

RGB 191 83 13

HSL 23.6, 0.87%, 0.4%

LAB 48.63, 40.31, 55.2

 

CMYK 0 / 63 / 100 / 32

HEX #AE4100

RGB 174 65 0

HSL 22.41, 1%, 0.34%

LAB 42.43, 42.27, 53.37

 

CMYK 0 / 70 / 100 / 38

HEX #9D2F00

RGB 157 47 0

HSL 17.96, 1%, 0.31%

LAB 36.37, 44, 48.55

 

CMYK 0 / 79 / 100 / 45

HEX #8C1D00

RGB 140 29 0

HSL 12.43, 1%, 0.27%

LAB 30.53, 44.96, 43.3

 

CMYK 0 / 91 / 100 / 52

HEX #7B0B00

RGB 123 11 0

HSL 5.37, 1%, 0.24%

LAB 25.11, 44.53, 37.25

 

CMYK 0 / 56 / 93 / 25

HEX #BE530D

RGB 190 83 13

HSL 23.73, 0.87%, 0.4%

LAB 48.46, 39.92, 55.01

 

CMYK 0 / 82 / 93 / 25

HEX #BE230D

RGB 190 35 13

HSL 7.46, 0.87%, 0.4%

LAB 41.5, 58.73, 50.39

 

CMYK 0 / 93 / 93 / 25

HEX #BE0D0D

RGB 190 13 13

HSL 0, 0.87%, 0.4%

LAB 40.02, 62.95, 49.46

 

CMYK 0 / 56 / 93 / 25

HEX #BE530D

RGB 190 83 13

HSL 23.73, 0.87%, 0.4%

LAB 48.46, 39.92, 55.01

 

CMYK 0 / 32 / 93 / 25

HEX #BE820D

RGB 190 130 13

HSL 39.66, 0.87%, 0.4%

LAB 58.92, 14.8, 62.48

 

CMYK 0 / 6 / 93 / 25

HEX #BEB20D

RGB 190 178 13

HSL 55.93, 0.87%, 0.4%

LAB 71.43, -11.02, 71.85

 

CMYK 19 / 0 / 93 / 25

HEX #9ABE0D

RGB 154 190 13

HSL 72.2, 0.87%, 0.4%

LAB 72.04, -32.35, 71.14

 

CMYK 44 / 0 / 93 / 25

HEX #6ABE0D

RGB 106 190 13

HSL 88.47, 0.87%, 0.4%

LAB 69.41, -50.25, 67.92

 

CMYK 0 / 56 / 93 / 25

HEX #BE530D

RGB 190 83 13

HSL 23.73, 0.87%, 0.4%

LAB 48.46, 39.92, 55.01

 

CMYK 0 / 56 / 93 / 25

HEX #BE530D

RGB 190 83 13

HSL 23.73, 0.87%, 0.4%

LAB 48.46, 39.92, 55.01

 

CMYK 0 / 51 / 83 / 32

HEX #AE561D

RGB 174 86 29

HSL 23.59, 0.71%, 0.4%

LAB 46.64, 32.32, 46.96

 

CMYK 0 / 43 / 71 / 38

HEX #9D5A2E

RGB 157 90 46

HSL 23.78, 0.55%, 0.4%

LAB 45.19, 23.67, 36.52

 

CMYK 0 / 34 / 56 / 45

HEX #8D5D3E

RGB 141 93 62

HSL 23.54, 0.39%, 0.4%

LAB 44, 16.11, 25.7

 

CMYK 0 / 22 / 36 / 51

HEX #7C614F

RGB 124 97 79

HSL 24, 0.22%, 0.4%

LAB 43.36, 8.19, 14.44

 

CMYK 0 / 93 / 79 / 25

HEX #BE0D27

RGB 190 13 39

HSL 351.19, 0.87%, 0.4%

LAB 40.22, 63.5, 36.72

 

CMYK 0 / 83 / 93 / 25

HEX #BE210D

RGB 190 33 13

HSL 6.78, 0.87%, 0.4%

LAB 41.32, 59.25, 50.27

 

CMYK 0 / 57 / 93 / 25

HEX #BE510D

RGB 190 81 13

HSL 23.05, 0.87%, 0.4%

LAB 48.08, 40.9, 54.75

 

CMYK 0 / 33 / 93 / 25

HEX #BE800D

RGB 190 128 13

HSL 38.98, 0.87%, 0.4%

LAB 58.43, 15.9, 62.12

 

CMYK 0 / 8 / 93 / 25

HEX #BEAF0D

RGB 190 175 13

HSL 54.92, 0.87%, 0.4%

LAB 70.62, -9.47, 71.23

 

CMYK 0 / 57 / 94 / 56

HEX #713107

RGB 113 49 7

HSL 23.77, 0.88%, 0.24%

LAB 28.7, 25.96, 36.8

 

CMYK 0 / 57 / 93 / 40

HEX #98420A

RGB 152 66 10

HSL 23.66, 0.88%, 0.32%

LAB 38.89, 33.33, 46.23

 

CMYK 0 / 56 / 93 / 25

HEX #BE530D

RGB 190 83 13

HSL 23.73, 0.87%, 0.4%

LAB 48.46, 39.92, 55.01

 

CMYK 0 / 57 / 93 / 10

HEX #E5630F

RGB 229 99 15

HSL 23.55, 0.88%, 0.48%

LAB 57.67, 47.08, 63.71

 

CMYK 0 / 49 / 81 / 6

HEX #F07A2E

RGB 240 122 46

HSL 23.51, 0.87%, 0.56%

LAB 63.87, 40.72, 59.15

 

CMYK 0 / 57 / 93 / 25

HEX #BF530D

RGB 191 83 13

HSL 23.6, 0.87%, 0.4%

LAB 48.63, 40.31, 55.2

 

CMYK 54 / 0 / 93 / 25

HEX #57BE0D

RGB 87 190 13

HSL 94.92, 0.87%, 0.4%

LAB 68.67, -56.02, 67

 

CMYK 93 / 92 / 0 / 25

HEX #0D10BE

RGB 13 16 190

HSL 238.98, 0.87%, 0.4%

LAB 24.24, 59.78, -83.9

 

CMYK 0 / 57 / 93 / 25

HEX #BF530D

RGB 191 83 13

HSL 23.6, 0.87%, 0.4%

LAB 48.63, 40.31, 55.2

 

CMYK 93 / 0 / 57 / 25

HEX #0DBE51

RGB 13 190 81

HSL 143.05, 0.87%, 0.4%

LAB 67.66, -62.87, 43.37

 

CMYK 57 / 93 / 0 / 25

HEX #510DBE

RGB 81 13 190

HSL 263.05, 0.87%, 0.4%

LAB 28.79, 63.46, -76.2

 

CMYK 0 / 57 / 93 / 25

HEX #BF530D

RGB 191 83 13

HSL 23.6, 0.87%, 0.4%

LAB 48.63, 40.31, 55.2

 

CMYK 54 / 0 / 93 / 25

HEX #57BE0D

RGB 87 190 13

HSL 94.92, 0.87%, 0.4%

LAB 68.67, -56.02, 67

 

CMYK 93 / 36 / 0 / 25

HEX #0D7ABE

RGB 13 122 190

HSL 203.05, 0.87%, 0.4%

LAB 49.16, -2.38, -43.26

 

CMYK 39 / 93 / 0 / 25

HEX #740DBE

RGB 116 13 190

HSL 274.92, 0.87%, 0.4%

LAB 33.39, 66.83, -68.45

 

CMYK 0 / 57 / 93 / 25

HEX #BF530D

RGB 191 83 13

HSL 23.6, 0.87%, 0.4%

LAB 48.63, 40.31, 55.2

 

CMYK 83 / 0 / 93 / 25

HEX #21BE0D

RGB 33 190 13

HSL 113.22, 0.87%, 0.4%

LAB 67.41, -66.6, 65.45

 

CMYK 93 / 36 / 0 / 25

HEX #0D7ABE

RGB 13 122 190

HSL 203.05, 0.87%, 0.4%

LAB 49.16, -2.38, -43.26

 

CMYK 11 / 93 / 0 / 25

HEX #AA0DBE

RGB 170 13 190

HSL 293.22, 0.87%, 0.4%

LAB 42.08, 74.3, -53.92

 

Description

Color code: HEX #BF530D | qconv.com Color code: HEX #BF530D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 83 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 83 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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