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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF538D it is the complementary color #40AC72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF538D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF538D shade: #C45388, #D5659B, #E677AE, #F789C1 and #FF9BD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF538D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF538D shade: #BF538D, #AE417A, #9D2F67, #8C1D54 and #7B0B41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF538D shade: #BF538D, #BF5370 and #BF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF538D shade: #BF538D, #BF53AA, #B753BF, #9A53BF and #7D53BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF538D shade matches the following richer shades: #BF538D, #D2408F, #E52D90 and #F81A91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF538D shade: #BF538D, #AC668C, #99798A, #868C89 and #739F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF538D shade: #B653BF, #BF53AB, #BF538F, #BF5372 and #BF5355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF538D shade: #8C3463, #AA3F79, #BF538D, #CA71A1 and #D58FB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF538D shade: #BF538D, #BF9953 and #53BABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF538D shade: #BF538D, #8FBF53 and #538FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF538D shade: #BF538D, #BF9953, #53BF84 and #5379BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF538D shade: #BF538D, #BFBA53, #53BF84 and #5359BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

Complementary color

CMYK 63 / 0 / 34 / 33

HEX #40AC72

RGB 64 172 114

HSL 147.78, 0.46%, 0.46%

LAB 63.19, -44.4, 20.95

 

CMYK 0 / 58 / 31 / 23

HEX #C45388

RGB 196 83 136

HSL 331.86, 0.49%, 0.55%

LAB 51.5, 50.64, -6.9

 

CMYK 0 / 53 / 27 / 16

HEX #D5659B

RGB 213 101 155

HSL 331.07, 0.57%, 0.62%

LAB 57.87, 49.99, -8.32

 

CMYK 0 / 48 / 24 / 10

HEX #E677AE

RGB 230 119 174

HSL 330.27, 0.69%, 0.68%

LAB 64.22, 49.25, -9.51

 

CMYK 0 / 45 / 22 / 3

HEX #F789C1

RGB 247 137 193

HSL 329.45, 0.87%, 0.75%

LAB 70.54, 48.47, -10.53

 

CMYK 0 / 39 / 17 / 0

HEX #FF9BD4

RGB 255 155 212

HSL 325.8, 1%, 0.8%

LAB 75.73, 44.76, -13.14

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 63 / 30 / 32

HEX #AE417A

RGB 174 65 122

HSL 328.62, 0.46%, 0.47%

LAB 44.5, 50.18, -9.28

 

CMYK 0 / 70 / 34 / 38

HEX #9D2F67

RGB 157 47 103

HSL 329.45, 0.54%, 0.4%

LAB 38.16, 50.27, -7.27

 

CMYK 0 / 79 / 40 / 45

HEX #8C1D54

RGB 140 29 84

HSL 330.27, 0.66%, 0.33%

LAB 32.02, 49.67, -4.58

 

CMYK 0 / 91 / 47 / 52

HEX #7B0B41

RGB 123 11 65

HSL 331.07, 0.84%, 0.26%

LAB 26.25, 47.81, -0.85

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 57 / 41 / 25

HEX #BF5370

RGB 191 83 112

HSL 343.89, 0.46%, 0.54%

LAB 50.02, 46.16, 5.21

 

CMYK 0 / 57 / 57 / 25

HEX #BF5353

RGB 191 83 83

HSL 0, 0.46%, 0.54%

LAB 49.36, 43.44, 21.68

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 57 / 11 / 25

HEX #BF53AA

RGB 191 83 170

HSL 311.67, 0.46%, 0.54%

LAB 52.02, 54.03, -26.25

 

CMYK 4 / 57 / 0 / 25

HEX #B753BF

RGB 183 83 191

HSL 295.56, 0.46%, 0.54%

LAB 51.85, 55.45, -38.8

 

CMYK 19 / 57 / 0 / 25

HEX #9A53BF

RGB 154 83 191

HSL 279.44, 0.46%, 0.54%

LAB 48.03, 47.85, -45.1

 

CMYK 35 / 57 / 0 / 25

HEX #7D53BF

RGB 125 83 191

HSL 263.33, 0.46%, 0.54%

LAB 44.67, 40.54, -50.66

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 70 / 32 / 18

HEX #D2408F

RGB 210 64 143

HSL 327.53, 0.62%, 0.54%

LAB 51.1, 63.52, -11.44

 

CMYK 0 / 80 / 37 / 10

HEX #E52D90

RGB 229 45 144

HSL 327.72, 0.78%, 0.54%

LAB 52.45, 74.21, -9.67

 

CMYK 0 / 90 / 42 / 3

HEX #F81A91

RGB 248 26 145

HSL 327.84, 0.94%, 0.54%

LAB 54.8, 82.16, -6.38

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 41 / 19 / 33

HEX #AC668C

RGB 172 102 140

HSL 327.43, 0.3%, 0.54%

LAB 52.03, 33.42, -8.84

 

CMYK 0 / 21 / 10 / 40

HEX #99798A

RGB 153 121 138

HSL 328.13, 0.14%, 0.54%

LAB 54.32, 15.35, -4.48

 

CMYK 4 / 0 / 2 / 45

HEX #868C89

RGB 134 140 137

HSL 150, 0.03%, 0.54%

LAB 57.68, -2.79, 0.83

 

CMYK 28 / 0 / 14 / 38

HEX #739F88

RGB 115 159 136

HSL 148.64, 0.19%, 0.54%

LAB 61.84, -19.88, 7.23

 

CMYK 5 / 57 / 0 / 25

HEX #B653BF

RGB 182 83 191

HSL 295, 0.46%, 0.54%

LAB 51.72, 55.19, -39.03

 

CMYK 0 / 57 / 10 / 25

HEX #BF53AB

RGB 191 83 171

HSL 311.11, 0.46%, 0.54%

LAB 52.07, 54.19, -26.77

 

CMYK 0 / 57 / 25 / 25

HEX #BF538F

RGB 191 83 143

HSL 326.67, 0.46%, 0.54%

LAB 50.97, 49.99, -11.93

 

CMYK 0 / 57 / 40 / 25

HEX #BF5372

RGB 191 83 114

HSL 342.78, 0.46%, 0.54%

LAB 50.07, 46.38, 4.09

 

CMYK 0 / 57 / 55 / 25

HEX #BF5355

RGB 191 83 85

HSL 358.89, 0.46%, 0.54%

LAB 49.4, 43.6, 20.54

 

CMYK 0 / 63 / 29 / 45

HEX #8C3463

RGB 140 52 99

HSL 327.95, 0.46%, 0.38%

LAB 35.85, 42.4, -8.51

 

CMYK 0 / 63 / 29 / 33

HEX #AA3F79

RGB 170 63 121

HSL 327.48, 0.46%, 0.46%

LAB 43.48, 49.71, -10.26

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 44 / 20 / 21

HEX #CA71A1

RGB 202 113 161

HSL 327.64, 0.46%, 0.62%

LAB 58.92, 41.15, -10.37

 

CMYK 0 / 33 / 15 / 16

HEX #D58FB5

RGB 213 143 181

HSL 327.43, 0.45%, 0.7%

LAB 67.37, 32.07, -8.97

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 20 / 57 / 25

HEX #BF9953

RGB 191 153 83

HSL 38.89, 0.46%, 0.54%

LAB 65.34, 5.83, 41.71

 

CMYK 57 / 3 / 0 / 25

HEX #53BABF

RGB 83 186 191

HSL 182.78, 0.46%, 0.54%

LAB 69.98, -28.17, -11.56

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 25 / 0 / 57 / 25

HEX #8FBF53

RGB 143 191 83

HSL 86.67, 0.46%, 0.54%

LAB 72.04, -33.42, 48.59

 

CMYK 57 / 25 / 0 / 25

HEX #538FBF

RGB 83 143 191

HSL 206.67, 0.46%, 0.54%

LAB 57.31, -5.36, -30.89

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 20 / 57 / 25

HEX #BF9953

RGB 191 153 83

HSL 38.89, 0.46%, 0.54%

LAB 65.34, 5.83, 41.71

 

CMYK 57 / 0 / 31 / 25

HEX #53BF84

RGB 83 191 132

HSL 147.22, 0.46%, 0.54%

LAB 70.01, -44.66, 20.65

 

CMYK 57 / 37 / 0 / 25

HEX #5379BF

RGB 83 121 191

HSL 218.89, 0.46%, 0.54%

LAB 51.01, 7.62, -40.77

 

CMYK 0 / 57 / 26 / 25

HEX #BF538D

RGB 191 83 141

HSL 327.78, 0.46%, 0.54%

LAB 50.9, 49.72, -10.85

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 57 / 0 / 31 / 25

HEX #53BF84

RGB 83 191 132

HSL 147.22, 0.46%, 0.54%

LAB 70.01, -44.66, 20.65

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

Description

Color code: HEX #BF538D | qconv.com Color code: HEX #BF538D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 83 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 83 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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