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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5E75 it is the complementary color #40A18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5E75 shade: #C45E70, #D57083, #E68296, #F794A9 and #FFA6BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5E75 shade: #BF5E75, #AE4C62, #9D3A4F, #8C283C and #7B1629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5E75 shade: #BF5E75 and #BF5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5E75 shade: #BF5E75, #BF5E8F, #BF5EA9, #BA5EBF and #A05EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5E75 shade matches the following richer shades: #BF5E75, #D14C6B, #E33A62 and #F52858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5E75 shade: #BF5E75, #AC707E, #9A8288, #889592 and #76A79B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5E75 shade: #BF5EAA, #BF5E90, #BF5E76, #BF605E and #BF795E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5E75 shade: #91394E, #AE455E, #BF5E75, #CA7C8E and #D699A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5E75 shade: #BF5E75, #BFBA5E and #5E9DBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5E75 shade: #BF5E75, #76BF5E and #5E76BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5E75 shade: #BF5E75, #BFBA5E, #5EBFA6 and #5E63BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5E75 shade: #BF5E75, #A6BF5E, #5EBFA6 and #765EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

Complementary color

CMYK 60 / 0 / 14 / 37

HEX #40A18A

RGB 64 161 138

HSL 165.77, 0.43%, 0.44%

LAB 60.26, -34.09, 3.54

 

CMYK 0 / 52 / 43 / 23

HEX #C45E70

RGB 196 94 112

HSL 349.41, 0.46%, 0.57%

LAB 52.85, 42.49, 9.35

 

CMYK 0 / 47 / 38 / 16

HEX #D57083

RGB 213 112 131

HSL 348.71, 0.55%, 0.64%

LAB 59.32, 41.52, 7.74

 

CMYK 0 / 43 / 35 / 10

HEX #E68296

RGB 230 130 150

HSL 348, 0.67%, 0.71%

LAB 65.74, 40.57, 6.35

 

CMYK 0 / 40 / 32 / 3

HEX #F794A9

RGB 247 148 169

HSL 347.27, 0.86%, 0.77%

LAB 72.11, 39.67, 5.13

 

CMYK 0 / 35 / 26 / 0

HEX #FFA6BC

RGB 255 166 188

HSL 345.17, 1%, 0.83%

LAB 77.38, 35.65, 2.42

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 56 / 44 / 32

HEX #AE4C62

RGB 174 76 98

HSL 346.53, 0.39%, 0.49%

LAB 45.7, 42.17, 7.18

 

CMYK 0 / 63 / 50 / 38

HEX #9D3A4F

RGB 157 58 79

HSL 347.27, 0.46%, 0.42%

LAB 39.17, 42.96, 9.36

 

CMYK 0 / 71 / 57 / 45

HEX #8C283C

RGB 140 40 60

HSL 348, 0.56%, 0.35%

LAB 32.74, 43.42, 12.16

 

CMYK 0 / 82 / 67 / 52

HEX #7B1629

RGB 123 22 41

HSL 348.71, 0.7%, 0.28%

LAB 26.58, 43.15, 15.92

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 51 / 51 / 25

HEX #BF5E5E

RGB 191 94 94

HSL 0, 0.43%, 0.56%

LAB 51.71, 38.87, 18.32

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 51 / 25 / 25

HEX #BF5E8F

RGB 191 94 143

HSL 329.69, 0.43%, 0.56%

LAB 53.02, 44.61, -8.86

 

CMYK 0 / 51 / 12 / 25

HEX #BF5EA9

RGB 191 94 169

HSL 313.61, 0.43%, 0.56%

LAB 53.97, 48.58, -22.66

 

CMYK 3 / 51 / 0 / 25

HEX #BA5EBF

RGB 186 94 191

HSL 296.91, 0.43%, 0.56%

LAB 54.24, 50.96, -35.02

 

CMYK 16 / 51 / 0 / 25

HEX #A05EBF

RGB 160 94 191

HSL 280.82, 0.43%, 0.56%

LAB 50.97, 43.66, -40.4

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 64 / 49 / 18

HEX #D14C6B

RGB 209 76 107

HSL 346.02, 0.59%, 0.56%

LAB 51.59, 54.78, 10.85

 

CMYK 0 / 74 / 57 / 11

HEX #E33A62

RGB 227 58 98

HSL 345.8, 0.75%, 0.56%

LAB 52.11, 66.17, 17.46

 

CMYK 0 / 84 / 64 / 4

HEX #F52858

RGB 245 40 88

HSL 345.95, 0.91%, 0.56%

LAB 53.64, 75.08, 26.1

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 35 / 27 / 33

HEX #AC707E

RGB 172 112 126

HSL 346, 0.27%, 0.56%

LAB 53.88, 25.72, 2.15

 

CMYK 0 / 16 / 12 / 40

HEX #9A8288

RGB 154 130 136

HSL 345, 0.11%, 0.56%

LAB 56.7, 10.2, 0.18

 

CMYK 9 / 0 / 2 / 42

HEX #889592

RGB 136 149 146

HSL 166.15, 0.06%, 0.56%

LAB 60.61, -5.26, -0.02

 

CMYK 29 / 0 / 7 / 35

HEX #76A79B

RGB 118 167 155

HSL 165.31, 0.22%, 0.56%

LAB 64.85, -18.96, 0.95

 

CMYK 0 / 51 / 11 / 25

HEX #BF5EAA

RGB 191 94 170

HSL 312.99, 0.43%, 0.56%

LAB 54.01, 48.74, -23.18

 

CMYK 0 / 51 / 25 / 25

HEX #BF5E90

RGB 191 94 144

HSL 329.07, 0.43%, 0.56%

LAB 53.05, 44.75, -9.4

 

CMYK 0 / 51 / 38 / 25

HEX #BF5E76

RGB 191 94 118

HSL 345.15, 0.43%, 0.56%

LAB 52.28, 41.38, 4.87

 

CMYK 0 / 50 / 51 / 25

HEX #BF605E

RGB 191 96 94

HSL 1.24, 0.43%, 0.56%

LAB 52.12, 37.84, 18.87

 

CMYK 0 / 37 / 51 / 25

HEX #BF795E

RGB 191 121 94

HSL 16.7, 0.43%, 0.56%

LAB 57.62, 24.42, 26.16

 

CMYK 0 / 61 / 46 / 43

HEX #91394E

RGB 145 57 78

HSL 345.68, 0.44%, 0.4%

LAB 36.92, 39.15, 6.53

 

CMYK 0 / 60 / 46 / 32

HEX #AE455E

RGB 174 69 94

HSL 345.71, 0.43%, 0.48%

LAB 44.32, 45.13, 7.68

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 39 / 30 / 21

HEX #CA7C8E

RGB 202 124 142

HSL 346.15, 0.42%, 0.64%

LAB 60.72, 32.59, 3.21

 

CMYK 0 / 29 / 21 / 16

HEX #D699A8

RGB 214 153 168

HSL 345.25, 0.43%, 0.72%

LAB 69.4, 24.99, 1.3

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 3 / 51 / 25

HEX #BFBA5E

RGB 191 186 94

HSL 56.91, 0.43%, 0.56%

LAB 74.19, -10.76, 46.77

 

CMYK 51 / 18 / 0 / 25

HEX #5E9DBF

RGB 94 157 191

HSL 201.03, 0.43%, 0.56%

LAB 61.87, -10.77, -23.81

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 38 / 0 / 51 / 25

HEX #76BF5E

RGB 118 191 94

HSL 105.15, 0.43%, 0.56%

LAB 70.82, -41.03, 41.57

 

CMYK 51 / 38 / 0 / 25

HEX #5E76BF

RGB 94 118 191

HSL 225.15, 0.43%, 0.56%

LAB 50.8, 11.91, -41.05

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 0 / 3 / 51 / 25

HEX #BFBA5E

RGB 191 186 94

HSL 56.91, 0.43%, 0.56%

LAB 74.19, -10.76, 46.77

 

CMYK 51 / 0 / 13 / 25

HEX #5EBFA6

RGB 94 191 166

HSL 164.54, 0.43%, 0.56%

LAB 71.14, -34.69, 3.89

 

CMYK 51 / 48 / 0 / 25

HEX #5E63BF

RGB 94 99 191

HSL 236.91, 0.43%, 0.56%

LAB 45.72, 23.62, -49.13

 

CMYK 0 / 51 / 39 / 25

HEX #BF5E75

RGB 191 94 117

HSL 345.77, 0.43%, 0.56%

LAB 52.25, 41.26, 5.42

 

CMYK 13 / 0 / 51 / 25

HEX #A6BF5E

RGB 166 191 94

HSL 75.46, 0.43%, 0.56%

LAB 73.66, -23.44, 45.67

 

CMYK 51 / 0 / 13 / 25

HEX #5EBFA6

RGB 94 191 166

HSL 164.54, 0.43%, 0.56%

LAB 71.14, -34.69, 3.89

 

CMYK 38 / 51 / 0 / 25

HEX #765EBF

RGB 118 94 191

HSL 254.85, 0.43%, 0.56%

LAB 46.47, 32.42, -47.82

 

Description

Color code: HEX #BF5E75 | qconv.com Color code: HEX #BF5E75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 94 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 94 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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