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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6644 it is the complementary color #4099BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6644 shade: #C4663F, #D57852, #E68A65, #F79C78 and #FFAE8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6644 shade: #BF6644, #AE5431, #9D421E, #8C300B and #7B1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6644 shade: #BF6644, #BF4544 and #BF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6644 shade: #BF6644, #BF8744, #BFA844, #B4BF44 and #93BF44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6644 shade matches the following richer shades: #BF6644, #D35D30, #E7541C and #FB4B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6644 shade: #BF6644, #AB6F59, #96786D, #828181 and #6E8A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6644 shade: #BF4465, #BF4444, #BF6544, #BF8644 and #BFA644

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6644 shade: #84452D, #A35537, #BF6644, #C97F63 and #D49882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6644 shade: #BF6644, #86BF44 and #4455BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6644 shade: #BF6644, #44BF65 and #6544BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6644 shade: #BF6644, #86BF44, #449EBF and #7D44BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6644 shade: #BF6644, #61BF44, #449EBF and #A244BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

Complementary color

CMYK 66 / 18 / 0 / 27

HEX #4099BB

RGB 64 153 187

HSL 196.59, 0.49%, 0.49%

LAB 59.4, -15.8, -25.46

 

CMYK 0 / 48 / 68 / 23

HEX #C4663F

RGB 196 102 63

HSL 17.59, 0.53%, 0.51%

LAB 53.6, 34.33, 38.47

 

CMYK 0 / 44 / 62 / 16

HEX #D57852

RGB 213 120 82

HSL 17.4, 0.61%, 0.58%

LAB 60.06, 32.85, 36.48

 

CMYK 0 / 40 / 56 / 10

HEX #E68A65

RGB 230 138 101

HSL 17.21, 0.72%, 0.65%

LAB 66.47, 31.51, 34.66

 

CMYK 0 / 37 / 51 / 3

HEX #F79C78

RGB 247 156 120

HSL 17.01, 0.89%, 0.72%

LAB 72.83, 30.29, 33

 

CMYK 0 / 32 / 45 / 0

HEX #FFAE8B

RGB 255 174 139

HSL 18.1, 1%, 0.77%

LAB 78.11, 25.73, 29.96

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 52 / 72 / 32

HEX #AE5431

RGB 174 84 49

HSL 16.8, 0.56%, 0.44%

LAB 46.39, 34.2, 36.96

 

CMYK 0 / 58 / 81 / 38

HEX #9D421E

RGB 157 66 30

HSL 17.01, 0.68%, 0.37%

LAB 39.85, 35.86, 39.18

 

CMYK 0 / 66 / 92 / 45

HEX #8C300B

RGB 140 48 11

HSL 17.21, 0.85%, 0.3%

LAB 33.38, 37.52, 40.92

 

CMYK 0 / 76 / 100 / 52

HEX #7B1E00

RGB 123 30 0

HSL 14.63, 1%, 0.24%

LAB 27.13, 38.85, 39.09

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 64 / 64 / 25

HEX #BF4544

RGB 191 69 68

HSL 0.49, 0.49%, 0.51%

LAB 46.64, 48.87, 27.1

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 29 / 64 / 25

HEX #BF8744

RGB 191 135 68

HSL 32.68, 0.49%, 0.51%

LAB 60.62, 14.61, 43.75

 

CMYK 0 / 12 / 64 / 25

HEX #BFA844

RGB 191 168 68

HSL 48.78, 0.49%, 0.51%

LAB 69.11, -3.32, 53.12

 

CMYK 6 / 0 / 64 / 25

HEX #B4BF44

RGB 180 191 68

HSL 65.37, 0.49%, 0.51%

LAB 74.43, -19.86, 58.5

 

CMYK 23 / 0 / 64 / 25

HEX #93BF44

RGB 147 191 68

HSL 81.46, 0.49%, 0.51%

LAB 72.15, -33.19, 55.38

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 56 / 77 / 17

HEX #D35D30

RGB 211 93 48

HSL 16.56, 0.65%, 0.51%

LAB 53.91, 43.98, 47.19

 

CMYK 0 / 64 / 88 / 9

HEX #E7541C

RGB 231 84 28

HSL 16.55, 0.81%, 0.51%

LAB 55.5, 54.71, 58.47

 

CMYK 0 / 70 / 97 / 2

HEX #FB4B08

RGB 251 75 8

HSL 16.54, 0.97%, 0.51%

LAB 57.62, 64.56, 66.98

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 35 / 48 / 33

HEX #AB6F59

RGB 171 111 89

HSL 16.1, 0.33%, 0.51%

LAB 52.67, 21.26, 22.04

 

CMYK 0 / 20 / 27 / 41

HEX #96786D

RGB 150 120 109

HSL 16.1, 0.16%, 0.51%

LAB 52.97, 9.95, 10.46

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 26 / 7 / 0 / 42

HEX #6E8A95

RGB 110 138 149

HSL 196.92, 0.16%, 0.51%

LAB 55.75, -7.26, -9.13

 

CMYK 0 / 64 / 47 / 25

HEX #BF4465

RGB 191 68 101

HSL 343.9, 0.49%, 0.51%

LAB 47.17, 51.88, 7.82

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 47 / 64 / 25

HEX #BF6544

RGB 191 101 68

HSL 16.1, 0.49%, 0.51%

LAB 52.73, 33.17, 34.56

 

CMYK 0 / 30 / 64 / 25

HEX #BF8644

RGB 191 134 68

HSL 32.2, 0.49%, 0.51%

LAB 60.38, 15.16, 43.47

 

CMYK 0 / 13 / 64 / 25

HEX #BFA644

RGB 191 166 68

HSL 47.8, 0.49%, 0.51%

LAB 68.58, -2.26, 52.55

 

CMYK 0 / 48 / 66 / 48

HEX #84452D

RGB 132 69 45

HSL 16.55, 0.49%, 0.35%

LAB 36.65, 24.7, 26.3

 

CMYK 0 / 48 / 66 / 36

HEX #A35537

RGB 163 85 55

HSL 16.67, 0.5%, 0.43%

LAB 45.02, 29.53, 31.64

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 37 / 51 / 21

HEX #C97F63

RGB 201 127 99

HSL 16.47, 0.49%, 0.59%

LAB 60.34, 25.66, 27.15

 

CMYK 0 / 28 / 39 / 17

HEX #D49882

RGB 212 152 130

HSL 16.1, 0.49%, 0.67%

LAB 68.07, 19.7, 20.5

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 30 / 0 / 64 / 25

HEX #86BF44

RGB 134 191 68

HSL 87.8, 0.49%, 0.51%

LAB 71.38, -38.1, 54.33

 

CMYK 64 / 55 / 0 / 25

HEX #4455BF

RGB 68 85 191

HSL 231.71, 0.49%, 0.51%

LAB 40.39, 27.36, -57.81

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 64 / 0 / 47 / 25

HEX #44BF65

RGB 68 191 101

HSL 136.1, 0.49%, 0.51%

LAB 69.06, -53.43, 35.5

 

CMYK 47 / 64 / 0 / 25

HEX #6544BF

RGB 101 68 191

HSL 256.1, 0.49%, 0.51%

LAB 39.01, 43.72, -59.93

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 30 / 0 / 64 / 25

HEX #86BF44

RGB 134 191 68

HSL 87.8, 0.49%, 0.51%

LAB 71.38, -38.1, 54.33

 

CMYK 64 / 17 / 0 / 25

HEX #449EBF

RGB 68 158 191

HSL 196.1, 0.49%, 0.51%

LAB 61.17, -16.54, -24.97

 

CMYK 35 / 64 / 0 / 25

HEX #7D44BF

RGB 125 68 191

HSL 267.8, 0.49%, 0.51%

LAB 41.62, 48.68, -55.58

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 49 / 0 / 64 / 25

HEX #61BF44

RGB 97 191 68

HSL 105.85, 0.49%, 0.51%

LAB 69.63, -50.42, 51.91

 

CMYK 64 / 17 / 0 / 25

HEX #449EBF

RGB 68 158 191

HSL 196.1, 0.49%, 0.51%

LAB 61.17, -16.54, -24.97

 

CMYK 15 / 64 / 0 / 25

HEX #A244BF

RGB 162 68 191

HSL 285.85, 0.49%, 0.51%

LAB 46.41, 57.08, -47.62

 

Description

Color code: HEX #BF6644 | qconv.com Color code: HEX #BF6644 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 102 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 102 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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