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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF67AE it is the complementary color #409851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF67AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF67AE shade: #C467A9, #D579BC, #E68BCF, #F79DE2 and #FFAFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF67AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF67AE shade: #BF67AE, #AE559B, #9D4388, #8C3175 and #7B1F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF67AE shade: #BF67AE, #BF6797, #BF677F and #BF6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF67AE shade: #BF67AE, #B967BF, #A167BF, #8967BF and #7267BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF67AE shade matches the following richer shades: #BF67AE, #D156B9, #E245C4 and #F334CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF67AE shade: #BF67AE, #AE79A4, #9D8A99, #8B9B8E and #7AAD84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF67AE shade: #A167BF, #B867BF, #BF67AF, #BF6798 and #BF6780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF67AE shade: #963E85, #B34B9F, #BF67AE, #CB85BE and #D8A2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF67AE shade: #BF67AE, #BF8967 and #67BFAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF67AE shade: #BF67AE, #AFBF67 and #67AFBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF67AE shade: #BF67AE, #BF8967, #67BF78 and #679EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF67AE shade: #BF67AE, #BFA467, #67BF78 and #6783BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

Complementary color

CMYK 58 / 0 / 47 / 40

HEX #409851

RGB 64 152 81

HSL 131.59, 0.41%, 0.42%

LAB 56.23, -42.17, 29.55

 

CMYK 0 / 47 / 14 / 23

HEX #C467A9

RGB 196 103 169

HSL 317.42, 0.44%, 0.59%

LAB 56.39, 45.6, -18.9

 

CMYK 0 / 43 / 12 / 16

HEX #D579BC

RGB 213 121 188

HSL 316.3, 0.52%, 0.65%

LAB 62.89, 44.86, -19.68

 

CMYK 0 / 40 / 10 / 10

HEX #E68BCF

RGB 230 139 207

HSL 315.16, 0.65%, 0.72%

LAB 69.32, 44.11, -20.35

 

CMYK 0 / 36 / 9 / 3

HEX #F79DE2

RGB 247 157 226

HSL 314, 0.85%, 0.79%

LAB 75.69, 43.37, -20.95

 

CMYK 0 / 31 / 4 / 0

HEX #FFAFF5

RGB 255 175 245

HSL 307.5, 1%, 0.84%

LAB 81.02, 39.8, -23.04

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 51 / 11 / 32

HEX #AE559B

RGB 174 85 155

HSL 312.81, 0.35%, 0.51%

LAB 49.33, 45.55, -21.78

 

CMYK 0 / 57 / 13 / 38

HEX #9D4388

RGB 157 67 136

HSL 314, 0.4%, 0.44%

LAB 42.7, 46.12, -20.8

 

CMYK 0 / 65 / 16 / 45

HEX #8C3175

RGB 140 49 117

HSL 315.16, 0.48%, 0.37%

LAB 36.09, 46.41, -19.5

 

CMYK 0 / 75 / 20 / 52

HEX #7B1F62

RGB 123 31 98

HSL 316.3, 0.6%, 0.3%

LAB 29.6, 46.11, -17.69

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 46 / 21 / 25

HEX #BF6797

RGB 191 103 151

HSL 327.27, 0.41%, 0.58%

LAB 55.08, 41.16, -10.47

 

CMYK 0 / 46 / 34 / 25

HEX #BF677F

RGB 191 103 127

HSL 343.64, 0.41%, 0.58%

LAB 54.35, 37.81, 2.54

 

CMYK 0 / 46 / 46 / 25

HEX #BF6767

RGB 191 103 103

HSL 0, 0.41%, 0.58%

LAB 53.77, 35.05, 15.83

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 3 / 46 / 0 / 25

HEX #B967BF

RGB 185 103 191

HSL 295.91, 0.41%, 0.58%

LAB 55.86, 46.09, -32.5

 

CMYK 16 / 46 / 0 / 25

HEX #A167BF

RGB 161 103 191

HSL 279.55, 0.41%, 0.58%

LAB 52.99, 39.04, -37.2

 

CMYK 28 / 46 / 0 / 25

HEX #8967BF

RGB 137 103 191

HSL 263.18, 0.41%, 0.58%

LAB 50.43, 32.18, -41.42

 

CMYK 40 / 46 / 0 / 25

HEX #7267BF

RGB 114 103 191

HSL 247.5, 0.41%, 0.58%

LAB 48.31, 26, -44.91

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 59 / 11 / 18

HEX #D156B9

RGB 209 86 185

HSL 311.71, 0.57%, 0.58%

LAB 55.8, 60.08, -28.9

 

CMYK 0 / 69 / 13 / 11

HEX #E245C4

RGB 226 69 196

HSL 311.46, 0.73%, 0.58%

LAB 56.5, 72.7, -33.94

 

CMYK 0 / 79 / 15 / 5

HEX #F334CE

RGB 243 52 206

HSL 311.62, 0.89%, 0.58%

LAB 58.01, 82.83, -37.1

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 30 / 6 / 32

HEX #AE79A4

RGB 174 121 164

HSL 311.32, 0.25%, 0.58%

LAB 57.42, 27.69, -14.7

 

CMYK 0 / 12 / 3 / 38

HEX #9D8A99

RGB 157 138 153

HSL 312.63, 0.09%, 0.58%

LAB 59.57, 9.89, -5.34

 

CMYK 10 / 0 / 8 / 39

HEX #8B9B8E

RGB 139 155 142

HSL 131.25, 0.07%, 0.58%

LAB 62.41, -8.27, 4.88

 

CMYK 29 / 0 / 24 / 32

HEX #7AAD84

RGB 122 173 132

HSL 131.76, 0.24%, 0.58%

LAB 66.28, -25.44, 15.77

 

CMYK 16 / 46 / 0 / 25

HEX #A167BF

RGB 161 103 191

HSL 279.55, 0.41%, 0.58%

LAB 52.99, 39.04, -37.2

 

CMYK 4 / 46 / 0 / 25

HEX #B867BF

RGB 184 103 191

HSL 295.23, 0.41%, 0.58%

LAB 55.74, 45.79, -32.71

 

CMYK 0 / 46 / 8 / 25

HEX #BF67AF

RGB 191 103 175

HSL 310.91, 0.41%, 0.58%

LAB 55.96, 45.02, -23.09

 

CMYK 0 / 46 / 20 / 25

HEX #BF6798

RGB 191 103 152

HSL 326.59, 0.41%, 0.58%

LAB 55.12, 41.31, -11

 

CMYK 0 / 46 / 33 / 25

HEX #BF6780

RGB 191 103 128

HSL 342.95, 0.41%, 0.58%

LAB 54.38, 37.94, 1.99

 

CMYK 0 / 59 / 11 / 41

HEX #963E85

RGB 150 62 133

HSL 311.59, 0.42%, 0.42%

LAB 40.61, 45.93, -22.29

 

CMYK 0 / 58 / 11 / 30

HEX #B34B9F

RGB 179 75 159

HSL 311.54, 0.41%, 0.5%

LAB 48.41, 52.53, -25.51

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 34 / 6 / 20

HEX #CB85BE

RGB 203 133 190

HSL 311.14, 0.4%, 0.66%

LAB 64.31, 35.59, -18.75

 

CMYK 0 / 25 / 5 / 15

HEX #D8A2CD

RGB 216 162 205

HSL 312.22, 0.41%, 0.74%

LAB 72.79, 26.89, -14.15

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 28 / 46 / 25

HEX #BF8967

RGB 191 137 103

HSL 23.18, 0.41%, 0.58%

LAB 61.61, 16.48, 26.37

 

CMYK 46 / 0 / 10 / 25

HEX #67BFAC

RGB 103 191 172

HSL 167.05, 0.41%, 0.58%

LAB 71.64, -31.12, 1.37

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 8 / 0 / 46 / 25

HEX #AFBF67

RGB 175 191 103

HSL 70.91, 0.41%, 0.58%

LAB 74.42, -18.95, 42.33

 

CMYK 46 / 8 / 0 / 25

HEX #67AFBF

RGB 103 175 191

HSL 190.91, 0.41%, 0.58%

LAB 67.51, -18.27, -15.2

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 28 / 46 / 25

HEX #BF8967

RGB 191 137 103

HSL 23.18, 0.41%, 0.58%

LAB 61.61, 16.48, 26.37

 

CMYK 46 / 0 / 37 / 25

HEX #67BF78

RGB 103 191 120

HSL 131.59, 0.41%, 0.58%

LAB 70.53, -41.8, 27.83

 

CMYK 46 / 17 / 0 / 25

HEX #679EBF

RGB 103 158 191

HSL 202.5, 0.41%, 0.58%

LAB 62.59, -9.16, -22.67

 

CMYK 0 / 46 / 9 / 25

HEX #BF67AE

RGB 191 103 174

HSL 311.59, 0.41%, 0.58%

LAB 55.92, 44.85, -22.57

 

CMYK 0 / 14 / 46 / 25

HEX #BFA467

RGB 191 164 103

HSL 41.59, 0.41%, 0.58%

LAB 68.47, 1.7, 35.21

 

CMYK 46 / 0 / 37 / 25

HEX #67BF78

RGB 103 191 120

HSL 131.59, 0.41%, 0.58%

LAB 70.53, -41.8, 27.83

 

CMYK 46 / 31 / 0 / 25

HEX #6783BF

RGB 103 131 191

HSL 220.91, 0.41%, 0.58%

LAB 54.95, 6.29, -34.5

 

Description

Color code: HEX #BF67AE | qconv.com Color code: HEX #BF67AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 103 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 103 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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