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Color name
HEX #BF6850

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6850 it is the complementary color #4097AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6850. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6850 shade: #C4684B, #D57A5E, #E68C71, #F79E84 and #FFB097

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6850. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6850 shade: #BF6850, #AE563D, #9D442A, #8C3217 and #7B2004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6850 shade: #BE6750 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6850 shade: #BE6750, #BE8550, #BEA350, #BBBE50 and #9DBE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6850 shade matches the following richer shades: #BE6750, #D15C3C, #E55129 and #F84615

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6850 shade: #BE6750, #AA7263, #977D76, #84888A and #70939D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6850 shade: #BE5074, #BE5057, #BE6650, #BE8350 and #BEA050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6850 shade: #894532, #A7543D, #BE6750, #C9816E and #D49B8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6850 shade: #BF6850, #92BE50 and #5066BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6850 shade: #BF6850, #50BE66 and #6650BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6850 shade: #BF6850, #92BE50, #50A8BE and #7C50BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6850 shade: #BF6850, #71BE50, #50A8BE and #9D50BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 58 / 25

HEX #BF6850

RGB 191 104 80

HSL 12.97, 0.46%, 0.53%

LAB 53.55, 32.44, 28.85

 

Complementary color

CMYK 63 / 14 / 0 / 31

HEX #4097AF

RGB 64 151 175

HSL 192.97, 0.46%, 0.47%

LAB 58.34, -18.54, -20.29

 

CMYK 0 / 47 / 62 / 23

HEX #C4684B

RGB 196 104 75

HSL 14.38, 0.51%, 0.53%

LAB 54.18, 34.05, 32.6

 

CMYK 0 / 43 / 56 / 16

HEX #D57A5E

RGB 213 122 94

HSL 14.12, 0.59%, 0.6%

LAB 60.67, 32.69, 30.66

 

CMYK 0 / 39 / 51 / 10

HEX #E68C71

RGB 230 140 113

HSL 13.85, 0.7%, 0.67%

LAB 67.11, 31.46, 28.94

 

CMYK 0 / 36 / 47 / 3

HEX #F79E84

RGB 247 158 132

HSL 13.57, 0.88%, 0.74%

LAB 73.48, 30.35, 27.39

 

CMYK 0 / 31 / 41 / 0

HEX #FFB097

RGB 255 176 151

HSL 14.42, 1%, 0.8%

LAB 78.78, 25.92, 24.45

 

CMYK 0 / 46 / 58 / 25

HEX #BF6850

RGB 191 104 80

HSL 12.97, 0.46%, 0.53%

LAB 53.55, 32.44, 28.85

 

CMYK 0 / 51 / 65 / 32

HEX #AE563D

RGB 174 86 61

HSL 13.27, 0.48%, 0.46%

LAB 46.96, 33.85, 30.95

 

CMYK 0 / 57 / 73 / 38

HEX #9D442A

RGB 157 68 42

HSL 13.57, 0.58%, 0.39%

LAB 40.36, 35.37, 33.34

 

CMYK 0 / 64 / 84 / 45

HEX #8C3217

RGB 140 50 23

HSL 13.85, 0.72%, 0.32%

LAB 33.81, 36.89, 35.89

 

CMYK 0 / 74 / 97 / 52

HEX #7B2004

RGB 123 32 4

HSL 14.12, 0.94%, 0.25%

LAB 27.44, 38.14, 37.73

 

CMYK 0 / 46 / 58 / 25

HEX #BE6750

RGB 190 103 80

HSL 12.55, 0.46%, 0.53%

LAB 53.2, 32.57, 28.37

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 46 / 58 / 25

HEX #BE6750

RGB 190 103 80

HSL 12.55, 0.46%, 0.53%

LAB 53.2, 32.57, 28.37

 

CMYK 0 / 30 / 58 / 25

HEX #BE8550

RGB 190 133 80

HSL 28.91, 0.46%, 0.53%

LAB 60.16, 16.16, 37.01

 

CMYK 0 / 14 / 58 / 25

HEX #BEA350

RGB 190 163 80

HSL 45.27, 0.46%, 0.53%

LAB 67.81, -0.24, 46.06

 

CMYK 2 / 0 / 58 / 25

HEX #BBBE50

RGB 187 190 80

HSL 61.64, 0.46%, 0.53%

LAB 74.81, -15.61, 53.91

 

CMYK 17 / 0 / 58 / 25

HEX #9DBE50

RGB 157 190 80

HSL 78, 0.46%, 0.53%

LAB 72.61, -27.82, 50.85

 

CMYK 0 / 46 / 58 / 25

HEX #BE6750

RGB 190 103 80

HSL 12.55, 0.46%, 0.53%

LAB 53.2, 32.57, 28.37

 

CMYK 0 / 56 / 71 / 18

HEX #D15C3C

RGB 209 92 60

HSL 12.89, 0.62%, 0.53%

LAB 53.53, 44.24, 40.53

 

CMYK 0 / 65 / 82 / 10

HEX #E55129

RGB 229 81 41

HSL 12.77, 0.78%, 0.53%

LAB 54.77, 55.58, 52.35

 

CMYK 0 / 72 / 92 / 3

HEX #F84615

RGB 248 70 21

HSL 12.95, 0.94%, 0.53%

LAB 56.48, 65.5, 62.89

 

CMYK 0 / 46 / 58 / 25

HEX #BE6750

RGB 190 103 80

HSL 12.55, 0.46%, 0.53%

LAB 53.2, 32.57, 28.37

 

CMYK 0 / 33 / 42 / 33

HEX #AA7263

RGB 170 114 99

HSL 12.68, 0.29%, 0.53%

LAB 53.47, 20.25, 17.32

 

CMYK 0 / 17 / 22 / 41

HEX #977D76

RGB 151 125 118

HSL 12.73, 0.14%, 0.53%

LAB 54.61, 8.87, 7.56

 

CMYK 4 / 1 / 0 / 46

HEX #84888A

RGB 132 136 138

HSL 200, 0.02%, 0.53%

LAB 56.44, -1.06, -1.59

 

CMYK 29 / 6 / 0 / 38

HEX #70939D

RGB 112 147 157

HSL 193.33, 0.19%, 0.53%

LAB 58.74, -9.67, -9.23

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 58 / 54 / 25

HEX #BE5057

RGB 190 80 87

HSL 356.18, 0.46%, 0.53%

LAB 48.73, 44.85, 18.42

 

CMYK 0 / 46 / 58 / 25

HEX #BE6650

RGB 190 102 80

HSL 12, 0.46%, 0.53%

LAB 52.98, 33.1, 28.09

 

CMYK 0 / 31 / 58 / 25

HEX #BE8350

RGB 190 131 80

HSL 27.82, 0.46%, 0.53%

LAB 59.67, 17.26, 36.41

 

CMYK 0 / 16 / 58 / 25

HEX #BEA050

RGB 190 160 80

HSL 43.64, 0.46%, 0.53%

LAB 67.03, 1.37, 45.15

 

CMYK 0 / 50 / 64 / 46

HEX #894532

RGB 137 69 50

HSL 13.1, 0.47%, 0.37%

LAB 37.49, 27.19, 24.52

 

CMYK 0 / 50 / 63 / 35

HEX #A7543D

RGB 167 84 61

HSL 13.02, 0.46%, 0.45%

LAB 45.49, 32.11, 28.91

 

CMYK 0 / 46 / 58 / 25

HEX #BE6750

RGB 190 103 80

HSL 12.55, 0.46%, 0.53%

LAB 53.2, 32.57, 28.37

 

CMYK 0 / 36 / 45 / 21

HEX #C9816E

RGB 201 129 110

HSL 12.53, 0.46%, 0.61%

LAB 61, 25.65, 21.85

 

CMYK 0 / 27 / 34 / 17

HEX #D49B8C

RGB 212 155 140

HSL 12.5, 0.46%, 0.69%

LAB 68.99, 19.29, 16.24

 

CMYK 0 / 46 / 58 / 25

HEX #BF6850

RGB 191 104 80

HSL 12.97, 0.46%, 0.53%

LAB 53.55, 32.44, 28.85

 

CMYK 23 / 0 / 58 / 25

HEX #92BE50

RGB 146 190 80

HSL 84, 0.46%, 0.53%

LAB 71.9, -32.1, 49.86

 

CMYK 58 / 46 / 0 / 25

HEX #5066BE

RGB 80 102 190

HSL 228, 0.46%, 0.53%

LAB 45.53, 18.43, -48.91

 

CMYK 0 / 46 / 58 / 25

HEX #BF6850

RGB 191 104 80

HSL 12.97, 0.46%, 0.53%

LAB 53.55, 32.44, 28.85

 

CMYK 58 / 0 / 46 / 25

HEX #50BE66

RGB 80 190 102

HSL 132, 0.46%, 0.53%

LAB 69.11, -50.28, 35.13

 

CMYK 46 / 58 / 0 / 25

HEX #6650BE

RGB 102 80 190

HSL 252, 0.46%, 0.53%

LAB 41.66, 36.69, -55.05

 

CMYK 0 / 46 / 58 / 25

HEX #BF6850

RGB 191 104 80

HSL 12.97, 0.46%, 0.53%

LAB 53.55, 32.44, 28.85

 

CMYK 23 / 0 / 58 / 25

HEX #92BE50

RGB 146 190 80

HSL 84, 0.46%, 0.53%

LAB 71.9, -32.1, 49.86

 

CMYK 58 / 12 / 0 / 25

HEX #50A8BE

RGB 80 168 190

HSL 192, 0.46%, 0.53%

LAB 64.51, -19.94, -19.28

 

CMYK 35 / 58 / 0 / 25

HEX #7C50BE

RGB 124 80 190

HSL 264, 0.46%, 0.53%

LAB 43.86, 41.72, -51.39

 

CMYK 0 / 46 / 58 / 25

HEX #BF6850

RGB 191 104 80

HSL 12.97, 0.46%, 0.53%

LAB 53.55, 32.44, 28.85

 

CMYK 41 / 0 / 58 / 25

HEX #71BE50

RGB 113 190 80

HSL 102, 0.46%, 0.53%

LAB 70.12, -43.85, 47.34

 

CMYK 58 / 12 / 0 / 25

HEX #50A8BE

RGB 80 168 190

HSL 192, 0.46%, 0.53%

LAB 64.51, -19.94, -19.28

 

CMYK 17 / 58 / 0 / 25

HEX #9D50BE

RGB 157 80 190

HSL 282, 0.46%, 0.53%

LAB 47.78, 49.94, -44.9

 

Description

Color code: HEX #BF6850 | qconv.com Color code: HEX #BF6850 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 104 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 104 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 58% 25% C M Y K

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Provide designers and agencies with accurate color values.

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