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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6CC4 it is the complementary color #40933B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6CC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6CC4 shade: #C46CBF, #D57ED2, #E690E5, #F7A2F8 and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6CC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6CC4 shade: #BF6CC4, #AE5AB1, #9D489E, #8C368B and #7B2478

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6CC4 shade: #BF6DC4, #C46DB2, #C46D9A, #C46D82 and #C46D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6CC4 shade: #BF6DC4, #A86DC4, #906DC4, #786DC4 and #6D6DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6CC4 shade matches the following richer shades: #BF6DC4, #CE5CD5, #DD4CE5 and #EB3BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6CC4 shade: #BF6DC4, #B17DB4, #A28EA3, #939E93 and #85AF82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6CC4 shade: #906DC4, #A76DC4, #BF6DC4, #C46DB3 and #C46D9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6CC4 shade: #9A3F9F, #B34FB9, #BF6DC4, #CC8AD0 and #D9A8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6CC4 shade: #BF6CC4, #C4786D and #6DC49B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6CC4 shade: #BF6CC4, #C4BF6D and #6DC4BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6CC4 shade: #BF6CC4, #C4786D, #72C46D and #6DB9C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6CC4 shade: #BF6CC4, #C4936D, #72C46D and #6D9EC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 45 / 0 / 23

HEX #BF6CC4

RGB 191 108 196

HSL 296.59, 0.43%, 0.6%

LAB 57.83, 46.21, -32.23

 

Complementary color

CMYK 56 / 0 / 60 / 42

HEX #40933B

RGB 64 147 59

HSL 116.59, 0.43%, 0.4%

LAB 54.32, -43.26, 38.41

 

CMYK 0 / 45 / 3 / 23

HEX #C46CBF

RGB 196 108 191

HSL 303.41, 0.43%, 0.6%

LAB 58.25, 46.79, -28.69

 

CMYK 0 / 41 / 1 / 16

HEX #D57ED2

RGB 213 126 210

HSL 302.07, 0.51%, 0.66%

LAB 64.74, 46.06, -29.22

 

CMYK 0 / 37 / 0 / 10

HEX #E690E5

RGB 230 144 229

HSL 300.7, 0.63%, 0.73%

LAB 71.16, 45.32, -29.68

 

CMYK 0 / 35 / 0 / 3

HEX #F7A2F8

RGB 247 162 248

HSL 299.3, 0.86%, 0.8%

LAB 77.51, 44.6, -30.1

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 3 / 45 / 0 / 23

HEX #BF6CC4

RGB 191 108 196

HSL 296.59, 0.43%, 0.6%

LAB 57.83, 46.21, -32.23

 

CMYK 2 / 49 / 0 / 31

HEX #AE5AB1

RGB 174 90 177

HSL 297.93, 0.36%, 0.52%

LAB 51.25, 46.92, -31.72

 

CMYK 1 / 54 / 0 / 38

HEX #9D489E

RGB 157 72 158

HSL 299.3, 0.37%, 0.45%

LAB 44.62, 47.52, -31.07

 

CMYK 0 / 61 / 1 / 45

HEX #8C368B

RGB 140 54 139

HSL 300.7, 0.44%, 0.38%

LAB 37.98, 47.89, -30.18

 

CMYK 0 / 71 / 2 / 52

HEX #7B2478

RGB 123 36 120

HSL 302.07, 0.55%, 0.31%

LAB 31.41, 47.78, -28.91

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 0 / 44 / 9 / 23

HEX #C46DB2

RGB 196 109 178

HSL 312.41, 0.42%, 0.6%

LAB 57.93, 44, -21.74

 

CMYK 0 / 44 / 21 / 23

HEX #C46D9A

RGB 196 109 154

HSL 328.97, 0.42%, 0.6%

LAB 57.08, 40.16, -9.15

 

CMYK 0 / 44 / 34 / 23

HEX #C46D82

RGB 196 109 130

HSL 345.52, 0.42%, 0.6%

LAB 56.37, 36.84, 3.79

 

CMYK 0 / 44 / 44 / 23

HEX #C46D6D

RGB 196 109 109

HSL 0, 0.42%, 0.6%

LAB 55.86, 34.39, 15.32

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 14 / 44 / 0 / 23

HEX #A86DC4

RGB 168 109 196

HSL 280.69, 0.42%, 0.6%

LAB 55.33, 38.87, -36.35

 

CMYK 27 / 44 / 0 / 23

HEX #906DC4

RGB 144 109 196

HSL 264.14, 0.42%, 0.6%

LAB 52.79, 31.92, -40.52

 

CMYK 39 / 44 / 0 / 23

HEX #786DC4

RGB 120 109 196

HSL 247.59, 0.42%, 0.6%

LAB 50.59, 25.36, -44.14

 

CMYK 44 / 44 / 0 / 23

HEX #6D6DC4

RGB 109 109 196

HSL 240, 0.42%, 0.6%

LAB 49.71, 22.56, -45.59

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 3 / 57 / 0 / 16

HEX #CE5CD5

RGB 206 92 213

HSL 296.53, 0.59%, 0.6%

LAB 57.64, 61.28, -42.06

 

CMYK 3 / 67 / 0 / 10

HEX #DD4CE5

RGB 221 76 229

HSL 296.86, 0.75%, 0.6%

LAB 58.22, 74.18, -50.01

 

CMYK 4 / 76 / 0 / 4

HEX #EB3BF6

RGB 235 59 246

HSL 296.47, 0.91%, 0.6%

LAB 59.38, 85.21, -57.53

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 2 / 31 / 0 / 29

HEX #B17DB4

RGB 177 125 180

HSL 296.73, 0.27%, 0.6%

LAB 59.26, 29.5, -21.04

 

CMYK 1 / 13 / 0 / 36

HEX #A28EA3

RGB 162 142 163

HSL 297.14, 0.1%, 0.6%

LAB 61.37, 11.36, -8.32

 

CMYK 7 / 0 / 7 / 38

HEX #939E93

RGB 147 158 147

HSL 120, 0.05%, 0.6%

LAB 63.97, -6.06, 4.39

 

CMYK 24 / 0 / 26 / 31

HEX #85AF82

RGB 133 175 130

HSL 116, 0.22%, 0.6%

LAB 67.47, -23.05, 18.61

 

CMYK 27 / 44 / 0 / 23

HEX #906DC4

RGB 144 109 196

HSL 264.14, 0.42%, 0.6%

LAB 52.79, 31.92, -40.52

 

CMYK 15 / 44 / 0 / 23

HEX #A76DC4

RGB 167 109 196

HSL 280, 0.42%, 0.6%

LAB 55.21, 38.57, -36.53

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 0 / 44 / 9 / 23

HEX #C46DB3

RGB 196 109 179

HSL 311.72, 0.42%, 0.6%

LAB 57.97, 44.17, -22.25

 

CMYK 0 / 44 / 21 / 23

HEX #C46D9B

RGB 196 109 155

HSL 328.28, 0.42%, 0.6%

LAB 57.11, 40.31, -9.69

 

CMYK 3 / 60 / 0 / 38

HEX #9A3F9F

RGB 154 63 159

HSL 296.88, 0.43%, 0.44%

LAB 42.65, 51.18, -34.78

 

CMYK 3 / 57 / 0 / 27

HEX #B34FB9

RGB 179 79 185

HSL 296.6, 0.43%, 0.52%

LAB 50.31, 55.16, -37.8

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 2 / 34 / 0 / 18

HEX #CC8AD0

RGB 204 138 208

HSL 296.57, 0.43%, 0.68%

LAB 66.19, 36.52, -25.96

 

CMYK 1 / 24 / 0 / 14

HEX #D9A8DC

RGB 217 168 220

HSL 296.54, 0.43%, 0.76%

LAB 74.78, 26.73, -19.36

 

CMYK 3 / 45 / 0 / 23

HEX #BF6CC4

RGB 191 108 196

HSL 296.59, 0.43%, 0.6%

LAB 57.83, 46.21, -32.23

 

CMYK 0 / 39 / 44 / 23

HEX #C4786D

RGB 196 120 109

HSL 7.59, 0.42%, 0.6%

LAB 58.3, 28.47, 18.66

 

CMYK 44 / 0 / 21 / 23

HEX #6DC49B

RGB 109 196 155

HSL 151.72, 0.42%, 0.6%

LAB 72.96, -35.73, 12.52

 

CMYK 3 / 45 / 0 / 23

HEX #BF6CC4

RGB 191 108 196

HSL 296.59, 0.43%, 0.6%

LAB 57.83, 46.21, -32.23

 

CMYK 0 / 3 / 44 / 23

HEX #C4BF6D

RGB 196 191 109

HSL 56.55, 0.42%, 0.6%

LAB 76.13, -9.87, 41.82

 

CMYK 44 / 0 / 3 / 23

HEX #6DC4BF

RGB 109 196 191

HSL 176.55, 0.42%, 0.6%

LAB 73.86, -27.43, -5.68

 

CMYK 3 / 45 / 0 / 23

HEX #BF6CC4

RGB 191 108 196

HSL 296.59, 0.43%, 0.6%

LAB 57.83, 46.21, -32.23

 

CMYK 0 / 39 / 44 / 23

HEX #C4786D

RGB 196 120 109

HSL 7.59, 0.42%, 0.6%

LAB 58.3, 28.47, 18.66

 

CMYK 42 / 0 / 44 / 23

HEX #72C46D

RGB 114 196 109

HSL 116.55, 0.42%, 0.6%

LAB 72.34, -42.46, 35.95

 

CMYK 44 / 6 / 0 / 23

HEX #6DB9C4

RGB 109 185 196

HSL 187.59, 0.42%, 0.6%

LAB 70.83, -20.64, -12.93

 

CMYK 3 / 45 / 0 / 23

HEX #BF6CC4

RGB 191 108 196

HSL 296.59, 0.43%, 0.6%

LAB 57.83, 46.21, -32.23

 

CMYK 0 / 25 / 44 / 23

HEX #C4936D

RGB 196 147 109

HSL 26.21, 0.42%, 0.6%

LAB 64.73, 13.65, 27.27

 

CMYK 42 / 0 / 44 / 23

HEX #72C46D

RGB 114 196 109

HSL 116.55, 0.42%, 0.6%

LAB 72.34, -42.46, 35.95

 

CMYK 44 / 19 / 0 / 23

HEX #6D9EC4

RGB 109 158 196

HSL 206.21, 0.42%, 0.6%

LAB 63.09, -6.24, -24.68

 

Description

Color code: HEX #BF6CC4 | qconv.com Color code: HEX #BF6CC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 108 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 108 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 45 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 45% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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