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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7634 it is the complementary color #4089CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7634. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7634 shade: #C4762F, #D58842, #E69A55, #F7AC68 and #FFBE7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7634. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7634 shade: #BF7634, #AE6421, #9D520E, #8C4000 and #7B2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7634 shade: #C07634, #C05134 and #C03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7634 shade: #C07634, #C09C34, #BEC034, #98C034 and #72C034

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7634 shade matches the following richer shades: #C07634, #D37520 and #E7740D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7634 shade: #C07634, #AC7748, #98785C, #847970 and #707A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7634 shade: #C0343D, #C05034, #C07534, #C09A34 and #C0C034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7634 shade: #7F4E22, #9F622B, #C07634, #CE8B4F and #D7A16F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7634 shade: #BF7634, #63C034 and #3D34C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7634 shade: #BF7634, #34C075 and #7534C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7634 shade: #BF7634, #63C034, #347FC0 and #9134C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7634 shade: #BF7634, #39C034, #347FC0 and #BB34C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 73 / 25

HEX #BF7634

RGB 191 118 52

HSL 28.49, 0.57%, 0.48%

LAB 56.37, 23.06, 46.89

 

Complementary color

CMYK 68 / 33 / 0 / 20

HEX #4089CB

RGB 64 137 203

HSL 208.49, 0.57%, 0.52%

LAB 55.37, -1.4, -40.77

 

CMYK 0 / 40 / 76 / 23

HEX #C4762F

RGB 196 118 47

HSL 28.59, 0.61%, 0.48%

LAB 56.98, 24.96, 50.02

 

CMYK 0 / 36 / 69 / 16

HEX #D58842

RGB 213 136 66

HSL 28.57, 0.64%, 0.55%

LAB 63.46, 23.31, 48.62

 

CMYK 0 / 33 / 63 / 10

HEX #E69A55

RGB 230 154 85

HSL 28.55, 0.74%, 0.62%

LAB 69.89, 21.87, 47.1

 

CMYK 0 / 30 / 58 / 3

HEX #F7AC68

RGB 247 172 104

HSL 28.53, 0.9%, 0.69%

LAB 76.24, 20.6, 45.59

 

CMYK 0 / 25 / 52 / 0

HEX #FFBE7B

RGB 255 190 123

HSL 30.45, 1%, 0.74%

LAB 81.57, 15.9, 42.75

 

CMYK 0 / 38 / 73 / 25

HEX #BF7634

RGB 191 118 52

HSL 28.49, 0.57%, 0.48%

LAB 56.37, 23.06, 46.89

 

CMYK 0 / 43 / 81 / 32

HEX #AE6421

RGB 174 100 33

HSL 28.51, 0.68%, 0.41%

LAB 49.77, 24.85, 48.14

 

CMYK 0 / 48 / 91 / 38

HEX #9D520E

RGB 157 82 14

HSL 28.53, 0.84%, 0.34%

LAB 43.11, 26.92, 48.51

 

CMYK 0 / 54 / 100 / 45

HEX #8C4000

RGB 140 64 0

HSL 27.43, 1%, 0.27%

LAB 36.45, 29.21, 46.96

 

CMYK 0 / 63 / 100 / 52

HEX #7B2E00

RGB 123 46 0

HSL 22.44, 1%, 0.24%

LAB 29.82, 31.6, 41.3

 

CMYK 0 / 39 / 73 / 25

HEX #C07634

RGB 192 118 52

HSL 28.29, 0.57%, 0.48%

LAB 56.5, 23.49, 47.07

 

CMYK 0 / 58 / 73 / 25

HEX #C05134

RGB 192 81 52

HSL 12.43, 0.57%, 0.48%

LAB 48.68, 42.82, 38.68

 

CMYK 0 / 73 / 73 / 25

HEX #C03434

RGB 192 52 52

HSL 0, 0.57%, 0.48%

LAB 44.1, 55.13, 33.52

 

CMYK 0 / 39 / 73 / 25

HEX #C07634

RGB 192 118 52

HSL 28.29, 0.57%, 0.48%

LAB 56.5, 23.49, 47.07

 

CMYK 0 / 19 / 73 / 25

HEX #C09C34

RGB 192 156 52

HSL 44.57, 0.57%, 0.48%

LAB 65.93, 2.65, 56.65

 

CMYK 1 / 0 / 73 / 25

HEX #BEC034

RGB 190 192 52

HSL 60.86, 0.57%, 0.48%

LAB 75.39, -17.02, 65.73

 

CMYK 21 / 0 / 73 / 25

HEX #98C034

RGB 152 192 52

HSL 77.14, 0.57%, 0.48%

LAB 72.64, -32.74, 62.14

 

CMYK 41 / 0 / 73 / 25

HEX #72C034

RGB 114 192 52

HSL 93.43, 0.57%, 0.48%

LAB 70.54, -46.76, 59.36

 

CMYK 0 / 39 / 73 / 25

HEX #C07634

RGB 192 118 52

HSL 28.29, 0.57%, 0.48%

LAB 56.5, 23.49, 47.07

 

CMYK 0 / 45 / 85 / 17

HEX #D37520

RGB 211 117 32

HSL 28.49, 0.74%, 0.48%

LAB 58.67, 31.27, 58.34

 

CMYK 0 / 50 / 94 / 9

HEX #E7740D

RGB 231 116 13

HSL 28.35, 0.89%, 0.48%

LAB 61.23, 39.53, 66.63

 

CMYK 0 / 39 / 73 / 25

HEX #C07634

RGB 192 118 52

HSL 28.29, 0.57%, 0.48%

LAB 56.5, 23.49, 47.07

 

CMYK 0 / 31 / 58 / 33

HEX #AC7748

RGB 172 119 72

HSL 28.2, 0.41%, 0.48%

LAB 54.48, 15.61, 33.9

 

CMYK 0 / 21 / 39 / 40

HEX #98785C

RGB 152 120 92

HSL 28, 0.25%, 0.48%

LAB 52.82, 8.48, 20.13

 

CMYK 0 / 8 / 15 / 48

HEX #847970

RGB 132 121 112

HSL 27, 0.08%, 0.48%

LAB 51.55, 2.59, 6.45

 

CMYK 15 / 7 / 0 / 49

HEX #707A83

RGB 112 122 131

HSL 208.42, 0.08%, 0.48%

LAB 50.69, -1.72, -6.17

 

CMYK 0 / 73 / 68 / 25

HEX #C0343D

RGB 192 52 61

HSL 356.14, 0.57%, 0.48%

LAB 44.23, 55.57, 28.33

 

CMYK 0 / 58 / 73 / 25

HEX #C05034

RGB 192 80 52

HSL 12, 0.57%, 0.48%

LAB 48.5, 43.3, 38.47

 

CMYK 0 / 39 / 73 / 25

HEX #C07534

RGB 192 117 52

HSL 27.86, 0.57%, 0.48%

LAB 56.26, 24.03, 46.82

 

CMYK 0 / 20 / 73 / 25

HEX #C09A34

RGB 192 154 52

HSL 43.71, 0.57%, 0.48%

LAB 65.41, 3.73, 56.13

 

CMYK 0 / 0 / 73 / 25

HEX #C0C034

RGB 192 192 52

HSL 60, 0.57%, 0.48%

LAB 75.55, -16.17, 65.94

 

CMYK 0 / 39 / 73 / 50

HEX #7F4E22

RGB 127 78 34

HSL 28.39, 0.58%, 0.32%

LAB 37.98, 16.52, 33.77

 

CMYK 0 / 38 / 73 / 38

HEX #9F622B

RGB 159 98 43

HSL 28.45, 0.57%, 0.4%

LAB 47.34, 19.85, 40.47

 

CMYK 0 / 39 / 73 / 25

HEX #C07634

RGB 192 118 52

HSL 28.29, 0.57%, 0.48%

LAB 56.5, 23.49, 47.07

 

CMYK 0 / 33 / 62 / 19

HEX #CE8B4F

RGB 206 139 79

HSL 28.35, 0.56%, 0.56%

LAB 63.47, 19.56, 41.93

 

CMYK 0 / 25 / 48 / 16

HEX #D7A16F

RGB 215 161 111

HSL 28.85, 0.57%, 0.64%

LAB 70.24, 14.02, 33.74

 

CMYK 0 / 38 / 73 / 25

HEX #BF7634

RGB 191 118 52

HSL 28.49, 0.57%, 0.48%

LAB 56.37, 23.06, 46.89

 

CMYK 48 / 0 / 73 / 25

HEX #63C034

RGB 99 192 52

HSL 99.86, 0.57%, 0.48%

LAB 69.89, -51.53, 58.5

 

CMYK 68 / 73 / 0 / 25

HEX #3D34C0

RGB 61 52 192

HSL 243.86, 0.57%, 0.48%

LAB 32.38, 46.87, -71.51

 

CMYK 0 / 38 / 73 / 25

HEX #BF7634

RGB 191 118 52

HSL 28.49, 0.57%, 0.48%

LAB 56.37, 23.06, 46.89

 

CMYK 73 / 0 / 39 / 25

HEX #34C075

RGB 52 192 117

HSL 147.86, 0.57%, 0.48%

LAB 69.27, -53.81, 27.45

 

CMYK 39 / 73 / 0 / 25

HEX #7534C0

RGB 117 52 192

HSL 267.86, 0.57%, 0.48%

LAB 37.92, 55.13, -62.21

 

CMYK 0 / 38 / 73 / 25

HEX #BF7634

RGB 191 118 52

HSL 28.49, 0.57%, 0.48%

LAB 56.37, 23.06, 46.89

 

CMYK 48 / 0 / 73 / 25

HEX #63C034

RGB 99 192 52

HSL 99.86, 0.57%, 0.48%

LAB 69.89, -51.53, 58.5

 

CMYK 73 / 34 / 0 / 25

HEX #347FC0

RGB 52 127 192

HSL 207.86, 0.57%, 0.48%

LAB 51.51, -1.13, -40.63

 

CMYK 24 / 73 / 0 / 25

HEX #9134C0

RGB 145 52 192

HSL 279.86, 0.57%, 0.48%

LAB 41.66, 60.4, -55.97

 

CMYK 0 / 38 / 73 / 25

HEX #BF7634

RGB 191 118 52

HSL 28.49, 0.57%, 0.48%

LAB 56.37, 23.06, 46.89

 

CMYK 70 / 0 / 73 / 25

HEX #39C034

RGB 57 192 52

HSL 117.86, 0.57%, 0.48%

LAB 68.62, -61.71, 56.8

 

CMYK 73 / 34 / 0 / 25

HEX #347FC0

RGB 52 127 192

HSL 207.86, 0.57%, 0.48%

LAB 51.51, -1.13, -40.63

 

CMYK 3 / 73 / 0 / 25

HEX #BB34C0

RGB 187 52 192

HSL 297.86, 0.57%, 0.48%

LAB 48.04, 69.01, -45.38

 

Description

Color code: HEX #BF7634 | qconv.com Color code: HEX #BF7634 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 118 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 118 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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