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Color name
HEX #BF712A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF712A it is the complementary color #408ED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF712A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF712A shade: #C47125, #D58338, #E6954B, #F7A75E and #FFB971

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF712A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF712A shade: #BF712A, #AE5F17, #9D4D04, #8C3B00 and #7B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF712A shade: #C0712A, #C0492A and #C02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF712A shade: #C0712A, #C09A2A, #BDC02A, #95C02A and #6DC02A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF712A shade matches the following richer shades: #C0712A, #D37017 and #E66F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF712A shade: #C0712A, #AD723D, #9A7350, #877463 and #747576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF712A shade: #C02A34, #C0482A, #C0702A, #C0982A and #C0C02A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF712A shade: #7C491B, #9E5D22, #C0712A, #D4863F and #DC9B60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF712A shade: #BF712A, #5CC02A and #342AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF712A shade: #BF712A, #2AC070 and #702AC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF712A shade: #BF712A, #5CC02A, #2A7AC0 and #8E2AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF712A shade: #BF712A, #2FC02A, #2A7AC0 and #BB2AC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 78 / 25

HEX #BF712A

RGB 191 113 42

HSL 28.59, 0.64%, 0.46%

LAB 55.13, 25.35, 50.19

 

Complementary color

CMYK 70 / 33 / 0 / 16

HEX #408ED5

RGB 64 142 213

HSL 208.59, 0.64%, 0.54%

LAB 57.31, -0.85, -43.35

 

CMYK 0 / 42 / 81 / 23

HEX #C47125

RGB 196 113 37

HSL 28.68, 0.68%, 0.46%

LAB 55.77, 27.29, 53.12

 

CMYK 0 / 38 / 74 / 16

HEX #D58338

RGB 213 131 56

HSL 28.66, 0.65%, 0.53%

LAB 62.22, 25.5, 51.99

 

CMYK 0 / 35 / 67 / 10

HEX #E6954B

RGB 230 149 75

HSL 28.65, 0.76%, 0.6%

LAB 68.62, 23.92, 50.56

 

CMYK 0 / 32 / 62 / 3

HEX #F7A75E

RGB 247 167 94

HSL 28.63, 0.91%, 0.67%

LAB 74.96, 22.54, 49.05

 

CMYK 0 / 27 / 56 / 0

HEX #FFB971

RGB 255 185 113

HSL 30.42, 1%, 0.72%

LAB 80.26, 17.7, 46.16

 

CMYK 0 / 41 / 78 / 25

HEX #BF712A

RGB 191 113 42

HSL 28.59, 0.64%, 0.46%

LAB 55.13, 25.35, 50.19

 

CMYK 0 / 45 / 87 / 32

HEX #AE5F17

RGB 174 95 23

HSL 28.61, 0.77%, 0.39%

LAB 48.57, 27.3, 50.95

 

CMYK 0 / 51 / 97 / 38

HEX #9D4D04

RGB 157 77 4

HSL 28.63, 0.95%, 0.32%

LAB 41.98, 29.48, 50.46

 

CMYK 0 / 58 / 100 / 45

HEX #8C3B00

RGB 140 59 0

HSL 25.29, 1%, 0.27%

LAB 35.41, 31.87, 46.37

 

CMYK 0 / 67 / 100 / 52

HEX #7B2900

RGB 123 41 0

HSL 20, 1%, 0.24%

LAB 28.89, 34.06, 40.57

 

CMYK 0 / 41 / 78 / 25

HEX #C0712A

RGB 192 113 42

HSL 28.4, 0.64%, 0.46%

LAB 55.26, 25.77, 50.37

 

CMYK 0 / 62 / 78 / 25

HEX #C0492A

RGB 192 73 42

HSL 12.4, 0.64%, 0.46%

LAB 47.16, 46.15, 42.34

 

CMYK 0 / 78 / 78 / 25

HEX #C02A2A

RGB 192 42 42

HSL 0, 0.64%, 0.46%

LAB 42.81, 58.02, 37.84

 

CMYK 0 / 41 / 78 / 25

HEX #C0712A

RGB 192 113 42

HSL 28.4, 0.64%, 0.46%

LAB 55.26, 25.77, 50.37

 

CMYK 0 / 20 / 78 / 25

HEX #C09A2A

RGB 192 154 42

HSL 44.8, 0.64%, 0.46%

LAB 65.35, 3.3, 59.86

 

CMYK 2 / 0 / 78 / 25

HEX #BDC02A

RGB 189 192 42

HSL 61.2, 0.64%, 0.46%

LAB 75.26, -17.86, 68.74

 

CMYK 22 / 0 / 78 / 25

HEX #95C02A

RGB 149 192 42

HSL 77.2, 0.64%, 0.46%

LAB 72.4, -34.42, 65.09

 

CMYK 43 / 0 / 78 / 25

HEX #6DC02A

RGB 109 192 42

HSL 93.2, 0.64%, 0.46%

LAB 70.26, -49.01, 62.32

 

CMYK 0 / 41 / 78 / 25

HEX #C0712A

RGB 192 113 42

HSL 28.4, 0.64%, 0.46%

LAB 55.26, 25.77, 50.37

 

CMYK 0 / 47 / 89 / 17

HEX #D37017

RGB 211 112 23

HSL 28.4, 0.8%, 0.46%

LAB 57.56, 33.69, 60.32

 

CMYK 0 / 52 / 98 / 10

HEX #E66F04

RGB 230 111 4

HSL 28.41, 0.97%, 0.46%

LAB 60.07, 41.55, 67.34

 

CMYK 0 / 41 / 78 / 25

HEX #C0712A

RGB 192 113 42

HSL 28.4, 0.64%, 0.46%

LAB 55.26, 25.77, 50.37

 

CMYK 0 / 34 / 65 / 32

HEX #AD723D

RGB 173 114 61

HSL 28.39, 0.48%, 0.46%

LAB 53.23, 18.04, 38.3

 

CMYK 0 / 25 / 48 / 40

HEX #9A7350

RGB 154 115 80

HSL 28.38, 0.32%, 0.46%

LAB 51.51, 10.83, 25.29

 

CMYK 0 / 14 / 27 / 47

HEX #877463

RGB 135 116 99

HSL 28.33, 0.15%, 0.46%

LAB 50.15, 4.59, 12.13

 

CMYK 2 / 1 / 0 / 54

HEX #747576

RGB 116 117 118

HSL 210, 0.01%, 0.46%

LAB 49.18, -0.17, -0.69

 

CMYK 0 / 78 / 73 / 25

HEX #C02A34

RGB 192 42 52

HSL 356, 0.64%, 0.46%

LAB 42.93, 58.41, 32.16

 

CMYK 0 / 63 / 78 / 25

HEX #C0482A

RGB 192 72 42

HSL 12, 0.64%, 0.46%

LAB 46.99, 46.61, 42.16

 

CMYK 0 / 42 / 78 / 25

HEX #C0702A

RGB 192 112 42

HSL 28, 0.64%, 0.46%

LAB 55.03, 26.32, 50.14

 

CMYK 0 / 21 / 78 / 25

HEX #C0982A

RGB 192 152 42

HSL 44, 0.64%, 0.46%

LAB 64.83, 4.39, 59.39

 

CMYK 0 / 0 / 78 / 25

HEX #C0C02A

RGB 192 192 42

HSL 60, 0.64%, 0.46%

LAB 75.5, -16.57, 69.04

 

CMYK 0 / 41 / 78 / 51

HEX #7C491B

RGB 124 73 27

HSL 28.45, 0.64%, 0.3%

LAB 36.23, 17.73, 35.38

 

CMYK 0 / 41 / 78 / 38

HEX #9E5D22

RGB 158 93 34

HSL 28.55, 0.65%, 0.38%

LAB 45.92, 21.82, 43.27

 

CMYK 0 / 41 / 78 / 25

HEX #C0712A

RGB 192 113 42

HSL 28.4, 0.64%, 0.46%

LAB 55.26, 25.77, 50.37

 

CMYK 0 / 37 / 70 / 17

HEX #D4863F

RGB 212 134 63

HSL 28.59, 0.63%, 0.54%

LAB 62.85, 23.81, 49.35

 

CMYK 0 / 30 / 56 / 14

HEX #DC9B60

RGB 220 155 96

HSL 28.55, 0.64%, 0.62%

LAB 69.11, 18, 40.32

 

CMYK 0 / 41 / 78 / 25

HEX #BF712A

RGB 191 113 42

HSL 28.59, 0.64%, 0.46%

LAB 55.13, 25.35, 50.19

 

CMYK 52 / 0 / 78 / 25

HEX #5CC02A

RGB 92 192 42

HSL 100, 0.64%, 0.46%

LAB 69.57, -54.21, 61.42

 

CMYK 73 / 78 / 0 / 25

HEX #342AC0

RGB 52 42 192

HSL 244, 0.64%, 0.46%

LAB 29.89, 51.33, -75.63

 

CMYK 0 / 41 / 78 / 25

HEX #BF712A

RGB 191 113 42

HSL 28.59, 0.64%, 0.46%

LAB 55.13, 25.35, 50.19

 

CMYK 78 / 0 / 42 / 25

HEX #2AC070

RGB 42 192 112

HSL 148, 0.64%, 0.46%

LAB 69.01, -56.08, 29.7

 

CMYK 42 / 78 / 0 / 25

HEX #702AC0

RGB 112 42 192

HSL 268, 0.64%, 0.46%

LAB 35.8, 58.56, -65.69

 

CMYK 0 / 41 / 78 / 25

HEX #BF712A

RGB 191 113 42

HSL 28.59, 0.64%, 0.46%

LAB 55.13, 25.35, 50.19

 

CMYK 52 / 0 / 78 / 25

HEX #5CC02A

RGB 92 192 42

HSL 100, 0.64%, 0.46%

LAB 69.57, -54.21, 61.42

 

CMYK 78 / 36 / 0 / 25

HEX #2A7AC0

RGB 42 122 192

HSL 208, 0.64%, 0.46%

LAB 49.76, 0.62, -43.42

 

CMYK 26 / 78 / 0 / 25

HEX #8E2AC0

RGB 142 42 192

HSL 280, 0.64%, 0.46%

LAB 39.94, 63.54, -58.78

 

CMYK 0 / 41 / 78 / 25

HEX #BF712A

RGB 191 113 42

HSL 28.59, 0.64%, 0.46%

LAB 55.13, 25.35, 50.19

 

CMYK 76 / 0 / 78 / 25

HEX #2FC02A

RGB 47 192 42

HSL 118, 0.64%, 0.46%

LAB 68.37, -64.09, 59.85

 

CMYK 78 / 36 / 0 / 25

HEX #2A7AC0

RGB 42 122 192

HSL 208, 0.64%, 0.46%

LAB 49.76, 0.62, -43.42

 

CMYK 3 / 78 / 0 / 25

HEX #BB2AC0

RGB 187 42 192

HSL 298, 0.64%, 0.46%

LAB 47.01, 71.97, -47.03

 

Description

Color code: HEX #BF712A | qconv.com Color code: HEX #BF712A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 113 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 113 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 78% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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