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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7144 it is the complementary color #408EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7144 shade: #C4713F, #D58352, #E69565, #F7A778 and #FFB98B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7144 shade: #BF7144, #AE5F31, #9D4D1E, #8C3B0B and #7B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7144 shade: #BF7144, #BF5044 and #BF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7144 shade: #BF7144, #BF9244, #BFB344, #A9BF44 and #88BF44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7144 shade matches the following richer shades: #BF7144, #D36C30, #E7661C and #FB6108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7144 shade: #BF7144, #AB7759, #967C6D, #828181 and #6E8795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7144 shade: #BF445B, #BF4F44, #BF6F44, #BF9044 and #BFB044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7144 shade: #844D2D, #A35F37, #BF7144, #C98863 and #D4A082

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7144 shade: #BF7144, #7BBF44 and #444ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7144 shade: #BF7144, #44BF6F and #6F44BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7144 shade: #BF7144, #7BBF44, #4494BF and #8844BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7144 shade: #BF7144, #57BF44, #4494BF and #AC44BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

Complementary color

CMYK 66 / 24 / 0 / 27

HEX #408EBB

RGB 64 142 187

HSL 201.95, 0.49%, 0.49%

LAB 56.11, -9.73, -30.54

 

CMYK 0 / 42 / 68 / 23

HEX #C4713F

RGB 196 113 63

HSL 22.56, 0.53%, 0.51%

LAB 55.99, 28.48, 41.21

 

CMYK 0 / 38 / 62 / 16

HEX #D58352

RGB 213 131 82

HSL 22.44, 0.61%, 0.58%

LAB 62.5, 26.99, 39.43

 

CMYK 0 / 35 / 56 / 10

HEX #E69565

RGB 230 149 101

HSL 22.33, 0.72%, 0.65%

LAB 68.94, 25.68, 37.75

 

CMYK 0 / 32 / 51 / 3

HEX #F7A778

RGB 247 167 120

HSL 22.2, 0.89%, 0.72%

LAB 75.31, 24.52, 36.19

 

CMYK 0 / 27 / 45 / 0

HEX #FFB98B

RGB 255 185 139

HSL 23.79, 1%, 0.77%

LAB 80.64, 19.97, 33.3

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 0 / 45 / 72 / 32

HEX #AE5F31

RGB 174 95 49

HSL 22.08, 0.56%, 0.44%

LAB 48.77, 28.31, 39.57

 

CMYK 0 / 51 / 81 / 38

HEX #9D4D1E

RGB 157 77 30

HSL 22.2, 0.68%, 0.37%

LAB 42.11, 30.1, 41.37

 

CMYK 0 / 58 / 92 / 45

HEX #8C3B0B

RGB 140 59 11

HSL 22.33, 0.85%, 0.3%

LAB 35.45, 32.07, 42.48

 

CMYK 0 / 67 / 100 / 52

HEX #7B2900

RGB 123 41 0

HSL 20, 1%, 0.24%

LAB 28.89, 34.06, 40.57

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 0 / 58 / 64 / 25

HEX #BF5044

RGB 191 80 68

HSL 5.85, 0.49%, 0.51%

LAB 48.55, 43.82, 29.47

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 0 / 24 / 64 / 25

HEX #BF9244

RGB 191 146 68

HSL 38.05, 0.49%, 0.51%

LAB 63.39, 8.56, 46.86

 

CMYK 0 / 6 / 64 / 25

HEX #BFB344

RGB 191 179 68

HSL 54.15, 0.49%, 0.51%

LAB 72.05, -9.1, 56.26

 

CMYK 12 / 0 / 64 / 25

HEX #A9BF44

RGB 169 191 68

HSL 70.73, 0.49%, 0.51%

LAB 73.62, -24.41, 57.39

 

CMYK 29 / 0 / 64 / 25

HEX #88BF44

RGB 136 191 68

HSL 86.83, 0.49%, 0.51%

LAB 71.5, -37.36, 54.49

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 0 / 49 / 77 / 17

HEX #D36C30

RGB 211 108 48

HSL 22.09, 0.65%, 0.51%

LAB 56.87, 36.48, 50.15

 

CMYK 0 / 56 / 88 / 9

HEX #E7661C

RGB 231 102 28

HSL 21.87, 0.81%, 0.51%

LAB 58.58, 46.61, 60.85

 

CMYK 0 / 61 / 97 / 2

HEX #FB6108

RGB 251 97 8

HSL 21.98, 0.97%, 0.51%

LAB 60.85, 55.84, 68.8

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 0 / 30 / 48 / 33

HEX #AB7759

RGB 171 119 89

HSL 21.95, 0.33%, 0.51%

LAB 54.63, 16.75, 24.62

 

CMYK 0 / 17 / 27 / 41

HEX #967C6D

RGB 150 124 109

HSL 21.95, 0.16%, 0.51%

LAB 54.03, 7.66, 11.95

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 26 / 9 / 0 / 42

HEX #6E8795

RGB 110 135 149

HSL 201.54, 0.16%, 0.51%

LAB 54.88, -5.57, -10.43

 

CMYK 0 / 64 / 52 / 25

HEX #BF445B

RGB 191 68 91

HSL 348.78, 0.49%, 0.51%

LAB 46.93, 50.98, 13.58

 

CMYK 0 / 59 / 64 / 25

HEX #BF4F44

RGB 191 79 68

HSL 5.37, 0.49%, 0.51%

LAB 48.37, 44.29, 29.24

 

CMYK 0 / 42 / 64 / 25

HEX #BF6F44

RGB 191 111 68

HSL 20.98, 0.49%, 0.51%

LAB 54.93, 27.8, 37.17

 

CMYK 0 / 25 / 64 / 25

HEX #BF9044

RGB 191 144 68

HSL 37.07, 0.49%, 0.51%

LAB 62.88, 9.66, 46.29

 

CMYK 0 / 8 / 64 / 25

HEX #BFB044

RGB 191 176 68

HSL 52.68, 0.49%, 0.51%

LAB 71.24, -7.54, 55.41

 

CMYK 0 / 42 / 66 / 48

HEX #844D2D

RGB 132 77 45

HSL 22.07, 0.49%, 0.35%

LAB 38.56, 20.08, 28.56

 

CMYK 0 / 42 / 66 / 36

HEX #A35F37

RGB 163 95 55

HSL 22.22, 0.5%, 0.43%

LAB 47.3, 24, 34.3

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 0 / 32 / 51 / 21

HEX #C98863

RGB 201 136 99

HSL 21.76, 0.49%, 0.59%

LAB 62.45, 20.74, 29.88

 

CMYK 0 / 25 / 39 / 17

HEX #D4A082

RGB 212 160 130

HSL 21.95, 0.49%, 0.67%

LAB 70, 15.37, 23.13

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 36 / 0 / 64 / 25

HEX #7BBF44

RGB 123 191 68

HSL 93.17, 0.49%, 0.51%

LAB 70.79, -42.05, 53.53

 

CMYK 64 / 61 / 0 / 25

HEX #444ABF

RGB 68 74 191

HSL 237.07, 0.49%, 0.51%

LAB 37.64, 34.33, -62.28

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 64 / 0 / 42 / 25

HEX #44BF6F

RGB 68 191 111

HSL 140.98, 0.49%, 0.51%

LAB 69.21, -51.77, 30.58

 

CMYK 42 / 64 / 0 / 25

HEX #6F44BF

RGB 111 68 191

HSL 260.98, 0.49%, 0.51%

LAB 40.04, 45.72, -58.21

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 36 / 0 / 64 / 25

HEX #7BBF44

RGB 123 191 68

HSL 93.17, 0.49%, 0.51%

LAB 70.79, -42.05, 53.53

 

CMYK 64 / 23 / 0 / 25

HEX #4494BF

RGB 68 148 191

HSL 200.98, 0.49%, 0.51%

LAB 58.2, -11.08, -29.56

 

CMYK 29 / 64 / 0 / 25

HEX #8844BF

RGB 136 68 191

HSL 273.17, 0.49%, 0.51%

LAB 42.96, 51.11, -53.35

 

CMYK 0 / 41 / 64 / 25

HEX #BF7144

RGB 191 113 68

HSL 21.95, 0.49%, 0.51%

LAB 55.38, 26.71, 37.71

 

CMYK 54 / 0 / 64 / 25

HEX #57BF44

RGB 87 191 68

HSL 110.73, 0.49%, 0.51%

LAB 69.26, -53.21, 51.41

 

CMYK 64 / 23 / 0 / 25

HEX #4494BF

RGB 68 148 191

HSL 200.98, 0.49%, 0.51%

LAB 58.2, -11.08, -29.56

 

CMYK 10 / 64 / 0 / 25

HEX #AC44BF

RGB 172 68 191

HSL 290.73, 0.49%, 0.51%

LAB 47.84, 59.44, -45.26

 

Description

Color code: HEX #BF7144 | qconv.com Color code: HEX #BF7144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 113 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 113 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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