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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF877D it is the complementary color #407882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF877D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF877D shade: #C48778, #D5998B, #E6AB9E, #F7BDB1 and #FFCFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF877D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF877D shade: #BF877D, #AE756A, #9D6357, #8C5144 and #7B3F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF877D shade: #BF877D and #BF7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF877D shade: #BF877D, #BF987D, #BFAA7D, #BFBC7D and #AFBF7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF877D shade matches the following richer shades: #BF877D, #CE7C6D, #DE715D, #EE664E and #FD5B3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF877D shade: #BF877D, #AF928C, #9F9C9C, #90A7AC and #80B2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF877D shade: #BF7D96, #BF7D84, #BF877D, #BF987D and #BFAA7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF877D shade: #9C594D, #B16D61, #BF877D, #CCA098 and #DABAB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF877D shade: #BF877D, #A7BF7D and #7D8DBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF877D shade: #BF877D, #7DBF87 and #877DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF877D shade: #BF877D, #A7BF7D, #7DB5BF and #947DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF877D shade: #BF877D, #94BF7D, #7DB5BF and #A77DBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

Complementary color

CMYK 51 / 8 / 0 / 49

HEX #407882

RGB 64 120 130

HSL 189.09, 0.34%, 0.38%

LAB 47.15, -15.51, -11.18

 

CMYK 0 / 31 / 39 / 23

HEX #C48778

RGB 196 135 120

HSL 11.84, 0.39%, 0.62%

LAB 62.01, 21.49, 17.5

 

CMYK 0 / 28 / 35 / 16

HEX #D5998B

RGB 213 153 139

HSL 11.35, 0.47%, 0.69%

LAB 68.6, 20.64, 16.27

 

CMYK 0 / 26 / 31 / 10

HEX #E6AB9E

RGB 230 171 158

HSL 10.83, 0.59%, 0.76%

LAB 75.09, 19.87, 15.16

 

CMYK 0 / 23 / 28 / 3

HEX #F7BDB1

RGB 247 189 177

HSL 10.29, 0.81%, 0.83%

LAB 81.48, 19.19, 14.13

 

CMYK 0 / 19 / 23 / 0

HEX #FFCFC4

RGB 255 207 196

HSL 11.19, 1%, 0.88%

LAB 86.93, 15.29, 11.85

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 33 / 39 / 32

HEX #AE756A

RGB 174 117 106

HSL 9.71, 0.3%, 0.55%

LAB 54.83, 21.02, 15.19

 

CMYK 0 / 37 / 45 / 38

HEX #9D6357

RGB 157 99 87

HSL 10.29, 0.29%, 0.48%

LAB 47.98, 22.04, 16.61

 

CMYK 0 / 42 / 51 / 45

HEX #8C5144

RGB 140 81 68

HSL 10.83, 0.35%, 0.41%

LAB 41.02, 23.22, 18.26

 

CMYK 0 / 49 / 60 / 52

HEX #7B3F31

RGB 123 63 49

HSL 11.35, 0.43%, 0.34%

LAB 33.96, 24.58, 20.24

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 35 / 35 / 25

HEX #BF7D7D

RGB 191 125 125

HSL 0, 0.34%, 0.62%

LAB 59.18, 25.66, 10.61

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 20 / 35 / 25

HEX #BF987D

RGB 191 152 125

HSL 24.55, 0.34%, 0.62%

LAB 65.76, 10.74, 19.75

 

CMYK 0 / 11 / 35 / 25

HEX #BFAA7D

RGB 191 170 125

HSL 40.91, 0.34%, 0.62%

LAB 70.39, 0.95, 26.01

 

CMYK 0 / 2 / 35 / 25

HEX #BFBC7D

RGB 191 188 125

HSL 57.27, 0.34%, 0.62%

LAB 75.15, -8.56, 32.3

 

CMYK 8 / 0 / 35 / 25

HEX #AFBF7D

RGB 175 191 125

HSL 74.55, 0.34%, 0.62%

LAB 74.73, -16.36, 31.52

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 40 / 47 / 19

HEX #CE7C6D

RGB 206 124 109

HSL 9.28, 0.5%, 0.62%

LAB 60.46, 30.23, 21.81

 

CMYK 0 / 49 / 58 / 13

HEX #DE715D

RGB 222 113 93

HSL 9.3, 0.66%, 0.62%

LAB 60.01, 40.75, 30.63

 

CMYK 0 / 57 / 67 / 7

HEX #EE664E

RGB 238 102 78

HSL 9, 0.82%, 0.62%

LAB 60.1, 50.97, 39.56

 

CMYK 0 / 64 / 75 / 1

HEX #FD5B3E

RGB 253 91 62

HSL 9.11, 0.98%, 0.62%

LAB 60.53, 60.18, 49.16

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 17 / 20 / 31

HEX #AF928C

RGB 175 146 140

HSL 10.29, 0.18%, 0.62%

LAB 62.98, 9.88, 7.23

 

CMYK 0 / 2 / 2 / 38

HEX #9F9C9C

RGB 159 156 156

HSL 0, 0.02%, 0.62%

LAB 64.6, 1.09, 0.38

 

CMYK 16 / 3 / 0 / 33

HEX #90A7AC

RGB 144 167 172

HSL 190.71, 0.14%, 0.62%

LAB 66.93, -6.88, -5.27

 

CMYK 32 / 5 / 0 / 27

HEX #80B2BB

RGB 128 178 187

HSL 189.15, 0.3%, 0.62%

LAB 69.48, -14.25, -9.9

 

CMYK 0 / 35 / 21 / 25

HEX #BF7D96

RGB 191 125 150

HSL 337.27, 0.34%, 0.62%

LAB 59.84, 29.17, -2.82

 

CMYK 0 / 35 / 31 / 25

HEX #BF7D84

RGB 191 125 132

HSL 353.64, 0.34%, 0.62%

LAB 59.35, 26.58, 6.83

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 20 / 35 / 25

HEX #BF987D

RGB 191 152 125

HSL 24.55, 0.34%, 0.62%

LAB 65.76, 10.74, 19.75

 

CMYK 0 / 11 / 35 / 25

HEX #BFAA7D

RGB 191 170 125

HSL 40.91, 0.34%, 0.62%

LAB 70.39, 0.95, 26.01

 

CMYK 0 / 43 / 51 / 39

HEX #9C594D

RGB 156 89 77

HSL 9.11, 0.34%, 0.46%

LAB 45.29, 26.23, 18.92

 

CMYK 0 / 38 / 45 / 31

HEX #B16D61

RGB 177 109 97

HSL 9, 0.34%, 0.54%

LAB 53.11, 25.67, 18.13

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 0 / 22 / 25 / 20

HEX #CCA098

RGB 204 160 152

HSL 9.23, 0.34%, 0.7%

LAB 69.64, 15.1, 10.4

 

CMYK 0 / 15 / 17 / 15

HEX #DABAB4

RGB 218 186 180

HSL 9.47, 0.34%, 0.78%

LAB 78.06, 10.48, 7.27

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 13 / 0 / 35 / 25

HEX #A7BF7D

RGB 167 191 125

HSL 81.82, 0.34%, 0.62%

LAB 74.16, -19.42, 30.66

 

CMYK 35 / 26 / 0 / 25

HEX #7D8DBF

RGB 125 141 191

HSL 225.45, 0.34%, 0.62%

LAB 59.13, 6.4, -27.88

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 35 / 0 / 29 / 25

HEX #7DBF87

RGB 125 191 135

HSL 129.09, 0.34%, 0.62%

LAB 71.81, -32.6, 21.78

 

CMYK 29 / 35 / 0 / 25

HEX #877DBF

RGB 135 125 191

HSL 249.09, 0.34%, 0.62%

LAB 55.66, 18.68, -33.2

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 13 / 0 / 35 / 25

HEX #A7BF7D

RGB 167 191 125

HSL 81.82, 0.34%, 0.62%

LAB 74.16, -19.42, 30.66

 

CMYK 35 / 5 / 0 / 25

HEX #7DB5BF

RGB 125 181 191

HSL 189.09, 0.34%, 0.62%

LAB 70.29, -15.69, -10.91

 

CMYK 23 / 35 / 0 / 25

HEX #947DBF

RGB 148 125 191

HSL 260.91, 0.34%, 0.62%

LAB 56.81, 22.59, -31.34

 

CMYK 0 / 29 / 35 / 25

HEX #BF877D

RGB 191 135 125

HSL 9.09, 0.34%, 0.62%

LAB 61.55, 20.13, 13.94

 

CMYK 23 / 0 / 35 / 25

HEX #94BF7D

RGB 148 191 125

HSL 99.09, 0.34%, 0.62%

LAB 72.92, -26.44, 28.79

 

CMYK 35 / 5 / 0 / 25

HEX #7DB5BF

RGB 125 181 191

HSL 189.09, 0.34%, 0.62%

LAB 70.29, -15.69, -10.91

 

CMYK 13 / 35 / 0 / 25

HEX #A77DBF

RGB 167 125 191

HSL 278.18, 0.34%, 0.62%

LAB 58.64, 28.52, -28.34

 

Description

Color code: HEX #BF877D | qconv.com Color code: HEX #BF877D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 135 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 135 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 35 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 35% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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