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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF874E it is the complementary color #4078B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF874E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF874E shade: #C48749, #D5995C, #E6AB6F, #F7BD82 and #FFCF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF874E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF874E shade: #BF874E, #AE753B, #9D6328, #8C5115 and #7B3F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF874E shade: #BF874E, #BF694E and #BF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF874E shade: #BF874E, #BFA64E, #BABF4E, #9CBF4E and #7DBF4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF874E shade matches the following richer shades: #BF874E, #D2873B, #E68828 and #F98814

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF874E shade: #BF874E, #AC8762, #988775, #858788 and #71869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF874E shade: #BF4E52, #BF694E, #BF874E, #BFA54E and #BBBF4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF874E shade: #8A5E31, #A8733C, #BF874E, #CA9C6D and #D5B08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF874E shade: #BF874E, #70BF4E and #5A4EBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF874E shade: #BF874E, #4EBF87 and #874EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF874E shade: #BF874E, #70BF4E, #4E87BF and #9D4EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF874E shade: #BF874E, #4EBF4E, #4E87BF and #BF4EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

Complementary color

CMYK 64 / 32 / 0 / 31

HEX #4078B1

RGB 64 120 177

HSL 210.27, 0.47%, 0.47%

LAB 49.13, -0.3, -35.72

 

CMYK 0 / 31 / 63 / 23

HEX #C48749

RGB 196 135 73

HSL 30.24, 0.51%, 0.53%

LAB 61.26, 17.09, 42.12

 

CMYK 0 / 28 / 57 / 16

HEX #D5995C

RGB 213 153 92

HSL 30.25, 0.59%, 0.6%

LAB 67.8, 15.86, 40.61

 

CMYK 0 / 26 / 52 / 10

HEX #E6AB6F

RGB 230 171 111

HSL 30.25, 0.7%, 0.67%

LAB 74.25, 14.79, 39.16

 

CMYK 0 / 23 / 47 / 3

HEX #F7BD82

RGB 247 189 130

HSL 30.26, 0.88%, 0.74%

LAB 80.62, 13.85, 37.78

 

CMYK 0 / 19 / 42 / 0

HEX #FFCF95

RGB 255 207 149

HSL 32.83, 1%, 0.79%

LAB 86.03, 9.52, 35.19

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 33 / 66 / 32

HEX #AE753B

RGB 174 117 59

HSL 30.26, 0.49%, 0.46%

LAB 54.07, 16.66, 40.33

 

CMYK 0 / 37 / 75 / 38

HEX #9D6328

RGB 157 99 40

HSL 30.26, 0.59%, 0.39%

LAB 47.29, 18.24, 41.79

 

CMYK 0 / 42 / 85 / 45

HEX #8C5115

RGB 140 81 21

HSL 30.25, 0.74%, 0.32%

LAB 40.43, 20.13, 42.83

 

CMYK 0 / 49 / 98 / 52

HEX #7B3F02

RGB 123 63 2

HSL 30.25, 0.97%, 0.25%

LAB 33.5, 22.34, 43.01

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 45 / 59 / 25

HEX #BF694E

RGB 191 105 78

HSL 14.34, 0.47%, 0.53%

LAB 53.74, 31.75, 30.21

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 13 / 59 / 25

HEX #BFA64E

RGB 191 166 78

HSL 46.73, 0.47%, 0.53%

LAB 68.68, -1.57, 48.04

 

CMYK 3 / 0 / 59 / 25

HEX #BABF4E

RGB 186 191 78

HSL 62.65, 0.47%, 0.53%

LAB 74.98, -16.68, 54.97

 

CMYK 18 / 0 / 59 / 25

HEX #9CBF4E

RGB 156 191 78

HSL 78.58, 0.47%, 0.53%

LAB 72.81, -28.87, 51.96

 

CMYK 35 / 0 / 59 / 25

HEX #7DBF4E

RGB 125 191 78

HSL 95.04, 0.47%, 0.53%

LAB 70.99, -40.44, 49.4

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 36 / 72 / 18

HEX #D2873B

RGB 210 135 59

HSL 30.2, 0.63%, 0.53%

LAB 62.8, 22.22, 51.1

 

CMYK 0 / 41 / 83 / 10

HEX #E68828

RGB 230 136 40

HSL 30.32, 0.79%, 0.53%

LAB 65.42, 29.33, 62.31

 

CMYK 0 / 45 / 92 / 2

HEX #F98814

RGB 249 136 20

HSL 30.39, 0.95%, 0.53%

LAB 67.87, 36.65, 71

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 22 / 43 / 33

HEX #AC8762

RGB 172 135 98

HSL 30, 0.31%, 0.53%

LAB 58.96, 9.14, 25.27

 

CMYK 0 / 11 / 23 / 40

HEX #988775

RGB 152 135 117

HSL 30.86, 0.15%, 0.53%

LAB 57.35, 3.42, 12.03

 

CMYK 2 / 1 / 0 / 47

HEX #858788

RGB 133 135 136

HSL 200, 0.01%, 0.53%

LAB 56.18, -0.54, -0.8

 

CMYK 28 / 14 / 0 / 39

HEX #71869C

RGB 113 134 156

HSL 210.7, 0.18%, 0.53%

LAB 55.03, -2.3, -14.22

 

CMYK 0 / 59 / 57 / 25

HEX #BF4E52

RGB 191 78 82

HSL 357.88, 0.47%, 0.53%

LAB 48.43, 45.75, 21.05

 

CMYK 0 / 45 / 59 / 25

HEX #BF694E

RGB 191 105 78

HSL 14.34, 0.47%, 0.53%

LAB 53.74, 31.75, 30.21

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 14 / 59 / 25

HEX #BFA54E

RGB 191 165 78

HSL 46.19, 0.47%, 0.53%

LAB 68.41, -1.04, 47.74

 

CMYK 2 / 0 / 59 / 25

HEX #BBBF4E

RGB 187 191 78

HSL 62.12, 0.47%, 0.53%

LAB 75.06, -16.26, 55.08

 

CMYK 0 / 32 / 64 / 46

HEX #8A5E31

RGB 138 94 49

HSL 30.34, 0.48%, 0.37%

LAB 43.7, 13.11, 32.55

 

CMYK 0 / 32 / 64 / 34

HEX #A8733C

RGB 168 115 60

HSL 30.56, 0.47%, 0.45%

LAB 52.85, 15.22, 38.23

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 23 / 46 / 21

HEX #CA9C6D

RGB 202 156 109

HSL 30.32, 0.47%, 0.61%

LAB 67.6, 11.2, 31.14

 

CMYK 0 / 17 / 35 / 16

HEX #D5B08B

RGB 213 176 139

HSL 30, 0.47%, 0.69%

LAB 74.23, 8.22, 24

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 41 / 0 / 59 / 25

HEX #70BF4E

RGB 112 191 78

HSL 101.95, 0.47%, 0.53%

LAB 70.36, -44.81, 48.51

 

CMYK 53 / 59 / 0 / 25

HEX #5A4EBF

RGB 90 78 191

HSL 246.37, 0.47%, 0.53%

LAB 40.22, 35.72, -58.01

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 59 / 0 / 29 / 25

HEX #4EBF87

RGB 78 191 135

HSL 150.27, 0.47%, 0.53%

LAB 69.92, -45.15, 18.88

 

CMYK 29 / 59 / 0 / 25

HEX #874EBF

RGB 135 78 191

HSL 270.27, 0.47%, 0.53%

LAB 44.75, 45.71, -50.48

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 41 / 0 / 59 / 25

HEX #70BF4E

RGB 112 191 78

HSL 101.95, 0.47%, 0.53%

LAB 70.36, -44.81, 48.51

 

CMYK 59 / 29 / 0 / 25

HEX #4E87BF

RGB 78 135 191

HSL 209.73, 0.47%, 0.53%

LAB 54.77, -1.78, -34.87

 

CMYK 18 / 59 / 0 / 25

HEX #9D4EBF

RGB 157 78 191

HSL 281.95, 0.47%, 0.53%

LAB 47.47, 51.15, -45.98

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 59 / 0 / 59 / 25

HEX #4EBF4E

RGB 78 191 78

HSL 120, 0.47%, 0.53%

LAB 69.06, -54.41, 46.69

 

CMYK 59 / 29 / 0 / 25

HEX #4E87BF

RGB 78 135 191

HSL 209.73, 0.47%, 0.53%

LAB 54.77, -1.78, -34.87

 

CMYK 0 / 59 / 0 / 25

HEX #BF4EBF

RGB 191 78 191

HSL 300, 0.47%, 0.53%

LAB 52.16, 59.8, -38.24

 

Description

Color code: HEX #BF874E | qconv.com Color code: HEX #BF874E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 135 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 135 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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