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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF89CF it is the complementary color #407630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF89CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF89CF shade: #C489CA, #D59BDD, #E6ADF0, #F7BFFF and #FFD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF89CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF89CF shade: #BF89CF, #AE77BC, #9D65A9, #8C5396 and #7B4183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF89CF shade: #BE87CE, #CE87CB, #CE87B8, #CE87A5 and #CE8792

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF89CF shade: #BE87CE, #AA87CE, #9787CE and #8787CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF89CF shade matches the following richer shades: #BE87CE, #C579DB, #CC6CE9 and #D45EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF89CF shade: #BE87CE, #B695C0, #AFA2B2, #A7B0A5 and #A0BD97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF89CF shade: #9887CE, #AA87CE, #BD87CE, #CE87CB and #CE87B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF89CF shade: #9E4CB6, #AE6AC2, #BE87CE, #CDA4DA and #DDC2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF89CF shade: #BF89CF, #CE8789 and #87CEA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF89CF shade: #BF89CF, #CEBD87 and #87CEBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF89CF shade: #BF89CF, #CE8789, #98CE87 and #87CECB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF89CF shade: #BF89CF, #CE9A87, #98CE87 and #87BBCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 34 / 0 / 19

HEX #BF89CF

RGB 191 137 207

HSL 286.29, 0.42%, 0.67%

LAB 64.54, 32.75, -28.05

 

Complementary color

CMYK 46 / 0 / 59 / 54

HEX #407630

RGB 64 118 48

HSL 106.29, 0.42%, 0.33%

LAB 44.6, -32.27, 32.55

 

CMYK 3 / 32 / 0 / 21

HEX #C489CA

RGB 196 137 202

HSL 294.46, 0.38%, 0.66%

LAB 64.88, 33.35, -24.7

 

CMYK 4 / 30 / 0 / 13

HEX #D59BDD

RGB 213 155 221

HSL 292.73, 0.49%, 0.74%

LAB 71.43, 32.66, -25.04

 

CMYK 4 / 28 / 0 / 6

HEX #E6ADF0

RGB 230 173 240

HSL 291.04, 0.69%, 0.81%

LAB 77.88, 32.02, -25.38

 

CMYK 3 / 25 / 0 / 0

HEX #F7BFFF

RGB 247 191 255

HSL 292.5, 1%, 0.87%

LAB 84.1, 30.66, -23.78

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 8 / 34 / 0 / 19

HEX #BF89CF

RGB 191 137 207

HSL 286.29, 0.42%, 0.67%

LAB 64.54, 32.75, -28.05

 

CMYK 7 / 37 / 0 / 26

HEX #AE77BC

RGB 174 119 188

HSL 287.83, 0.34%, 0.6%

LAB 57.87, 33.48, -27.77

 

CMYK 7 / 40 / 0 / 34

HEX #9D65A9

RGB 157 101 169

HSL 289.41, 0.28%, 0.53%

LAB 51.08, 34.26, -27.48

 

CMYK 7 / 45 / 0 / 41

HEX #8C5396

RGB 140 83 150

HSL 291.04, 0.29%, 0.46%

LAB 44.18, 35.06, -27.14

 

CMYK 6 / 50 / 0 / 49

HEX #7B4183

RGB 123 65 131

HSL 292.73, 0.34%, 0.38%

LAB 37.17, 35.85, -26.72

 

CMYK 8 / 34 / 0 / 19

HEX #BE87CE

RGB 190 135 206

HSL 286.48, 0.42%, 0.67%

LAB 63.94, 33.33, -28.42

 

CMYK 0 / 34 / 1 / 19

HEX #CE87CB

RGB 206 135 203

HSL 302.54, 0.42%, 0.67%

LAB 65.56, 37.84, -24.11

 

CMYK 0 / 34 / 11 / 19

HEX #CE87B8

RGB 206 135 184

HSL 318.59, 0.42%, 0.67%

LAB 64.89, 34.48, -14.46

 

CMYK 0 / 34 / 20 / 19

HEX #CE87A5

RGB 206 135 165

HSL 334.65, 0.42%, 0.67%

LAB 64.3, 31.41, -4.61

 

CMYK 0 / 34 / 29 / 19

HEX #CE8792

RGB 206 135 146

HSL 350.7, 0.42%, 0.67%

LAB 63.77, 28.66, 5.41

 

CMYK 8 / 34 / 0 / 19

HEX #BE87CE

RGB 190 135 206

HSL 286.48, 0.42%, 0.67%

LAB 63.94, 33.33, -28.42

 

CMYK 17 / 34 / 0 / 19

HEX #AA87CE

RGB 170 135 206

HSL 269.58, 0.42%, 0.67%

LAB 61.94, 27.1, -31.69

 

CMYK 27 / 34 / 0 / 19

HEX #9787CE

RGB 151 135 206

HSL 253.52, 0.42%, 0.67%

LAB 60.22, 21.36, -34.5

 

CMYK 34 / 34 / 0 / 19

HEX #8787CE

RGB 135 135 206

HSL 240, 0.42%, 0.67%

LAB 58.91, 16.75, -36.63

 

CMYK 8 / 34 / 0 / 19

HEX #BE87CE

RGB 190 135 206

HSL 286.48, 0.42%, 0.67%

LAB 63.94, 33.33, -28.42

 

CMYK 10 / 45 / 0 / 14

HEX #C579DB

RGB 197 121 219

HSL 286.53, 0.58%, 0.67%

LAB 62.22, 45.64, -38.32

 

CMYK 12 / 54 / 0 / 9

HEX #CC6CE9

RGB 204 108 233

HSL 286.08, 0.74%, 0.67%

LAB 61.17, 56.98, -47.72

 

CMYK 14 / 62 / 0 / 3

HEX #D45EF7

RGB 212 94 247

HSL 286.27, 0.91%, 0.67%

LAB 60.53, 68.13, -56.45

 

CMYK 8 / 34 / 0 / 19

HEX #BE87CE

RGB 190 135 206

HSL 286.48, 0.42%, 0.67%

LAB 63.94, 33.33, -28.42

 

CMYK 5 / 22 / 0 / 25

HEX #B695C0

RGB 182 149 192

HSL 286.05, 0.25%, 0.67%

LAB 65.94, 20.11, -17.61

 

CMYK 2 / 9 / 0 / 30

HEX #AFA2B2

RGB 175 162 178

HSL 288.75, 0.09%, 0.67%

LAB 68.14, 7.69, -6.55

 

CMYK 5 / 0 / 6 / 31

HEX #A7B0A5

RGB 167 176 165

HSL 109.09, 0.07%, 0.67%

LAB 70.86, -5.23, 4.53

 

CMYK 15 / 0 / 20 / 26

HEX #A0BD97

RGB 160 189 151

HSL 105.79, 0.22%, 0.67%

LAB 73.61, -17.01, 16

 

CMYK 26 / 34 / 0 / 19

HEX #9887CE

RGB 152 135 206

HSL 254.37, 0.42%, 0.67%

LAB 60.3, 21.66, -34.36

 

CMYK 17 / 34 / 0 / 19

HEX #AA87CE

RGB 170 135 206

HSL 269.58, 0.42%, 0.67%

LAB 61.94, 27.1, -31.69

 

CMYK 8 / 34 / 0 / 19

HEX #BD87CE

RGB 189 135 206

HSL 285.63, 0.42%, 0.67%

LAB 63.84, 33.02, -28.59

 

CMYK 0 / 34 / 1 / 19

HEX #CE87CB

RGB 206 135 203

HSL 302.54, 0.42%, 0.67%

LAB 65.56, 37.84, -24.11

 

CMYK 0 / 34 / 11 / 19

HEX #CE87B8

RGB 206 135 184

HSL 318.59, 0.42%, 0.67%

LAB 64.89, 34.48, -14.46

 

CMYK 13 / 58 / 0 / 29

HEX #9E4CB6

RGB 158 76 182

HSL 286.42, 0.42%, 0.51%

LAB 46.73, 50.51, -41.9

 

CMYK 10 / 45 / 0 / 24

HEX #AE6AC2

RGB 174 106 194

HSL 286.36, 0.42%, 0.59%

LAB 55.28, 41.85, -35.23

 

CMYK 8 / 34 / 0 / 19

HEX #BE87CE

RGB 190 135 206

HSL 286.48, 0.42%, 0.67%

LAB 63.94, 33.33, -28.42

 

CMYK 6 / 25 / 0 / 15

HEX #CDA4DA

RGB 205 164 218

HSL 285.56, 0.42%, 0.75%

LAB 72.62, 24.59, -21.64

 

CMYK 4 / 16 / 0 / 10

HEX #DDC2E6

RGB 221 194 230

HSL 285, 0.42%, 0.83%

LAB 81.66, 15.92, -14.35

 

CMYK 8 / 34 / 0 / 19

HEX #BF89CF

RGB 191 137 207

HSL 286.29, 0.42%, 0.67%

LAB 64.54, 32.75, -28.05

 

CMYK 0 / 34 / 33 / 19

HEX #CE8789

RGB 206 135 137

HSL 358.31, 0.42%, 0.67%

LAB 63.55, 27.47, 10.2

 

CMYK 34 / 0 / 22 / 19

HEX #87CEA1

RGB 135 206 161

HSL 141.97, 0.42%, 0.67%

LAB 77.2, -31.79, 15.45

 

CMYK 8 / 34 / 0 / 19

HEX #BF89CF

RGB 191 137 207

HSL 286.29, 0.42%, 0.67%

LAB 64.54, 32.75, -28.05

 

CMYK 0 / 8 / 34 / 19

HEX #CEBD87

RGB 206 189 135

HSL 45.63, 0.42%, 0.67%

LAB 76.84, -1.93, 29.52

 

CMYK 34 / 0 / 8 / 19

HEX #87CEBD

RGB 135 206 189

HSL 165.63, 0.42%, 0.67%

LAB 77.86, -26, 1.4

 

CMYK 8 / 34 / 0 / 19

HEX #BF89CF

RGB 191 137 207

HSL 286.29, 0.42%, 0.67%

LAB 64.54, 32.75, -28.05

 

CMYK 0 / 34 / 33 / 19

HEX #CE8789

RGB 206 135 137

HSL 358.31, 0.42%, 0.67%

LAB 63.55, 27.47, 10.2

 

CMYK 26 / 0 / 34 / 19

HEX #98CE87

RGB 152 206 135

HSL 105.63, 0.42%, 0.67%

LAB 77.62, -30.74, 29.85

 

CMYK 34 / 0 / 1 / 19

HEX #87CECB

RGB 135 206 203

HSL 177.46, 0.42%, 0.67%

LAB 78.23, -22.8, -5.58

 

CMYK 8 / 34 / 0 / 19

HEX #BF89CF

RGB 191 137 207

HSL 286.29, 0.42%, 0.67%

LAB 64.54, 32.75, -28.05

 

CMYK 0 / 25 / 34 / 19

HEX #CE9A87

RGB 206 154 135

HSL 16.06, 0.42%, 0.67%

LAB 68.01, 16.86, 17.55

 

CMYK 26 / 0 / 34 / 19

HEX #98CE87

RGB 152 206 135

HSL 105.63, 0.42%, 0.67%

LAB 77.62, -30.74, 29.85

 

CMYK 34 / 9 / 0 / 19

HEX #87BBCE

RGB 135 187 206

HSL 196.06, 0.42%, 0.67%

LAB 72.99, -12.34, -15.02

 

Description

Color code: HEX #BF89CF | qconv.com Color code: HEX #BF89CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 137 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 137 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 34 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 34% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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