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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8201 it is the complementary color #407DFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8201 shade: #C48200, #D5940F, #E6A622, #F7B835 and #FFCA48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8201 shade: #BF8201, #AE7000, #9D5E00, #8C4C00 and #7B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8201 shade: #C08300, #C04F00, #C01B00 and #C00000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8201 shade: #C08300, #C0B600, #96C000, #63C000 and #2FC000

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8201 shade matches the following richer shades: #C08300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8201 shade: #C08300, #B17D10, #A17820, #917230 and #826C3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8201 shade: #C01A00, #C04D00, #C08000, #C0B400 and #9AC000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8201 shade: #6E4B00, #976700, #C08300, #E99F01 and #FDB316

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8201 shade: #BF8201, #1AC000 and #3400C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8201 shade: #BF8201, #00C080 and #8000C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8201 shade: #BF8201, #1AC000, #0040C0 and #A700C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8201 shade: #BF8201, #00C020, #0040C0 and #C000A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 99 / 25

HEX #BF8201

RGB 191 130 1

HSL 40.74, 0.99%, 0.38%

LAB 59.01, 15.09, 64.58

 

Complementary color

CMYK 75 / 51 / 0 / 0

HEX #407DFE

RGB 64 125 254

HSL 220.74, 0.99%, 0.62%

LAB 54.98, 24.09, -69.89

 

CMYK 0 / 34 / 100 / 23

HEX #C48200

RGB 196 130 0

HSL 39.8, 1%, 0.38%

LAB 59.62, 17.3, 65.44

 

CMYK 0 / 31 / 93 / 16

HEX #D5940F

RGB 213 148 15

HSL 40.3, 0.87%, 0.45%

LAB 66.03, 15.15, 68.55

 

CMYK 0 / 28 / 85 / 10

HEX #E6A622

RGB 230 166 34

HSL 40.41, 0.8%, 0.52%

LAB 72.37, 13.24, 70.04

 

CMYK 0 / 26 / 79 / 3

HEX #F7B835

RGB 247 184 53

HSL 40.52, 0.92%, 0.59%

LAB 78.64, 11.57, 70.33

 

CMYK 0 / 21 / 72 / 0

HEX #FFCA48

RGB 255 202 72

HSL 42.62, 1%, 0.64%

LAB 83.95, 6.35, 68.74

 

CMYK 0 / 32 / 99 / 25

HEX #BF8201

RGB 191 130 1

HSL 40.74, 0.99%, 0.38%

LAB 59.01, 15.09, 64.58

 

CMYK 0 / 36 / 100 / 32

HEX #AE7000

RGB 174 112 0

HSL 38.62, 1%, 0.34%

LAB 52.49, 17.47, 59.43

 

CMYK 0 / 40 / 100 / 38

HEX #9D5E00

RGB 157 94 0

HSL 35.92, 1%, 0.31%

LAB 45.87, 19.95, 54.04

 

CMYK 0 / 46 / 100 / 45

HEX #8C4C00

RGB 140 76 0

HSL 32.57, 1%, 0.27%

LAB 39.15, 22.53, 48.59

 

CMYK 0 / 53 / 100 / 52

HEX #7B3A00

RGB 123 58 0

HSL 28.29, 1%, 0.24%

LAB 32.34, 25.14, 43.08

 

CMYK 0 / 32 / 100 / 25

HEX #C08300

RGB 192 131 0

HSL 40.94, 1%, 0.38%

LAB 59.38, 14.97, 65.05

 

CMYK 0 / 59 / 100 / 25

HEX #C04F00

RGB 192 79 0

HSL 24.69, 1%, 0.38%

LAB 48.01, 42.47, 58.03

 

CMYK 0 / 86 / 100 / 25

HEX #C01B00

RGB 192 27 0

HSL 8.44, 1%, 0.38%

LAB 41.2, 61.04, 54.77

 

CMYK 0 / 100 / 100 / 25

HEX #C00000

RGB 192 0 0

HSL 0, 1%, 0.38%

LAB 39.93, 64.71, 54.3

 

CMYK 0 / 32 / 100 / 25

HEX #C08300

RGB 192 131 0

HSL 40.94, 1%, 0.38%

LAB 59.38, 14.97, 65.05

 

CMYK 0 / 5 / 100 / 25

HEX #C0B600

RGB 192 182 0

HSL 56.88, 1%, 0.38%

LAB 72.67, -12.35, 74.34

 

CMYK 22 / 0 / 100 / 25

HEX #96C000

RGB 150 192 0

HSL 73.13, 1%, 0.38%

LAB 72.35, -35.07, 72.7

 

CMYK 48 / 0 / 100 / 25

HEX #63C000

RGB 99 192 0

HSL 89.06, 1%, 0.38%

LAB 69.72, -53.47, 69.53

 

CMYK 76 / 0 / 100 / 25

HEX #2FC000

RGB 47 192 0

HSL 105.31, 1%, 0.38%

LAB 68.24, -65.62, 67.74

 

CMYK 0 / 32 / 100 / 25

HEX #C08300

RGB 192 131 0

HSL 40.94, 1%, 0.38%

LAB 59.38, 14.97, 65.05

 

CMYK 0 / 32 / 100 / 25

HEX #C08300

RGB 192 131 0

HSL 40.94, 1%, 0.38%

LAB 59.38, 14.97, 65.05

 

CMYK 0 / 29 / 91 / 31

HEX #B17D10

RGB 177 125 16

HSL 40.62, 0.83%, 0.38%

LAB 56.14, 11.78, 59.1

 

CMYK 0 / 25 / 80 / 37

HEX #A17820

RGB 161 120 32

HSL 40.93, 0.67%, 0.38%

LAB 53.07, 7.74, 50.99

 

CMYK 0 / 21 / 67 / 43

HEX #917230

RGB 145 114 48

HSL 40.82, 0.5%, 0.38%

LAB 49.82, 4.63, 40.18

 

CMYK 0 / 17 / 52 / 49

HEX #826C3F

RGB 130 108 63

HSL 40.3, 0.35%, 0.38%

LAB 46.75, 2.49, 28.29

 

CMYK 0 / 86 / 100 / 25

HEX #C01A00

RGB 192 26 0

HSL 8.13, 1%, 0.38%

LAB 41.13, 61.25, 54.74

 

CMYK 0 / 60 / 100 / 25

HEX #C04D00

RGB 192 77 0

HSL 24.06, 1%, 0.38%

LAB 47.64, 43.42, 57.83

 

CMYK 0 / 33 / 100 / 25

HEX #C08000

RGB 192 128 0

HSL 40, 1%, 0.38%

LAB 58.64, 16.63, 64.56

 

CMYK 0 / 6 / 100 / 25

HEX #C0B400

RGB 192 180 0

HSL 56.25, 1%, 0.38%

LAB 72.13, -11.33, 73.95

 

CMYK 20 / 0 / 100 / 25

HEX #9AC000

RGB 154 192 0

HSL 71.88, 1%, 0.38%

LAB 72.61, -33.46, 73.01

 

CMYK 0 / 32 / 100 / 57

HEX #6E4B00

RGB 110 75 0

HSL 40.91, 1%, 0.22%

LAB 34.7, 8.93, 43.66

 

CMYK 0 / 32 / 100 / 41

HEX #976700

RGB 151 103 0

HSL 40.93, 1%, 0.3%

LAB 47.34, 12.04, 54.62

 

CMYK 0 / 32 / 100 / 25

HEX #C08300

RGB 192 131 0

HSL 40.94, 1%, 0.38%

LAB 59.38, 14.97, 65.05

 

CMYK 0 / 32 / 100 / 9

HEX #E99F01

RGB 233 159 1

HSL 40.86, 0.99%, 0.46%

LAB 70.96, 17.78, 74.96

 

CMYK 0 / 29 / 91 / 1

HEX #FDB316

RGB 253 179 22

HSL 40.78, 0.98%, 0.54%

LAB 77.98, 15.99, 78.16

 

CMYK 0 / 32 / 99 / 25

HEX #BF8201

RGB 191 130 1

HSL 40.74, 0.99%, 0.38%

LAB 59.01, 15.09, 64.58

 

CMYK 86 / 0 / 100 / 25

HEX #1AC000

RGB 26 192 0

HSL 111.88, 1%, 0.38%

LAB 67.96, -68.14, 67.39

 

CMYK 73 / 100 / 0 / 25

HEX #3400C0

RGB 52 0 192

HSL 256.25, 1%, 0.38%

LAB 25.37, 64.83, -83.15

 

CMYK 0 / 32 / 99 / 25

HEX #BF8201

RGB 191 130 1

HSL 40.74, 0.99%, 0.38%

LAB 59.01, 15.09, 64.58

 

CMYK 100 / 0 / 33 / 25

HEX #00C080

RGB 0 192 128

HSL 160, 1%, 0.38%

LAB 68.94, -55.68, 21.1

 

CMYK 33 / 100 / 0 / 25

HEX #8000C0

RGB 128 0 192

HSL 280, 1%, 0.38%

LAB 34.79, 70.4, -67.26

 

CMYK 0 / 32 / 99 / 25

HEX #BF8201

RGB 191 130 1

HSL 40.74, 0.99%, 0.38%

LAB 59.01, 15.09, 64.58

 

CMYK 86 / 0 / 100 / 25

HEX #1AC000

RGB 26 192 0

HSL 111.88, 1%, 0.38%

LAB 67.96, -68.14, 67.39

 

CMYK 100 / 67 / 0 / 25

HEX #0040C0

RGB 0 64 192

HSL 220, 1%, 0.38%

LAB 32.86, 35.6, -70.79

 

CMYK 13 / 100 / 0 / 25

HEX #A700C0

RGB 167 0 192

HSL 292.19, 1%, 0.38%

LAB 41.25, 75.51, -56.46

 

CMYK 0 / 32 / 99 / 25

HEX #BF8201

RGB 191 130 1

HSL 40.74, 0.99%, 0.38%

LAB 59.01, 15.09, 64.58

 

CMYK 100 / 0 / 83 / 25

HEX #00C020

RGB 0 192 32

HSL 130, 1%, 0.38%

LAB 67.88, -68.61, 62.06

 

CMYK 100 / 67 / 0 / 25

HEX #0040C0

RGB 0 64 192

HSL 220, 1%, 0.38%

LAB 32.86, 35.6, -70.79

 

CMYK 0 / 100 / 17 / 25

HEX #C000A0

RGB 192 0 160

HSL 310, 1%, 0.38%

LAB 43.86, 74.99, -33.04

 

Description

Color code: HEX #BF8201 | qconv.com Color code: HEX #BF8201 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 130 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 130 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 99 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 99% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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