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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8241 it is the complementary color #407DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8241 shade: #C4823C, #D5944F, #E6A662, #F7B875 and #FFCA88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8241 shade: #BF8241, #AE702E, #9D5E1B, #8C4C08 and #7B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8241 shade: #BF813F, #BF5F3F and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8241 shade: #BF813F, #BFA33F, #B8BF3F, #95BF3F and #73BF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8241 shade matches the following richer shades: #BF813F, #D3822B, #E88216 and #FD8301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8241 shade: #BF813F, #AA8054, #958069, #817F7D and #6C7E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8241 shade: #BF3F43, #BF5D3F, #BF7F3F, #BFA13F and #BBBF3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8241 shade: #81572B, #A06C35, #BF813F, #C9955E and #D3AA7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8241 shade: #BF8241, #66BF3F and #4C3FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8241 shade: #BF8241, #3FBF7F and #7F3FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8241 shade: #BF8241, #66BF3F, #3F7FBF and #993FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8241 shade: #BF8241, #3FBF3F, #3F7FBF and #BF3FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 66 / 25

HEX #BF8241

RGB 191 130 65

HSL 30.95, 0.5%, 0.5%

LAB 59.36, 17.18, 43.83

 

Complementary color

CMYK 66 / 34 / 0 / 25

HEX #407DBE

RGB 64 125 190

HSL 210.95, 0.5%, 0.5%

LAB 51.24, 1.21, -39.89

 

CMYK 0 / 34 / 69 / 23

HEX #C4823C

RGB 196 130 60

HSL 30.88, 0.54%, 0.5%

LAB 59.91, 19.03, 47.04

 

CMYK 0 / 31 / 63 / 16

HEX #D5944F

RGB 213 148 79

HSL 30.9, 0.61%, 0.57%

LAB 66.44, 17.61, 45.59

 

CMYK 0 / 28 / 57 / 10

HEX #E6A662

RGB 230 166 98

HSL 30.91, 0.73%, 0.64%

LAB 72.88, 16.39, 44.12

 

CMYK 0 / 26 / 53 / 3

HEX #F7B875

RGB 247 184 117

HSL 30.92, 0.89%, 0.71%

LAB 79.24, 15.32, 42.69

 

CMYK 0 / 21 / 47 / 0

HEX #FFCA88

RGB 255 202 136

HSL 33.28, 1%, 0.77%

LAB 84.63, 10.82, 40.01

 

CMYK 0 / 32 / 66 / 25

HEX #BF8241

RGB 191 130 65

HSL 30.95, 0.5%, 0.5%

LAB 59.36, 17.18, 43.83

 

CMYK 0 / 36 / 74 / 32

HEX #AE702E

RGB 174 112 46

HSL 30.94, 0.58%, 0.43%

LAB 52.71, 18.72, 45.24

 

CMYK 0 / 40 / 83 / 38

HEX #9D5E1B

RGB 157 94 27

HSL 30.92, 0.71%, 0.36%

LAB 45.98, 20.54, 46.27

 

CMYK 0 / 46 / 94 / 45

HEX #8C4C08

RGB 140 76 8

HSL 30.91, 0.89%, 0.29%

LAB 39.18, 22.68, 46.16

 

CMYK 0 / 53 / 100 / 52

HEX #7B3A00

RGB 123 58 0

HSL 28.29, 1%, 0.24%

LAB 32.34, 25.14, 43.08

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 15 / 67 / 25

HEX #BFA33F

RGB 191 163 63

HSL 46.88, 0.5%, 0.5%

LAB 67.75, -0.96, 53.87

 

CMYK 4 / 0 / 67 / 25

HEX #B8BF3F

RGB 184 191 63

HSL 63.28, 0.5%, 0.5%

LAB 74.71, -18.49, 60.87

 

CMYK 22 / 0 / 67 / 25

HEX #95BF3F

RGB 149 191 63

HSL 79.69, 0.5%, 0.5%

LAB 72.24, -32.77, 57.55

 

CMYK 40 / 0 / 67 / 25

HEX #73BF3F

RGB 115 191 63

HSL 95.63, 0.5%, 0.5%

LAB 70.36, -45.2, 55.01

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 38 / 80 / 17

HEX #D3822B

RGB 211 130 43

HSL 31.07, 0.66%, 0.5%

LAB 61.64, 24.67, 56.87

 

CMYK 0 / 44 / 91 / 9

HEX #E88216

RGB 232 130 22

HSL 30.86, 0.83%, 0.5%

LAB 64.31, 32.89, 66.93

 

CMYK 0 / 48 / 100 / 1

HEX #FD8301

RGB 253 131 1

HSL 30.95, 0.99%, 0.5%

LAB 67.37, 40.57, 73.92

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 25 / 51 / 33

HEX #AA8054

RGB 170 128 84

HSL 30.7, 0.34%, 0.5%

LAB 56.71, 10.75, 30.07

 

CMYK 0 / 14 / 30 / 42

HEX #958069

RGB 149 128 105

HSL 31.36, 0.17%, 0.5%

LAB 54.92, 4.38, 15.47

 

CMYK 0 / 2 / 3 / 49

HEX #817F7D

RGB 129 127 125

HSL 30, 0.02%, 0.5%

LAB 53.31, 0.36, 1.34

 

CMYK 26 / 14 / 0 / 43

HEX #6C7E92

RGB 108 126 146

HSL 211.58, 0.15%, 0.5%

LAB 52.05, -1.8, -12.96

 

CMYK 0 / 67 / 65 / 25

HEX #BF3F43

RGB 191 63 67

HSL 358.13, 0.5%, 0.5%

LAB 45.68, 51.36, 26.49

 

CMYK 0 / 51 / 67 / 25

HEX #BF5D3F

RGB 191 93 63

HSL 14.06, 0.5%, 0.5%

LAB 50.99, 37.04, 35.25

 

CMYK 0 / 34 / 67 / 25

HEX #BF7F3F

RGB 191 127 63

HSL 30, 0.5%, 0.5%

LAB 58.62, 18.71, 43.98

 

CMYK 0 / 16 / 67 / 25

HEX #BFA13F

RGB 191 161 63

HSL 45.94, 0.5%, 0.5%

LAB 67.22, 0.11, 53.31

 

CMYK 2 / 0 / 67 / 25

HEX #BBBF3F

RGB 187 191 63

HSL 61.88, 0.5%, 0.5%

LAB 74.94, -17.23, 61.19

 

CMYK 0 / 33 / 67 / 49

HEX #81572B

RGB 129 87 43

HSL 30.7, 0.5%, 0.34%

LAB 40.67, 12.68, 32.02

 

CMYK 0 / 33 / 67 / 37

HEX #A06C35

RGB 160 108 53

HSL 30.84, 0.5%, 0.42%

LAB 50.04, 15.19, 38.4

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 26 / 53 / 21

HEX #C9955E

RGB 201 149 94

HSL 30.84, 0.5%, 0.58%

LAB 65.53, 13.18, 36.48

 

CMYK 0 / 19 / 41 / 17

HEX #D3AA7D

RGB 211 170 125

HSL 31.4, 0.49%, 0.66%

LAB 72.28, 9, 28.86

 

CMYK 0 / 32 / 66 / 25

HEX #BF8241

RGB 191 130 65

HSL 30.95, 0.5%, 0.5%

LAB 59.36, 17.18, 43.83

 

CMYK 47 / 0 / 67 / 25

HEX #66BF3F

RGB 102 191 63

HSL 101.72, 0.5%, 0.5%

LAB 69.79, -49.37, 54.22

 

CMYK 60 / 67 / 0 / 25

HEX #4C3FBF

RGB 76 63 191

HSL 246.09, 0.5%, 0.5%

LAB 35.7, 42.23, -65.42

 

CMYK 0 / 32 / 66 / 25

HEX #BF8241

RGB 191 130 65

HSL 30.95, 0.5%, 0.5%

LAB 59.36, 17.18, 43.83

 

CMYK 67 / 0 / 34 / 25

HEX #3FBF7F

RGB 63 191 127

HSL 150, 0.5%, 0.5%

LAB 69.36, -49.69, 22.34

 

CMYK 34 / 67 / 0 / 25

HEX #7F3FBF

RGB 127 63 191

HSL 270, 0.5%, 0.5%

LAB 40.94, 51.63, -56.66

 

CMYK 0 / 32 / 66 / 25

HEX #BF8241

RGB 191 130 65

HSL 30.95, 0.5%, 0.5%

LAB 59.36, 17.18, 43.83

 

CMYK 47 / 0 / 67 / 25

HEX #66BF3F

RGB 102 191 63

HSL 101.72, 0.5%, 0.5%

LAB 69.79, -49.37, 54.22

 

CMYK 67 / 34 / 0 / 25

HEX #3F7FBF

RGB 63 127 191

HSL 210, 0.5%, 0.5%

LAB 51.83, 0.19, -39.52

 

CMYK 20 / 67 / 0 / 25

HEX #993FBF

RGB 153 63 191

HSL 282.19, 0.5%, 0.5%

LAB 44.36, 57.25, -50.98

 

CMYK 0 / 32 / 66 / 25

HEX #BF8241

RGB 191 130 65

HSL 30.95, 0.5%, 0.5%

LAB 59.36, 17.18, 43.83

 

CMYK 67 / 0 / 67 / 25

HEX #3FBF3F

RGB 63 191 63

HSL 120, 0.5%, 0.5%

LAB 68.52, -59.28, 52.48

 

CMYK 67 / 34 / 0 / 25

HEX #3F7FBF

RGB 63 127 191

HSL 210, 0.5%, 0.5%

LAB 51.83, 0.19, -39.52

 

CMYK 0 / 67 / 0 / 25

HEX #BF3FBF

RGB 191 63 191

HSL 300, 0.5%, 0.5%

LAB 49.97, 65.89, -41.7

 

Description

Color code: HEX #BF8241 | qconv.com Color code: HEX #BF8241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 130 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 130 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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