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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF833F it is the complementary color #407CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF833F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF833F shade: #C4833A, #D5954D, #E6A760, #F7B973 and #FFCB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF833F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF833F shade: #BF833F, #AE712C, #9D5F19, #8C4D06 and #7B3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF833F shade: #BF833F, #BF613F and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF833F shade: #BF833F, #BFA53F, #B6BF3F, #93BF3F and #71BF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF833F shade matches the following richer shades: #BF833F, #D3842B, #E88616 and #FD8701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF833F shade: #BF833F, #AA8254, #958069, #817F7D and #6C7E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF833F shade: #BF3F41, #BF5F3F, #BF813F, #BFA33F and #B8BF3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF833F shade: #81582B, #A06E35, #BF833F, #C9975E and #D3AB7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF833F shade: #BF833F, #63BF3F and #4E3FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF833F shade: #BF833F, #3FBF81 and #813FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF833F shade: #BF833F, #63BF3F, #3F7DBF and #9B3FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF833F shade: #BF833F, #3FBF41, #3F7DBF and #BF3FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

Complementary color

CMYK 67 / 35 / 0 / 25

HEX #407CC0

RGB 64 124 192

HSL 211.88, 0.5%, 0.5%

LAB 51.05, 2.51, -41.33

 

CMYK 0 / 33 / 70 / 23

HEX #C4833A

RGB 196 131 58

HSL 31.74, 0.54%, 0.5%

LAB 60.14, 18.37, 48.23

 

CMYK 0 / 30 / 64 / 16

HEX #D5954D

RGB 213 149 77

HSL 31.76, 0.62%, 0.57%

LAB 66.65, 16.94, 46.83

 

CMYK 0 / 27 / 58 / 10

HEX #E6A760

RGB 230 167 96

HSL 31.79, 0.73%, 0.64%

LAB 73.09, 15.71, 45.38

 

CMYK 0 / 25 / 53 / 3

HEX #F7B973

RGB 247 185 115

HSL 31.82, 0.89%, 0.71%

LAB 79.45, 14.63, 43.97

 

CMYK 0 / 20 / 47 / 0

HEX #FFCB86

RGB 255 203 134

HSL 34.21, 1%, 0.76%

LAB 84.84, 10.11, 41.29

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 0 / 35 / 75 / 32

HEX #AE712C

RGB 174 113 44

HSL 31.85, 0.6%, 0.43%

LAB 52.94, 18.06, 46.4

 

CMYK 0 / 39 / 84 / 38

HEX #9D5F19

RGB 157 95 25

HSL 31.82, 0.73%, 0.36%

LAB 46.21, 19.91, 47.26

 

CMYK 0 / 45 / 96 / 45

HEX #8C4D06

RGB 140 77 6

HSL 31.79, 0.92%, 0.29%

LAB 39.41, 22.07, 46.91

 

CMYK 0 / 52 / 100 / 52

HEX #7B3B00

RGB 123 59 0

HSL 28.78, 1%, 0.24%

LAB 32.57, 24.58, 43.22

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 0 / 49 / 67 / 25

HEX #BF613F

RGB 191 97 63

HSL 15.94, 0.5%, 0.5%

LAB 51.82, 34.96, 36.22

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 0 / 14 / 67 / 25

HEX #BFA53F

RGB 191 165 63

HSL 47.81, 0.5%, 0.5%

LAB 68.27, -2.03, 54.42

 

CMYK 5 / 0 / 67 / 25

HEX #B6BF3F

RGB 182 191 63

HSL 64.22, 0.5%, 0.5%

LAB 74.55, -19.33, 60.67

 

CMYK 23 / 0 / 67 / 25

HEX #93BF3F

RGB 147 191 63

HSL 80.63, 0.5%, 0.5%

LAB 72.11, -33.55, 57.38

 

CMYK 41 / 0 / 67 / 25

HEX #71BF3F

RGB 113 191 63

HSL 96.56, 0.5%, 0.5%

LAB 70.27, -45.87, 54.88

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 0 / 37 / 80 / 17

HEX #D3842B

RGB 211 132 43

HSL 31.79, 0.66%, 0.5%

LAB 62.11, 23.59, 57.29

 

CMYK 0 / 42 / 91 / 9

HEX #E88616

RGB 232 134 22

HSL 32, 0.83%, 0.5%

LAB 65.17, 30.81, 67.57

 

CMYK 0 / 47 / 100 / 1

HEX #FD8701

RGB 253 135 1

HSL 31.9, 0.99%, 0.5%

LAB 68.18, 38.57, 74.42

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 0 / 24 / 51 / 33

HEX #AA8254

RGB 170 130 84

HSL 32.09, 0.34%, 0.5%

LAB 57.22, 9.63, 30.72

 

CMYK 0 / 14 / 30 / 42

HEX #958069

RGB 149 128 105

HSL 31.36, 0.17%, 0.5%

LAB 54.92, 4.38, 15.47

 

CMYK 0 / 2 / 3 / 49

HEX #817F7D

RGB 129 127 125

HSL 30, 0.02%, 0.5%

LAB 53.31, 0.36, 1.34

 

CMYK 26 / 14 / 0 / 43

HEX #6C7E92

RGB 108 126 146

HSL 211.58, 0.15%, 0.5%

LAB 52.05, -1.8, -12.96

 

CMYK 0 / 67 / 66 / 25

HEX #BF3F41

RGB 191 63 65

HSL 359.06, 0.5%, 0.5%

LAB 45.65, 51.24, 27.64

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 15 / 67 / 25

HEX #BFA33F

RGB 191 163 63

HSL 46.88, 0.5%, 0.5%

LAB 67.75, -0.96, 53.87

 

CMYK 4 / 0 / 67 / 25

HEX #B8BF3F

RGB 184 191 63

HSL 63.28, 0.5%, 0.5%

LAB 74.71, -18.49, 60.87

 

CMYK 0 / 32 / 67 / 49

HEX #81582B

RGB 129 88 43

HSL 31.4, 0.5%, 0.34%

LAB 40.93, 12.09, 32.32

 

CMYK 0 / 31 / 67 / 37

HEX #A06E35

RGB 160 110 53

HSL 31.96, 0.5%, 0.42%

LAB 50.55, 14.05, 38.97

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 0 / 25 / 53 / 21

HEX #C9975E

RGB 201 151 94

HSL 31.96, 0.5%, 0.58%

LAB 66.03, 12.09, 37.1

 

CMYK 0 / 19 / 41 / 17

HEX #D3AB7D

RGB 211 171 125

HSL 32.09, 0.49%, 0.66%

LAB 72.53, 8.47, 29.19

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 48 / 0 / 67 / 25

HEX #63BF3F

RGB 99 191 63

HSL 103.13, 0.5%, 0.5%

LAB 69.66, -50.28, 54.05

 

CMYK 59 / 67 / 0 / 25

HEX #4E3FBF

RGB 78 63 191

HSL 247.03, 0.5%, 0.5%

LAB 35.86, 42.54, -65.15

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 67 / 0 / 32 / 25

HEX #3FBF81

RGB 63 191 129

HSL 150.94, 0.5%, 0.5%

LAB 69.4, -49.28, 21.33

 

CMYK 32 / 67 / 0 / 25

HEX #813FBF

RGB 129 63 191

HSL 270.94, 0.5%, 0.5%

LAB 41.19, 52.04, -56.25

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 48 / 0 / 67 / 25

HEX #63BF3F

RGB 99 191 63

HSL 103.13, 0.5%, 0.5%

LAB 69.66, -50.28, 54.05

 

CMYK 67 / 35 / 0 / 25

HEX #3F7DBF

RGB 63 125 191

HSL 210.94, 0.5%, 0.5%

LAB 51.25, 1.39, -40.44

 

CMYK 19 / 67 / 0 / 25

HEX #9B3FBF

RGB 155 63 191

HSL 283.13, 0.5%, 0.5%

LAB 44.64, 57.69, -50.51

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 67 / 0 / 66 / 25

HEX #3FBF41

RGB 63 191 65

HSL 120.94, 0.5%, 0.5%

LAB 68.53, -59.08, 51.68

 

CMYK 67 / 35 / 0 / 25

HEX #3F7DBF

RGB 63 125 191

HSL 210.94, 0.5%, 0.5%

LAB 51.25, 1.39, -40.44

 

CMYK 0 / 67 / 1 / 25

HEX #BF3FBD

RGB 191 63 189

HSL 300.94, 0.5%, 0.5%

LAB 49.86, 65.55, -40.71

 

Description

Color code: HEX #BF833F | qconv.com Color code: HEX #BF833F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 131 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 131 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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