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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8389 it is the complementary color #407C76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8389 shade: #C48384, #D59597, #E6A7AA, #F7B9BD and #FFCBD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8389 shade: #BF8389, #AE7176, #9D5F63, #8C4D50 and #7B3B3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8389 shade: #BE8288 and #BE8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8389 shade: #BE8288, #BE8298, #BE82A9, #BE82B9 and #B482BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8389 shade matches the following richer shades: #BE8288, #CE737C, #DD6370, #EC5463 and #FB4557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8389 shade: #BE8288, #AF9194, #A0A0A0, #91B0AD and #81BFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8389 shade: #BE82A8, #BE8298, #BE8288, #BE8C82 and #BE9C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8389 shade: #9D5158, #B0676E, #BE8288, #CC9DA2 and #DAB8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8389 shade: #BF8389, #B8BE82 and #82A0BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8389 shade: #BF8389, #88BE82 and #8288BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8389 shade: #BF8389, #B8BE82, #82BEB8 and #8882BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8389 shade: #BF8389, #A6BE82, #82BEB8 and #9A82BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

Complementary color

CMYK 48 / 0 / 5 / 51

HEX #407C76

RGB 64 124 118

HSL 174, 0.32%, 0.37%

LAB 48.02, -21.07, -2.77

 

CMYK 0 / 33 / 33 / 23

HEX #C48384

RGB 196 131 132

HSL 359.08, 0.36%, 0.64%

LAB 61.34, 25.19, 9.74

 

CMYK 0 / 30 / 29 / 16

HEX #D59597

RGB 213 149 151

HSL 358.13, 0.43%, 0.71%

LAB 67.93, 24.36, 8.64

 

CMYK 0 / 27 / 26 / 10

HEX #E6A7AA

RGB 230 167 170

HSL 357.14, 0.56%, 0.78%

LAB 74.42, 23.62, 7.65

 

CMYK 0 / 25 / 23 / 3

HEX #F7B9BD

RGB 247 185 189

HSL 356.13, 0.79%, 0.85%

LAB 80.82, 22.94, 6.74

 

CMYK 0 / 20 / 18 / 0

HEX #FFCBD0

RGB 255 203 208

HSL 354.23, 1%, 0.9%

LAB 86.27, 19.12, 4.54

 

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

CMYK 0 / 35 / 32 / 32

HEX #AE7176

RGB 174 113 118

HSL 355.08, 0.27%, 0.56%

LAB 54.15, 24.8, 7.25

 

CMYK 0 / 39 / 37 / 38

HEX #9D5F63

RGB 157 95 99

HSL 356.13, 0.25%, 0.49%

LAB 47.31, 25.76, 8.5

 

CMYK 0 / 45 / 43 / 45

HEX #8C4D50

RGB 140 77 80

HSL 357.14, 0.29%, 0.43%

LAB 40.35, 26.82, 9.98

 

CMYK 0 / 52 / 50 / 52

HEX #7B3B3D

RGB 123 59 61

HSL 358.13, 0.35%, 0.36%

LAB 33.3, 27.99, 11.79

 

CMYK 0 / 32 / 28 / 25

HEX #BE8288

RGB 190 130 136

HSL 354, 0.32%, 0.63%

LAB 60.51, 23.98, 6.17

 

CMYK 0 / 32 / 32 / 25

HEX #BE8282

RGB 190 130 130

HSL 0, 0.32%, 0.63%

LAB 60.36, 23.16, 9.39

 

CMYK 0 / 32 / 28 / 25

HEX #BE8288

RGB 190 130 136

HSL 354, 0.32%, 0.63%

LAB 60.51, 23.98, 6.17

 

CMYK 0 / 32 / 20 / 25

HEX #BE8298

RGB 190 130 152

HSL 338, 0.32%, 0.63%

LAB 60.94, 26.35, -2.36

 

CMYK 0 / 32 / 11 / 25

HEX #BE82A9

RGB 190 130 169

HSL 321, 0.32%, 0.63%

LAB 61.46, 29.14, -11.3

 

CMYK 0 / 32 / 3 / 25

HEX #BE82B9

RGB 190 130 185

HSL 305, 0.32%, 0.63%

LAB 62.01, 32.01, -19.56

 

CMYK 5 / 32 / 0 / 25

HEX #B482BE

RGB 180 130 190

HSL 290, 0.32%, 0.63%

LAB 61.12, 29.68, -23.85

 

CMYK 0 / 32 / 28 / 25

HEX #BE8288

RGB 190 130 136

HSL 354, 0.32%, 0.63%

LAB 60.51, 23.98, 6.17

 

CMYK 0 / 44 / 40 / 19

HEX #CE737C

RGB 206 115 124

HSL 354.07, 0.48%, 0.63%

LAB 58.82, 36.62, 10.95

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 0 / 64 / 58 / 7

HEX #EC5463

RGB 236 84 99

HSL 354.08, 0.8%, 0.63%

LAB 57.15, 59.45, 23.9

 

CMYK 0 / 73 / 65 / 2

HEX #FB4557

RGB 251 69 87

HSL 354.07, 0.96%, 0.63%

LAB 57.51, 68.83, 31.86

 

CMYK 0 / 32 / 28 / 25

HEX #BE8288

RGB 190 130 136

HSL 354, 0.32%, 0.63%

LAB 60.51, 23.98, 6.17

 

CMYK 0 / 17 / 15 / 31

HEX #AF9194

RGB 175 145 148

HSL 354, 0.16%, 0.63%

LAB 62.93, 11.74, 2.63

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 18 / 0 / 2 / 31

HEX #91B0AD

RGB 145 176 173

HSL 174.19, 0.16%, 0.63%

LAB 69.53, -11.16, -1.99

 

CMYK 32 / 0 / 3 / 25

HEX #81BFB9

RGB 129 191 185

HSL 174.19, 0.33%, 0.63%

LAB 73.18, -21.14, -3.33

 

CMYK 0 / 32 / 12 / 25

HEX #BE82A8

RGB 190 130 168

HSL 322, 0.32%, 0.63%

LAB 61.43, 28.97, -10.78

 

CMYK 0 / 32 / 20 / 25

HEX #BE8298

RGB 190 130 152

HSL 338, 0.32%, 0.63%

LAB 60.94, 26.35, -2.36

 

CMYK 0 / 32 / 28 / 25

HEX #BE8288

RGB 190 130 136

HSL 354, 0.32%, 0.63%

LAB 60.51, 23.98, 6.17

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C82

RGB 190 140 130

HSL 10, 0.32%, 0.63%

LAB 62.77, 17.62, 12.8

 

CMYK 0 / 18 / 32 / 25

HEX #BE9C82

RGB 190 156 130

HSL 26, 0.32%, 0.63%

LAB 66.78, 8.79, 18.36

 

CMYK 0 / 48 / 44 / 38

HEX #9D5158

RGB 157 81 88

HSL 354.47, 0.32%, 0.47%

LAB 43.88, 32.21, 10.36

 

CMYK 0 / 41 / 38 / 31

HEX #B0676E

RGB 176 103 110

HSL 354.25, 0.32%, 0.55%

LAB 51.9, 30.1, 8.8

 

CMYK 0 / 32 / 28 / 25

HEX #BE8288

RGB 190 130 136

HSL 354, 0.32%, 0.63%

LAB 60.51, 23.98, 6.17

 

CMYK 0 / 23 / 21 / 20

HEX #CC9DA2

RGB 204 157 162

HSL 353.62, 0.32%, 0.71%

LAB 69.15, 18.21, 4.15

 

CMYK 0 / 16 / 14 / 15

HEX #DAB8BC

RGB 218 184 188

HSL 352.94, 0.31%, 0.79%

LAB 77.77, 12.82, 2.52

 

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

CMYK 3 / 0 / 32 / 25

HEX #B8BE82

RGB 184 190 130

HSL 66, 0.32%, 0.63%

LAB 75.22, -11.72, 29.67

 

CMYK 32 / 16 / 0 / 25

HEX #82A0BE

RGB 130 160 190

HSL 210, 0.32%, 0.63%

LAB 64.65, -3.18, -18.83

 

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

CMYK 28 / 0 / 32 / 25

HEX #88BE82

RGB 136 190 130

HSL 114, 0.32%, 0.63%

LAB 72.01, -29.37, 24.81

 

CMYK 32 / 28 / 0 / 25

HEX #8288BE

RGB 130 136 190

HSL 234, 0.32%, 0.63%

LAB 58.11, 10.5, -28.87

 

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

CMYK 3 / 0 / 32 / 25

HEX #B8BE82

RGB 184 190 130

HSL 66, 0.32%, 0.63%

LAB 75.22, -11.72, 29.67

 

CMYK 32 / 0 / 3 / 25

HEX #82BEB8

RGB 130 190 184

HSL 174, 0.32%, 0.63%

LAB 72.91, -20.58, -3.16

 

CMYK 28 / 32 / 0 / 25

HEX #8882BE

RGB 136 130 190

HSL 246, 0.32%, 0.63%

LAB 56.99, 15.79, -30.56

 

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

CMYK 13 / 0 / 32 / 25

HEX #A6BE82

RGB 166 190 130

HSL 84, 0.32%, 0.63%

LAB 73.9, -18.61, 27.68

 

CMYK 32 / 0 / 3 / 25

HEX #82BEB8

RGB 130 190 184

HSL 174, 0.32%, 0.63%

LAB 72.91, -20.58, -3.16

 

CMYK 19 / 32 / 0 / 25

HEX #9A82BE

RGB 154 130 190

HSL 264, 0.32%, 0.63%

LAB 58.56, 21.33, -28.01

 

Description

Color code: HEX #BF8389 | qconv.com Color code: HEX #BF8389 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 131 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 131 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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