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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF83D8 it is the complementary color #407C27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF83D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF83D8 shade: #C483D3, #D595E6, #E6A7F9, #F7B9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF83D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF83D8 shade: #BF83D8, #AE71C5, #9D5FB2, #8C4D9F and #7B3B8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF83D8 shade: #BE82D7, #D582D7, #D782C3, #D782AC and #D78295

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF83D8 shade: #BE82D7, #A782D7, #9182D7 and #8282D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF83D8 shade matches the following richer shades: #BE82D7, #C475E5 and #C968F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF83D8 shade: #BE82D7, #B990CA, #B39DBD, #AEAAB0 and #A9B7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF83D8 shade: #9182D7, #A782D7, #BE82D7, #D582D7 and #D782C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF83D8 shade: #9E44C4, #AE63CD, #BE82D7, #CFA2E1 and #DFC1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF83D8 shade: #BF83D8, #D7828B and #82D79C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF83D8 shade: #BF83D8, #D7BE82 and #82D7BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF83D8 shade: #BF83D8, #D7828B, #9CD782 and #82D7CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF83D8 shade: #BF83D8, #D79382, #9CD782 and #82C6D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 39 / 0 / 15

HEX #BF83D8

RGB 191 131 216

HSL 282.35, 0.52%, 0.68%

LAB 63.56, 37.89, -34.59

 

Complementary color

CMYK 48 / 0 / 69 / 51

HEX #407C27

RGB 64 124 39

HSL 102.35, 0.52%, 0.32%

LAB 46.51, -35.89, 39

 

CMYK 7 / 38 / 0 / 17

HEX #C483D3

RGB 196 131 211

HSL 288.75, 0.48%, 0.67%

LAB 63.89, 38.39, -31.24

 

CMYK 7 / 35 / 0 / 10

HEX #D595E6

RGB 213 149 230

HSL 287.41, 0.62%, 0.74%

LAB 70.42, 37.66, -31.52

 

CMYK 8 / 33 / 0 / 2

HEX #E6A7F9

RGB 230 167 249

HSL 286.1, 0.87%, 0.82%

LAB 76.86, 36.96, -31.79

 

CMYK 3 / 27 / 0 / 0

HEX #F7B9FF

RGB 247 185 255

HSL 293.14, 1%, 0.86%

LAB 82.75, 33.83, -25.84

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 12 / 39 / 0 / 15

HEX #BF83D8

RGB 191 131 216

HSL 282.35, 0.52%, 0.68%

LAB 63.56, 37.89, -34.59

 

CMYK 12 / 43 / 0 / 23

HEX #AE71C5

RGB 174 113 197

HSL 283.57, 0.42%, 0.61%

LAB 56.92, 38.66, -34.38

 

CMYK 12 / 47 / 0 / 30

HEX #9D5FB2

RGB 157 95 178

HSL 284.82, 0.35%, 0.54%

LAB 50.18, 39.47, -34.14

 

CMYK 12 / 52 / 0 / 38

HEX #8C4D9F

RGB 140 77 159

HSL 286.1, 0.35%, 0.46%

LAB 43.34, 40.26, -33.83

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8C

RGB 123 59 140

HSL 287.41, 0.41%, 0.39%

LAB 36.43, 40.97, -33.42

 

CMYK 12 / 40 / 0 / 16

HEX #BE82D7

RGB 190 130 215

HSL 282.35, 0.52%, 0.68%

LAB 63.19, 37.92, -34.62

 

CMYK 1 / 40 / 0 / 16

HEX #D582D7

RGB 213 130 215

HSL 298.59, 0.52%, 0.68%

LAB 65.76, 44.89, -30.43

 

CMYK 0 / 40 / 9 / 16

HEX #D782C3

RGB 215 130 195

HSL 314.12, 0.52%, 0.68%

LAB 65.24, 41.98, -20.02

 

CMYK 0 / 40 / 20 / 16

HEX #D782AC

RGB 215 130 172

HSL 330.35, 0.52%, 0.68%

LAB 64.48, 38.3, -8.19

 

CMYK 0 / 40 / 31 / 16

HEX #D78295

RGB 215 130 149

HSL 346.59, 0.52%, 0.68%

LAB 63.82, 35.06, 3.91

 

CMYK 12 / 40 / 0 / 16

HEX #BE82D7

RGB 190 130 215

HSL 282.35, 0.52%, 0.68%

LAB 63.19, 37.92, -34.62

 

CMYK 22 / 40 / 0 / 16

HEX #A782D7

RGB 167 130 215

HSL 266.12, 0.52%, 0.68%

LAB 60.86, 31.1, -38.44

 

CMYK 33 / 40 / 0 / 16

HEX #9182D7

RGB 145 130 215

HSL 250.59, 0.52%, 0.68%

LAB 58.87, 24.83, -41.69

 

CMYK 40 / 40 / 0 / 16

HEX #8282D7

RGB 130 130 215

HSL 240, 0.52%, 0.68%

LAB 57.67, 20.8, -43.67

 

CMYK 12 / 40 / 0 / 16

HEX #BE82D7

RGB 190 130 215

HSL 282.35, 0.52%, 0.68%

LAB 63.19, 37.92, -34.62

 

CMYK 14 / 49 / 0 / 10

HEX #C475E5

RGB 196 117 229

HSL 282.32, 0.68%, 0.68%

LAB 61.75, 49.49, -44.64

 

CMYK 17 / 57 / 0 / 5

HEX #C968F2

RGB 201 104 242

HSL 282.17, 0.84%, 0.68%

LAB 60.54, 59.96, -53.74

 

CMYK 12 / 40 / 0 / 16

HEX #BE82D7

RGB 190 130 215

HSL 282.35, 0.52%, 0.68%

LAB 63.19, 37.92, -34.62

 

CMYK 8 / 29 / 0 / 21

HEX #B990CA

RGB 185 144 202

HSL 282.41, 0.35%, 0.68%

LAB 65.38, 25.92, -24.03

 

CMYK 5 / 17 / 0 / 26

HEX #B39DBD

RGB 179 157 189

HSL 281.25, 0.2%, 0.68%

LAB 67.56, 14.02, -13.52

 

CMYK 1 / 3 / 0 / 31

HEX #AEAAB0

RGB 174 170 176

HSL 280, 0.04%, 0.68%

LAB 70.09, 2.56, -2.58

 

CMYK 8 / 0 / 11 / 28

HEX #A9B7A3

RGB 169 183 163

HSL 102, 0.12%, 0.68%

LAB 72.86, -8.6, 8.52

 

CMYK 33 / 40 / 0 / 16

HEX #9182D7

RGB 145 130 215

HSL 250.59, 0.52%, 0.68%

LAB 58.87, 24.83, -41.69

 

CMYK 22 / 40 / 0 / 16

HEX #A782D7

RGB 167 130 215

HSL 266.12, 0.52%, 0.68%

LAB 60.86, 31.1, -38.44

 

CMYK 12 / 40 / 0 / 16

HEX #BE82D7

RGB 190 130 215

HSL 282.35, 0.52%, 0.68%

LAB 63.19, 37.92, -34.62

 

CMYK 1 / 40 / 0 / 16

HEX #D582D7

RGB 213 130 215

HSL 298.59, 0.52%, 0.68%

LAB 65.76, 44.89, -30.43

 

CMYK 0 / 40 / 9 / 16

HEX #D782C4

RGB 215 130 196

HSL 313.41, 0.52%, 0.68%

LAB 65.28, 42.15, -20.53

 

CMYK 19 / 65 / 0 / 23

HEX #9E44C4

RGB 158 68 196

HSL 282.19, 0.52%, 0.52%

LAB 46.16, 57.18, -50.96

 

CMYK 15 / 52 / 0 / 20

HEX #AE63CD

RGB 174 99 205

HSL 282.45, 0.51%, 0.6%

LAB 54.38, 47.85, -42.93

 

CMYK 12 / 40 / 0 / 16

HEX #BE82D7

RGB 190 130 215

HSL 282.35, 0.52%, 0.68%

LAB 63.19, 37.92, -34.62

 

CMYK 8 / 28 / 0 / 12

HEX #CFA2E1

RGB 207 162 225

HSL 282.86, 0.51%, 0.76%

LAB 72.59, 27.72, -25.51

 

CMYK 5 / 18 / 0 / 8

HEX #DFC1EB

RGB 223 193 235

HSL 282.86, 0.51%, 0.84%

LAB 81.74, 18.07, -16.88

 

CMYK 12 / 39 / 0 / 15

HEX #BF83D8

RGB 191 131 216

HSL 282.35, 0.52%, 0.68%

LAB 63.56, 37.89, -34.59

 

CMYK 0 / 40 / 35 / 16

HEX #D7828B

RGB 215 130 139

HSL 353.65, 0.52%, 0.68%

LAB 63.57, 33.79, 9.24

 

CMYK 40 / 0 / 27 / 16

HEX #82D79C

RGB 130 215 156

HSL 138.35, 0.52%, 0.68%

LAB 79.47, -38.36, 21.21

 

CMYK 12 / 39 / 0 / 15

HEX #BF83D8

RGB 191 131 216

HSL 282.35, 0.52%, 0.68%

LAB 63.56, 37.89, -34.59

 

CMYK 0 / 12 / 40 / 16

HEX #D7BE82

RGB 215 190 130

HSL 42.35, 0.52%, 0.68%

LAB 77.81, 0.54, 33.55

 

CMYK 40 / 0 / 12 / 16

HEX #82D7BE

RGB 130 215 190

HSL 162.35, 0.52%, 0.68%

LAB 80.22, -31.48, 4.26

 

CMYK 12 / 39 / 0 / 15

HEX #BF83D8

RGB 191 131 216

HSL 282.35, 0.52%, 0.68%

LAB 63.56, 37.89, -34.59

 

CMYK 0 / 40 / 35 / 16

HEX #D7828B

RGB 215 130 139

HSL 353.65, 0.52%, 0.68%

LAB 63.57, 33.79, 9.24

 

CMYK 27 / 0 / 40 / 16

HEX #9CD782

RGB 156 215 130

HSL 101.65, 0.52%, 0.68%

LAB 80.34, -34.29, 36.02

 

CMYK 40 / 0 / 4 / 16

HEX #82D7CF

RGB 130 215 207

HSL 174.35, 0.52%, 0.68%

LAB 80.66, -27.59, -4.17

 

CMYK 12 / 39 / 0 / 15

HEX #BF83D8

RGB 191 131 216

HSL 282.35, 0.52%, 0.68%

LAB 63.56, 37.89, -34.59

 

CMYK 0 / 32 / 40 / 16

HEX #D79382

RGB 215 147 130

HSL 12, 0.52%, 0.68%

LAB 67.22, 23.59, 19.39

 

CMYK 27 / 0 / 40 / 16

HEX #9CD782

RGB 156 215 130

HSL 101.65, 0.52%, 0.68%

LAB 80.34, -34.29, 36.02

 

CMYK 40 / 8 / 0 / 16

HEX #82C6D7

RGB 130 198 215

HSL 192, 0.52%, 0.68%

LAB 76.09, -17.13, -15.26

 

Description

Color code: HEX #BF83D8 | qconv.com Color code: HEX #BF83D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 131 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 131 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 39 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 39% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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