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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8AE5 it is the complementary color #40751A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8AE5 shade: #C48AE0, #D59CF3, #E6AEFF, #F7C0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8AE5 shade: #BF8AE5, #AE78D2, #9D66BF, #8C54AC and #7B4299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8AE5 shade: #BF89E5, #D789E5, #E589DA, #E589C1 and #E589A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8AE5 shade: #BF89E5, #A689E5, #8D89E5 and #8989E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8AE5 shade matches the following richer shades: #BF89E5, #C17EF0 and #C272FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8AE5 shade: #BF89E5, #BD95D9, #BBA1CE, #B9ACC2 and #B7B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8AE5 shade: #8C89E5, #A589E5, #BD89E5, #D689E5 and #E589DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8AE5 shade: #9A46D6, #AC68DD, #BF89E5, #D1ABEC and #E4CDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8AE5 shade: #BF8AE5, #E5899F and #89E599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8AE5 shade: #BF8AE5, #E5BD89 and #89E5BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8AE5 shade: #BF8AE5, #E5899F, #B1E589 and #89E5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8AE5 shade: #BF8AE5, #E58F89, #B1E589 and #89DFE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

Complementary color

CMYK 45 / 0 / 78 / 54

HEX #40751A

RGB 64 117 26

HSL 94.95, 0.64%, 0.28%

LAB 44.07, -33.92, 41.84

 

CMYK 13 / 38 / 0 / 12

HEX #C48AE0

RGB 196 138 224

HSL 280.47, 0.58%, 0.71%

LAB 65.98, 37.23, -35.25

 

CMYK 12 / 36 / 0 / 5

HEX #D59CF3

RGB 213 156 243

HSL 279.31, 0.78%, 0.78%

LAB 72.49, 36.5, -35.43

 

CMYK 10 / 32 / 0 / 0

HEX #E6AEFF

RGB 230 174 255

HSL 281.48, 1%, 0.84%

LAB 78.65, 34.41, -32.27

 

CMYK 3 / 25 / 0 / 0

HEX #F7C0FF

RGB 247 192 255

HSL 292.38, 1%, 0.88%

LAB 84.33, 30.13, -23.44

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

CMYK 17 / 43 / 0 / 18

HEX #AE78D2

RGB 174 120 210

HSL 276, 0.5%, 0.65%

LAB 59.05, 37.61, -38.41

 

CMYK 18 / 47 / 0 / 25

HEX #9D66BF

RGB 157 102 191

HSL 277.08, 0.41%, 0.57%

LAB 52.32, 38.44, -38.29

 

CMYK 19 / 51 / 0 / 33

HEX #8C54AC

RGB 140 84 172

HSL 278.18, 0.35%, 0.5%

LAB 45.49, 39.29, -38.14

 

CMYK 20 / 57 / 0 / 40

HEX #7B4299

RGB 123 66 153

HSL 279.31, 0.4%, 0.43%

LAB 38.56, 40.12, -37.93

 

CMYK 17 / 40 / 0 / 10

HEX #BF89E5

RGB 191 137 229

HSL 275.22, 0.64%, 0.72%

LAB 65.46, 37.36, -38.87

 

CMYK 6 / 40 / 0 / 10

HEX #D789E5

RGB 215 137 229

HSL 290.87, 0.64%, 0.72%

LAB 68.02, 44.46, -34.68

 

CMYK 0 / 40 / 5 / 10

HEX #E589DA

RGB 229 137 218

HSL 307.17, 0.64%, 0.72%

LAB 69.19, 46.69, -26.66

 

CMYK 0 / 40 / 16 / 10

HEX #E589C1

RGB 229 137 193

HSL 323.48, 0.64%, 0.72%

LAB 68.31, 42.57, -14.09

 

CMYK 0 / 40 / 27 / 10

HEX #E589A8

RGB 229 137 168

HSL 339.78, 0.64%, 0.72%

LAB 67.56, 38.91, -1.19

 

CMYK 17 / 40 / 0 / 10

HEX #BF89E5

RGB 191 137 229

HSL 275.22, 0.64%, 0.72%

LAB 65.46, 37.36, -38.87

 

CMYK 28 / 40 / 0 / 10

HEX #A689E5

RGB 166 137 229

HSL 258.91, 0.64%, 0.72%

LAB 63.06, 30.19, -42.8

 

CMYK 38 / 40 / 0 / 10

HEX #8D89E5

RGB 141 137 229

HSL 242.61, 0.64%, 0.72%

LAB 60.97, 23.43, -46.23

 

CMYK 40 / 40 / 0 / 10

HEX #8989E5

RGB 137 137 229

HSL 240, 0.64%, 0.72%

LAB 60.66, 22.41, -46.73

 

CMYK 17 / 40 / 0 / 10

HEX #BF89E5

RGB 191 137 229

HSL 275.22, 0.64%, 0.72%

LAB 65.46, 37.36, -38.87

 

CMYK 20 / 48 / 0 / 6

HEX #C17EF0

RGB 193 126 240

HSL 275.26, 0.79%, 0.72%

LAB 63.8, 46.28, -47.54

 

CMYK 23 / 55 / 0 / 1

HEX #C272FC

RGB 194 114 252

HSL 274.78, 0.96%, 0.72%

LAB 62.11, 55.41, -56.82

 

CMYK 17 / 40 / 0 / 10

HEX #BF89E5

RGB 191 137 229

HSL 275.22, 0.64%, 0.72%

LAB 65.46, 37.36, -38.87

 

CMYK 13 / 31 / 0 / 15

HEX #BD95D9

RGB 189 149 217

HSL 275.29, 0.47%, 0.72%

LAB 67.52, 27.55, -29.04

 

CMYK 9 / 22 / 0 / 19

HEX #BBA1CE

RGB 187 161 206

HSL 274.67, 0.31%, 0.72%

LAB 69.83, 17.93, -19.44

 

CMYK 5 / 11 / 0 / 24

HEX #B9ACC2

RGB 185 172 194

HSL 275.45, 0.15%, 0.72%

LAB 72.04, 8.77, -9.52

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B7

RGB 183 184 183

HSL 120, 0.01%, 0.72%

LAB 74.68, -0.53, 0.38

 

CMYK 39 / 40 / 0 / 10

HEX #8C89E5

RGB 140 137 229

HSL 241.96, 0.64%, 0.72%

LAB 60.89, 23.17, -46.36

 

CMYK 28 / 40 / 0 / 10

HEX #A589E5

RGB 165 137 229

HSL 258.26, 0.64%, 0.72%

LAB 62.97, 29.91, -42.94

 

CMYK 17 / 40 / 0 / 10

HEX #BD89E5

RGB 189 137 229

HSL 273.91, 0.64%, 0.72%

LAB 65.25, 36.78, -39.2

 

CMYK 7 / 40 / 0 / 10

HEX #D689E5

RGB 214 137 229

HSL 290.22, 0.64%, 0.72%

LAB 67.91, 44.16, -34.86

 

CMYK 0 / 40 / 4 / 10

HEX #E589DC

RGB 229 137 220

HSL 305.87, 0.64%, 0.72%

LAB 69.27, 47.04, -27.65

 

CMYK 28 / 67 / 0 / 16

HEX #9A46D6

RGB 154 70 214

HSL 275, 0.64%, 0.56%

LAB 47.11, 59.28, -59.82

 

CMYK 22 / 53 / 0 / 13

HEX #AC68DD

RGB 172 104 221

HSL 274.87, 0.63%, 0.64%

LAB 55.98, 48.18, -49.47

 

CMYK 17 / 40 / 0 / 10

HEX #BF89E5

RGB 191 137 229

HSL 275.22, 0.64%, 0.72%

LAB 65.46, 37.36, -38.87

 

CMYK 11 / 28 / 0 / 7

HEX #D1ABEC

RGB 209 171 236

HSL 275.08, 0.63%, 0.8%

LAB 75.29, 25.68, -27.35

 

CMYK 7 / 16 / 0 / 4

HEX #E4CDF4

RGB 228 205 244

HSL 275.38, 0.64%, 0.88%

LAB 85.35, 15.03, -16.22

 

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

CMYK 0 / 40 / 31 / 10

HEX #E5899F

RGB 229 137 159

HSL 345.65, 0.64%, 0.72%

LAB 67.32, 37.71, 3.52

 

CMYK 40 / 0 / 33 / 10

HEX #89E599

RGB 137 229 153

HSL 130.43, 0.64%, 0.72%

LAB 83.79, -43.08, 28.69

 

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

CMYK 0 / 17 / 40 / 10

HEX #E5BD89

RGB 229 189 137

HSL 33.91, 0.64%, 0.72%

LAB 78.96, 7.41, 31.65

 

CMYK 40 / 0 / 17 / 10

HEX #89E5BD

RGB 137 229 189

HSL 153.91, 0.64%, 0.72%

LAB 84.5, -36.34, 10.97

 

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

CMYK 0 / 40 / 31 / 10

HEX #E5899F

RGB 229 137 159

HSL 345.65, 0.64%, 0.72%

LAB 67.32, 37.71, 3.52

 

CMYK 23 / 0 / 40 / 10

HEX #B1E589

RGB 177 229 137

HSL 93.91, 0.64%, 0.72%

LAB 85.6, -32.52, 39.53

 

CMYK 40 / 0 / 10 / 10

HEX #89E5CF

RGB 137 229 207

HSL 165.65, 0.64%, 0.72%

LAB 84.93, -32.48, 2.11

 

CMYK 17 / 40 / 0 / 10

HEX #BF8AE5

RGB 191 138 229

HSL 274.95, 0.64%, 0.72%

LAB 65.68, 36.82, -38.52

 

CMYK 0 / 38 / 40 / 10

HEX #E58F89

RGB 229 143 137

HSL 3.91, 0.64%, 0.72%

LAB 68.1, 31.9, 16.97

 

CMYK 23 / 0 / 40 / 10

HEX #B1E589

RGB 177 229 137

HSL 93.91, 0.64%, 0.72%

LAB 85.6, -32.52, 39.53

 

CMYK 40 / 3 / 0 / 10

HEX #89DFE5

RGB 137 223 229

HSL 183.91, 0.64%, 0.72%

LAB 83.84, -24.43, -11.12

 

Description

Color code: HEX #BF8AE5 | qconv.com Color code: HEX #BF8AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 138 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 138 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 40 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 40% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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