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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF963E it is the complementary color #4069C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF963E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF963E shade: #C49639, #D5A84C, #E6BA5F, #F7CC72 and #FFDE85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF963E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF963E shade: #BF963E, #AE842B, #9D7218, #8C6005 and #7B4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF963E shade: #C0973E, #C0743E, #C0513E and #C03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF963E shade: #C0973E, #C0BA3E, #A3C03E, #80C03E and #5DC03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF963E shade matches the following richer shades: #C0973E, #D59E29, #E9A615 and #FEAD00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF963E shade: #C0973E, #AB8F53, #978867, #82807C and #6E7990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF963E shade: #C04F3E, #C0723E, #C0953E, #C0B73E and #A6C03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF963E shade: #82662A, #A17E34, #C0973E, #CAA75D and #D4B87C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF963E shade: #BF963E, #4FC03E and #613EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF963E shade: #BF963E, #3EC095 and #953EC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF963E shade: #BF963E, #4FC03E, #3E69C0 and #AF3EC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF963E shade: #BF963E, #3EC054, #3E69C0 and #C03EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 68 / 25

HEX #BF963E

RGB 191 150 62

HSL 40.93, 0.51%, 0.5%

LAB 64.35, 6, 50.71

 

Complementary color

CMYK 67 / 46 / 0 / 24

HEX #4069C1

RGB 64 105 193

HSL 220.93, 0.51%, 0.5%

LAB 45.69, 14.64, -50.43

 

CMYK 0 / 23 / 71 / 23

HEX #C49639

RGB 196 150 57

HSL 40.14, 0.55%, 0.5%

LAB 64.84, 7.91, 53.6

 

CMYK 0 / 21 / 64 / 16

HEX #D5A84C

RGB 213 168 76

HSL 40.29, 0.62%, 0.57%

LAB 71.33, 6.65, 52.54

 

CMYK 0 / 19 / 59 / 10

HEX #E6BA5F

RGB 230 186 95

HSL 40.44, 0.73%, 0.64%

LAB 77.74, 5.57, 51.33

 

CMYK 0 / 17 / 54 / 3

HEX #F7CC72

RGB 247 204 114

HSL 40.6, 0.89%, 0.71%

LAB 84.06, 4.64, 50.07

 

CMYK 0 / 13 / 48 / 0

HEX #FFDE85

RGB 255 222 133

HSL 43.77, 1%, 0.76%

LAB 89.48, 0.26, 47.62

 

CMYK 0 / 21 / 68 / 25

HEX #BF963E

RGB 191 150 62

HSL 40.93, 0.51%, 0.5%

LAB 64.35, 6, 50.71

 

CMYK 0 / 24 / 75 / 32

HEX #AE842B

RGB 174 132 43

HSL 40.76, 0.6%, 0.43%

LAB 57.73, 7.38, 51.59

 

CMYK 0 / 27 / 85 / 38

HEX #9D7218

RGB 157 114 24

HSL 40.6, 0.73%, 0.35%

LAB 51, 9.03, 51.78

 

CMYK 0 / 31 / 96 / 45

HEX #8C6005

RGB 140 96 5

HSL 40.44, 0.93%, 0.28%

LAB 44.16, 11.03, 50.57

 

CMYK 0 / 37 / 100 / 52

HEX #7B4E00

RGB 123 78 0

HSL 38.05, 1%, 0.24%

LAB 37.22, 13.45, 46.17

 

CMYK 0 / 21 / 68 / 25

HEX #C0973E

RGB 192 151 62

HSL 41.08, 0.51%, 0.5%

LAB 64.71, 5.9, 51.13

 

CMYK 0 / 40 / 68 / 25

HEX #C0743E

RGB 192 116 62

HSL 24.92, 0.51%, 0.5%

LAB 56.13, 25.12, 41.74

 

CMYK 0 / 58 / 68 / 25

HEX #C0513E

RGB 192 81 62

HSL 8.77, 0.51%, 0.5%

LAB 48.81, 43.34, 33.27

 

CMYK 0 / 68 / 68 / 25

HEX #C03E3E

RGB 192 62 62

HSL 0, 0.51%, 0.5%

LAB 45.63, 51.81, 29.44

 

CMYK 0 / 21 / 68 / 25

HEX #C0973E

RGB 192 151 62

HSL 41.08, 0.51%, 0.5%

LAB 64.71, 5.9, 51.13

 

CMYK 0 / 3 / 68 / 25

HEX #C0BA3E

RGB 192 186 62

HSL 57.23, 0.51%, 0.5%

LAB 73.98, -12.63, 60.74

 

CMYK 15 / 0 / 68 / 25

HEX #A3C03E

RGB 163 192 62

HSL 73.38, 0.51%, 0.5%

LAB 73.44, -27.73, 59.48

 

CMYK 33 / 0 / 68 / 25

HEX #80C03E

RGB 128 192 62

HSL 89.54, 0.51%, 0.5%

LAB 71.31, -41.19, 56.6

 

CMYK 52 / 0 / 68 / 25

HEX #5DC03E

RGB 93 192 62

HSL 105.69, 0.51%, 0.5%

LAB 69.74, -52.5, 54.47

 

CMYK 0 / 21 / 68 / 25

HEX #C0973E

RGB 192 151 62

HSL 41.08, 0.51%, 0.5%

LAB 64.71, 5.9, 51.13

 

CMYK 0 / 26 / 81 / 16

HEX #D59E29

RGB 213 158 41

HSL 40.81, 0.68%, 0.5%

LAB 68.58, 10.35, 63.96

 

CMYK 0 / 29 / 91 / 9

HEX #E9A615

RGB 233 166 21

HSL 41.04, 0.83%, 0.5%

LAB 72.66, 14.28, 73.39

 

CMYK 0 / 32 / 100 / 0

HEX #FEAD00

RGB 254 173 0

HSL 40.87, 1%, 0.5%

LAB 76.65, 19.34, 80.03

 

CMYK 0 / 21 / 68 / 25

HEX #C0973E

RGB 192 151 62

HSL 41.08, 0.51%, 0.5%

LAB 64.71, 5.9, 51.13

 

CMYK 0 / 16 / 51 / 33

HEX #AB8F53

RGB 171 143 83

HSL 40.91, 0.35%, 0.5%

LAB 60.72, 2.72, 35.64

 

CMYK 0 / 10 / 32 / 41

HEX #978867

RGB 151 136 103

HSL 41.25, 0.19%, 0.5%

LAB 57.24, 0.41, 19.81

 

CMYK 0 / 2 / 5 / 49

HEX #82807C

RGB 130 128 124

HSL 40, 0.02%, 0.5%

LAB 53.64, -0.02, 2.43

 

CMYK 24 / 16 / 0 / 44

HEX #6E7990

RGB 110 121 144

HSL 220.59, 0.13%, 0.5%

LAB 50.69, 1.27, -13.83

 

CMYK 0 / 59 / 68 / 25

HEX #C04F3E

RGB 192 79 62

HSL 7.85, 0.51%, 0.5%

LAB 48.44, 44.3, 32.83

 

CMYK 0 / 41 / 68 / 25

HEX #C0723E

RGB 192 114 62

HSL 24, 0.51%, 0.5%

LAB 55.67, 26.21, 41.22

 

CMYK 0 / 22 / 68 / 25

HEX #C0953E

RGB 192 149 62

HSL 40.15, 0.51%, 0.5%

LAB 64.2, 6.99, 50.58

 

CMYK 0 / 5 / 68 / 25

HEX #C0B73E

RGB 192 183 62

HSL 55.85, 0.51%, 0.5%

LAB 73.17, -11.09, 59.92

 

CMYK 14 / 0 / 68 / 25

HEX #A6C03E

RGB 166 192 62

HSL 72, 0.51%, 0.5%

LAB 73.65, -26.51, 59.75

 

CMYK 0 / 22 / 68 / 49

HEX #82662A

RGB 130 102 42

HSL 40.91, 0.51%, 0.34%

LAB 44.82, 4.23, 37.21

 

CMYK 0 / 22 / 68 / 37

HEX #A17E34

RGB 161 126 52

HSL 40.73, 0.51%, 0.42%

LAB 54.81, 5.36, 44.17

 

CMYK 0 / 21 / 68 / 25

HEX #C0973E

RGB 192 151 62

HSL 41.08, 0.51%, 0.5%

LAB 64.71, 5.9, 51.13

 

CMYK 0 / 17 / 54 / 21

HEX #CAA75D

RGB 202 167 93

HSL 40.73, 0.51%, 0.58%

LAB 70.16, 3.77, 42.69

 

CMYK 0 / 13 / 42 / 17

HEX #D4B87C

RGB 212 184 124

HSL 40.91, 0.51%, 0.66%

LAB 75.91, 1.84, 34.15

 

CMYK 0 / 21 / 68 / 25

HEX #BF963E

RGB 191 150 62

HSL 40.93, 0.51%, 0.5%

LAB 64.35, 6, 50.71

 

CMYK 59 / 0 / 68 / 25

HEX #4FC03E

RGB 79 192 62

HSL 112.15, 0.51%, 0.5%

LAB 69.26, -56.19, 53.82

 

CMYK 49 / 68 / 0 / 25

HEX #613EC0

RGB 97 62 192

HSL 256.15, 0.51%, 0.5%

LAB 37.47, 46.57, -63.04

 

CMYK 0 / 21 / 68 / 25

HEX #BF963E

RGB 191 150 62

HSL 40.93, 0.51%, 0.5%

LAB 64.35, 6, 50.71

 

CMYK 68 / 0 / 22 / 25

HEX #3EC095

RGB 62 192 149

HSL 160.15, 0.51%, 0.5%

LAB 70.1, -45.47, 11.52

 

CMYK 22 / 68 / 0 / 25

HEX #953EC0

RGB 149 62 192

HSL 280.15, 0.51%, 0.5%

LAB 43.71, 57.02, -52.63

 

CMYK 0 / 21 / 68 / 25

HEX #BF963E

RGB 191 150 62

HSL 40.93, 0.51%, 0.5%

LAB 64.35, 6, 50.71

 

CMYK 59 / 0 / 68 / 25

HEX #4FC03E

RGB 79 192 62

HSL 112.15, 0.51%, 0.5%

LAB 69.26, -56.19, 53.82

 

CMYK 68 / 45 / 0 / 25

HEX #3E69C0

RGB 62 105 192

HSL 220.15, 0.51%, 0.5%

LAB 45.54, 13.95, -50.1

 

CMYK 9 / 68 / 0 / 25

HEX #AF3EC0

RGB 175 62 192

HSL 292.15, 0.51%, 0.5%

LAB 47.45, 62.79, -46.44

 

CMYK 0 / 21 / 68 / 25

HEX #BF963E

RGB 191 150 62

HSL 40.93, 0.51%, 0.5%

LAB 64.35, 6, 50.71

 

CMYK 68 / 0 / 56 / 25

HEX #3EC054

RGB 62 192 84

HSL 130.15, 0.51%, 0.5%

LAB 69.01, -57.43, 43.74

 

CMYK 68 / 45 / 0 / 25

HEX #3E69C0

RGB 62 105 192

HSL 220.15, 0.51%, 0.5%

LAB 45.54, 13.95, -50.1

 

CMYK 0 / 68 / 11 / 25

HEX #C03EAA

RGB 192 62 170

HSL 310.15, 0.51%, 0.5%

LAB 48.95, 63.16, -31.02

 

Description

Color code: HEX #BF963E | qconv.com Color code: HEX #BF963E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 150 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 150 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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