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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9697 it is the complementary color #406968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9697 shade: #C49692, #D5A8A5, #E6BAB8, #F7CCCB and #FFDEDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9697 shade: #BF9697, #AE8484, #9D7271, #8C605E and #7B4E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9697 shade: #BF9697 and #BF9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9697 shade: #BF9697, #BF96A2, #BF96AD, #BF96B8 and #BA96BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9697 shade matches the following richer shades: #BF9697, #CC898A, #DA7B7D, #E76D70 and #F56063

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9697 shade: #BF9697, #B1A4A4, #A3B1B1, #96BFBE and #88CDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9697 shade: #BF96AD, #BF96A2, #BF9698, #BFA096 and #BFAA96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9697 shade: #9F6364, #AF7D7E, #BF9697, #CEB0B0 and #DEC9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9697 shade: #BF9697, #B8BF96 and #96A8BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9697 shade: #BF9697, #98BF96 and #9698BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9697 shade: #BF9697, #B8BF96, #96BFBD and #9D96BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9697 shade: #BF9697, #ACBF96, #96BFBD and #A996BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

Complementary color

CMYK 39 / 0 / 1 / 59

HEX #406968

RGB 64 105 104

HSL 178.54, 0.24%, 0.33%

LAB 41.52, -14.56, -3.98

 

CMYK 0 / 23 / 26 / 23

HEX #C49692

RGB 196 150 146

HSL 4.8, 0.3%, 0.67%

LAB 66.23, 16.65, 8.78

 

CMYK 0 / 21 / 23 / 16

HEX #D5A8A5

RGB 213 168 165

HSL 3.75, 0.36%, 0.74%

LAB 72.8, 16.04, 7.85

 

CMYK 0 / 19 / 20 / 10

HEX #E6BAB8

RGB 230 186 184

HSL 2.61, 0.48%, 0.81%

LAB 79.27, 15.49, 7

 

CMYK 0 / 17 / 18 / 3

HEX #F7CCCB

RGB 247 204 203

HSL 1.36, 0.73%, 0.88%

LAB 85.64, 14.99, 6.19

 

CMYK 0 / 13 / 13 / 0

HEX #FFDEDE

RGB 255 222 222

HSL 0, 1%, 0.94%

LAB 91.13, 11.38, 4.19

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 0 / 24 / 24 / 32

HEX #AE8484

RGB 174 132 132

HSL 0, 0.21%, 0.6%

LAB 59.13, 16.12, 6.25

 

CMYK 0 / 27 / 28 / 38

HEX #9D7271

RGB 157 114 113

HSL 1.36, 0.18%, 0.53%

LAB 52.28, 16.82, 7.25

 

CMYK 0 / 31 / 33 / 45

HEX #8C605E

RGB 140 96 94

HSL 2.61, 0.2%, 0.46%

LAB 45.29, 17.64, 8.36

 

CMYK 0 / 37 / 39 / 52

HEX #7B4E4B

RGB 123 78 75

HSL 3.75, 0.24%, 0.39%

LAB 38.14, 18.59, 9.66

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 0 / 21 / 21 / 25

HEX #BF9696

RGB 191 150 150

HSL 0, 0.24%, 0.67%

LAB 65.82, 15.34, 5.88

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 0 / 21 / 15 / 25

HEX #BF96A2

RGB 191 150 162

HSL 342.44, 0.24%, 0.67%

LAB 66.13, 17.24, -0.4

 

CMYK 0 / 21 / 9 / 25

HEX #BF96AD

RGB 191 150 173

HSL 326.34, 0.24%, 0.67%

LAB 66.45, 19.11, -6.11

 

CMYK 0 / 21 / 4 / 25

HEX #BF96B8

RGB 191 150 184

HSL 310.24, 0.24%, 0.67%

LAB 66.79, 21.09, -11.77

 

CMYK 3 / 21 / 0 / 25

HEX #BA96BF

RGB 186 150 191

HSL 292.68, 0.24%, 0.67%

LAB 66.53, 20.7, -16.12

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 0 / 33 / 32 / 20

HEX #CC898A

RGB 204 137 138

HSL 359.1, 0.4%, 0.67%

LAB 63.81, 25.75, 9.95

 

CMYK 0 / 44 / 43 / 15

HEX #DA7B7D

RGB 218 123 125

HSL 358.74, 0.56%, 0.67%

LAB 62.13, 36.99, 15.24

 

CMYK 0 / 53 / 52 / 9

HEX #E76D70

RGB 231 109 112

HSL 358.52, 0.72%, 0.67%

LAB 60.87, 47.54, 21.23

 

CMYK 0 / 61 / 60 / 4

HEX #F56063

RGB 245 96 99

HSL 358.79, 0.88%, 0.67%

LAB 60.5, 57.33, 28.56

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 0 / 7 / 7 / 31

HEX #B1A4A4

RGB 177 164 164

HSL 0, 0.08%, 0.67%

LAB 68.44, 4.7, 1.69

 

CMYK 8 / 0 / 0 / 31

HEX #A3B1B1

RGB 163 177 177

HSL 180, 0.08%, 0.67%

LAB 71.15, -4.85, -1.68

 

CMYK 21 / 0 / 1 / 25

HEX #96BFBE

RGB 150 191 190

HSL 178.54, 0.24%, 0.67%

LAB 74.49, -13.76, -3.99

 

CMYK 34 / 0 / 1 / 20

HEX #88CDCB

RGB 136 205 203

HSL 178.26, 0.41%, 0.67%

LAB 78, -22.03, -5.92

 

CMYK 0 / 21 / 9 / 25

HEX #BF96AD

RGB 191 150 173

HSL 326.34, 0.24%, 0.67%

LAB 66.45, 19.11, -6.11

 

CMYK 0 / 21 / 15 / 25

HEX #BF96A2

RGB 191 150 162

HSL 342.44, 0.24%, 0.67%

LAB 66.13, 17.24, -0.4

 

CMYK 0 / 21 / 20 / 25

HEX #BF9698

RGB 191 150 152

HSL 357.07, 0.24%, 0.67%

LAB 65.87, 15.65, 4.83

 

CMYK 0 / 16 / 21 / 25

HEX #BFA096

RGB 191 160 150

HSL 14.63, 0.24%, 0.67%

LAB 68.33, 9.83, 9.46

 

CMYK 0 / 11 / 21 / 25

HEX #BFAA96

RGB 191 170 150

HSL 29.27, 0.24%, 0.67%

LAB 70.89, 4.38, 13.09

 

CMYK 0 / 38 / 37 / 38

HEX #9F6364

RGB 159 99 100

HSL 359, 0.24%, 0.51%

LAB 48.53, 24.42, 9.67

 

CMYK 0 / 29 / 28 / 31

HEX #AF7D7E

RGB 175 125 126

HSL 358.8, 0.24%, 0.59%

LAB 57.35, 19.57, 7.18

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 0 / 15 / 15 / 19

HEX #CEB0B0

RGB 206 176 176

HSL 0, 0.23%, 0.75%

LAB 74.39, 10.82, 4.01

 

CMYK 0 / 9 / 9 / 13

HEX #DEC9CA

RGB 222 201 202

HSL 357.14, 0.24%, 0.83%

LAB 82.68, 7.51, 2.16

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 4 / 0 / 21 / 25

HEX #B8BF96

RGB 184 191 150

HSL 70.24, 0.24%, 0.67%

LAB 75.86, -9.43, 19.92

 

CMYK 21 / 12 / 0 / 25

HEX #96A8BF

RGB 150 168 191

HSL 213.66, 0.24%, 0.67%

LAB 68.21, -1.24, -13.88

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 20 / 0 / 21 / 25

HEX #98BF96

RGB 152 191 150

HSL 117.07, 0.24%, 0.67%

LAB 73.64, -21, 16.5

 

CMYK 21 / 20 / 0 / 25

HEX #9698BF

RGB 150 152 191

HSL 237.07, 0.24%, 0.67%

LAB 63.92, 7.69, -20.37

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 4 / 0 / 21 / 25

HEX #B8BF96

RGB 184 191 150

HSL 70.24, 0.24%, 0.67%

LAB 75.86, -9.43, 19.92

 

CMYK 21 / 0 / 1 / 25

HEX #96BFBD

RGB 150 191 189

HSL 177.07, 0.24%, 0.67%

LAB 74.46, -13.98, -3.48

 

CMYK 18 / 21 / 0 / 25

HEX #9D96BF

RGB 157 150 191

HSL 250.24, 0.24%, 0.67%

LAB 63.95, 11.06, -20.27

 

CMYK 0 / 21 / 21 / 25

HEX #BF9697

RGB 191 150 151

HSL 358.54, 0.24%, 0.67%

LAB 65.84, 15.49, 5.35

 

CMYK 10 / 0 / 21 / 25

HEX #ACBF96

RGB 172 191 150

HSL 87.8, 0.24%, 0.67%

LAB 74.97, -13.87, 18.56

 

CMYK 21 / 0 / 1 / 25

HEX #96BFBD

RGB 150 191 189

HSL 177.07, 0.24%, 0.67%

LAB 74.46, -13.98, -3.48

 

CMYK 12 / 21 / 0 / 25

HEX #A996BF

RGB 169 150 191

HSL 267.8, 0.24%, 0.67%

LAB 64.97, 14.99, -18.63

 

Description

Color code: HEX #BF9697 | qconv.com Color code: HEX #BF9697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 150 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 150 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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