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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF986D it is the complementary color #406792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF986D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF986D shade: #C49868, #D5AA7B, #E6BC8E, #F7CEA1 and #FFE0B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF986D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF986D shade: #BF986D, #AE865A, #9D7447, #8C6234 and #7B5021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF986D shade: #BF986D, #BF826D and #BF6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF986D shade: #BF986D, #BFAE6D, #BABF6D, #A4BF6D and #8EBF6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF986D shade matches the following richer shades: #BF986D, #D0995C, #E19A4B and #F19A3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF986D shade: #BF986D, #AE977E, #9D968F, #8C95A0 and #7B95B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF986D shade: #BF6D6F, #BF826D, #BF976D, #BFAD6D and #BBBF6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF986D shade: #976F42, #B28451, #BF986D, #CBAC8A and #D8C0A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF986D shade: #BF986D, #84BF6D and #776DBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF986D shade: #BF986D, #6DBF97 and #976DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF986D shade: #BF986D, #84BF6D, #6D95BF and #A86DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF986D shade: #BF986D, #6DBF6F, #6D95BF and #BF6DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

Complementary color

CMYK 56 / 29 / 0 / 43

HEX #406792

RGB 64 103 146

HSL 211.46, 0.39%, 0.41%

LAB 42.56, -0.52, -27.77

 

CMYK 0 / 22 / 47 / 23

HEX #C49868

RGB 196 152 104

HSL 31.3, 0.44%, 0.59%

LAB 65.9, 10.4, 31.51

 

CMYK 0 / 20 / 42 / 16

HEX #D5AA7B

RGB 213 170 123

HSL 31.33, 0.52%, 0.66%

LAB 72.45, 9.59, 30.18

 

CMYK 0 / 18 / 38 / 10

HEX #E6BC8E

RGB 230 188 142

HSL 31.36, 0.64%, 0.73%

LAB 78.89, 8.89, 28.95

 

CMYK 0 / 17 / 35 / 3

HEX #F7CEA1

RGB 247 206 161

HSL 31.4, 0.84%, 0.8%

LAB 85.25, 8.28, 27.8

 

CMYK 0 / 12 / 29 / 0

HEX #FFE0B4

RGB 255 224 180

HSL 35.2, 1%, 0.85%

LAB 90.72, 4.36, 25.5

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 0 / 23 / 48 / 32

HEX #AE865A

RGB 174 134 90

HSL 31.43, 0.34%, 0.52%

LAB 58.78, 9.69, 29.5

 

CMYK 0 / 26 / 55 / 38

HEX #9D7447

RGB 157 116 71

HSL 31.4, 0.38%, 0.45%

LAB 51.97, 10.69, 30.97

 

CMYK 0 / 30 / 63 / 45

HEX #8C6234

RGB 140 98 52

HSL 31.36, 0.46%, 0.38%

LAB 45.02, 11.9, 32.53

 

CMYK 0 / 35 / 73 / 52

HEX #7B5021

RGB 123 80 33

HSL 31.33, 0.58%, 0.31%

LAB 37.95, 13.41, 34.09

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 0 / 32 / 43 / 25

HEX #BF826D

RGB 191 130 109

HSL 15.37, 0.39%, 0.59%

LAB 60.02, 20.99, 20.89

 

CMYK 0 / 43 / 43 / 25

HEX #BF6D6D

RGB 191 109 109

HSL 0, 0.39%, 0.59%

LAB 55.19, 32.48, 14.29

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 0 / 9 / 43 / 25

HEX #BFAE6D

RGB 191 174 109

HSL 47.56, 0.39%, 0.59%

LAB 71.18, -3.03, 35.52

 

CMYK 3 / 0 / 43 / 25

HEX #BABF6D

RGB 186 191 109

HSL 63.66, 0.39%, 0.59%

LAB 75.33, -13.91, 40.65

 

CMYK 14 / 0 / 43 / 25

HEX #A4BF6D

RGB 164 191 109

HSL 79.76, 0.39%, 0.59%

LAB 73.71, -22.6, 38.28

 

CMYK 26 / 0 / 43 / 25

HEX #8EBF6D

RGB 142 191 109

HSL 95.85, 0.39%, 0.59%

LAB 72.31, -30.83, 36.21

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 0 / 26 / 56 / 18

HEX #D0995C

RGB 208 153 92

HSL 31.55, 0.55%, 0.59%

LAB 67.25, 13.77, 39.81

 

CMYK 0 / 32 / 67 / 12

HEX #E19A4B

RGB 225 154 75

HSL 31.6, 0.71%, 0.59%

LAB 69.2, 19.17, 51.03

 

CMYK 0 / 36 / 76 / 5

HEX #F19A3A

RGB 241 154 58

HSL 31.48, 0.87%, 0.59%

LAB 70.95, 25.02, 60.99

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 0 / 13 / 28 / 32

HEX #AE977E

RGB 174 151 126

HSL 31.25, 0.23%, 0.59%

LAB 63.87, 4.62, 16.33

 

CMYK 0 / 4 / 9 / 38

HEX #9D968F

RGB 157 150 143

HSL 30, 0.07%, 0.59%

LAB 62.48, 1.29, 4.6

 

CMYK 13 / 7 / 0 / 37

HEX #8C95A0

RGB 140 149 160

HSL 213, 0.1%, 0.59%

LAB 61.31, -0.93, -6.89

 

CMYK 31 / 16 / 0 / 31

HEX #7B95B1

RGB 123 149 177

HSL 211.11, 0.26%, 0.59%

LAB 60.68, -2.42, -17.6

 

CMYK 0 / 43 / 42 / 25

HEX #BF6D6F

RGB 191 109 111

HSL 358.54, 0.39%, 0.59%

LAB 55.24, 32.7, 13.19

 

CMYK 0 / 32 / 43 / 25

HEX #BF826D

RGB 191 130 109

HSL 15.37, 0.39%, 0.59%

LAB 60.02, 20.99, 20.89

 

CMYK 0 / 21 / 43 / 25

HEX #BF976D

RGB 191 151 109

HSL 30.73, 0.39%, 0.59%

LAB 65.21, 9.4, 27.81

 

CMYK 0 / 9 / 43 / 25

HEX #BFAD6D

RGB 191 173 109

HSL 46.83, 0.39%, 0.59%

LAB 70.92, -2.5, 35.19

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 0 / 26 / 56 / 41

HEX #976F42

RGB 151 111 66

HSL 31.76, 0.39%, 0.43%

LAB 49.91, 10.46, 31.03

 

CMYK 0 / 26 / 54 / 30

HEX #B28451

RGB 178 132 81

HSL 31.55, 0.39%, 0.51%

LAB 58.57, 11.67, 34.21

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 0 / 15 / 32 / 20

HEX #CBAC8A

RGB 203 172 138

HSL 31.38, 0.38%, 0.67%

LAB 72.25, 6.3, 21.69

 

CMYK 0 / 11 / 23 / 15

HEX #D8C0A7

RGB 216 192 167

HSL 30.61, 0.39%, 0.75%

LAB 79.09, 4.6, 15.71

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 31 / 0 / 43 / 25

HEX #84BF6D

RGB 132 191 109

HSL 103.17, 0.39%, 0.59%

LAB 71.74, -34.36, 35.37

 

CMYK 38 / 43 / 0 / 25

HEX #776DBF

RGB 119 109 191

HSL 247.32, 0.39%, 0.59%

LAB 50.24, 23.69, -41.82

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 43 / 0 / 21 / 25

HEX #6DBF97

RGB 109 191 151

HSL 150.73, 0.39%, 0.59%

LAB 71.38, -34.25, 12.47

 

CMYK 21 / 43 / 0 / 25

HEX #976DBF

RGB 151 109 191

HSL 270.73, 0.39%, 0.59%

LAB 53.25, 32.74, -36.87

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 31 / 0 / 43 / 25

HEX #84BF6D

RGB 132 191 109

HSL 103.17, 0.39%, 0.59%

LAB 71.74, -34.36, 35.37

 

CMYK 43 / 22 / 0 / 25

HEX #6D95BF

RGB 109 149 191

HSL 210.73, 0.39%, 0.59%

LAB 60.34, -2.6, -26.09

 

CMYK 12 / 43 / 0 / 25

HEX #A86DBF

RGB 168 109 191

HSL 283.17, 0.39%, 0.59%

LAB 55.1, 37.8, -33.85

 

CMYK 0 / 20 / 43 / 25

HEX #BF986D

RGB 191 152 109

HSL 31.46, 0.39%, 0.59%

LAB 65.47, 8.85, 28.14

 

CMYK 43 / 0 / 42 / 25

HEX #6DBF6F

RGB 109 191 111

HSL 121.46, 0.39%, 0.59%

LAB 70.64, -41.51, 32.7

 

CMYK 43 / 22 / 0 / 25

HEX #6D95BF

RGB 109 149 191

HSL 210.73, 0.39%, 0.59%

LAB 60.34, -2.6, -26.09

 

CMYK 0 / 43 / 1 / 25

HEX #BF6DBD

RGB 191 109 189

HSL 301.46, 0.39%, 0.59%

LAB 57.74, 44.39, -28.39

 

Description

Color code: HEX #BF986D | qconv.com Color code: HEX #BF986D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 152 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 152 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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