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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9969 it is the complementary color #406696. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9969. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9969 shade: #C49964, #D5AB77, #E6BD8A, #F7CF9D and #FFE1B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9969. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9969 shade: #BF9969, #AE8756, #9D7543, #8C6330 and #7B511D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9969 shade: #BE9869, #BE8169, #BE6A69 and #BE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9969 shade: #BE9869, #BEAF69, #B6BE69, #9FBE69 and #88BE69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9969 shade matches the following richer shades: #BE9869, #D09A57, #E19C46 and #F29E35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9969 shade: #BE9869, #AD967A, #9C948B, #8A929D and #7990AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9969 shade: #BE6A69, #BE8169, #BE9869, #BEAF69 and #B7BE69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9969 shade: #956F3F, #B2854C, #BE9869, #CBAC85 and #D7C0A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9969 shade: #BF9969, #7EBE69 and #7569BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9969 shade: #BF9969, #69BE98 and #9869BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9969 shade: #BF9969, #7EBE69, #698FBE and #A969BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9969 shade: #BF9969, #69BE6D, #698FBE and #BE69BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 45 / 25

HEX #BF9969

RGB 191 153 105

HSL 33.49, 0.4%, 0.58%

LAB 65.65, 7.88, 30.55

 

Complementary color

CMYK 57 / 32 / 0 / 41

HEX #406696

RGB 64 102 150

HSL 213.49, 0.4%, 0.42%

LAB 42.45, 1.44, -30.33

 

CMYK 0 / 22 / 49 / 23

HEX #C49964

RGB 196 153 100

HSL 33.13, 0.45%, 0.58%

LAB 66.09, 9.46, 33.89

 

CMYK 0 / 20 / 44 / 16

HEX #D5AB77

RGB 213 171 119

HSL 33.19, 0.53%, 0.65%

LAB 72.63, 8.63, 32.55

 

CMYK 0 / 18 / 40 / 10

HEX #E6BD8A

RGB 230 189 138

HSL 33.26, 0.65%, 0.72%

LAB 79.07, 7.92, 31.29

 

CMYK 0 / 16 / 36 / 3

HEX #F7CF9D

RGB 247 207 157

HSL 33.33, 0.85%, 0.79%

LAB 85.42, 7.29, 30.11

 

CMYK 0 / 12 / 31 / 0

HEX #FFE1B0

RGB 255 225 176

HSL 37.22, 1%, 0.85%

LAB 90.89, 3.35, 27.79

 

CMYK 0 / 20 / 45 / 25

HEX #BF9969

RGB 191 153 105

HSL 33.49, 0.4%, 0.58%

LAB 65.65, 7.88, 30.55

 

CMYK 0 / 22 / 51 / 32

HEX #AE8756

RGB 174 135 86

HSL 33.41, 0.35%, 0.51%

LAB 58.97, 8.74, 31.93

 

CMYK 0 / 25 / 57 / 38

HEX #9D7543

RGB 157 117 67

HSL 33.33, 0.4%, 0.44%

LAB 52.17, 9.77, 33.4

 

CMYK 0 / 29 / 66 / 45

HEX #8C6330

RGB 140 99 48

HSL 33.26, 0.49%, 0.37%

LAB 45.24, 11.03, 34.92

 

CMYK 0 / 34 / 76 / 52

HEX #7B511D

RGB 123 81 29

HSL 33.19, 0.62%, 0.3%

LAB 38.17, 12.6, 36.32

 

CMYK 0 / 20 / 45 / 25

HEX #BE9869

RGB 190 152 105

HSL 33.18, 0.4%, 0.58%

LAB 65.3, 8.01, 30.07

 

CMYK 0 / 32 / 45 / 25

HEX #BE8169

RGB 190 129 105

HSL 16.94, 0.4%, 0.58%

LAB 59.59, 20.7, 22.55

 

CMYK 0 / 44 / 45 / 25

HEX #BE6A69

RGB 190 106 105

HSL 0.71, 0.4%, 0.58%

LAB 54.32, 33.28, 15.39

 

CMYK 0 / 45 / 45 / 25

HEX #BE6969

RGB 190 105 105

HSL 0, 0.4%, 0.58%

LAB 54.1, 33.81, 15.09

 

CMYK 0 / 20 / 45 / 25

HEX #BE9869

RGB 190 152 105

HSL 33.18, 0.4%, 0.58%

LAB 65.3, 8.01, 30.07

 

CMYK 0 / 8 / 45 / 25

HEX #BEAF69

RGB 190 175 105

HSL 49.41, 0.4%, 0.58%

LAB 71.3, -4.39, 37.73

 

CMYK 4 / 0 / 45 / 25

HEX #B6BE69

RGB 182 190 105

HSL 65.65, 0.4%, 0.58%

LAB 74.69, -15.43, 41.8

 

CMYK 16 / 0 / 45 / 25

HEX #9FBE69

RGB 159 190 105

HSL 81.88, 0.4%, 0.58%

LAB 73.04, -24.5, 39.38

 

CMYK 28 / 0 / 45 / 25

HEX #88BE69

RGB 136 190 105

HSL 98.12, 0.4%, 0.58%

LAB 71.61, -33.02, 37.29

 

CMYK 0 / 20 / 45 / 25

HEX #BE9869

RGB 190 152 105

HSL 33.18, 0.4%, 0.58%

LAB 65.3, 8.01, 30.07

 

CMYK 0 / 26 / 58 / 18

HEX #D09A57

RGB 208 154 87

HSL 33.22, 0.56%, 0.58%

LAB 67.43, 12.83, 42.6

 

CMYK 0 / 31 / 69 / 12

HEX #E19C46

RGB 225 156 70

HSL 33.29, 0.72%, 0.58%

LAB 69.63, 17.82, 53.83

 

CMYK 0 / 35 / 78 / 5

HEX #F29E35

RGB 242 158 53

HSL 33.33, 0.88%, 0.58%

LAB 71.95, 23.14, 63.97

 

CMYK 0 / 20 / 45 / 25

HEX #BE9869

RGB 190 152 105

HSL 33.18, 0.4%, 0.58%

LAB 65.3, 8.01, 30.07

 

CMYK 0 / 13 / 29 / 32

HEX #AD967A

RGB 173 150 122

HSL 32.94, 0.24%, 0.58%

LAB 63.43, 4.21, 17.94

 

CMYK 0 / 5 / 11 / 39

HEX #9C948B

RGB 156 148 139

HSL 31.76, 0.08%, 0.58%

LAB 61.75, 1.32, 5.8

 

CMYK 12 / 7 / 0 / 38

HEX #8A929D

RGB 138 146 157

HSL 214.74, 0.09%, 0.58%

LAB 60.24, -0.58, -6.79

 

CMYK 30 / 17 / 0 / 32

HEX #7990AE

RGB 121 144 174

HSL 213.96, 0.25%, 0.58%

LAB 59.04, -0.96, -18.41

 

CMYK 0 / 44 / 45 / 25

HEX #BE6A69

RGB 190 106 105

HSL 0.71, 0.4%, 0.58%

LAB 54.32, 33.28, 15.39

 

CMYK 0 / 32 / 45 / 25

HEX #BE8169

RGB 190 129 105

HSL 16.94, 0.4%, 0.58%

LAB 59.59, 20.7, 22.55

 

CMYK 0 / 20 / 45 / 25

HEX #BE9869

RGB 190 152 105

HSL 33.18, 0.4%, 0.58%

LAB 65.3, 8.01, 30.07

 

CMYK 0 / 8 / 45 / 25

HEX #BEAF69

RGB 190 175 105

HSL 49.41, 0.4%, 0.58%

LAB 71.3, -4.39, 37.73

 

CMYK 4 / 0 / 45 / 25

HEX #B7BE69

RGB 183 190 105

HSL 64.94, 0.4%, 0.58%

LAB 74.77, -15.03, 41.91

 

CMYK 0 / 26 / 58 / 42

HEX #956F3F

RGB 149 111 63

HSL 33.49, 0.41%, 0.42%

LAB 49.64, 9.31, 32.29

 

CMYK 0 / 25 / 57 / 30

HEX #B2854C

RGB 178 133 76

HSL 33.53, 0.4%, 0.5%

LAB 58.75, 10.69, 37.1

 

CMYK 0 / 20 / 45 / 25

HEX #BE9869

RGB 190 152 105

HSL 33.18, 0.4%, 0.58%

LAB 65.3, 8.01, 30.07

 

CMYK 0 / 15 / 34 / 20

HEX #CBAC85

RGB 203 172 133

HSL 33.43, 0.4%, 0.66%

LAB 72.16, 5.66, 24.26

 

CMYK 0 / 11 / 25 / 16

HEX #D7C0A2

RGB 215 192 162

HSL 33.96, 0.4%, 0.74%

LAB 78.9, 3.51, 18.11

 

CMYK 0 / 20 / 45 / 25

HEX #BF9969

RGB 191 153 105

HSL 33.49, 0.4%, 0.58%

LAB 65.65, 7.88, 30.55

 

CMYK 34 / 0 / 45 / 25

HEX #7EBE69

RGB 126 190 105

HSL 105.18, 0.4%, 0.58%

LAB 71.07, -36.49, 36.48

 

CMYK 38 / 45 / 0 / 25

HEX #7569BE

RGB 117 105 190

HSL 248.47, 0.4%, 0.58%

LAB 49.01, 25.29, -43.2

 

CMYK 0 / 20 / 45 / 25

HEX #BF9969

RGB 191 153 105

HSL 33.49, 0.4%, 0.58%

LAB 65.65, 7.88, 30.55

 

CMYK 45 / 0 / 20 / 25

HEX #69BE98

RGB 105 190 152

HSL 153.18, 0.4%, 0.58%

LAB 70.94, -34.65, 11.27

 

CMYK 20 / 45 / 0 / 25

HEX #9869BE

RGB 152 105 190

HSL 273.18, 0.4%, 0.58%

LAB 52.39, 35.08, -37.64

 

CMYK 0 / 20 / 45 / 25

HEX #BF9969

RGB 191 153 105

HSL 33.49, 0.4%, 0.58%

LAB 65.65, 7.88, 30.55

 

CMYK 34 / 0 / 45 / 25

HEX #7EBE69

RGB 126 190 105

HSL 105.18, 0.4%, 0.58%

LAB 71.07, -36.49, 36.48

 

CMYK 45 / 25 / 0 / 25

HEX #698FBE

RGB 105 143 190

HSL 213.18, 0.4%, 0.58%

LAB 58.38, -0.5, -28.57

 

CMYK 11 / 45 / 0 / 25

HEX #A969BE

RGB 169 105 190

HSL 285.18, 0.4%, 0.58%

LAB 54.3, 40.08, -34.52

 

CMYK 0 / 20 / 45 / 25

HEX #BF9969

RGB 191 153 105

HSL 33.49, 0.4%, 0.58%

LAB 65.65, 7.88, 30.55

 

CMYK 45 / 0 / 43 / 25

HEX #69BE6D

RGB 105 190 109

HSL 122.82, 0.4%, 0.58%

LAB 70.13, -42.57, 33.05

 

CMYK 45 / 25 / 0 / 25

HEX #698FBE

RGB 105 143 190

HSL 213.18, 0.4%, 0.58%

LAB 58.38, -0.5, -28.57

 

CMYK 0 / 45 / 2 / 25

HEX #BE69BA

RGB 190 105 186

HSL 302.82, 0.4%, 0.58%

LAB 56.68, 45.62, -28.32

 

Description

Color code: HEX #BF9969 | qconv.com Color code: HEX #BF9969 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 153 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 153 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 45 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 45% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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