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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9077 it is the complementary color #406F88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9077 shade: #C49072, #D5A285, #E6B498, #F7C6AB and #FFD8BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9077 shade: #BF9077, #AE7E64, #9D6C51, #8C5A3E and #7B482B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9077 shade: #BF9077, #BF7D77 and #BF7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9077 shade: #BF9077, #BFA377, #BFB777, #B4BF77 and #A0BF77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9077 shade matches the following richer shades: #BF9077, #CF8B67, #DF8657 and #EF8147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9077 shade: #BF9077, #AF9587, #9F9A97, #8F9FA8 and #7EA4B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9077 shade: #BF7786, #BF7C77, #BF8F77, #BFA277 and #BFB577

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9077 shade: #9B6549, #B2795B, #BF9077, #CCA793 and #D9BEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9077 shade: #BF9077, #99BF77 and #777CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9077 shade: #BF9077, #77BF8F and #8F77BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9077 shade: #BF9077, #99BF77, #77A7BF and #9D77BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9077 shade: #BF9077, #83BF77, #77A7BF and #B377BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

Complementary color

CMYK 53 / 18 / 0 / 47

HEX #406F88

RGB 64 111 136

HSL 200.83, 0.36%, 0.39%

LAB 44.57, -8.57, -18.68

 

CMYK 0 / 27 / 42 / 23

HEX #C49072

RGB 196 144 114

HSL 21.95, 0.41%, 0.61%

LAB 64.08, 15.85, 23.65

 

CMYK 0 / 24 / 38 / 16

HEX #D5A285

RGB 213 162 133

HSL 21.75, 0.49%, 0.68%

LAB 70.65, 15.03, 22.39

 

CMYK 0 / 22 / 34 / 10

HEX #E6B498

RGB 230 180 152

HSL 21.54, 0.61%, 0.75%

LAB 77.12, 14.32, 21.22

 

CMYK 0 / 20 / 31 / 3

HEX #F7C6AB

RGB 247 198 171

HSL 21.32, 0.83%, 0.82%

LAB 83.5, 13.68, 20.14

 

CMYK 0 / 15 / 25 / 0

HEX #FFD8BE

RGB 255 216 190

HSL 24, 1%, 0.87%

LAB 88.96, 9.79, 17.87

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 0 / 28 / 43 / 32

HEX #AE7E64

RGB 174 126 100

HSL 21.08, 0.31%, 0.54%

LAB 56.92, 15.25, 21.48

 

CMYK 0 / 31 / 48 / 38

HEX #9D6C51

RGB 157 108 81

HSL 21.32, 0.32%, 0.47%

LAB 50.08, 16.24, 22.93

 

CMYK 0 / 36 / 56 / 45

HEX #8C5A3E

RGB 140 90 62

HSL 21.54, 0.39%, 0.4%

LAB 43.12, 17.42, 24.55

 

CMYK 0 / 41 / 65 / 52

HEX #7B482B

RGB 123 72 43

HSL 21.75, 0.48%, 0.33%

LAB 36.02, 18.85, 26.4

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 0 / 35 / 38 / 25

HEX #BF7D77

RGB 191 125 119

HSL 5, 0.36%, 0.61%

LAB 59.04, 24.91, 13.86

 

CMYK 0 / 38 / 38 / 25

HEX #BF7777

RGB 191 119 119

HSL 0, 0.36%, 0.61%

LAB 57.66, 28.21, 11.92

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 0 / 15 / 38 / 25

HEX #BFA377

RGB 191 163 119

HSL 36.67, 0.36%, 0.61%

LAB 68.46, 4, 26.68

 

CMYK 0 / 4 / 38 / 25

HEX #BFB777

RGB 191 183 119

HSL 53.33, 0.36%, 0.61%

LAB 73.72, -6.66, 33.57

 

CMYK 6 / 0 / 38 / 25

HEX #B4BF77

RGB 180 191 119

HSL 69.17, 0.36%, 0.61%

LAB 75.01, -15.17, 35.06

 

CMYK 16 / 0 / 38 / 25

HEX #A0BF77

RGB 160 191 119

HSL 85.83, 0.36%, 0.61%

LAB 73.59, -22.87, 32.95

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 0 / 33 / 50 / 19

HEX #CF8B67

RGB 207 139 103

HSL 20.77, 0.52%, 0.61%

LAB 63.93, 21.93, 29.74

 

CMYK 0 / 40 / 61 / 13

HEX #DF8657

RGB 223 134 87

HSL 20.74, 0.68%, 0.61%

LAB 64.5, 29.79, 39.51

 

CMYK 0 / 46 / 70 / 6

HEX #EF8147

RGB 239 129 71

HSL 20.71, 0.84%, 0.61%

LAB 65.36, 37.79, 49.23

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 0 / 15 / 23 / 31

HEX #AF9587

RGB 175 149 135

HSL 21, 0.2%, 0.61%

LAB 63.64, 7.44, 10.98

 

CMYK 0 / 3 / 5 / 38

HEX #9F9A97

RGB 159 154 151

HSL 22.5, 0.04%, 0.61%

LAB 63.93, 1.26, 2.21

 

CMYK 15 / 5 / 0 / 34

HEX #8F9FA8

RGB 143 159 168

HSL 201.6, 0.13%, 0.61%

LAB 64.53, -3.72, -6.6

 

CMYK 32 / 11 / 0 / 28

HEX #7EA4B8

RGB 126 164 184

HSL 200.69, 0.29%, 0.61%

LAB 65.32, -8.07, -14.5

 

CMYK 0 / 38 / 30 / 25

HEX #BF7786

RGB 191 119 134

HSL 347.5, 0.36%, 0.61%

LAB 58.03, 30.14, 3.77

 

CMYK 0 / 35 / 38 / 25

HEX #BF7C77

RGB 191 124 119

HSL 4.17, 0.36%, 0.61%

LAB 58.81, 25.46, 13.54

 

CMYK 0 / 25 / 38 / 25

HEX #BF8F77

RGB 191 143 119

HSL 20, 0.36%, 0.61%

LAB 63.39, 14.96, 19.85

 

CMYK 0 / 15 / 38 / 25

HEX #BFA277

RGB 191 162 119

HSL 35.83, 0.36%, 0.61%

LAB 68.2, 4.54, 26.33

 

CMYK 0 / 5 / 38 / 25

HEX #BFB577

RGB 191 181 119

HSL 51.67, 0.36%, 0.61%

LAB 73.19, -5.61, 32.88

 

CMYK 0 / 35 / 53 / 39

HEX #9B6549

RGB 155 101 73

HSL 20.49, 0.36%, 0.45%

LAB 47.95, 18.6, 24.73

 

CMYK 0 / 32 / 49 / 30

HEX #B2795B

RGB 178 121 91

HSL 20.69, 0.36%, 0.53%

LAB 55.98, 18.76, 25.42

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 0 / 18 / 28 / 20

HEX #CCA793

RGB 204 167 147

HSL 21.05, 0.36%, 0.69%

LAB 71.27, 10.59, 15.44

 

CMYK 0 / 12 / 19 / 15

HEX #D9BEAF

RGB 217 190 175

HSL 21.43, 0.36%, 0.77%

LAB 78.85, 7.22, 11.09

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 20 / 0 / 38 / 25

HEX #99BF77

RGB 153 191 119

HSL 91.67, 0.36%, 0.61%

LAB 73.13, -25.48, 32.26

 

CMYK 38 / 35 / 0 / 25

HEX #777CBF

RGB 119 124 191

HSL 235.83, 0.36%, 0.61%

LAB 54.13, 14.7, -35.69

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 38 / 0 / 25 / 25

HEX #77BF8F

RGB 119 191 143

HSL 140, 0.36%, 0.61%

LAB 71.67, -32.98, 17.25

 

CMYK 25 / 38 / 0 / 25

HEX #8F77BF

RGB 143 119 191

HSL 260, 0.36%, 0.61%

LAB 54.86, 24.58, -34.41

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 20 / 0 / 38 / 25

HEX #99BF77

RGB 153 191 119

HSL 91.67, 0.36%, 0.61%

LAB 73.13, -25.48, 32.26

 

CMYK 38 / 13 / 0 / 25

HEX #77A7BF

RGB 119 167 191

HSL 200, 0.36%, 0.61%

LAB 66, -9.89, -17.4

 

CMYK 18 / 38 / 0 / 25

HEX #9D77BF

RGB 157 119 191

HSL 271.67, 0.36%, 0.61%

LAB 56.21, 28.82, -32.2

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 31 / 0 / 38 / 25

HEX #83BF77

RGB 131 191 119

HSL 110, 0.36%, 0.61%

LAB 71.84, -33.26, 30.33

 

CMYK 38 / 13 / 0 / 25

HEX #77A7BF

RGB 119 167 191

HSL 200, 0.36%, 0.61%

LAB 66, -9.89, -17.4

 

CMYK 6 / 38 / 0 / 25

HEX #B377BF

RGB 179 119 191

HSL 290, 0.36%, 0.61%

LAB 58.55, 35.67, -28.39

 

Description

Color code: HEX #BF9077 | qconv.com Color code: HEX #BF9077 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 144 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 144 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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