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Color name
HEX #BF915E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF915E it is the complementary color #406EA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF915E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF915E shade: #C49159, #D5A36C, #E6B57F, #F7C792 and #FFD9A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF915E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF915E shade: #BF915E, #AE7F4B, #9D6D38, #8C5B25 and #7B4912

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF915E shade: #BF915E, #BF775E and #BF5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF915E shade: #BF915E, #BFAB5E, #B8BF5E, #9EBF5E and #84BF5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF915E shade matches the following richer shades: #BF915E, #D1924C, #E3933A and #F59428

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF915E shade: #BF915E, #AC9070, #9A8F82, #888E95 and #768DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF915E shade: #BF5E60, #BF765E, #BF905E, #BFAA5E and #BABF5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF915E shade: #916739, #AE7C45, #BF915E, #CAA57C and #D6B999

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF915E shade: #BF915E, #79BF5E and #695EBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF915E shade: #BF915E, #5EBF90 and #905EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF915E shade: #BF915E, #79BF5E, #5E8DBF and #A35EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF915E shade: #BF915E, #5EBF60, #5E8DBF and #BF5EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

Complementary color

CMYK 60 / 32 / 0 / 37

HEX #406EA1

RGB 64 110 161

HSL 211.55, 0.43%, 0.44%

LAB 45.38, 0.26, -32.26

 

CMYK 0 / 26 / 55 / 23

HEX #C49159

RGB 196 145 89

HSL 31.4, 0.48%, 0.56%

LAB 63.92, 12.83, 37.01

 

CMYK 0 / 23 / 49 / 16

HEX #D5A36C

RGB 213 163 108

HSL 31.43, 0.56%, 0.63%

LAB 70.47, 11.84, 35.58

 

CMYK 0 / 21 / 45 / 10

HEX #E6B57F

RGB 230 181 127

HSL 31.46, 0.67%, 0.7%

LAB 76.92, 10.98, 34.24

 

CMYK 0 / 19 / 41 / 3

HEX #F7C792

RGB 247 199 146

HSL 31.49, 0.86%, 0.77%

LAB 83.28, 10.23, 32.98

 

CMYK 0 / 15 / 35 / 0

HEX #FFD9A5

RGB 255 217 165

HSL 34.67, 1%, 0.82%

LAB 88.73, 6.13, 30.54

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 27 / 57 / 32

HEX #AE7F4B

RGB 174 127 75

HSL 31.52, 0.4%, 0.49%

LAB 56.77, 12.23, 35.12

 

CMYK 0 / 31 / 64 / 38

HEX #9D6D38

RGB 157 109 56

HSL 31.49, 0.47%, 0.42%

LAB 49.97, 13.49, 36.66

 

CMYK 0 / 35 / 74 / 45

HEX #8C5B25

RGB 140 91 37

HSL 31.46, 0.58%, 0.35%

LAB 43.05, 15.02, 38.15

 

CMYK 0 / 41 / 85 / 52

HEX #7B4912

RGB 123 73 18

HSL 31.43, 0.74%, 0.28%

LAB 36.02, 16.89, 39.21

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 38 / 51 / 25

HEX #BF775E

RGB 191 119 94

HSL 15.46, 0.43%, 0.56%

LAB 57.15, 25.51, 25.56

 

CMYK 0 / 51 / 51 / 25

HEX #BF5E5E

RGB 191 94 94

HSL 0, 0.43%, 0.56%

LAB 51.71, 38.87, 18.32

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 10 / 51 / 25

HEX #BFAB5E

RGB 191 171 94

HSL 47.63, 0.43%, 0.56%

LAB 70.18, -2.91, 41.97

 

CMYK 4 / 0 / 51 / 25

HEX #B8BF5E

RGB 184 191 94

HSL 64.33, 0.43%, 0.56%

LAB 74.99, -16.2, 47.57

 

CMYK 17 / 0 / 51 / 25

HEX #9EBF5E

RGB 158 191 94

HSL 80.41, 0.43%, 0.56%

LAB 73.11, -26.58, 44.89

 

CMYK 31 / 0 / 51 / 25

HEX #84BF5E

RGB 132 191 94

HSL 96.49, 0.43%, 0.56%

LAB 71.54, -36.26, 42.61

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 30 / 64 / 18

HEX #D1924C

RGB 209 146 76

HSL 31.58, 0.59%, 0.56%

LAB 65.46, 16.81, 45.84

 

CMYK 0 / 35 / 74 / 11

HEX #E3933A

RGB 227 147 58

HSL 31.6, 0.75%, 0.56%

LAB 67.65, 22.89, 57.17

 

CMYK 0 / 40 / 84 / 4

HEX #F59428

RGB 245 148 40

HSL 31.61, 0.91%, 0.56%

LAB 70, 29.23, 66.99

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 16 / 35 / 33

HEX #AC9070

RGB 172 144 112

HSL 32, 0.27%, 0.56%

LAB 61.56, 5.8, 20.94

 

CMYK 0 / 7 / 16 / 40

HEX #9A8F82

RGB 154 143 130

HSL 32.5, 0.11%, 0.56%

LAB 60, 1.81, 8.38

 

CMYK 9 / 5 / 0 / 42

HEX #888E95

RGB 136 142 149

HSL 212.31, 0.06%, 0.56%

LAB 58.74, -0.74, -4.47

 

CMYK 29 / 16 / 0 / 35

HEX #768DA7

RGB 118 141 167

HSL 211.84, 0.22%, 0.56%

LAB 57.74, -1.95, -16.4

 

CMYK 0 / 51 / 50 / 25

HEX #BF5E60

RGB 191 94 96

HSL 358.76, 0.43%, 0.56%

LAB 51.75, 39.06, 17.19

 

CMYK 0 / 38 / 51 / 25

HEX #BF765E

RGB 191 118 94

HSL 14.85, 0.43%, 0.56%

LAB 56.92, 26.06, 25.25

 

CMYK 0 / 25 / 51 / 25

HEX #BF905E

RGB 191 144 94

HSL 30.93, 0.43%, 0.56%

LAB 63.2, 11.72, 33.33

 

CMYK 0 / 11 / 51 / 25

HEX #BFAA5E

RGB 191 170 94

HSL 47.01, 0.43%, 0.56%

LAB 69.92, -2.38, 41.65

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 0 / 29 / 61 / 43

HEX #916739

RGB 145 103 57

HSL 31.36, 0.44%, 0.4%

LAB 47, 11.64, 32.28

 

CMYK 0 / 29 / 60 / 32

HEX #AE7C45

RGB 174 124 69

HSL 31.43, 0.43%, 0.48%

LAB 55.93, 13.43, 37.3

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 18 / 39 / 21

HEX #CAA57C

RGB 202 165 124

HSL 31.54, 0.42%, 0.64%

LAB 70.12, 7.96, 26.37

 

CMYK 0 / 14 / 29 / 16

HEX #D6B999

RGB 214 185 153

HSL 31.48, 0.43%, 0.72%

LAB 76.86, 5.6, 20.08

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 37 / 0 / 51 / 25

HEX #79BF5E

RGB 121 191 94

HSL 103.3, 0.43%, 0.56%

LAB 70.96, -40.04, 41.78

 

CMYK 45 / 51 / 0 / 25

HEX #695EBF

RGB 105 94 191

HSL 246.8, 0.43%, 0.56%

LAB 45.32, 29.24, -49.73

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 51 / 0 / 25 / 25

HEX #5EBF90

RGB 94 191 144

HSL 150.93, 0.43%, 0.56%

LAB 70.63, -39.61, 15.11

 

CMYK 25 / 51 / 0 / 25

HEX #905EBF

RGB 144 94 191

HSL 270.93, 0.43%, 0.56%

LAB 49.13, 39.25, -43.43

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 37 / 0 / 51 / 25

HEX #79BF5E

RGB 121 191 94

HSL 103.3, 0.43%, 0.56%

LAB 70.96, -40.04, 41.78

 

CMYK 51 / 26 / 0 / 25

HEX #5E8DBF

RGB 94 141 191

HSL 210.93, 0.43%, 0.56%

LAB 57.26, -1.76, -30.93

 

CMYK 15 / 51 / 0 / 25

HEX #A35EBF

RGB 163 94 191

HSL 282.68, 0.43%, 0.56%

LAB 51.33, 44.49, -39.81

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 51 / 0 / 50 / 25

HEX #5EBF60

RGB 94 191 96

HSL 121.24, 0.43%, 0.56%

LAB 69.81, -48.01, 39.12

 

CMYK 51 / 26 / 0 / 25

HEX #5E8DBF

RGB 94 141 191

HSL 210.93, 0.43%, 0.56%

LAB 57.26, -1.76, -30.93

 

CMYK 0 / 51 / 1 / 25

HEX #BF5EBD

RGB 191 94 189

HSL 301.24, 0.43%, 0.56%

LAB 54.82, 52.01, -32.92

 

Description

Color code: HEX #BF915E | qconv.com Color code: HEX #BF915E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 145 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 145 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 51% 25% C M Y K

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Provide designers and agencies with accurate color values.

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