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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9C62 it is the complementary color #40639D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9C62 shade: #C49C5D, #D5AE70, #E6C083, #F7D296 and #FFE4A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9C62 shade: #BF9C62, #AE8A4F, #9D783C, #8C6629 and #7B5416

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9C62 shade: #BF9C63, #BF8363, #BF6B63 and #BF6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9C62 shade: #BF9C63, #BFB563, #B0BF63, #97BF63 and #7EBF63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9C62 shade matches the following richer shades: #BF9C63, #D1A151, #E2A53F and #F4A92E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9C62 shade: #BF9C63, #AD9875, #9B9386, #8A8F98 and #788BAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9C62 shade: #BF6A63, #BF8363, #BF9C63, #BFB463 and #B1BF63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9C62 shade: #93723C, #B18948, #BF9C63, #CBAF80 and #D7C19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9C62 shade: #BF9C62, #74BF63 and #7763BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9C62 shade: #BF9C62, #63BF9C and #9C63BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9C62 shade: #BF9C62, #74BF63, #6386BF and #AE63BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9C62 shade: #BF9C62, #63BF6E, #6386BF and #BF63B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 49 / 25

HEX #BF9C62

RGB 191 156 98

HSL 37.42, 0.42%, 0.57%

LAB 66.32, 5.53, 35.13

 

Complementary color

CMYK 59 / 37 / 0 / 38

HEX #40639D

RGB 64 99 157

HSL 217.42, 0.42%, 0.43%

LAB 41.92, 5.71, -35.34

 

CMYK 0 / 20 / 53 / 23

HEX #C49C5D

RGB 196 156 93

HSL 36.7, 0.47%, 0.57%

LAB 66.75, 7.17, 38.4

 

CMYK 0 / 18 / 47 / 16

HEX #D5AE70

RGB 213 174 112

HSL 36.83, 0.55%, 0.64%

LAB 73.28, 6.32, 37.05

 

CMYK 0 / 17 / 43 / 10

HEX #E6C083

RGB 230 192 131

HSL 36.97, 0.66%, 0.71%

LAB 79.71, 5.59, 35.76

 

CMYK 0 / 15 / 39 / 3

HEX #F7D296

RGB 247 210 150

HSL 37.11, 0.86%, 0.78%

LAB 86.04, 4.96, 34.55

 

CMYK 0 / 11 / 34 / 0

HEX #FFE4A9

RGB 255 228 169

HSL 41.16, 1%, 0.83%

LAB 91.51, 0.97, 32.21

 

CMYK 0 / 18 / 49 / 25

HEX #BF9C62

RGB 191 156 98

HSL 37.42, 0.42%, 0.57%

LAB 66.32, 5.53, 35.13

 

CMYK 0 / 21 / 55 / 32

HEX #AE8A4F

RGB 174 138 79

HSL 37.26, 0.38%, 0.5%

LAB 59.65, 6.42, 36.51

 

CMYK 0 / 24 / 62 / 38

HEX #9D783C

RGB 157 120 60

HSL 37.11, 0.45%, 0.43%

LAB 52.87, 7.5, 37.92

 

CMYK 0 / 27 / 71 / 45

HEX #8C6629

RGB 140 102 41

HSL 36.97, 0.55%, 0.35%

LAB 45.96, 8.82, 39.26

 

CMYK 0 / 32 / 82 / 52

HEX #7B5416

RGB 123 84 22

HSL 36.83, 0.7%, 0.28%

LAB 38.91, 10.48, 40.19

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 31 / 48 / 25

HEX #BF8363

RGB 191 131 99

HSL 20.87, 0.42%, 0.57%

LAB 60.08, 19.39, 26.58

 

CMYK 0 / 44 / 48 / 25

HEX #BF6B63

RGB 191 107 99

HSL 5.22, 0.42%, 0.57%

LAB 54.55, 32.51, 19.22

 

CMYK 0 / 48 / 48 / 25

HEX #BF6363

RGB 191 99 99

HSL 0, 0.42%, 0.57%

LAB 52.84, 36.75, 16.91

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 5 / 48 / 25

HEX #BFB563

RGB 191 181 99

HSL 53.48, 0.42%, 0.57%

LAB 72.91, -7.72, 42.77

 

CMYK 8 / 0 / 48 / 25

HEX #B0BF63

RGB 176 191 99

HSL 69.78, 0.42%, 0.57%

LAB 74.44, -18.96, 44.35

 

CMYK 21 / 0 / 48 / 25

HEX #97BF63

RGB 151 191 99

HSL 86.09, 0.42%, 0.57%

LAB 72.72, -28.72, 41.86

 

CMYK 34 / 0 / 48 / 25

HEX #7EBF63

RGB 126 191 99

HSL 102.39, 0.42%, 0.57%

LAB 71.28, -37.73, 39.77

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 23 / 61 / 18

HEX #D1A151

RGB 209 161 81

HSL 37.5, 0.58%, 0.57%

LAB 69.21, 9.03, 47.68

 

CMYK 0 / 27 / 72 / 11

HEX #E2A53F

RGB 226 165 63

HSL 37.55, 0.74%, 0.57%

LAB 71.85, 13.09, 59.24

 

CMYK 0 / 31 / 81 / 4

HEX #F4A92E

RGB 244 169 46

HSL 37.27, 0.9%, 0.57%

LAB 74.7, 17.95, 69.03

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 12 / 32 / 32

HEX #AD9875

RGB 173 152 117

HSL 37.5, 0.25%, 0.57%

LAB 63.86, 2.44, 21.3

 

CMYK 0 / 5 / 14 / 39

HEX #9B9386

RGB 155 147 134

HSL 37.14, 0.1%, 0.57%

LAB 61.27, 0.64, 7.93

 

CMYK 9 / 6 / 0 / 40

HEX #8A8F98

RGB 138 143 152

HSL 218.57, 0.06%, 0.57%

LAB 59.26, 0.04, -5.4

 

CMYK 29 / 18 / 0 / 33

HEX #788BAA

RGB 120 139 170

HSL 217.2, 0.23%, 0.57%

LAB 57.43, 0.57, -18.59

 

CMYK 0 / 45 / 48 / 25

HEX #BF6A63

RGB 191 106 99

HSL 4.57, 0.42%, 0.57%

LAB 54.33, 33.05, 18.93

 

CMYK 0 / 31 / 48 / 25

HEX #BF8363

RGB 191 131 99

HSL 20.87, 0.42%, 0.57%

LAB 60.08, 19.39, 26.58

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 6 / 48 / 25

HEX #BFB463

RGB 191 180 99

HSL 52.83, 0.42%, 0.57%

LAB 72.64, -7.19, 42.45

 

CMYK 7 / 0 / 48 / 25

HEX #B1BF63

RGB 177 191 99

HSL 69.13, 0.42%, 0.57%

LAB 74.51, -18.56, 44.46

 

CMYK 0 / 22 / 59 / 42

HEX #93723C

RGB 147 114 60

HSL 37.24, 0.42%, 0.41%

LAB 50.17, 6.43, 34.49

 

CMYK 0 / 23 / 59 / 31

HEX #B18948

RGB 177 137 72

HSL 37.14, 0.42%, 0.49%

LAB 59.62, 7.71, 40.18

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 14 / 37 / 20

HEX #CBAF80

RGB 203 175 128

HSL 37.6, 0.42%, 0.65%

LAB 72.84, 3.45, 27.86

 

CMYK 0 / 10 / 27 / 16

HEX #D7C19D

RGB 215 193 157

HSL 37.24, 0.42%, 0.73%

LAB 79.05, 2.3, 20.99

 

CMYK 0 / 18 / 49 / 25

HEX #BF9C62

RGB 191 156 98

HSL 37.42, 0.42%, 0.57%

LAB 66.32, 5.53, 35.13

 

CMYK 39 / 0 / 48 / 25

HEX #74BF63

RGB 116 191 99

HSL 108.91, 0.42%, 0.57%

LAB 70.78, -41.04, 39.04

 

CMYK 38 / 48 / 0 / 25

HEX #7763BF

RGB 119 99 191

HSL 253.04, 0.42%, 0.57%

LAB 47.76, 29.69, -45.76

 

CMYK 0 / 18 / 49 / 25

HEX #BF9C62

RGB 191 156 98

HSL 37.42, 0.42%, 0.57%

LAB 66.32, 5.53, 35.13

 

CMYK 48 / 0 / 18 / 25

HEX #63BF9C

RGB 99 191 156

HSL 157.17, 0.42%, 0.57%

LAB 71.09, -35.79, 9.28

 

CMYK 18 / 48 / 0 / 25

HEX #9C63BF

RGB 156 99 191

HSL 277.17, 0.42%, 0.57%

LAB 51.56, 39.81, -39.5

 

CMYK 0 / 18 / 49 / 25

HEX #BF9C62

RGB 191 156 98

HSL 37.42, 0.42%, 0.57%

LAB 66.32, 5.53, 35.13

 

CMYK 39 / 0 / 48 / 25

HEX #74BF63

RGB 116 191 99

HSL 108.91, 0.42%, 0.57%

LAB 70.78, -41.04, 39.04

 

CMYK 48 / 30 / 0 / 25

HEX #6386BF

RGB 99 134 191

HSL 217.17, 0.42%, 0.57%

LAB 55.55, 3.52, -33.58

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

CMYK 0 / 18 / 49 / 25

HEX #BF9C62

RGB 191 156 98

HSL 37.42, 0.42%, 0.57%

LAB 66.32, 5.53, 35.13

 

CMYK 48 / 0 / 42 / 25

HEX #63BF6E

RGB 99 191 110

HSL 127.17, 0.42%, 0.57%

LAB 70.2, -44.55, 32.58

 

CMYK 48 / 30 / 0 / 25

HEX #6386BF

RGB 99 134 191

HSL 217.17, 0.42%, 0.57%

LAB 55.55, 3.52, -33.58

 

CMYK 0 / 48 / 6 / 25

HEX #BF63B4

RGB 191 99 180

HSL 307.17, 0.42%, 0.57%

LAB 55.38, 47.93, -26.87

 

Description

Color code: HEX #BF9C62 | qconv.com Color code: HEX #BF9C62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 156 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 156 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 49 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 49% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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