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Color name
HEX #BFA266

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA266 it is the complementary color #405D99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA266 shade: #C4A261, #D5B474, #E6C687, #F7D89A and #FFEAAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA266 shade: #BFA266, #AE9053, #9D7E40, #8C6C2D and #7B5A1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA266 shade: #BEA164, #BE8864, #BE7064 and #BE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA266 shade: #BEA164, #BEB964, #ABBE64, #92BE64 and #7ABE64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA266 shade matches the following richer shades: #BEA164, #D0A752, #E1AD40 and #F3B32F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA266 shade: #BEA164, #AC9A76, #9A9487, #898E99 and #7788AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA266 shade: #BE7064, #BE8864, #BEA064, #BEB864 and #ACBE64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA266 shade: #92763D, #AF8E49, #BEA164, #CAB281 and #D6C49E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA266 shade: #BFA266, #70BE64 and #7C64BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA266 shade: #BFA266, #64BEA0 and #A064BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA266 shade: #BFA266, #70BE64, #6482BE and #B264BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA266 shade: #BFA266, #64BE73, #6482BE and #BE64AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 47 / 25

HEX #BFA266

RGB 191 162 102

HSL 40.45, 0.41%, 0.57%

LAB 67.93, 2.67, 35.06

 

Complementary color

CMYK 58 / 39 / 0 / 40

HEX #405D99

RGB 64 93 153

HSL 220.45, 0.41%, 0.43%

LAB 39.95, 8.13, -36.07

 

CMYK 0 / 17 / 51 / 23

HEX #C4A261

RGB 196 162 97

HSL 39.39, 0.46%, 0.57%

LAB 68.34, 4.29, 38.29

 

CMYK 0 / 15 / 46 / 16

HEX #D5B474

RGB 213 180 116

HSL 39.59, 0.54%, 0.65%

LAB 74.86, 3.53, 36.98

 

CMYK 0 / 14 / 41 / 10

HEX #E6C687

RGB 230 198 135

HSL 39.79, 0.66%, 0.72%

LAB 81.27, 2.87, 35.73

 

CMYK 0 / 13 / 38 / 3

HEX #F7D89A

RGB 247 216 154

HSL 40, 0.85%, 0.79%

LAB 87.59, 2.31, 34.54

 

CMYK 0 / 8 / 32 / 0

HEX #FFEAAD

RGB 255 234 173

HSL 44.63, 1%, 0.84%

LAB 93.07, -1.59, 32.26

 

CMYK 0 / 15 / 47 / 25

HEX #BFA266

RGB 191 162 102

HSL 40.45, 0.41%, 0.57%

LAB 67.93, 2.67, 35.06

 

CMYK 0 / 17 / 52 / 32

HEX #AE9053

RGB 174 144 83

HSL 40.22, 0.36%, 0.5%

LAB 61.28, 3.46, 36.4

 

CMYK 0 / 20 / 59 / 38

HEX #9D7E40

RGB 157 126 64

HSL 40, 0.42%, 0.43%

LAB 54.51, 4.41, 37.77

 

CMYK 0 / 23 / 68 / 45

HEX #8C6C2D

RGB 140 108 45

HSL 39.79, 0.51%, 0.36%

LAB 47.61, 5.59, 39.08

 

CMYK 0 / 27 / 79 / 52

HEX #7B5A1A

RGB 123 90 26

HSL 39.59, 0.65%, 0.29%

LAB 40.57, 7.07, 40.07

 

CMYK 0 / 15 / 47 / 25

HEX #BEA164

RGB 190 161 100

HSL 40.67, 0.41%, 0.57%

LAB 67.54, 2.6, 35.6

 

CMYK 0 / 28 / 47 / 25

HEX #BE8864

RGB 190 136 100

HSL 24, 0.41%, 0.57%

LAB 61.2, 16.31, 27.47

 

CMYK 0 / 41 / 47 / 25

HEX #BE7064

RGB 190 112 100

HSL 8, 0.41%, 0.57%

LAB 55.54, 29.52, 19.96

 

CMYK 0 / 47 / 47 / 25

HEX #BE6464

RGB 190 100 100

HSL 0, 0.41%, 0.57%

LAB 52.93, 35.95, 16.42

 

CMYK 0 / 15 / 47 / 25

HEX #BEA164

RGB 190 161 100

HSL 40.67, 0.41%, 0.57%

LAB 67.54, 2.6, 35.6

 

CMYK 0 / 3 / 47 / 25

HEX #BEB964

RGB 190 185 100

HSL 56.67, 0.41%, 0.57%

LAB 73.91, -10.11, 43.47

 

CMYK 10 / 0 / 47 / 25

HEX #ABBE64

RGB 171 190 100

HSL 72.67, 0.41%, 0.57%

LAB 73.81, -20.35, 43.01

 

CMYK 23 / 0 / 47 / 25

HEX #92BE64

RGB 146 190 100

HSL 89.33, 0.41%, 0.57%

LAB 72.13, -30.01, 40.57

 

CMYK 36 / 0 / 47 / 25

HEX #7ABE64

RGB 122 190 100

HSL 105.33, 0.41%, 0.57%

LAB 70.79, -38.5, 38.62

 

CMYK 0 / 15 / 47 / 25

HEX #BEA164

RGB 190 161 100

HSL 40.67, 0.41%, 0.57%

LAB 67.54, 2.6, 35.6

 

CMYK 0 / 20 / 61 / 18

HEX #D0A752

RGB 208 167 82

HSL 40.48, 0.57%, 0.57%

LAB 70.63, 5.46, 48.8

 

CMYK 0 / 23 / 72 / 12

HEX #E1AD40

RGB 225 173 64

HSL 40.62, 0.73%, 0.57%

LAB 73.72, 8.45, 60.68

 

CMYK 0 / 26 / 81 / 5

HEX #F3B32F

RGB 243 179 47

HSL 40.41, 0.89%, 0.57%

LAB 76.98, 12.3, 70.67

 

CMYK 0 / 15 / 47 / 25

HEX #BEA164

RGB 190 161 100

HSL 40.67, 0.41%, 0.57%

LAB 67.54, 2.6, 35.6

 

CMYK 0 / 10 / 31 / 33

HEX #AC9A76

RGB 172 154 118

HSL 40, 0.25%, 0.57%

LAB 64.31, 1.07, 21.35

 

CMYK 0 / 4 / 12 / 40

HEX #9A9487

RGB 154 148 135

HSL 41.05, 0.09%, 0.57%

LAB 61.48, -0.13, 7.65

 

CMYK 10 / 7 / 0 / 40

HEX #898E99

RGB 137 142 153

HSL 221.25, 0.07%, 0.57%

LAB 58.94, 0.46, -6.46

 

CMYK 30 / 20 / 0 / 33

HEX #7788AB

RGB 119 136 171

HSL 220.38, 0.24%, 0.57%

LAB 56.56, 2.24, -20.49

 

CMYK 0 / 41 / 47 / 25

HEX #BE7064

RGB 190 112 100

HSL 8, 0.41%, 0.57%

LAB 55.54, 29.52, 19.96

 

CMYK 0 / 28 / 47 / 25

HEX #BE8864

RGB 190 136 100

HSL 24, 0.41%, 0.57%

LAB 61.2, 16.31, 27.47

 

CMYK 0 / 16 / 47 / 25

HEX #BEA064

RGB 190 160 100

HSL 40, 0.41%, 0.57%

LAB 67.28, 3.14, 35.27

 

CMYK 0 / 3 / 47 / 25

HEX #BEB864

RGB 190 184 100

HSL 56, 0.41%, 0.57%

LAB 73.64, -9.59, 43.15

 

CMYK 9 / 0 / 47 / 25

HEX #ACBE64

RGB 172 190 100

HSL 72, 0.41%, 0.57%

LAB 73.88, -19.96, 43.11

 

CMYK 0 / 19 / 58 / 43

HEX #92763D

RGB 146 118 61

HSL 40.24, 0.41%, 0.41%

LAB 51.16, 3.78, 35.1

 

CMYK 0 / 19 / 58 / 31

HEX #AF8E49

RGB 175 142 73

HSL 40.59, 0.41%, 0.49%

LAB 60.73, 4.14, 40.91

 

CMYK 0 / 15 / 47 / 25

HEX #BEA164

RGB 190 161 100

HSL 40.67, 0.41%, 0.57%

LAB 67.54, 2.6, 35.6

 

CMYK 0 / 12 / 36 / 21

HEX #CAB281

RGB 202 178 129

HSL 40.27, 0.41%, 0.65%

LAB 73.53, 1.57, 28.24

 

CMYK 0 / 8 / 26 / 16

HEX #D6C49E

RGB 214 196 158

HSL 40.71, 0.41%, 0.73%

LAB 79.75, 0.47, 21.4

 

CMYK 0 / 15 / 47 / 25

HEX #BFA266

RGB 191 162 102

HSL 40.45, 0.41%, 0.57%

LAB 67.93, 2.67, 35.06

 

CMYK 41 / 0 / 47 / 25

HEX #70BE64

RGB 112 190 100

HSL 112, 0.41%, 0.57%

LAB 70.31, -41.74, 37.91

 

CMYK 35 / 47 / 0 / 25

HEX #7C64BE

RGB 124 100 190

HSL 256, 0.41%, 0.57%

LAB 48.41, 30.14, -44.12

 

CMYK 0 / 15 / 47 / 25

HEX #BFA266

RGB 191 162 102

HSL 40.45, 0.41%, 0.57%

LAB 67.93, 2.67, 35.06

 

CMYK 47 / 0 / 16 / 25

HEX #64BEA0

RGB 100 190 160

HSL 160, 0.41%, 0.57%

LAB 70.92, -34.18, 6.87

 

CMYK 16 / 47 / 0 / 25

HEX #A064BE

RGB 160 100 190

HSL 280, 0.41%, 0.57%

LAB 52.18, 40.18, -37.91

 

CMYK 0 / 15 / 47 / 25

HEX #BFA266

RGB 191 162 102

HSL 40.45, 0.41%, 0.57%

LAB 67.93, 2.67, 35.06

 

CMYK 41 / 0 / 47 / 25

HEX #70BE64

RGB 112 190 100

HSL 112, 0.41%, 0.57%

LAB 70.31, -41.74, 37.91

 

CMYK 47 / 32 / 0 / 25

HEX #6482BE

RGB 100 130 190

HSL 220, 0.41%, 0.57%

LAB 54.44, 5.83, -34.73

 

CMYK 6 / 47 / 0 / 25

HEX #B264BE

RGB 178 100 190

HSL 292, 0.41%, 0.57%

LAB 54.34, 45.41, -34.37

 

CMYK 0 / 15 / 47 / 25

HEX #BFA266

RGB 191 162 102

HSL 40.45, 0.41%, 0.57%

LAB 67.93, 2.67, 35.06

 

CMYK 47 / 0 / 39 / 25

HEX #64BE73

RGB 100 190 115

HSL 130, 0.41%, 0.57%

LAB 70.02, -43.04, 29.75

 

CMYK 47 / 32 / 0 / 25

HEX #6482BE

RGB 100 130 190

HSL 220, 0.41%, 0.57%

LAB 54.44, 5.83, -34.73

 

CMYK 0 / 47 / 8 / 25

HEX #BE64AF

RGB 190 100 175

HSL 310, 0.41%, 0.57%

LAB 55.23, 46.25, -24.21

 

Description

Color code: HEX #BFA266 | qconv.com Color code: HEX #BFA266 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 162 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 162 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 47 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 47% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - Axilon Law Group, PL...
Link: http://www.axilonlaw.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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