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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA291 it is the complementary color #405D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA291 shade: #C4A28C, #D5B49F, #E6C6B2, #F7D8C5 and #FFEAD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA291 shade: #BFA291, #AE907E, #9D7E6B, #8C6C58 and #7B5A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA291 shade: #BEA291, #BE9691 and #BE9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA291 shade: #BEA291, #BEAE91, #BEBA91, #B6BE91 and #AABE91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA291 shade matches the following richer shades: #BEA291, #CC9E83, #DA9B75, #E89767 and #F69359

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA291 shade: #BEA291, #B0A69F, #A2A9AD, #94ADBB and #86B1C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA291 shade: #BE9199, #BE9691, #BEA291, #BEAE91 and #BEBA91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA291 shade: #A0765E, #AF8C77, #BEA291, #CEB8AB and #DDCEC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA291 shade: #BFA291, #A5BE91 and #9193BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA291 shade: #BFA291, #91BEA2 and #A291BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA291 shade: #BFA291, #A5BE91, #91AEBE and #AB91BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA291 shade: #BFA291, #97BE91, #91AEBE and #B891BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 24 / 25

HEX #BFA291

RGB 191 162 145

HSL 22.17, 0.26%, 0.66%

LAB 68.72, 7.99, 12.79

 

Complementary color

CMYK 42 / 15 / 0 / 57

HEX #405D6E

RGB 64 93 110

HSL 202.17, 0.26%, 0.34%

LAB 37.92, -5.86, -13.06

 

CMYK 0 / 17 / 29 / 23

HEX #C4A28C

RGB 196 162 140

HSL 23.57, 0.32%, 0.66%

LAB 69.09, 9.23, 16.13

 

CMYK 0 / 15 / 25 / 16

HEX #D5B49F

RGB 213 180 159

HSL 23.33, 0.39%, 0.73%

LAB 75.63, 8.71, 15.13

 

CMYK 0 / 14 / 23 / 10

HEX #E6C6B2

RGB 230 198 178

HSL 23.08, 0.51%, 0.8%

LAB 82.07, 8.25, 14.19

 

CMYK 0 / 13 / 20 / 3

HEX #F7D8C5

RGB 247 216 197

HSL 22.8, 0.76%, 0.87%

LAB 88.41, 7.84, 13.31

 

CMYK 0 / 8 / 15 / 0

HEX #FFEAD8

RGB 255 234 216

HSL 27.69, 1%, 0.92%

LAB 93.91, 4.27, 11.31

 

CMYK 0 / 15 / 24 / 25

HEX #BFA291

RGB 191 162 145

HSL 22.17, 0.26%, 0.66%

LAB 68.72, 7.99, 12.79

 

CMYK 0 / 17 / 28 / 32

HEX #AE907E

RGB 174 144 126

HSL 22.5, 0.23%, 0.59%

LAB 62.04, 8.51, 13.79

 

CMYK 0 / 20 / 32 / 38

HEX #9D7E6B

RGB 157 126 107

HSL 22.8, 0.2%, 0.52%

LAB 55.23, 9.1, 14.88

 

CMYK 0 / 23 / 37 / 45

HEX #8C6C58

RGB 140 108 88

HSL 23.08, 0.23%, 0.45%

LAB 48.27, 9.8, 16.08

 

CMYK 0 / 27 / 44 / 52

HEX #7B5A45

RGB 123 90 69

HSL 23.33, 0.28%, 0.38%

LAB 41.14, 10.65, 17.43

 

CMYK 0 / 15 / 24 / 25

HEX #BEA291

RGB 190 162 145

HSL 22.67, 0.26%, 0.66%

LAB 68.63, 7.61, 12.65

 

CMYK 0 / 21 / 24 / 25

HEX #BE9691

RGB 190 150 145

HSL 6.67, 0.26%, 0.66%

LAB 65.6, 14.2, 8.35

 

CMYK 0 / 24 / 24 / 25

HEX #BE9191

RGB 190 145 145

HSL 0, 0.26%, 0.66%

LAB 64.36, 16.97, 6.58

 

CMYK 0 / 15 / 24 / 25

HEX #BEA291

RGB 190 162 145

HSL 22.67, 0.26%, 0.66%

LAB 68.63, 7.61, 12.65

 

CMYK 0 / 8 / 24 / 25

HEX #BEAE91

RGB 190 174 145

HSL 38.67, 0.26%, 0.66%

LAB 71.73, 1.1, 16.99

 

CMYK 0 / 2 / 24 / 25

HEX #BEBA91

RGB 190 186 145

HSL 54.67, 0.26%, 0.66%

LAB 74.89, -5.27, 21.35

 

CMYK 4 / 0 / 24 / 25

HEX #B6BE91

RGB 182 190 145

HSL 70.67, 0.26%, 0.66%

LAB 75.34, -10.41, 21.85

 

CMYK 11 / 0 / 24 / 25

HEX #AABE91

RGB 170 190 145

HSL 86.67, 0.26%, 0.66%

LAB 74.46, -14.88, 20.5

 

CMYK 0 / 15 / 24 / 25

HEX #BEA291

RGB 190 162 145

HSL 22.67, 0.26%, 0.66%

LAB 68.63, 7.61, 12.65

 

CMYK 0 / 23 / 36 / 20

HEX #CC9E83

RGB 204 158 131

HSL 22.19, 0.42%, 0.66%

LAB 68.7, 13.39, 20.67

 

CMYK 0 / 29 / 46 / 15

HEX #DA9B75

RGB 218 155 117

HSL 22.57, 0.58%, 0.66%

LAB 69.21, 19.07, 29.25

 

CMYK 0 / 35 / 56 / 9

HEX #E89767

RGB 232 151 103

HSL 22.33, 0.74%, 0.66%

LAB 69.66, 25.58, 37.64

 

CMYK 0 / 40 / 64 / 4

HEX #F69359

RGB 246 147 89

HSL 22.17, 0.9%, 0.66%

LAB 70.3, 32.28, 46.08

 

CMYK 0 / 15 / 24 / 25

HEX #BEA291

RGB 190 162 145

HSL 22.67, 0.26%, 0.66%

LAB 68.63, 7.61, 12.65

 

CMYK 0 / 6 / 10 / 31

HEX #B0A69F

RGB 176 166 159

HSL 24.71, 0.1%, 0.66%

LAB 68.76, 2.37, 4.9

 

CMYK 6 / 2 / 0 / 32

HEX #A2A9AD

RGB 162 169 173

HSL 201.82, 0.06%, 0.66%

LAB 68.81, -1.67, -2.92

 

CMYK 21 / 7 / 0 / 27

HEX #94ADBB

RGB 148 173 187

HSL 201.54, 0.22%, 0.66%

LAB 69.31, -5.51, -10.04

 

CMYK 33 / 12 / 0 / 21

HEX #86B1C9

RGB 134 177 201

HSL 201.49, 0.38%, 0.66%

LAB 69.99, -8.54, -16.82

 

CMYK 0 / 24 / 19 / 25

HEX #BE9199

RGB 190 145 153

HSL 349.33, 0.26%, 0.66%

LAB 64.56, 18.2, 2.36

 

CMYK 0 / 21 / 24 / 25

HEX #BE9691

RGB 190 150 145

HSL 6.67, 0.26%, 0.66%

LAB 65.6, 14.2, 8.35

 

CMYK 0 / 15 / 24 / 25

HEX #BEA291

RGB 190 162 145

HSL 22.67, 0.26%, 0.66%

LAB 68.63, 7.61, 12.65

 

CMYK 0 / 8 / 24 / 25

HEX #BEAE91

RGB 190 174 145

HSL 38.67, 0.26%, 0.66%

LAB 71.73, 1.1, 16.99

 

CMYK 0 / 2 / 24 / 25

HEX #BEBA91

RGB 190 186 145

HSL 54.67, 0.26%, 0.66%

LAB 74.89, -5.27, 21.35

 

CMYK 0 / 26 / 41 / 37

HEX #A0765E

RGB 160 118 94

HSL 21.82, 0.26%, 0.5%

LAB 53.21, 13.24, 19.65

 

CMYK 0 / 20 / 32 / 31

HEX #AF8C77

RGB 175 140 119

HSL 22.5, 0.26%, 0.58%

LAB 60.96, 10.17, 16.25

 

CMYK 0 / 15 / 24 / 25

HEX #BEA291

RGB 190 162 145

HSL 22.67, 0.26%, 0.66%

LAB 68.63, 7.61, 12.65

 

CMYK 0 / 11 / 17 / 19

HEX #CEB8AB

RGB 206 184 171

HSL 22.29, 0.26%, 0.74%

LAB 76.28, 5.72, 9.45

 

CMYK 0 / 7 / 11 / 13

HEX #DDCEC5

RGB 221 206 197

HSL 22.5, 0.26%, 0.82%

LAB 83.73, 3.69, 6.33

 

CMYK 0 / 15 / 24 / 25

HEX #BFA291

RGB 191 162 145

HSL 22.17, 0.26%, 0.66%

LAB 68.72, 7.99, 12.79

 

CMYK 13 / 0 / 24 / 25

HEX #A5BE91

RGB 165 190 145

HSL 93.33, 0.26%, 0.66%

LAB 74.11, -16.72, 19.97

 

CMYK 24 / 23 / 0 / 25

HEX #9193BE

RGB 145 147 190

HSL 237.33, 0.26%, 0.66%

LAB 62.17, 8.72, -22.51

 

CMYK 0 / 15 / 24 / 25

HEX #BFA291

RGB 191 162 145

HSL 22.17, 0.26%, 0.66%

LAB 68.72, 7.99, 12.79

 

CMYK 24 / 0 / 15 / 25

HEX #91BEA2

RGB 145 190 162

HSL 142.67, 0.26%, 0.66%

LAB 73.19, -20.64, 9.32

 

CMYK 15 / 24 / 0 / 25

HEX #A291BE

RGB 162 145 190

HSL 262.67, 0.26%, 0.66%

LAB 63.05, 15.3, -21.04

 

CMYK 0 / 15 / 24 / 25

HEX #BFA291

RGB 191 162 145

HSL 22.17, 0.26%, 0.66%

LAB 68.72, 7.99, 12.79

 

CMYK 13 / 0 / 24 / 25

HEX #A5BE91

RGB 165 190 145

HSL 93.33, 0.26%, 0.66%

LAB 74.11, -16.72, 19.97

 

CMYK 24 / 8 / 0 / 25

HEX #91AEBE

RGB 145 174 190

HSL 201.33, 0.26%, 0.66%

LAB 69.48, -6.31, -11.46

 

CMYK 10 / 24 / 0 / 25

HEX #AB91BE

RGB 171 145 190

HSL 274.67, 0.26%, 0.66%

LAB 63.86, 18.27, -19.74

 

CMYK 0 / 15 / 24 / 25

HEX #BFA291

RGB 191 162 145

HSL 22.17, 0.26%, 0.66%

LAB 68.72, 7.99, 12.79

 

CMYK 21 / 0 / 24 / 25

HEX #97BE91

RGB 151 190 145

HSL 112, 0.26%, 0.66%

LAB 73.19, -21.71, 18.55

 

CMYK 24 / 8 / 0 / 25

HEX #91AEBE

RGB 145 174 190

HSL 201.33, 0.26%, 0.66%

LAB 69.48, -6.31, -11.46

 

CMYK 3 / 24 / 0 / 25

HEX #B891BE

RGB 184 145 190

HSL 292, 0.26%, 0.66%

LAB 65.09, 22.62, -17.76

 

Description

Color code: HEX #BFA291 | qconv.com Color code: HEX #BFA291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 162 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 162 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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