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Color name
HEX #BFAD16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFAD16 it is the complementary color #4052E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFAD16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFAD16 shade: #C4AD11, #D5BF24, #E6D137, #F7E34A and #FFF55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFAD16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFAD16 shade: #BFAD16, #AE9B03, #9D8900, #8C7700 and #7B6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFAD16 shade: #BFAD16, #BF8016, #BF5216, #BF2416 and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFAD16 shade: #BFAD16, #A4BF16, #76BF16, #48BF16 and #1BBF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFAD16 shade matches the following richer shades: #BFAD16 and #D1BB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFAD16 shade: #BFAD16, #AEA027, #9D9239, #8B844A and #7A775B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFAD16 shade: #BF5116, #BF7E16, #BFAB16, #A6BF16 and #79BF16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFAD16 shade: #756A0D, #9A8C12, #BFAD16, #E4CE1B and #E8D640

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFAD16 shade: #BFAD16, #16BF24 and #6816BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFAD16 shade: #BFAD16, #16BFAB and #AB16BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFAD16 shade: #BFAD16, #16BF24, #162ABF and #BF16B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFAD16 shade: #BFAD16, #16BF57, #162ABF and #BF167E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

Complementary color

CMYK 73 / 65 / 0 / 9

HEX #4052E9

RGB 64 82 233

HSL 233.61, 0.79%, 0.58%

LAB 42.77, 43.26, -78.04

 

CMYK 0 / 12 / 91 / 23

HEX #C4AD11

RGB 196 173 17

HSL 52.29, 0.84%, 0.42%

LAB 70.64, -5.71, 70.89

 

CMYK 0 / 10 / 83 / 16

HEX #D5BF24

RGB 213 191 36

HSL 52.54, 0.71%, 0.49%

LAB 77, -7.2, 72.68

 

CMYK 0 / 9 / 76 / 10

HEX #E6D137

RGB 230 209 55

HSL 52.8, 0.78%, 0.56%

LAB 83.28, -8.48, 73.31

 

CMYK 0 / 8 / 70 / 3

HEX #F7E34A

RGB 247 227 74

HSL 53.06, 0.92%, 0.63%

LAB 89.49, -9.57, 73.22

 

CMYK 0 / 4 / 64 / 0

HEX #FFF55D

RGB 255 245 93

HSL 56.3, 1%, 0.68%

LAB 94.89, -14.15, 71.7

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 0 / 11 / 98 / 32

HEX #AE9B03

RGB 174 155 3

HSL 53.33, 0.97%, 0.35%

LAB 63.71, -6.23, 66.73

 

CMYK 0 / 13 / 100 / 38

HEX #9D8900

RGB 157 137 0

HSL 52.36, 1%, 0.31%

LAB 57.13, -4.33, 61.71

 

CMYK 0 / 15 / 100 / 45

HEX #8C7700

RGB 140 119 0

HSL 51, 1%, 0.27%

LAB 50.42, -2.3, 56.15

 

CMYK 0 / 18 / 100 / 52

HEX #7B6500

RGB 123 101 0

HSL 49.27, 1%, 0.24%

LAB 43.53, -0.18, 50.47

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 0 / 33 / 88 / 25

HEX #BF8016

RGB 191 128 22

HSL 37.63, 0.79%, 0.42%

LAB 58.58, 16.5, 60.26

 

CMYK 0 / 57 / 88 / 25

HEX #BF5216

RGB 191 82 22

HSL 21.3, 0.79%, 0.42%

LAB 48.47, 40.95, 52.31

 

CMYK 0 / 81 / 88 / 25

HEX #BF2416

RGB 191 36 22

HSL 4.97, 0.79%, 0.42%

LAB 41.84, 58.9, 47.14

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 14 / 0 / 88 / 25

HEX #A4BF16

RGB 164 191 22

HSL 69.59, 0.79%, 0.42%

LAB 73.03, -28.52, 70.83

 

CMYK 38 / 0 / 88 / 25

HEX #76BF16

RGB 118 191 22

HSL 85.92, 0.79%, 0.42%

LAB 70.3, -46.37, 67.45

 

CMYK 62 / 0 / 88 / 25

HEX #48BF16

RGB 72 191 22

HSL 102.25, 0.79%, 0.42%

LAB 68.53, -59.95, 65.25

 

CMYK 86 / 0 / 88 / 25

HEX #1BBF16

RGB 27 191 22

HSL 118.22, 0.79%, 0.42%

LAB 67.69, -67.21, 64.19

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 0 / 11 / 98 / 18

HEX #D1BB05

RGB 209 187 5

HSL 53.53, 0.95%, 0.42%

LAB 75.52, -7.41, 76.55

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 0 / 8 / 78 / 32

HEX #AEA027

RGB 174 160 39

HSL 53.78, 0.63%, 0.42%

LAB 65.19, -8.04, 60.11

 

CMYK 0 / 7 / 64 / 38

HEX #9D9239

RGB 157 146 57

HSL 53.4, 0.47%, 0.42%

LAB 59.91, -7.16, 47.23

 

CMYK 0 / 5 / 47 / 45

HEX #8B844A

RGB 139 132 74

HSL 53.54, 0.31%, 0.42%

LAB 54.54, -5.99, 32.12

 

CMYK 0 / 2 / 25 / 52

HEX #7A775B

RGB 122 119 91

HSL 54.19, 0.15%, 0.42%

LAB 49.6, -3.78, 15.85

 

CMYK 0 / 58 / 88 / 25

HEX #BF5116

RGB 191 81 22

HSL 20.95, 0.79%, 0.42%

LAB 48.28, 41.44, 52.16

 

CMYK 0 / 34 / 88 / 25

HEX #BF7E16

RGB 191 126 22

HSL 36.92, 0.79%, 0.42%

LAB 58.09, 17.61, 59.87

 

CMYK 0 / 10 / 88 / 25

HEX #BFAB16

RGB 191 171 22

HSL 52.9, 0.79%, 0.42%

LAB 69.65, -6.79, 69.03

 

CMYK 13 / 0 / 88 / 25

HEX #A6BF16

RGB 166 191 22

HSL 68.88, 0.79%, 0.42%

LAB 73.17, -27.69, 71.01

 

CMYK 37 / 0 / 88 / 25

HEX #79BF16

RGB 121 191 22

HSL 84.85, 0.79%, 0.42%

LAB 70.44, -45.3, 67.64

 

CMYK 0 / 9 / 89 / 54

HEX #756A0D

RGB 117 106 13

HSL 53.65, 0.8%, 0.25%

LAB 44.4, -5.66, 47.73

 

CMYK 0 / 9 / 88 / 40

HEX #9A8C12

RGB 154 140 18

HSL 53.82, 0.79%, 0.34%

LAB 57.72, -7.03, 58.87

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 0 / 10 / 88 / 11

HEX #E4CE1B

RGB 228 206 27

HSL 53.43, 0.79%, 0.5%

LAB 82.23, -8.6, 79.43

 

CMYK 0 / 8 / 72 / 9

HEX #E8D640

RGB 232 214 64

HSL 53.57, 0.79%, 0.58%

LAB 84.8, -9.78, 71.79

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 88 / 0 / 81 / 25

HEX #16BF24

RGB 22 191 36

HSL 124.97, 0.79%, 0.42%

LAB 67.69, -66.97, 60.88

 

CMYK 46 / 88 / 0 / 25

HEX #6816BF

RGB 104 22 191

HSL 269.11, 0.79%, 0.42%

LAB 32.43, 63.82, -70.68

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 88 / 0 / 10 / 25

HEX #16BFAB

RGB 22 191 171

HSL 172.9, 0.79%, 0.42%

LAB 69.73, -43.67, -1.09

 

CMYK 10 / 88 / 0 / 25

HEX #AB16BF

RGB 171 22 191

HSL 292.9, 0.79%, 0.42%

LAB 42.75, 73.34, -53.41

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 88 / 0 / 81 / 25

HEX #16BF24

RGB 22 191 36

HSL 124.97, 0.79%, 0.42%

LAB 67.69, -66.97, 60.88

 

CMYK 88 / 78 / 0 / 25

HEX #162ABF

RGB 22 42 191

HSL 232.9, 0.79%, 0.42%

LAB 28.35, 49.23, -77.64

 

CMYK 0 / 88 / 7 / 25

HEX #BF16B1

RGB 191 22 177

HSL 304.97, 0.79%, 0.42%

LAB 45.39, 74.7, -40.76

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 88 / 0 / 54 / 25

HEX #16BF57

RGB 22 191 87

HSL 143.08, 0.79%, 0.42%

LAB 68.11, -61.8, 41.07

 

CMYK 88 / 78 / 0 / 25

HEX #162ABF

RGB 22 42 191

HSL 232.9, 0.79%, 0.42%

LAB 28.35, 49.23, -77.64

 

CMYK 0 / 88 / 34 / 25

HEX #BF167E

RGB 191 22 126

HSL 323.08, 0.79%, 0.42%

LAB 43, 68.34, -13.71

 

Description

Color code: HEX #BFAD16 | qconv.com Color code: HEX #BFAD16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 173 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 173 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 88% 25% C M Y K

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Provide designers and agencies with accurate color values.

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