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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFAF81 it is the complementary color #40507E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFAF81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFAF81 shade: #C4AF7C, #D5C18F, #E6D3A2, #F7E5B5 and #FFF7C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFAF81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFAF81 shade: #BFAF81, #AE9D6E, #9D8B5B, #8C7948 and #7B6735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFAF81 shade: #BFAF81, #BF9E81, #BF8E81 and #BF8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFAF81 shade: #BFAF81, #BFBF81, #AEBF81, #9DBF81 and #8CBF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFAF81 shade matches the following richer shades: #BFAF81, #CFB772, #DEBE62, #EDC553 and #FCCD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFAF81 shade: #BFAF81, #B0A890, #A1A0A0, #9199AF and #8292BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFAF81 shade: #BF8D81, #BF9E81, #BFAF81, #BFBF81 and #AFBF81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFAF81 shade: #9E8A4F, #B19E66, #BFAF81, #CDC19C and #DBD2B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFAF81 shade: #BFAF81, #85BF81 and #9681BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFAF81 shade: #BFAF81, #81BFAF and #AF81BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFAF81 shade: #BFAF81, #85BF81, #8192BF and #BB81BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFAF81 shade: #BFAF81, #81BF90, #8192BF and #BF81B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

Complementary color

CMYK 49 / 37 / 0 / 51

HEX #40507E

RGB 64 80 126

HSL 224.52, 0.33%, 0.37%

LAB 34.67, 7.36, -27.98

 

CMYK 0 / 11 / 37 / 23

HEX #C4AF7C

RGB 196 175 124

HSL 42.5, 0.38%, 0.63%

LAB 72.13, 0.16, 28.94

 

CMYK 0 / 9 / 33 / 16

HEX #D5C18F

RGB 213 193 143

HSL 42.86, 0.45%, 0.7%

LAB 78.62, -0.3, 27.78

 

CMYK 0 / 8 / 30 / 10

HEX #E6D3A2

RGB 230 211 162

HSL 43.24, 0.58%, 0.77%

LAB 85.01, -0.7, 26.7

 

CMYK 0 / 7 / 27 / 3

HEX #F7E5B5

RGB 247 229 181

HSL 43.64, 0.8%, 0.84%

LAB 91.3, -1.05, 25.67

 

CMYK 0 / 3 / 22 / 0

HEX #FFF7C8

RGB 255 247 200

HSL 51.27, 1%, 0.89%

LAB 96.8, -4.63, 23.6

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 10 / 37 / 32

HEX #AE9D6E

RGB 174 157 110

HSL 44.06, 0.28%, 0.56%

LAB 65.15, -0.77, 26.88

 

CMYK 0 / 11 / 42 / 38

HEX #9D8B5B

RGB 157 139 91

HSL 43.64, 0.27%, 0.49%

LAB 58.4, -0.24, 28.13

 

CMYK 0 / 14 / 49 / 45

HEX #8C7948

RGB 140 121 72

HSL 43.24, 0.32%, 0.42%

LAB 51.52, 0.42, 29.47

 

CMYK 0 / 16 / 57 / 52

HEX #7B6735

RGB 123 103 53

HSL 42.86, 0.4%, 0.35%

LAB 44.47, 1.25, 30.86

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 17 / 32 / 25

HEX #BF9E81

RGB 191 158 129

HSL 28.06, 0.33%, 0.63%

LAB 67.36, 7.97, 19.73

 

CMYK 0 / 26 / 32 / 25

HEX #BF8E81

RGB 191 142 129

HSL 12.58, 0.33%, 0.63%

LAB 63.35, 16.77, 14.18

 

CMYK 0 / 32 / 32 / 25

HEX #BF8181

RGB 191 129 129

HSL 0, 0.33%, 0.63%

LAB 60.21, 23.97, 9.78

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 0 / 32 / 25

HEX #BFBF81

RGB 191 191 129

HSL 60, 0.33%, 0.63%

LAB 76.02, -9.63, 31.35

 

CMYK 9 / 0 / 32 / 25

HEX #AEBF81

RGB 174 191 129

HSL 76.45, 0.33%, 0.63%

LAB 74.73, -16.22, 29.41

 

CMYK 18 / 0 / 32 / 25

HEX #9DBF81

RGB 157 191 129

HSL 92.9, 0.33%, 0.63%

LAB 73.56, -22.59, 27.64

 

CMYK 27 / 0 / 32 / 25

HEX #8CBF81

RGB 140 191 129

HSL 109.35, 0.33%, 0.63%

LAB 72.51, -28.64, 26.06

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 12 / 45 / 19

HEX #CFB772

RGB 207 183 114

HSL 44.52, 0.49%, 0.63%

LAB 75.04, -0.71, 38.13

 

CMYK 0 / 14 / 56 / 13

HEX #DEBE62

RGB 222 190 98

HSL 44.52, 0.65%, 0.63%

LAB 78.02, 0.38, 50.03

 

CMYK 0 / 17 / 65 / 7

HEX #EDC553

RGB 237 197 83

HSL 44.42, 0.81%, 0.63%

LAB 81.05, 1.97, 60.67

 

CMYK 0 / 19 / 73 / 1

HEX #FCCD44

RGB 252 205 68

HSL 44.67, 0.97%, 0.63%

LAB 84.37, 3.38, 70.56

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 5 / 18 / 31

HEX #B0A890

RGB 176 168 144

HSL 45, 0.17%, 0.63%

LAB 68.93, -1.19, 13.44

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 17 / 13 / 0 / 31

HEX #9199AF

RGB 145 153 175

HSL 224, 0.16%, 0.63%

LAB 63.26, 1.83, -12.42

 

CMYK 32 / 23 / 0 / 25

HEX #8292BE

RGB 130 146 190

HSL 224, 0.32%, 0.63%

LAB 60.8, 4.71, -24.71

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D81

RGB 191 141 129

HSL 11.61, 0.33%, 0.63%

LAB 63.1, 17.33, 13.84

 

CMYK 0 / 17 / 32 / 25

HEX #BF9E81

RGB 191 158 129

HSL 28.06, 0.33%, 0.63%

LAB 67.36, 7.97, 19.73

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 0 / 32 / 25

HEX #BFBF81

RGB 191 191 129

HSL 60, 0.33%, 0.63%

LAB 76.02, -9.63, 31.35

 

CMYK 8 / 0 / 32 / 25

HEX #AFBF81

RGB 175 191 129

HSL 75.48, 0.33%, 0.63%

LAB 74.8, -15.84, 29.51

 

CMYK 0 / 13 / 50 / 38

HEX #9E8A4F

RGB 158 138 79

HSL 44.81, 0.33%, 0.46%

LAB 58.05, -0.53, 34.18

 

CMYK 0 / 11 / 42 / 31

HEX #B19E66

RGB 177 158 102

HSL 44.8, 0.32%, 0.55%

LAB 65.56, -1, 31.77

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 0 / 6 / 24 / 20

HEX #CDC19C

RGB 205 193 156

HSL 45.31, 0.33%, 0.71%

LAB 78.18, -1.66, 20.18

 

CMYK 0 / 4 / 16 / 14

HEX #DBD2B8

RGB 219 210 184

HSL 44.57, 0.33%, 0.79%

LAB 84.28, -1.18, 14

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 30 / 0 / 32 / 25

HEX #85BF81

RGB 133 191 129

HSL 116.13, 0.33%, 0.63%

LAB 72.12, -31.02, 25.46

 

CMYK 21 / 32 / 0 / 25

HEX #9681BF

RGB 150 129 191

HSL 260.32, 0.33%, 0.63%

LAB 57.99, 20.89, -29.49

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 32 / 0 / 8 / 25

HEX #81BFAF

RGB 129 191 175

HSL 164.52, 0.33%, 0.63%

LAB 72.91, -23.41, 1.73

 

CMYK 8 / 32 / 0 / 25

HEX #AF81BF

RGB 175 129 191

HSL 284.52, 0.33%, 0.63%

LAB 60.41, 28.82, -25.56

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 30 / 0 / 32 / 25

HEX #85BF81

RGB 133 191 129

HSL 116.13, 0.33%, 0.63%

LAB 72.12, -31.02, 25.46

 

CMYK 32 / 24 / 0 / 25

HEX #8192BF

RGB 129 146 191

HSL 223.55, 0.33%, 0.63%

LAB 60.77, 4.68, -25.33

 

CMYK 2 / 32 / 0 / 25

HEX #BB81BF

RGB 187 129 191

HSL 296.13, 0.33%, 0.63%

LAB 61.68, 32.71, -23.5

 

CMYK 0 / 8 / 32 / 25

HEX #BFAF81

RGB 191 175 129

HSL 44.52, 0.33%, 0.63%

LAB 71.77, -1.22, 25.71

 

CMYK 32 / 0 / 25 / 25

HEX #81BF90

RGB 129 191 144

HSL 134.52, 0.33%, 0.63%

LAB 72.19, -29.71, 17.52

 

CMYK 32 / 24 / 0 / 25

HEX #8192BF

RGB 129 146 191

HSL 223.55, 0.33%, 0.63%

LAB 60.77, 4.68, -25.33

 

CMYK 0 / 32 / 7 / 25

HEX #BF81B1

RGB 191 129 177

HSL 313.55, 0.33%, 0.63%

LAB 61.61, 31.44, -15.61

 

Description

Color code: HEX #BFAF81 | qconv.com Color code: HEX #BFAF81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 175 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 175 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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