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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFAFBB it is the complementary color #405044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFAFBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFAFBB shade: #C4AFB6, #D5C1C9, #E6D3DC, #F7E5EF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFAFBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFAFBB shade: #BFAFBB, #AE9DA8, #9D8B95, #8C7982 and #7B676F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFAFBB shade: #BFAFBB, #BFAFB7, #BFAFB3 and #BFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFAFBB shade: #BFAFBB, #BFAFBF, #BAAFBF, #B6AFBF and #B2AFBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFAFBB shade matches the following richer shades: #BFAFBB, #CBA4C1, #D698C7, #E28DCC and #ED81D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFAFBB shade: #BFAFBB, #B3BBB5, #A8C6AF, #9CD2AA and #91DDA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFAFBB shade: #BBAFBF, #BFAFBF, #BFAFBB, #BFAFB7 and #BFAFB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFAFBB shade: #9A8194, #AD98A8, #BFAFBB, #D1C6CF and #E4DDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFAFBB shade: #BFAFBB, #BFB6AF and #AFBFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFAFBB shade: #BFAFBB, #BBBFAF and #AFBBBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFAFBB shade: #BFAFBB, #BFB6AF, #AFBFB3 and #AFB8BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFAFBB shade: #BFAFBB, #BFBBAF, #AFBFB3 and #AFB3BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

Complementary color

CMYK 20 / 0 / 15 / 69

HEX #405044

RGB 64 80 68

HSL 135, 0.11%, 0.28%

LAB 32.36, -9.06, 5.01

 

CMYK 0 / 11 / 7 / 23

HEX #C4AFB6

RGB 196 175 182

HSL 340, 0.15%, 0.73%

LAB 73.4, 8.75, -0.82

 

CMYK 0 / 9 / 6 / 16

HEX #D5C1C9

RGB 213 193 201

HSL 336, 0.19%, 0.8%

LAB 79.9, 8.42, -1.45

 

CMYK 0 / 8 / 4 / 10

HEX #E6D3DC

RGB 230 211 220

HSL 331.58, 0.28%, 0.86%

LAB 86.3, 8.11, -2.06

 

CMYK 0 / 7 / 3 / 3

HEX #F7E5EF

RGB 247 229 239

HSL 326.67, 0.53%, 0.93%

LAB 92.59, 7.82, -2.65

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 10 / 3 / 32

HEX #AE9DA8

RGB 174 157 168

HSL 321.18, 0.09%, 0.65%

LAB 66.47, 8.21, -3.46

 

CMYK 0 / 11 / 5 / 38

HEX #9D8B95

RGB 157 139 149

HSL 326.67, 0.08%, 0.58%

LAB 59.71, 8.57, -2.84

 

CMYK 0 / 14 / 7 / 45

HEX #8C7982

RGB 140 121 130

HSL 331.58, 0.08%, 0.51%

LAB 52.8, 8.96, -2.2

 

CMYK 0 / 16 / 10 / 52

HEX #7B676F

RGB 123 103 111

HSL 336, 0.09%, 0.44%

LAB 45.72, 9.42, -1.52

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 8 / 4 / 25

HEX #BFAFB7

RGB 191 175 183

HSL 330, 0.11%, 0.72%

LAB 72.99, 7.15, -2.01

 

CMYK 0 / 8 / 6 / 25

HEX #BFAFB3

RGB 191 175 179

HSL 345, 0.11%, 0.72%

LAB 72.89, 6.43, 0.03

 

CMYK 0 / 8 / 8 / 25

HEX #BFAFAF

RGB 191 175 175

HSL 0, 0.11%, 0.72%

LAB 72.78, 5.73, 2.07

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 8 / 0 / 25

HEX #BFAFBF

RGB 191 175 191

HSL 300, 0.11%, 0.72%

LAB 73.22, 8.63, -6.07

 

CMYK 3 / 8 / 0 / 25

HEX #BAAFBF

RGB 186 175 191

HSL 281.25, 0.11%, 0.72%

LAB 72.8, 6.89, -6.73

 

CMYK 5 / 8 / 0 / 25

HEX #B6AFBF

RGB 182 175 191

HSL 266.25, 0.11%, 0.72%

LAB 72.47, 5.52, -7.25

 

CMYK 7 / 8 / 0 / 25

HEX #B2AFBF

RGB 178 175 191

HSL 251.25, 0.11%, 0.72%

LAB 72.15, 4.15, -7.77

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 19 / 5 / 20

HEX #CBA4C1

RGB 203 164 193

HSL 315.38, 0.27%, 0.72%

LAB 71.62, 19.19, -9.42

 

CMYK 0 / 29 / 7 / 16

HEX #D698C7

RGB 214 152 199

HSL 314.52, 0.43%, 0.72%

LAB 70.09, 30.58, -14.92

 

CMYK 0 / 38 / 10 / 11

HEX #E28DCC

RGB 226 141 204

HSL 315.53, 0.59%, 0.72%

LAB 69.17, 41.28, -18.96

 

CMYK 0 / 46 / 11 / 7

HEX #ED81D2

RGB 237 129 210

HSL 315, 0.75%, 0.72%

LAB 68.28, 51.86, -23.52

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 4 / 0 / 3 / 27

HEX #B3BBB5

RGB 179 187 181

HSL 135, 0.06%, 0.72%

LAB 75.11, -3.9, 2.06

 

CMYK 15 / 0 / 12 / 22

HEX #A8C6AF

RGB 168 198 175

HSL 134, 0.21%, 0.72%

LAB 77.17, -14.55, 8.17

 

CMYK 26 / 0 / 19 / 18

HEX #9CD2AA

RGB 156 210 170

HSL 135.56, 0.38%, 0.72%

LAB 79.65, -25.46, 14.27

 

CMYK 34 / 0 / 26 / 13

HEX #91DDA4

RGB 145 221 164

HSL 135, 0.53%, 0.72%

LAB 82.06, -35.21, 20.71

 

CMYK 2 / 8 / 0 / 25

HEX #BBAFBF

RGB 187 175 191

HSL 285, 0.11%, 0.72%

LAB 72.88, 7.24, -6.6

 

CMYK 0 / 8 / 0 / 25

HEX #BFAFBF

RGB 191 175 191

HSL 300, 0.11%, 0.72%

LAB 73.22, 8.63, -6.07

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 8 / 4 / 25

HEX #BFAFB7

RGB 191 175 183

HSL 330, 0.11%, 0.72%

LAB 72.99, 7.15, -2.01

 

CMYK 0 / 8 / 6 / 25

HEX #BFAFB3

RGB 191 175 179

HSL 345, 0.11%, 0.72%

LAB 72.89, 6.43, 0.03

 

CMYK 0 / 16 / 4 / 40

HEX #9A8194

RGB 154 129 148

HSL 314.4, 0.11%, 0.55%

LAB 56.79, 12.98, -6.62

 

CMYK 0 / 12 / 3 / 32

HEX #AD98A8

RGB 173 152 168

HSL 314.29, 0.11%, 0.64%

LAB 65.1, 10.63, -5.5

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 5 / 1 / 18

HEX #D1C6CF

RGB 209 198 207

HSL 310.91, 0.11%, 0.8%

LAB 80.99, 5.44, -3.12

 

CMYK 0 / 3 / 1 / 11

HEX #E4DDE2

RGB 228 221 226

HSL 317.14, 0.11%, 0.88%

LAB 88.78, 3.27, -1.61

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 5 / 8 / 25

HEX #BFB6AF

RGB 191 182 175

HSL 26.25, 0.11%, 0.72%

LAB 74.59, 1.95, 4.69

 

CMYK 8 / 0 / 1 / 25

HEX #AFBFBD

RGB 175 191 189

HSL 172.5, 0.11%, 0.72%

LAB 76.1, -5.86, -0.88

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 2 / 0 / 8 / 25

HEX #BBBFAF

RGB 187 191 175

HSL 75, 0.11%, 0.72%

LAB 76.63, -4.27, 7.58

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 5 / 8 / 25

HEX #BFB6AF

RGB 191 182 175

HSL 26.25, 0.11%, 0.72%

LAB 74.59, 1.95, 4.69

 

CMYK 8 / 0 / 6 / 25

HEX #AFBFB3

RGB 175 191 179

HSL 135, 0.11%, 0.72%

LAB 75.84, -7.78, 4.17

 

CMYK 8 / 4 / 0 / 25

HEX #AFB8BF

RGB 175 184 191

HSL 206.25, 0.11%, 0.72%

LAB 74.29, -1.74, -4.63

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 0 / 2 / 8 / 25

HEX #BFBBAF

RGB 191 187 175

HSL 45, 0.11%, 0.72%

LAB 75.89, -0.72, 6.56

 

CMYK 8 / 0 / 6 / 25

HEX #AFBFB3

RGB 175 191 179

HSL 135, 0.11%, 0.72%

LAB 75.84, -7.78, 4.17

 

CMYK 8 / 6 / 0 / 25

HEX #AFB3BF

RGB 175 179 191

HSL 225, 0.11%, 0.72%

LAB 72.97, 0.96, -6.58

 

Description

Color code: HEX #BFAFBB | qconv.com Color code: HEX #BFAFBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 175 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 175 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 2 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 2% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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