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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB749 it is the complementary color #4048B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFB749 shade: #C4B744, #D5C957, #E6DB6A, #F7ED7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFB749 shade: #BFB749, #AEA536, #9D9323, #8C8110 and #7B6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFB749 shade: #BFB749, #BF9749, #BF7849, #BF5849 and #BF4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFB749 shade: #BFB749, #A7BF49, #87BF49, #68BF49 and #49BF4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFB749 shade matches the following richer shades: #BFB749, #D3C836, #E6D922 and #FAEA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFB749 shade: #BFB749, #ABA65D, #979571, #838485 and #707299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFB749 shade: #BF7649, #BF9649, #BFB549, #A9BF49 and #8ABF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFB749 shade: #87812F, #A59E3A, #BFB749, #CAC368 and #D4CF86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFB749 shade: #BFB749, #49BF57 and #8649BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFB749 shade: #BFB749, #49BFB5 and #B549BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFB749 shade: #BFB749, #49BF57, #4953BF and #BF49B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFB749 shade: #BFB749, #49BF7A, #4953BF and #BF498E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

Complementary color

CMYK 65 / 60 / 0 / 29

HEX #4048B6

RGB 64 72 182

HSL 235.93, 0.48%, 0.48%

LAB 36.18, 31.87, -59.38

 

CMYK 0 / 7 / 65 / 23

HEX #C4B744

RGB 196 183 68

HSL 53.91, 0.52%, 0.52%

LAB 73.56, -9.03, 57.98

 

CMYK 0 / 6 / 59 / 16

HEX #D5C957

RGB 213 201 87

HSL 54.29, 0.6%, 0.59%

LAB 79.96, -9.86, 57.11

 

CMYK 0 / 5 / 54 / 10

HEX #E6DB6A

RGB 230 219 106

HSL 54.68, 0.71%, 0.66%

LAB 86.27, -10.55, 56.07

 

CMYK 0 / 4 / 49 / 3

HEX #F7ED7D

RGB 247 237 125

HSL 55.08, 0.88%, 0.73%

LAB 92.5, -11.14, 54.95

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 0 / 5 / 69 / 32

HEX #AEA536

RGB 174 165 54

HSL 55.5, 0.53%, 0.45%

LAB 66.65, -9.97, 56.01

 

CMYK 0 / 6 / 78 / 38

HEX #9D9323

RGB 157 147 35

HSL 55.08, 0.64%, 0.38%

LAB 60.03, -8.89, 56.16

 

CMYK 0 / 8 / 89 / 45

HEX #8C8110

RGB 140 129 16

HSL 54.68, 0.79%, 0.31%

LAB 53.29, -7.55, 55.18

 

CMYK 0 / 10 / 100 / 52

HEX #7B6F00

RGB 123 111 0

HSL 54.15, 1%, 0.24%

LAB 46.42, -5.91, 52.52

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 0 / 21 / 62 / 25

HEX #BF9749

RGB 191 151 73

HSL 39.66, 0.48%, 0.52%

LAB 64.72, 6.17, 45.94

 

CMYK 0 / 37 / 62 / 25

HEX #BF7849

RGB 191 120 73

HSL 23.9, 0.48%, 0.52%

LAB 57.07, 23.23, 37.03

 

CMYK 0 / 54 / 62 / 25

HEX #BF5849

RGB 191 88 73

HSL 7.63, 0.48%, 0.52%

LAB 50.14, 40.22, 28.55

 

CMYK 0 / 62 / 62 / 25

HEX #BF4949

RGB 191 73 73

HSL 0, 0.48%, 0.52%

LAB 47.39, 47.41, 25.07

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 13 / 0 / 62 / 25

HEX #A7BF49

RGB 167 191 73

HSL 72.2, 0.48%, 0.52%

LAB 73.52, -24.86, 55.14

 

CMYK 29 / 0 / 62 / 25

HEX #87BF49

RGB 135 191 73

HSL 88.47, 0.48%, 0.52%

LAB 71.48, -37.31, 52.32

 

CMYK 46 / 0 / 62 / 25

HEX #68BF49

RGB 104 191 73

HSL 104.24, 0.48%, 0.52%

LAB 69.96, -47.84, 50.2

 

CMYK 62 / 0 / 61 / 25

HEX #49BF4B

RGB 73 191 75

HSL 121.02, 0.48%, 0.52%

LAB 68.89, -55.91, 47.81

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 0 / 5 / 74 / 17

HEX #D3C836

RGB 211 200 54

HSL 55.8, 0.64%, 0.52%

LAB 79.28, -12.03, 69.34

 

CMYK 0 / 6 / 85 / 10

HEX #E6D922

RGB 230 217 34

HSL 56.02, 0.8%, 0.52%

LAB 85.28, -13.12, 80.59

 

CMYK 0 / 6 / 94 / 2

HEX #FAEA0E

RGB 250 234 14

HSL 55.93, 0.96%, 0.52%

LAB 91.33, -13.4, 88.97

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 0 / 3 / 46 / 33

HEX #ABA65D

RGB 171 166 93

HSL 56.15, 0.32%, 0.52%

LAB 67.07, -8.74, 38.26

 

CMYK 0 / 1 / 25 / 41

HEX #979571

RGB 151 149 113

HSL 56.84, 0.15%, 0.52%

LAB 61.02, -5.36, 19.33

 

CMYK 2 / 1 / 0 / 48

HEX #838485

RGB 131 132 133

HSL 210, 0.01%, 0.52%

LAB 55.09, -0.17, -0.67

 

CMYK 27 / 25 / 0 / 40

HEX #707299

RGB 112 114 153

HSL 237.07, 0.17%, 0.52%

LAB 49.23, 8.35, -21.33

 

CMYK 0 / 38 / 62 / 25

HEX #BF7649

RGB 191 118 73

HSL 22.88, 0.48%, 0.52%

LAB 56.6, 24.32, 36.47

 

CMYK 0 / 21 / 62 / 25

HEX #BF9649

RGB 191 150 73

HSL 39.15, 0.48%, 0.52%

LAB 64.46, 6.71, 45.65

 

CMYK 0 / 5 / 62 / 25

HEX #BFB549

RGB 191 181 73

HSL 54.92, 0.48%, 0.52%

LAB 72.63, -9.81, 54.72

 

CMYK 12 / 0 / 62 / 25

HEX #A9BF49

RGB 169 191 73

HSL 71.19, 0.48%, 0.52%

LAB 73.66, -24.05, 55.33

 

CMYK 28 / 0 / 62 / 25

HEX #8ABF49

RGB 138 191 73

HSL 86.95, 0.48%, 0.52%

LAB 71.65, -36.2, 52.56

 

CMYK 0 / 4 / 65 / 47

HEX #87812F

RGB 135 129 47

HSL 55.91, 0.48%, 0.36%

LAB 53.01, -8.46, 43.79

 

CMYK 0 / 4 / 65 / 35

HEX #A59E3A

RGB 165 158 58

HSL 56.07, 0.48%, 0.44%

LAB 63.96, -9.99, 51.32

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 0 / 3 / 49 / 21

HEX #CAC368

RGB 202 195 104

HSL 55.71, 0.48%, 0.6%

LAB 77.63, -9.96, 46.24

 

CMYK 0 / 2 / 37 / 17

HEX #D4CF86

RGB 212 207 134

HSL 56.15, 0.48%, 0.68%

LAB 82.02, -9, 36.92

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 62 / 0 / 54 / 25

HEX #49BF57

RGB 73 191 87

HSL 127.12, 0.48%, 0.52%

LAB 69.02, -54.42, 42.38

 

CMYK 30 / 62 / 0 / 25

HEX #8649BF

RGB 134 73 191

HSL 271.02, 0.48%, 0.52%

LAB 43.65, 48.11, -52.25

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 62 / 0 / 5 / 25

HEX #49BFB5

RGB 73 191 181

HSL 174.92, 0.48%, 0.52%

LAB 70.88, -35.12, -4.77

 

CMYK 5 / 62 / 0 / 25

HEX #B549BF

RGB 181 73 191

HSL 294.92, 0.48%, 0.52%

LAB 49.92, 59.46, -41.88

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 62 / 0 / 54 / 25

HEX #49BF57

RGB 73 191 87

HSL 127.12, 0.48%, 0.52%

LAB 69.02, -54.42, 42.38

 

CMYK 62 / 57 / 0 / 25

HEX #4953BF

RGB 73 83 191

HSL 234.92, 0.48%, 0.52%

LAB 40.19, 29.47, -58.12

 

CMYK 0 / 62 / 7 / 25

HEX #BF49B1

RGB 191 73 177

HSL 307.12, 0.48%, 0.52%

LAB 50.71, 59.6, -32.39

 

CMYK 0 / 4 / 62 / 25

HEX #BFB749

RGB 191 183 73

HSL 55.93, 0.48%, 0.52%

LAB 73.17, -10.85, 55.3

 

CMYK 62 / 0 / 36 / 25

HEX #49BF7A

RGB 73 191 122

HSL 144.92, 0.48%, 0.52%

LAB 69.53, -48.76, 25.26

 

CMYK 62 / 57 / 0 / 25

HEX #4953BF

RGB 73 83 191

HSL 234.92, 0.48%, 0.52%

LAB 40.19, 29.47, -58.12

 

CMYK 0 / 62 / 26 / 25

HEX #BF498E

RGB 191 73 142

HSL 324.92, 0.48%, 0.52%

LAB 49.25, 54.41, -13.94

 

Description

Color code: HEX #BFB749 | qconv.com Color code: HEX #BFB749 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 183 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 183 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 62 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 62% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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